Samsung WB150F vs Sony A6300
93 Imaging
37 Features
42 Overall
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83 Imaging
65 Features
82 Overall
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Samsung WB150F vs Sony A6300 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 24-432mm (F3.2-5.8) lens
- 188g - 107 x 61 x 23mm
- Released January 2012
(Full Review)
- 24MP - APS-C Sensor
- 3" Tilting Screen
- ISO 100 - 25600 (Raise to 51200)
- 3840 x 2160 video
- Sony E Mount
- 404g - 120 x 67 x 49mm
- Revealed February 2016
- Replaced the Sony A6000
- New Model is Sony A6500
Japan-exclusive Leica Leitz Phone 3 features big sensor and new modes Samsung WB150F vs Sony A6300: The Hands-On Guide to Choosing Your Next Camera
In the crowded world of digital cameras, it’s all too easy to get lost between shiny specs on paper and what really matters behind the lens. Over the years, I’ve tested and lived with cameras ranging from ultra-compact shooters to prosumer mirrorless beasts. Today, we pit the humble Samsung WB150F - a small sensor superzoom compact - against Sony’s vastly more advanced Alpha A6300, a serious mirrorless contender aimed at enthusiasts and professionals. If you’re torn between these two or just curious about how much difference half a decade and very different camera philosophies can make, buckle up. I’ll walk you through real-world use, core technology, and who truly benefits from each.

Starting with the Basics: Body, Size & Handling
Let me get this out of the way: the Samsung WB150F is a compact, pocketable superzoom with a fixed lens. It weighs a featherlight 188g and measures a svelte 107x61x23mm. Compact and simple, it’s built for casual shooters who want no fuss. On the flip side, the Sony A6300 is a mirrorless rangefinder-style camera weighing 404g, essentially twice as heavy, with a more substantial grip and robust build measuring 120x67x49mm. It’s not pocket material - but it’s nowhere near a bulky DSLR either.
Handling here is a bit of night and day. The Samsung has no dedicated viewfinder, just a fixed 3” LCD - decent for framing but limiting in bright light. Meanwhile, the Sony sports a 2.36M dot electronic viewfinder with 100% coverage and a tilting 3” screen, offering far more versatility.

Controls also reflect their ambitions. Samsung’s layout is minimal, digital menus with few direct dials or exposure controls, a classic point-and-shoot feel with some manual exposure basics. Sony, conversely, dishes up a club for your thumbs: multiple customizable buttons, dials, and a fully manual exposure suite with shutter, aperture, and ISO controls right at hand - suited for creative control junkies and pros who want speed without menu diving.
Sensors and Image Quality: Small Sensor vs APS-C
Here’s where the rubber meets the road. The Samsung WB150F sports a small 1/2.3” CCD sensor - about 6.17x4.55 mm physically, giving an image area of roughly 28.07 mm². It’s specced at 14 megapixels, max native ISO 3200, with a conventional Bayer filter and antialiasing. Images here are about casual snapshots - good for sharing online or prints up to 8x10”, but image noise and dynamic range are limited. Sony’s A6300 flaunts a much larger APS-C CMOS sensor (23.5x15.6 mm) with 24 megapixels, a sensor area over 13x greater (~366.6 mm²), and vastly superior light-gathering capability.

This difference translates directly into image quality: Sony’s larger sensor delivers richer color depth (DxO mark rates color depth at 24.4 bits vs. untested but expectedly lower for Samsung CCD), wider dynamic range (13.7 EV stops vs. roughly 5-6 stops typical for compact CCDs), and excellent high ISO performance with a DxO low-light ISO rating of 1437 (Samsung not tested but practically much lower sensitivity). In short, if you want detailed RAW files, serious cropping flexibility, or excellent low light photo opportunities, the Sony’s sensor supremacy makes it the clear winner.
Autofocus and Speed: Lite vs Pro-Grade Systems
The Samsung WB150F autofocus operates on contrast detection only, with face detection but lacking true continuous AF tracking. It offers single AF and rudimentary tracking modes, supporting 10 fps continuous shooting - a nice number on paper, but actual buffer depth and shutter lag limit high-speed shooting effectiveness.
Sony’s A6300 ups the ante with an advanced hybrid autofocus system combining 425 phase-detection points over nearly the entire frame and contrast detection that rivals pro-grade DSLRs. It handles eye detection, face detection, and subject tracking with excellent accuracy, particularly for moving subjects. Continuous shooting is 11 fps with full AF tracking - ideal for sports and wildlife photography.
Both cameras feature manual focus, but Sony’s focus peaking and magnification tools make it much easier to nail manual focus, especially useful for landscape and macro work. Samsung’s manual focus control is basic.
