Samsung TL225 vs Sony A6100
94 Imaging
34 Features
33 Overall
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81 Imaging
69 Features
88 Overall
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Samsung TL225 vs Sony A6100 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3.5" Fixed Display
- ISO 80 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 27-124mm (F3.5-5.9) lens
- 187g - 100 x 60 x 19mm
- Released August 2009
- Alternative Name is ST550
(Full Review)
- 24MP - APS-C Sensor
- 3" Tilting Display
- ISO 100 - 32000 (Bump to 51200)
- 3840 x 2160 video
- Sony E Mount
- 396g - 120 x 67 x 59mm
- Released August 2019

Samsung TL225 vs Sony A6100: An In-Depth Comparison for Photography Enthusiasts
Choosing the right camera out of two very different options requires careful consideration, especially when they span a decade of technological advancements. Today, I’m taking a close look at two compact cameras from different eras and with very distinct user profiles: the Samsung TL225, an ultracompact point-and-shoot from 2009, and the Sony Alpha A6100, a modern, versatile mirrorless camera launched in 2019. Whether you’re just getting serious about photography or a seasoned professional seeking a second or travel-friendly body, this detailed comparison will help you weigh their strengths, weaknesses, and suitability across various photographic styles.
First Impressions: Size, Handling, and Design Philosophy
Let’s start by talking about physicality - something you immediately notice when holding these cameras.
The Samsung TL225 is an ultracompact camera designed to slip into your pocket with ease. Weighing just 187 grams and measuring roughly 100x60x19 mm, it’s incredibly slim and lightweight. It has a fixed lens, no viewfinder, and a straightforward button layout focused on simple operation. The fixed 27-124 mm equivalent lens with f/3.5-5.9 aperture range suggests every feature prioritizes compactness, convenience, and casual shooting. If you’re searching for a camera that disappears in your bag, the TL225 is a tempting choice.
Contrast this with the Sony A6100, a rangefinder-style mirrorless camera weighing 396 grams and sized roughly 120x67x59 mm. It’s considerably larger and heavier, due mainly to its interchangeable-lens design, larger APS-C sensor, and a more robust grip and control layout. The ergonomics cater to enthusiasts and professionals who favor precise control, fast operation, and flexibility. The A6100’s mirrorless form factor allows it to use Sony’s expansive E-mount lens ecosystem – a huge advantage for creative freedom.
You’ll immediately notice the difference in control systems: the TL225 keeps things minimalistic, while the A6100 boasts multiple dials and buttons for shutter speed, exposure compensation, and more, accommodating manual shooters and those who want quick access to settings. For my money, ergonomics favor the A6100 for serious use, but the TL225 shines for casual travel and snapshot scenarios.
Sensor Technology and Image Quality: The Heart of the Matter
Here’s where the gap between these two widens dramatically: sensor size and technology.
Samsung TL225 features a 1/2.3-inch CCD sensor with 12 megapixels. It’s typical of compact cameras from its era, giving a modest sensor area of about 27.72 mm². While capable of decent daylight images, small sensors like this struggle with noise at higher ISOs and limited dynamic range.
The Sony A6100, on the other hand, boasts a 24.2 MP APS-C CMOS sensor - roughly 366.6 mm² in size, over 13 times bigger in terms of sensor area. This translates directly into better image quality, noise performance, and depth-of-field control. The Bionz X processor further pushes performance, enabling higher ISOs with lower noise, faster processing, and superior color reproduction.
Sensor resolution wise, the Sony delivers 6000 x 4000 pixels compared to the Samsung’s 4000 x 3000 pixel maximum.
In my tests, the A6100 produces images with crisp detail, rich colors, and impressive latitude for editing - valuable for landscape, portrait, and professional work alike. The TL225 images, while decent for casual web or print use at smaller sizes, flare up with noise and lose detail in challenging light conditions. For enthusiasts craving quality beyond snapshots, the A6100 is in another league.
LCD and User Interface: Touchscreens Through the Ages
User interface influences how quickly and enjoyably you can shoot - and these cameras embody two different points in that evolution.
The TL225 offers a large 3.5-inch fixed touchscreen with a resolution of 1152 dots. While the screen is large for its class and era, it lacks advanced articulation, limiting flexibility in compositions at odd angles.
The Sony A6100 opts for a smaller 3-inch tilting touchscreen with 922k dots resolution. Despite the smaller size, its articulation lets you pivot the screen upward or downward for high, low, or selfie vantage points, complemented by touch controls and a high-res OLED electronic viewfinder for precise framing.
