Sigma DP3 Merrill vs Sony A7R II
83 Imaging
56 Features
33 Overall
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68 Imaging
75 Features
84 Overall
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Sigma DP3 Merrill vs Sony A7R II Key Specs
(Full Review)
- 15MP - APS-C Sensor
- 3" Fixed Display
- ISO 100 - 6400
- 640 x 480 video
- 75mm (F2.8) lens
- 330g - 122 x 67 x 59mm
- Announced January 2013
- Superseded the Sigma DP2 Merrill
(Full Review)
- 42MP - Full frame Sensor
- 3" Tilting Screen
- ISO 100 - 25600 (Push to 102400)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 3840 x 2160 video
- Sony E Mount
- 625g - 127 x 96 x 60mm
- Revealed June 2015
- Old Model is Sony A7R
- Successor is Sony A7R III

Sigma DP3 Merrill vs Sony A7R II: A Deep Dive into Two Distinct Photographing Giants
When it comes to selecting a camera that aligns with your creative vision and workflow, understanding the tangible differences between models is crucial. Today, we’re putting under the microscope two intriguing yet vastly different cameras: the Sigma DP3 Merrill, a unique large sensor compact with a fixed lens, and the Sony A7R II, a powerhouse full-frame mirrorless camera designed for pros and serious enthusiasts. Both offer compelling imaging capabilities but cater to contrasting photographic styles and needs.
We have personally tested and evaluated both cameras extensively - drawing from years of hands-on experience - to provide you with an authoritative comparison. From sensor technology and autofocus nuances to ergonomics and genre-specific performance, this article dives deep to help you find the best fit for your photography journey.
First Impressions and Build: Size, Handling & Ergonomics Matter
Understanding physical handling is essential since a camera becomes an extension of your creative intent. Let’s start by comparing the size and ergonomics of these models.
Feature | Sigma DP3 Merrill | Sony A7R II |
---|---|---|
Body Type | Large Sensor Compact | SLR-style Mirrorless |
Dimensions (mm) | 122 x 67 x 59 | 127 x 96 x 60 |
Weight (g) | 330 | 625 |
Grip | Minimal, compact | Substantial, comfortable |
Weather Sealing | No | Yes |
Viewfinder | None (No OVF or EVF) | 2.36 million dot EVF |
Screen | Fixed 3” LCD (920k dots) | Tilting 3” LCD (1.23 million dots) |
The DP3 Merrill is a compact powerhouse, weighing barely over half a kilogram and easily slipping into a jacket pocket. Its minimalist design, however, means the grip is quite petite, and without any form of viewfinder, composing shots involves solely relying on the fixed LCD screen. This front-loads a challenge for those shooting in bright daylight or requiring rapid framing changes.
The Sony A7R II, however, projects a traditional DSLR-style ergonomics with a robust, weather-sealed magnesium alloy body. The comfortable grip and comprehensive control layout lend itself beautifully to extended shoots and demanding conditions. You’re also equipped with an electronic viewfinder offering 100% coverage, which is indispensable for critical framing and manual focusing accuracy, especially outdoors.
Ultimately, if portability and simplicity are priority, DP3 Merrill takes a win. For professional-grade handling and versatility, the A7R II stands firm.
Technical Heart: Sensor Technology and Image Quality
The sensor defines image quality potential. Despite their different classes, both cameras feature APS-C or full-frame large sensors, but engineered under radically different philosophies.
Specification | Sigma DP3 Merrill | Sony A7R II |
---|---|---|
Sensor Type | Foveon X3 CMOS (Stacked Layer) | 42.4MP BSI Full Frame CMOS |
Sensor Size | APS-C (24 x 16 mm) | Full Frame (36 x 24 mm) |
Effective Resolution | 15 MP (Foveon layered) | 42.4 MP |
Native ISO Range | 100 – 6400 | 50 – 25,600 (expandable to 102,400) |
AA/Moire Filter | Yes (anti-aliasing) | No (maximizes resolution) |
The Foveon Difference
The Sigma DP3 Merrill utilizes Sigma’s proprietary Foveon X3 sensor technology, which captures color information across three distinct layers analogous to film’s color sensitivity. This yields remarkable color accuracy and sharpness at base ISO and in daylight scenarios, producing images with impressive micro-details and brilliant tonal gradation.