Build Quality and Environmental Durability
While the Samsung’s compact plastic body feels light and convenient, it lacks weather sealing, and general durability specs - dustproofing, shockproofing, and waterproofing are absent. This camera is best kept out of harsh environments.
Sony’s A6300 sports a magnesium-alloy body with dust and moisture sealing - important if you shoot outdoors or in challenging conditions - providing significant reassurance to professionals. Neither camera is freezeproof or crushproof, so extreme conditions still require care.
Lens Options and Versatility: Fixed Zoom vs Interchangeable System
The Samsung WB150F sports a fixed 18x zoom lens covering 24-432mm equivalent focal length with an aperture range of f/3.2 to f/5.8. This gives impressive reach for a compact, suitable for casual wildlife or travel snaps but suffers from soft corners at telephoto lengths and slower apertures limiting low-light performance and shallow depth of field effects.
Sony’s Alpha mount (E-mount) opens a treasure trove with over 121 lens options from ultra-wide to super-telephoto and stellar primes - far better suited for photographers wanting creative control over optics, image quality, and shooting styles.
Display, Viewfinder, and User Interface
On the display front, both cameras have 3-inch screens, but Samsung’s uses a fixed low-res (460k dots) TFT LCD, while Sony’s tilting screen boasts 922k dots for sharper playback and easier framing from tricky angles.

Sony’s inclusion of a bright, high-res EVF makes shooting in strong daylight more manageable, an advantage missing from Samsung. Interface-wise, Sony leans pro with dedicated physical controls and extensive menu options, while Samsung emphasizes simplicity with a menu-driven approach ideal for beginners or point-and-shoot use.
Battery Life and Storage
While official battery life data on the Samsung WB150F is scarce, typical compacts with small Li-ion batteries deliver around 200-300 shots per charge, suitable for daily casual use but limited for long trips.
Sony’s A6300 uses a larger NP-FW50 battery boasting about 400 shots per charge (CIPA standard) - roughly double Samsung’s presumed endurance. This translates to less interruption for power users, although an external charger and spare batteries remain essential for demanding shoots. Both cameras use a single SD/SDHC/SDXC card slot.
Connectivity and Video Capabilities
Samsung throws in built-in wireless connectivity for easy photo sharing, though limited to Wi-Fi; no Bluetooth, NFC, or GPS. Video tops out at HD 720p at 30fps, basic 2012-era MPEG-4 and H.264 formats - functional but obsolete by today’s standards.
Sony’s A6300 shines with advanced video: internal 4K recording at 30/24p, Full HD up to 120fps for smooth slow-motion, and multiple professional codecs (XAVC S, AVCHD, MPEG-4). It also has a hot shoe for external flash or audio accessories plus a microphone input for enhanced sound capture on videos. Wi-Fi and NFC send files fast and remote control apps boost flexibility.
Real-World Performance by Photography Type
Let’s break down how these two compete across disciplines, a crucial way to decide which camera fits your style.
Portrait Photography
- Samsung: Soft skin tones thanks to natural CCD colors, but shallow depth of field is limited by small sensor and slower lens aperture. Face detection helps, but no eye-detect autofocus. Bokeh is artificial-looking beyond short macro focus distances.
- Sony: Superior 24MP resolution captures subtle skin details, supports eye AF for razor-sharp portraits, and you can pair fast primes for creamy smooth bokeh. Better dynamic range preserves highlight and shadow detail on faces.
Winner: Sony A6300 for portrait work, especially for demanding portraits and detail.
Landscape Photography
- Samsung: Fixed lens limits composition and sharpness at edges. Dynamic range is narrow; direct RAW shooting not supported (no RAW files). Macro focusing to 5cm is decent. No weather sealing.
- Sony: Large APS-C sensor with excellent resolution, shooting native RAW, and wide dynamic range delivers breathtaking landscapes with highlight/shadow detail. Weather sealing means shooting in rain or dust without worry. Tilt screen helps composing at odd angles.
Winner: Sony A6300 hands down for landscapes.
Wildlife Photography
- Samsung: 18x zoom is tempting here but slow AF and fixed lens mean limited action capture. No continuous AF tracking.
- Sony: 11 fps burst with continuous phase-detect AF tracking makes it suitable for fast-moving subjects. Lens line-up includes super telephotos for real reach.
Winner: Sony A6300 if you can invest in telephoto glass; Samsung only for casual zoomed shots.
Sports Photography
- Samsung: 10 fps continuous sounds good, but limited AF and slow buffer make it less reliable.
- Sony: Professional-grade AF tracking and fast burst rates shine here. Low light ISO performance lets you freeze action indoors or at night better.
Winner: Sony A6300.
Street Photography
- Samsung: Ultra-compact and lightweight, it’s discreet and casual in candid street shooting. No EVF can be a drawback in bright outdoor conditions.
- Sony: Larger and less stealthy, but quick autofocus and EVF make it a pro tool for decisive moments. Tilting screen aids low-angle street shots.
Winner: Depends on priority - Samsung for ultimate discrete carry; Sony for professional control.
Macro Photography
- Samsung: Macro focusing at 5 cm is adequate. Optical image stabilization aids sharp handheld shots.
- Sony: No dedicated macro, but compatible with many macro lenses, plus focus peaking aids manual focusing precision.
Winner: Sony for serious macro photographers; Samsung for casual close-ups.
Night and Astro Photography
- Samsung: Limited by small sensor and ISO max 3200 with noise issues. No bulb or long exposure modes beyond 16s shutter.
- Sony: Seriously better with ISO 25600 and extended ISO50-51200 boost, bulb mode, and long exposures supported for astrophotography. Full manual controls and high-quality RAW files crucial here.
Winner: Sony A6300.
Video Capabilities
- Samsung: Basic 720p video at 30fps. No external mic input or 4K.
- Sony: Full 4K recording, clean HDMI output, microphone port, and multiple frame rate options make it video capable for filmmakers and content creators alike.
Travel Photography
- Samsung: Pocketable size and lightweight make it a natural travel companion for casual shooting without lens swaps or extra gear.
- Sony: More versatile but heavier; interchangeable lenses add bulk, but for those needing creative freedom on trips, it’s worth carrying.
Professional Work and Workflow Integration
- Samsung: No RAW support or tethering options; limited for professional workflows.
- Sony: Supports RAW files, tethering, fast file transfer, and extensive post-processing options. Environment sealing adds reliability in professional settings.
Technical and Performance Scores at a Glance
Here’s a helpful summary visualization placing each camera’s overall and genre scores:
Pros and Cons Snapshot
| Feature | Samsung WB150F | Sony A6300 |
|---|---|---|
| Sensor | 1/2.3" CCD, 14 MP | APS-C CMOS, 24 MP |
| Lens | Fixed 24-432mm f/3.2-5.8 | Interchangeable E-mount (121+ lenses) |
| Autofocus | Contrast-detection, face detection only | Hybrid PDAF + CDAF, 425 points, eye AF |
| Video | HD 720p @ 30fps | 4K UHD @ 30/24p, 1080p @ 120fps |
| Build & Durability | Lightweight plastic, no weather sealing | Magnesium alloy, dust & moisture sealed |
| Viewfinder | None | Electronic, high-res, 100% coverage |
| Controls | Minimal, menu-driven | Fully manual, customizable buttons/dials |
| Battery Life | Approx. 200-300 shots | 400 shots (CIPA) |
| Connectivity | Wi-Fi only | Wi-Fi, NFC, HDMI, external mic port |
| Price (at launch) | ~$230 | ~$890 |
Final Recommendations: Who Should Buy Which?
Buy the Samsung WB150F if you:
- Desire a super-zoom, ultra-light compact camera for casual travel or family snapshots.
- Want simple user experience with some manual controls but not deep menus.
- Have a tight budget and don't require pro-level image quality or video.
- Prioritize pocketability and ease over interchangeable lenses.
- Prefer Wi-Fi connectivity for easy photo sharing without fuss.
Buy the Sony A6300 if you:
- Need professional-grade image quality with great APS-C sensor detail and dynamic range.
- Require fast, reliable autofocus for sports, wildlife, or action shooting.
- Want 4K video and the flexibility of an interchangeable lens ecosystem.
- Need weather sealing for outdoor and rugged conditions.
- Are serious about low light, portraits, landscapes, macro, or astrophotography.
- Appreciate customizable physical controls, EVF, and advanced workflow integration.
- Don’t mind investing in lenses and accessories.
Wrapping Up: Experience and Expertise in Choosing Your Camera
Having spent thousands of hours testing cameras across genres, I see the Samsung WB150F as a solid budget-friendly entry point - an easy and light superzoom for snapshots, family events, and casual travel. But it’s important not to expect it to replace a pro camera or deliver high-end image quality, especially in low light or demanding environments.
The Sony A6300 stands out as a true enthusiast/mid-level pro hybrid. Its sensor, autofocus system, video capabilities, and build quality massively outclass the Samsung. It demands more investment and some learning curve but rewards with versatility and output that meets professional standards.
You might think these cameras should not even be compared - and that’s fair - since they target different users and budgets. But I hope this side-by-side, grounded in real-world experience and testing methodology, helps you zero in on the one that fits your photography ambitions best. If you want a cheapskate pocket zoom, go Samsung; if you want an all-rounder for serious work, the Sony waits.
Happy shooting!
If you want to explore detailed sample shots and side-by-side image quality tests, check out my in-depth galleries here:
Samsung WB150F vs Sony A6300 Specifications
| Samsung WB150F | Sony Alpha a6300 | |
|---|---|---|
| General Information | ||
| Company | Samsung | Sony |
| Model | Samsung WB150F | Sony Alpha a6300 |
| Class | Small Sensor Superzoom | Advanced Mirrorless |
| Released | 2012-01-09 | 2016-02-03 |
| Physical type | Compact | Rangefinder-style mirrorless |
| Sensor Information | ||
| Chip | - | BIONZ X |
| Sensor type | CCD | CMOS |
| Sensor size | 1/2.3" | APS-C |
| Sensor dimensions | 6.17 x 4.55mm | 23.5 x 15.6mm |
| Sensor surface area | 28.1mm² | 366.6mm² |
| Sensor resolution | 14 megapixel | 24 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
| Highest resolution | 4608 x 3456 | 6000 x 4000 |
| Highest native ISO | 3200 | 25600 |
| Highest boosted ISO | - | 51200 |
| Min native ISO | 80 | 100 |
| RAW files | ||
| Autofocusing | ||
| Focus manually | ||
| AF touch | ||
| Continuous AF | ||
| AF single | ||
| AF tracking | ||
| AF selectice | ||
| Center weighted AF | ||
| AF multi area | ||
| Live view AF | ||
| Face detection focusing | ||
| Contract detection focusing | ||
| Phase detection focusing | ||
| Number of focus points | - | 425 |
| Cross focus points | - | - |
| Lens | ||
| Lens mount | fixed lens | Sony E |
| Lens focal range | 24-432mm (18.0x) | - |
| Max aperture | f/3.2-5.8 | - |
| Macro focus range | 5cm | - |
| Amount of lenses | - | 121 |
| Focal length multiplier | 5.8 | 1.5 |
| Screen | ||
| Type of screen | Fixed Type | Tilting |
| Screen diagonal | 3 inch | 3 inch |
| Screen resolution | 460 thousand dots | 922 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch function | ||
| Screen technology | TFT LCD | - |
| Viewfinder Information | ||
| Viewfinder | None | Electronic |
| Viewfinder resolution | - | 2,359 thousand dots |
| Viewfinder coverage | - | 100% |
| Viewfinder magnification | - | 0.7x |
| Features | ||
| Slowest shutter speed | 16s | 30s |
| Maximum shutter speed | 1/2000s | 1/4000s |
| Continuous shooting rate | 10.0 frames per sec | 11.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | Yes |
| Custom WB | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | 3.50 m | 6.00 m (at ISO 100) |
| Flash options | Auto, On, Off, Red-Eye, Fill-in, Slow Sync | Flash off, Autoflash, Fill-flash, Rear Sync., Slow Sync., Red-eye reduction, Hi-speed sync, Wireless |
| Hot shoe | ||
| AEB | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (30, 15 fps), 640 x 480 (30, 15 fps), 320 x 240 (30, 15fps) | 4K (3840 x 2160 @ 30p/24p), 1920 x 1080 (120p, 60p, 60i, 30p, 24p), 1280 x 720 (24p) |
| Highest video resolution | 1280x720 | 3840x2160 |
| Video file format | MPEG-4, H.264 | MPEG-4, AVCHD, XAVC S, H.264 |
| Mic support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | Built-In | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 188 grams (0.41 lb) | 404 grams (0.89 lb) |
| Physical dimensions | 107 x 61 x 23mm (4.2" x 2.4" x 0.9") | 120 x 67 x 49mm (4.7" x 2.6" x 1.9") |
| DXO scores | ||
| DXO All around score | not tested | 85 |
| DXO Color Depth score | not tested | 24.4 |
| DXO Dynamic range score | not tested | 13.7 |
| DXO Low light score | not tested | 1437 |
| Other | ||
| Battery life | - | 400 pictures |
| Battery style | - | Battery Pack |
| Battery model | SLB-10A | NP-FW50 |
| Self timer | Yes | Yes |
| Time lapse feature | With downloadable app | |
| Storage type | SD/SDHC/SDXC | SD/SDHC/SDXC |
| Card slots | 1 | 1 |
| Price at launch | $230 | $889 |