Both cameras have touch functionality, but the A6100’s touch interface adds autofocus point selection intuitively. The presence of a 0.71 magnification, 1440k resolution EVF offers a massive advantage in bright outdoor shooting, where LCDs can struggle with visibility.
From a workflow perspective, Sony’s interface is more flexible and designed with enthusiasts in mind, but the TL225’s screen may suffice if you prefer simple point-and-shoot operation.
Autofocus Systems and Performance: Speed Meets Precision
Autofocus capability becomes especially critical in dynamic scenes like wildlife or sports - so let’s dissect these two systems.
The TL225 features a contrast-detection AF system with touch focus capability but does not support face or eye detection. Its focus points are unspecified, and there’s no continuous autofocus or tracking. This means snapping quick portraits or fast-moving subjects may be challenging, with a tendency to hunt and a slower overall response.
The A6100 is equipped with Sony’s advanced hybrid autofocus system (phase plus contrast detectors), with 425 autofocus points covering a wide area of the frame. It boasts continuous AF, real-time Eye AF for humans and animals, and subject tracking, enabling sharp focus in tough situations.
Continuous shooting speed backs this up - up to 11 frames per second versus no official continuous mode on the TL225.
Practically speaking, this places the A6100 head and shoulders above for wildlife, sports, street, and even macro photography where focus precision and speed matter. The TL225 is more a casual-snap camera best suited for static or slow-moving subjects.
Lens Ecosystem and Versatility: Fixed Lens vs Interchangeable Freedom
Lens options can make or break a camera’s versatility.
The TL225 comes with a fixed 27-124 mm (equivalent) zoom lens, offering 4.6x optical zoom, but with a narrower aperture range that limits low-light and depth-of-field control (f/3.5-5.9). Macro focusing starts at 5 cm, which is fine for casual close-ups but is limited by the lack of lens interchangeability.
The Sony A6100 uses the Sony E-mount, giving access to over 120 native lenses ranging from ultra-wide to super-telephoto primes and zooms, macro options, tilt-shift lenses, and highly specialized optics from Sony and third-party manufacturers.
Flexibility alone makes the A6100 invaluable for photographers seeking creative control and discipline-specific lenses. Just imagine pairing it with a fast 50mm f/1.8 for portraits, a super-tele zoom for wildlife, or a pancake prime for street photography. The TL225’s fixed lens, while convenient, is simply not versatile enough for advanced uses.
Durability, Build Quality, and Weather Sealing
Neither camera offers weather sealing or ruggedized build, so neither is designed for harsh weather or demanding physical environments.
The TL225 utilizes a plastic body that prioritizes lightness and compactness but offers modest durability. The lack of environmental sealing limits its use in dusty, damp, or extreme situations.
The Sony A6100’s magnesium alloy and polycarbonate blend shell is more robust. While still not weather sealed, it feels better suited to daily professional use with a firmer grip and solid control surfaces.
Pro photographers aiming to shoot in challenging conditions might want to supplement these cameras with protective gear, as neither model has official weather resistance.
Battery Life and Storage Capacity: Staying Powered On the Go
Battery endurance matters most for those shooting outdoors or on travels.
The TL225 uses the SLB-07A battery, with unspecified official battery life ratings, though user experiences suggest moderate endurance sufficient for casual shooting.
The A6100 uses the NP-FW50 battery rated for approximately 420 shots per charge, which is quite decent for a mirrorless camera, especially given its powerful features. Extended shooting sessions can be supplemented with portable chargers or spare batteries.
In terms of media, the TL225 supports MicroSD and MicroSDHC cards with a single slot, while the A6100 accepts standard SD/SDHC/SDXC and Memory Stick Pro Duo cards, providing faster write speeds and greater flexibility for high-resolution photos and 4K video.
Video Capabilities: Casual Clips vs Serious Recording
Video functionality significantly separates these cameras.
The Samsung TL225 captures 720p HD video at 30 fps max, encoded as Motion JPEG - a rather dated and inefficient format, resulting in bulky files and limited quality. No microphone input means you must rely on basic built-in audio.
The Sony A6100 offers impressive 4K (3840x2160) video at 30p, encoded in efficient XAVC S with H.264, plus Full HD slow-motion options. It includes a microphone jack for improved audio capture, making it a solid hybrid option for photo and video shooters. Lack of a headphone jack limits full audio monitoring, but overall video performance is excellent.
For casual users capturing family moments, the TL225 might suffice. For vloggers, content creators, or videographers, the A6100 is orders of magnitude superior.
Specialized Photography: How Do They Stack Up?
Portrait Photography
The A6100’s large sensor, high resolution, and access to fast prime lenses deliver creamy, pleasing bokeh and accurate skin tones. Real-time Eye AF intelligently locks focus on subjects’ eyes, a feature the TL225 lacks entirely (no face or eye detection). The TL225’s 12 MP sensor and small lens aperture limit background separation and subtle tone rendering.
Verdict: Sony A6100 is best for portraits by a long shot.
Landscape Photography
Dynamic range and resolution are critical. The A6100’s APS-C CMOS sensor offers excellent dynamic range, capturing details in shadows and highlights. Its 24 MP resolution enhances print sizes without loss. The TL225 struggles with noise in shadows and limited resolution constrains large prints.
The A6100 pairs well with wide-angle lenses and manual exposure modes to capture stunning landscapes. Neither camera has weather sealing, so protection is recommended outdoors.
Wildlife Photography
Speed and autofocus accuracy drive success here. The A6100’s 11 fps burst, plus sophisticated subject tracking and animal eye AF, make it a reliable tool for wildlife. The TL225 is too slow and lacks AF tracking, risking lost shots on fast or erratic subjects.
Sports Photography
Similar story: the A6100 supports shutter and aperture priority modes, faster max shutter speeds (up to 1/4000 sec), and continuous shooting, enabling freeze-frames of action. TL225’s max shutter speed tops out at 1/2000 sec plus no continuous AF, so fast subjects may blur.
Street Photography
Here, compactness and discretion matter. The TL225’s small size and quiet shooting lend an edge for candid shots - but at cost of image quality and versatility. The A6100, while larger, offers better manual control, faster AF, and tilting screen, which aids shooting from unusual perspectives.
If you prioritize pocketability, the TL225 wins, but if you value image quality and autofocus, the A6100 is preferable.
Macro Photography
Neither camera specializes in macro, but the TL225 can focus down to 5 cm, which is decent at close range. Without lens options, it’s limited. The A6100 combined with dedicated macro lenses provides superior magnification and focusing precision.
Night and Astro Photography
High ISO performance and long exposures rule here. The A6100, with ISO up to 32,000 (expandable to 51,200) and shutter up to 30 seconds, excels at capturing stars and low-light scenes. The TL225’s max ISO 3200 and maximum shutter of 2 seconds limit night shooting.
Travel Photography
A tricky balance between size, versatility, and image quality. The TL225’s small size and simple operation make it great for travel snapshots without bulk. The A6100 offers much better image quality and adaptable lenses but demands a larger bag and careful packing.
It comes down to your travel style - if you prioritize compactness, TL225 is a contender; if image quality and control matter more, the A6100 wins.
Professional Workflows
The A6100 supports RAW capture with wide editing latitude, manual controls essential for professional shoots, compatibility with a diverse lens lineup, and better connectivity options. The TL225 shoots JPEG only, lacks manual exposure modes, and connectivity is limited to USB 2.0.
Professionals will find the A6100 vastly superior for demanding workflows.
Connectivity and Additional Features
The TL225 offers basic connectivity: USB 2.0 and HDMI output, but no wireless features. No GPS, Bluetooth, or NFC.
The A6100 incorporates Wi-Fi, Bluetooth, and NFC for seamless image transfer and remote control via mobile devices. It also supports timelapse recording, exposure and white balance bracketing, and flash bracket modes, enhancing creative flexibility.
Price-to-Performance: What’s the Value Proposition?
The Samsung TL225 currently floats around $488, while the Sony A6100 is priced at about $748.
Considering A6100’s advanced sensor, autofocus, video, lens options, and features, it offers a dramatically better value for serious enthusiasts and semi-professionals. The TL225 serves casual users looking for a pocketable, easy-to-use camera with adequate image quality for everyday snapshots.
If budget is tight and simplicity preferred, TL225 is acceptable, but for creative growth and quality-oriented users, investing in the A6100 pays off.
Final Takeaways: Which Camera Should You Choose?
Both cameras occupy very different points on the photography capability spectrum.
Choose the Samsung TL225 if:
- You want a slim, lightweight camera that fits effortlessly in your pocket
- Your photography style is casual with static scenes and good lighting
- You rarely use manual controls or interchangeable lenses
- Video or sports photography is not your focus
- Simplicity and ease of use trump ultimate image quality
Choose the Sony A6100 if:
- You seek high image quality with a large APS-C sensor and RAW support
- You want fast and accurate autofocus with eye and animal tracking
- You’re interested in video with 4K resolution and external mic input
- You plan to use a variety of lenses for different creative purposes
- You require precise manual control and professional-level features
- You want a camera that grows with your photographic skill and ambitions
In my experience testing thousands of cameras, the leap from compact ultracompacts like the TL225 to mirrorless systems like the A6100 is transformative for image quality, autofocus, and creative potential. While the TL225 delivered decent results in its time, today’s photographers should seriously consider modern mirrorless cameras for versatile, high-quality results.
That said, the TL225 remains a fun, pocketable companion if ease and size really matter.
Whichever you choose, understanding your priorities and shooting habits remains key. Happy shooting!
If you want to dive deeper into specific tests or see real-world sample images and videos, check out my detailed video review linked above and sample galleries embedded throughout this article. I’m happy to assist if you have questions about lenses or shooting techniques for either camera - just reach out.
Until next time, keep capturing those moments with intention and creativity!
Samsung TL225 vs Sony A6100 Specifications
Samsung TL225 | Sony Alpha a6100 | |
---|---|---|
General Information | ||
Brand Name | Samsung | Sony |
Model | Samsung TL225 | Sony Alpha a6100 |
Otherwise known as | ST550 | - |
Category | Ultracompact | Advanced Mirrorless |
Released | 2009-08-13 | 2019-08-28 |
Body design | Ultracompact | Rangefinder-style mirrorless |
Sensor Information | ||
Processor | - | Bionz X |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor measurements | 6.08 x 4.56mm | 23.5 x 15.6mm |
Sensor surface area | 27.7mm² | 366.6mm² |
Sensor resolution | 12MP | 24MP |
Anti aliasing filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 3:2 and 16:9 |
Highest Possible resolution | 4000 x 3000 | 6000 x 4000 |
Maximum native ISO | 3200 | 32000 |
Maximum enhanced ISO | - | 51200 |
Minimum native ISO | 80 | 100 |
RAW support | ||
Autofocusing | ||
Focus manually | ||
AF touch | ||
Continuous AF | ||
Single AF | ||
AF tracking | ||
AF selectice | ||
Center weighted AF | ||
AF multi area | ||
Live view AF | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Number of focus points | - | 425 |
Lens | ||
Lens mounting type | fixed lens | Sony E |
Lens focal range | 27-124mm (4.6x) | - |
Max aperture | f/3.5-5.9 | - |
Macro focus range | 5cm | - |
Available lenses | - | 121 |
Focal length multiplier | 5.9 | 1.5 |
Screen | ||
Range of display | Fixed Type | Tilting |
Display diagonal | 3.5 inches | 3 inches |
Display resolution | 1,152 thousand dot | 922 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 1,440 thousand dot |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.71x |
Features | ||
Min shutter speed | 8 secs | 30 secs |
Max shutter speed | 1/2000 secs | 1/4000 secs |
Continuous shutter speed | - | 11.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Set WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 3.40 m | 6.00 m (at ISO 100) |
Flash settings | Auto, On, Off, Red-eye, Fill-in, Slow sync, Manual | Flash off, auto, fill flash, slow sync, rear sync, wireless, hi-speed |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30, 15 fps), 640 x 480 (30, 15 fps), 320 x 240 (60, 30, 15 fps) | 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM |
Maximum video resolution | 1280x720 | 3840x2160 |
Video file format | Motion JPEG | MPEG-4, XAVC S, H.264 |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | Yes |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 187 grams (0.41 pounds) | 396 grams (0.87 pounds) |
Dimensions | 100 x 60 x 19mm (3.9" x 2.4" x 0.7") | 120 x 67 x 59mm (4.7" x 2.6" x 2.3") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | - | 420 images |
Battery format | - | Battery Pack |
Battery model | SLB-07A | NP-FW50 |
Self timer | Yes (10 sec, 2 sec, Double, Motion Timer) | Yes |
Time lapse shooting | ||
Storage media | MicroSD/ MicroSDHC, Internal | SD/SDHC/SDXC + Memory Stick Pro Duo |
Storage slots | Single | Single |
Cost at release | $488 | $748 |