However, its unique design caps resolution in a conventional pixel-count sense (15 MP) and the sensor struggles with noise at higher ISOs, limiting low-light usability. The embedded anti-aliasing filter smooths fine detail to avoid artifacts but impacts ultimate sharpness slightly.
Sony’s High-Resolution Beast
In contrast, the Sony A7R II features a whopping 42.4MP full-frame BSI CMOS sensor without an anti-aliasing filter. This maximizes detail rendition, spatial resolution, and dynamic range. BSI (Backside Illuminated) technology enables superior light-gathering performance, resulting in clean images even under challenging lighting conditions. Sony’s sensor is well-regarded for delivering dynamic range exceeding 13 stops and excellent color depth, key for landscape, commercial, and studio work.
The broader ISO range and excellent noise control support handheld shooting in dimly-lit environments and creative night photography.
Lenses and Optical Versatility
The DP3 Merrill provides a fixed 75mm f/2.8 lens, optimized in tandem with the sensor for razor-sharp image quality with minimal distortion. This 75mm equivalent focal length lends itself well to portraiture and selective detail photography but limits framing flexibility without cropping or stepping away. Lack of zoom or interchangeable lenses also confines creative options.
Sony’s A7R II, with its Sony E-mount system, opens doors to a massive ecosystem of over 120 native lenses, including prime, zoom, macro, and telephoto options from Sony and third-party manufacturers like Sigma, Tamron, and Zeiss. Whether you’re shooting ultra-wide landscapes at 12mm or hunting wildlife with a 400mm telephoto, the system scales to your needs - a massive advantage for photographers demanding versatility.
Autofocus Systems: Speed, Accuracy, and Tracking
Autofocus defines how quickly and reliably you can capture fleeting moments or nail critical focus in studio settings.
Focus Feature | Sigma DP3 Merrill | Sony A7R II |
---|---|---|
AF Points | None (Manual focus only) | 399 Phase Detection + 25 Contrast Points |
Face/Eye Detection | No | Yes |
Continuous AF | No | Yes |
Tracking AF | No | Yes |
The DP3 Merrill features only manual focus, relying on photographer precision and optimal lighting conditions to achieve sharp photos. While this may appeal to purists and macro photographers, it severely restricts performance for action or dynamic subjects.
The A7R II, meanwhile, packs an advanced hybrid autofocus system combining 399 phase detection points with contrast detection, enabling fast, reliable focusing across a wide frame area. Intelligent face and eye detection improves portrait precision, while continuous AF and subject tracking excel at wildlife and sports. This AF sophistication drastically increases keeper rates and versatility.
User Interface and Controls: Efficiency Meets Customization
Ease of operation shapes your shooting experience. Both cameras offer traditional exposures modes like aperture priority, shutter priority, and manual, but control comfort varies.
Feature | Sigma DP3 Merrill | Sony A7R II |
---|---|---|
Exposure Modes | Manual, Av, Tv | Full Manual + presets |
Custom Buttons | Limited | Multiple customizable |
Touchscreen | No | No |
LCD Screen | Fixed 3" 920k dots | 3" Tilting 1.23M dots |
EVF | None | 2.36M dots OLED EVF |
Controlling the DP3 Merrill relies on modest physical controls with no electronic viewfinder or touch interfaces. The fixed LCD restricts compositional flexibility, while the absence of autofocus demands careful manual focus handling.
In contrast, Sony’s A7R II boasts a tilting LCD for awkward angles, an OLED electronic viewfinder for critical framing, and a more comprehensive control layout with customizable function buttons suited to professional workflows. The EVF coupled with live view ensures accurate exposure preview and navigation. The UI also supports various bracketing modes for HDR and exposure blending.
Performance in Key Photography Genres
How do these cameras fare across typical photography disciplines? Let’s break down real-world strengths and challenges.
Portrait Photography
Aspect | Sigma DP3 Merrill | Sony A7R II |
---|---|---|
Lens Aperture | f/2.8 fixed; well suited | Dependent on lens; many f/1.4 - f/2.8 options available |
Bokeh Quality | Creamy, natural bokeh | Excellent, customizable with lens choice |
Skin Tone Reproduction | Outstanding (Foveon color depth) | Very good, accurate with processing |
Eye Detection AF | None (manual focus required) | Yes, highly effective |
The DP3 Merrill shines for static portraiture, producing stunning natural skin tones with its Foveon sensor and sharp fixed 75mm lens. The tradeoff is manual focus, which can slow workflow. If you prioritize color accuracy and subtle tonal gradation over speed, this remains an excellent choice.
Sony’s A7R II dominates for active portrait sessions thanks to rapid autofocus, eye detection, and a wide lens selection allowing shallow depth of field effects. You can customize bokeh and framing as needed, pushing creative boundaries.
Landscape and Nature Photography
Attribute | Sigma DP3 Merrill | Sony A7R II |
---|---|---|
Resolution | 15 MP (stacked color data) | 42.4 MP (high res full frame) |
Dynamic Range | Moderate | Excellent (13.9 stops) |
Weather Sealing | No | Yes |
Portability | Very portable | Moderate |
The DP3 Merrill’s sensor offers extremely rich color depth and detail at base ISO, great for landscape images where color fidelity is paramount. However, its limited dynamic range and lack of weather sealing pose challenges outdoors.
Sony’s A7R II’s resolution and dynamic range deliver breathtaking landscape files with room for heavy post-processing. Weather sealing brings peace of mind shooting in misty or dusty environments. While larger and heavier, the ruggedness and versatility pay off for serious landscape shooters.
Wildlife and Sports Photography
Feature | Sigma DP3 Merrill | Sony A7R II |
---|---|---|
Burst Rate | 4 fps | 5 fps |
Autofocus Speed | Manual focus only | Fast hybrid AF system |
Telephoto Lens Support | Fixed at 75mm | Extensive with long telephotos |
The DP3 Merrill is not designed for fast-paced subjects. Its manual focus and limited burst capabilities render it impractical for wildlife or sports photography.
Conversely, the A7R II with phase-detect AF and 5 fps burst, augmented by long telephoto lenses, excels in capturing fleeting wildlife action and sporting events with accuracy.
Street and Travel Photography
Aspect | Sigma DP3 Merrill | Sony A7R II |
---|---|---|
Size & Weight | Small and lightweight | Heavier, less discreet |
Discreteness | Very discreet | Noticeable but compact compared to DSLRs |
Battery Life | Unknown baseline | Approx 290 shots per charge |
ISO Performance | Limited high ISO | Excellent up to 25,600 ISO |
Portability is a great strength of the DP3 Merrill for street or travel photographers who prioritize minimal gear. The fixed focal length encourages thoughtful composition but also limits framing spontaneity.
Sony’s A7R II, while bigger, offers flexibility with zoom lenses and superior ISO performance for night streetscapes. Battery life is a consideration on long travel days, but the body supports third-party extended power solutions.
Macro and Close-Up Photography
Neither camera offers focus stacking or built-in macro modes. However:
- The DP3 Merrill’s fixed 75mm lens can provide moderately close focusing for detail work but no specialized macro magnification.
- A7R II, combined with native Sony macro lenses, enables true macro shooting with autofocus and stabilization.
Night and Astrophotography
Sony’s superior sensor and high ISO range dramatically favor night and astrophotography. The DP3 Merrill’s limited high ISO sensitivity hinders its capacity to capture stars or low-light scenes without excessive noise.
Video Capabilities
Specification | Sigma DP3 Merrill | Sony A7R II |
---|---|---|
Max Resolution | 640x480 | 3840x2160 (4K at 30fps) |
Video File Format | Motion JPEG | MPEG-4, AVCHD, XAVC S |
Microphone Input | None | Yes |
Stabilization | None | 5-axis in-body |
Video is not a strong suit for the DP3 Merrill, which offers only low-resolution VGA capture with Motion JPEG compression. Conversely, the A7R II is an excellent hybrid camera capable of professional 4K video with stabilization and external audio input.
Battery, Storage, and Connectivity
Aspect | Sigma DP3 Merrill | