Samsung TL210 vs Sony W560
94 Imaging
34 Features
27 Overall
31
96 Imaging
36 Features
28 Overall
32
Samsung TL210 vs Sony W560 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3.5" Fixed Display
- ISO 80 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 27-135mm (F3.5-5.9) lens
- 177g - 99 x 59 x 20mm
- Announced January 2010
- Additionally Known as PL150
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 26-104mm (F2.7-5.7) lens
- 110g - 94 x 56 x 19mm
- Announced January 2011
Snapchat Adds Watermarks to AI-Created Images Compact Clash: Samsung TL210 vs Sony Cyber-shot DSC-W560 – An Experienced Eye’s Take
In the fast-evolving world of ultracompact cameras, picking the right model sometimes feels like choosing between your favorite ice cream flavor - both sweet but subtly different. Today, we're diving deep into a detailed, hands-on comparison of two budget-friendly compacts that debuted within a year of each other: the Samsung TL210 (also known as PL150) and the Sony Cyber-shot DSC-W560. These cameras might not turn heads like flagship mirrorless beasts, but they punch above their weight in portability and simple point-and-shoot photography. So, whether you’re a casual snapper, a travel junkie, or an enthusiast looking for an easy backup body, this guide unpacks everything you need to know.
Setting the Stage: What Are We Comparing?
Both cameras fall into the ultracompact category, emphasizing pocketability and ease of use over advanced controls or professional-grade specs. Yet their respective brands - Samsung and Sony - approach this segment with slightly different philosophies and licensing heritage.
Let’s begin by sizing them up physically because, as many of you know, size does matter - especially when it comes to pocket cams you’ll carry everywhere.

Size and Ergonomics: Fitting Comfortably in Your Hand (and Pocket)
Here, the Sony W560 clearly nudges ahead with smaller footprint and lighter weight - measuring 94x56x19 mm and tipping scales at 110g, versus Samsung’s bulkier 99x59x20 mm and 177g. This may seem trivial, but in daily carry and street shooting, lighter and smaller means a world of difference. I found the Sony less intrusive during urban wanders or quick family events, effortlessly slipping into jacket pockets or tiny bags.
Ergonomically, neither camera sports advanced grips or contoured bodies. The Samsung TL210 is chunkier, lending a more reassuring feel in my average-sized hands, although it did fatigue me over longer sessions. Button layout is simple on both, no surprises, but Samsung’s thicker body makes its controls more reachable without fumbling.
On top, let’s have a look at their control complexity and design.

Hands-On Controls and Interface: Simple, But Is It Intuitive?
Both cameras skimp on dedicated manual controls. No shutter speed dials, aperture rings, or exposure compensation - this is pure, unapologetic point-and-shoot territory. The TL210 is notably minimalistic with essential buttons, including a straightforward mode dial and a small zoom lever. Meanwhile, Sony’s W560 packs similar intuitive side controls with slightly quicker access to playback and menu options.
One subtle win for Sony is the inclusion of custom white balance - an unusual but appreciated feature for an ultracompact camera - allowing enthusiasts to tweak color accuracy beyond the auto defaults. Samsung forgoes this, relying entirely on presets that occasionally struggle under tricky lighting.
The 3.5” fixed screen on the Samsung is larger and thus marginally better for framing and reviewing shots, compared to Sony’s 3” Clear Photo LCD - sharper but physically smaller.

The screens themselves - not touch-enabled - are fairly reflective and suffer under harsh sunlight. But Samsung’s slightly bigger display made previewing photos easier, especially when adjusting for macro shots where accurate focus confirmation is key.
Sensor Technology & Image Quality: Is Bigger Always Better?
Let’s geek out for a moment here. Both feature 1/2.3" CCD sensors, roughly the same size - Samsung’s at 27.7 mm², Sony slightly larger at 28.07 mm². That tiny difference is inconsequential in real-world terms, but Sony edges ahead by offering 14 megapixels, versus 12 megapixels in the Samsung.

Higher resolution, however, does not guarantee better image quality. Both sensors come with anti-aliasing filters to reduce moiré patterns, but this generally softens fine details. I’ve tested both in controlled conditions and found Sony’s images possess marginally crisper detail, attributable to its slightly newer sensor and the BIONZ image processor, which manages noise reduction and sharpening adeptly.
Samsung’s TL210 uses a somewhat older processing pipeline - no surprise given its earlier 2010 release date - and tends to produce images with slightly flatter colors and less punch out of the camera. Colors are generally more muted unless tweaked afterward in post.
Low-light performance is another place where Sony benefits from a faster lens aperture (f/2.7 at wide vs f/3.5 on Samsung) and marginally better noise handling up to ISO 800. Beyond ISO 1600, neither ultracompact offers usable results - grain sets in, and detail evaporates swiftly.
Autofocus Performance: Precision Over Speed?
In ultracompact cameras, autofocus systems can often be the Achilles' heel - slow, hunting, or locking on the wrong subject. Both cameras employ contrast-detection AF, with no phase-detection or hybrid focusing technologies.
Sony stands out with 9 focus points scattered across the frame; Samsung offers a center-weighted AF with multi-area options - but fewer focus points and no face detection capabilities.
In daylight conditions, both focus swiftly and accurately on static subjects, like posed portraits or landscapes. However, when chasing moving subjects - or trying close macro work - I preferred Sony’s system for its marginally faster lock times and wider AF point coverage, giving a bit of wiggle room for creative framing.
Lens Quality: Zoom Range and Aperture
Here lies a classic trade-off. Samsung’s TL210 sports a slightly longer zoom with a 27-135 mm equivalent focal range (5x zoom), while Sony’s W560 has a 26-104 mm zoom (4x).
While Samsung’s extended reach theoretically gives you more framing versatility - say, squeezing distant subjects closer - this comes at the cost of narrower apertures at telephoto end (f/5.9 on Samsung vs f/5.7 on Sony). Neither lens is lightning-fast, but for casual use, both cover typical travel, landscape, and street shooting well.
Samsung does offer a modest macro mode, focusing down to 5 cm, which on paper is matched by Sony. In practice, Sony’s better edge-to-edge sharpness at the wide end makes it more appealing for close-up shots, especially flower and food photography.
Image Stabilization and Shutter Speed Capabilities
Both cameras feature optical image stabilization (OIS), crucial for reducing blur in handheld shots, especially at telephoto zoom or in dim light.
Samsung’s OIS combined with a shutter speed range of 8 to 1/2000 sec supports shooting in a wider range of lighting. Notably, Samsung’s longer minimum shutter speed of 8 seconds allows some rudimentary night or low-light handheld shooting - although the absence of manual exposure control limits creative use.
Sony’s shutter speed maxes out at 1/1600 sec with a minimum of 2 seconds, a tad more flexible for moderately long exposures. Combined with its faster lens, the Sony is a slight favorite for casual low-light snaps, but neither camera is a workhorse for creative long exposures or night photography.
Real-World Photography Genres: How Do They Stack Up?
Now, let’s take these cameras out of the lab and consider their real-world applicability across photographic styles.
Portrait Photography: Capturing Skin and Soul
Ultracompacts rarely shine in portrait work - limited control and smaller sensors restrict bokeh and dynamic range.
Samsung’s TL210 lacks advanced face or eye detection but benefits from its bigger lens zoom, allowing some isolation of the subject at longer focal lengths. That said, the relatively slow aperture and low resolution mean skin texture and fine detail aren’t as refined.
Sony’s W560, with extra megapixels and custom white balance, produces generally more pleasing skin tones straight from camera. The nine AF points help lock onto faces better in some lighting, even without dedicated detection algorithms.
Bottom line: Sony edges out for portraits if you want sharper images and subtle color control, but neither camera replaces a DSLR or mirrorless with larger sensors.
Landscape Photography: Dynamics and Details
Landscape shooters crave resolution, dynamic range, and weather sealing (for shockproof durability, think heavy seasonal hikers).
Neither Samsung nor Sony offers professional-level weather sealing. However, among budget ultracompacts, that’s par for the course. Both cameras produce decent dynamic range in good daylight; Sony’s additional megapixels provide slightly more cropping flexibility.
Samsung’s longer zoom doesn’t translate to extra landscape power, where wide angles matter most. Sony’s 26 mm wide lens edge is a marginal bonus here.
Manual exposure modes missing on both restrict creative control over ND filters or long exposure effects - so landscapes are basic snapshots.
Wildlife and Sports Photography: Speed, Tracking, and Burst Rates
With contrast AF, limited focus points, and sluggish frame rates (Samsung no continuous shooting; Sony 1 fps), these cameras are ill-suited for fast action or wildlife.
Tracking moving animals mid-flight? Forget about it. Jumping soccer players? You’ll miss more than you hit. The burst capabilities pale compared to mid-tier DSLRs or mirrorless cameras.
Street and Travel Photography: Discretion and Practicality
Here, the Sony W560’s compact size and lighter weight are significant advantages. Its smaller profile is less intimidating, perfect for candid street shots or travel snapshots where blending in is a virtue.
Samsung feels chunkier but offers a larger screen, which some users might prefer reviewing photos quickly without fuss.
Battery life isn’t explicitly documented for either, but Sony’s smaller battery likely gives fewer shots per charge compared to Samsung’s SLB-07B. Given ultracompacts often perform between 150-300 shots per charge, I recommend carrying spare batteries, particularly for trips.
Both cameras accept microSD or SD cards but Sony’s support for Sony-specific Memory Stick formats might require more care choosing storage media.
Macro Photography: Small Wonders
Both models claim 5 cm minimum focusing limits. From personal tests, Sony W560’s lens produces crisper edges and more consistent detail in macro mode than Samsung. While the optical stabilization helps reduce shake, the lack of focus stacking or manual AF limits close-up creativity.
Night and Astro Photography: Is There a Shooting Star?
Neither camera is ideal for astro or night photography due to sensor size, limited ISO performance (max 3200 with heavy noise), and no RAW support for deeper editing.
Samsung’s 8-second slowest shutter speed lets you try handheld moderate night shots, but noise is a spoiler. Sony’s slightly faster lens fares better but still falls short of enthusiasts’ needs.
Video Shooting: Moving Pictures with Limitations
Samsung’s TL210 records 720p HD at 30 or 15 fps in Motion JPEG format, an outdated codec that produces heavy files with limited editing flexibility.
Sony offers 720p at 30 fps in MPEG-4, slightly better compressed video for smoother workflow.
Neither features microphone or headphone jacks - so don’t expect professional audio quality.
Stabilization helps handheld shooting, but ultracompact cameras like these serve best for casual family videos rather than serious filmmaking.
Connectivity and Storage: How Connected Are They?
Samsung misses out on wireless features altogether, relying solely on USB 2.0 and HDMI for data transfer and playback.
Sony W560 introduces Eye-Fi card support, a neat albeit niche feature allowing wireless transfer if you invest in compatible SD cards - handy for quick image sharing without cables.
Neither camera supports Bluetooth, NFC, or GPS - no tagging your photos on the go.
Durability and Build Quality: How Tough Are They?
Both cameras lack environmental sealing or ruggedization - no waterproof, dustproof, shockproof, or freezeproof credentials.
If you’re clumsy or unpredictable with your gear, these are delicate companions; a protective case is necessary.
Cost vs Performance: The Value Equation
As of their last reported retail prices:
- Samsung TL210: ~$230
- Sony W560: ~$140
Sony emerges as the budget winner, offering better sensor resolution, faster lens, custom white balance, and wireless features for less cash. Samsung’s larger screen, longer zoom, and sturdier body might justify its slightly higher price for some buyers.
Our Final Scorecard: Who Wins Which Categories?
After taking both cameras through testing sessions and photo walks, here’s a quick performance map:
So, Which One Should You Buy?
Choose the Samsung TL210 if:
- You value a larger, easier-to-see LCD screen for reviewing shots.
- You want a longer zoom range for flexible framing.
- You prefer a heftier, more substantial grip and body.
- Price is less of a concern, and you’re okay with simpler image processing.
Opt for the Sony W560 if:
- Pocketability and lightweight design are musts.
- You prefer higher resolution images and a faster lens.
- Wireless photo transfer is appealing for quick social sharing.
- You want a better-balanced camera for portraits, travel, and street shooting at a lower price.
Parting Thoughts: Ultracompact Cameras in 2024 - Are They Worth It?
While both the Samsung TL210 and Sony W560 reflect solid engineering for their time and category, ultracompact cameras face stiff competition today from smartphone cameras that increasingly pack comparable sensors, faster processors, and vastly better connectivity and editing software.
However, for photographic purists, or those needing dedicated zoom versatility and optical image stabilization, these cameras still hold charm as pocketable, reliable companions.
Their limitations - no RAW support, lack of manual controls, weak video capabilities - remind us that they exist as convenience devices rather than creative tools.
Quick Summary for the On-the-Go Photographer
| Feature | Samsung TL210 | Sony W560 |
|---|---|---|
| Release Year | 2010 | 2011 |
| Weight | 177 g | 110 g |
| Sensor | 12 MP CCD, 1/2.3" | 14 MP CCD, 1/2.3" |
| Lens | 27–135 mm f/3.5–5.9 | 26–104 mm f/2.7–5.7 |
| LCD Screen | 3.5" fixed, 230k pixels | 3" fixed Clear Photo LCD, 230k pixels |
| Optical Image Stabilization | Yes | Yes |
| Max ISO | 3200 | 3200 |
| Video | 720p MJPEG | 720p MPEG-4 |
| Wireless | None | Eye-Fi card support |
| Price (approx.) | $230 | $140 |
In conclusion, both cameras serve their niche well for those craving ultracompact simplicity with respectable image quality. The Sony W560’s lightness, superior sensor resolution, and value price make it the more versatile everyday shooter. Yet, if you want a bigger screen and longer reach for casual zoom shots, Samsung’s TL210 remains a worthy contender despite its compromises.
No camera is perfect, but careful consideration of your priorities - weight, zoom, image quality, and budget - will steer you right. Remember, photography is as much about making images with the gear you have, as about what specs your camera advertises.
Happy shooting!
Samsung TL210 vs Sony W560 Specifications
| Samsung TL210 | Sony Cyber-shot DSC-W560 | |
|---|---|---|
| General Information | ||
| Brand Name | Samsung | Sony |
| Model type | Samsung TL210 | Sony Cyber-shot DSC-W560 |
| Also called as | PL150 | - |
| Class | Ultracompact | Ultracompact |
| Announced | 2010-01-06 | 2011-01-06 |
| Physical type | Ultracompact | Ultracompact |
| Sensor Information | ||
| Powered by | - | BIONZ |
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.08 x 4.56mm | 6.17 x 4.55mm |
| Sensor surface area | 27.7mm² | 28.1mm² |
| Sensor resolution | 12MP | 14MP |
| Anti alias filter | ||
| Aspect ratio | 4:3 and 16:9 | 4:3 and 16:9 |
| Maximum resolution | 4000 x 3000 | 4320 x 3240 |
| Maximum native ISO | 3200 | 3200 |
| Lowest native ISO | 80 | 80 |
| RAW support | ||
| Autofocusing | ||
| Manual focusing | ||
| Autofocus touch | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Autofocus center weighted | ||
| Autofocus multi area | ||
| Autofocus live view | ||
| Face detect autofocus | ||
| Contract detect autofocus | ||
| Phase detect autofocus | ||
| Total focus points | - | 9 |
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 27-135mm (5.0x) | 26-104mm (4.0x) |
| Largest aperture | f/3.5-5.9 | f/2.7-5.7 |
| Macro focusing distance | 5cm | 5cm |
| Focal length multiplier | 5.9 | 5.8 |
| Screen | ||
| Type of display | Fixed Type | Fixed Type |
| Display size | 3.5 inch | 3 inch |
| Display resolution | 230k dots | 230k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Display tech | - | Clear Photo LCD |
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Lowest shutter speed | 8 secs | 2 secs |
| Highest shutter speed | 1/2000 secs | 1/1600 secs |
| Continuous shooting rate | - | 1.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Change white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash distance | 3.40 m | 3.80 m |
| Flash settings | Auto, On, Off, Red-Eye, Fill-in, Slow Sync | Auto, On, Off, Slow Sync |
| External flash | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (30, 15 fps), 640 x 480 (30, 15 fps), 320 x 240 (60, 30 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Maximum video resolution | 1280x720 | 1280x720 |
| Video data format | Motion JPEG | MPEG-4 |
| Microphone port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | None | Eye-Fi Connected |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 177g (0.39 lb) | 110g (0.24 lb) |
| Dimensions | 99 x 59 x 20mm (3.9" x 2.3" x 0.8") | 94 x 56 x 19mm (3.7" x 2.2" x 0.7") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery ID | SLB-07B | NP-BN1 |
| Self timer | Yes (2 or 10 sec, Double, Motion) | Yes (2 or 10 sec, Portrait 1/2) |
| Time lapse shooting | ||
| Storage type | MicroSD/ MicroSDHC, Internal | SD/SDHC/SDXC/Memory Stick Duo/Memory Stick Pro Duo, Memory Stick Pro-HG Duo |
| Card slots | Single | Single |
| Retail cost | $230 | $139 |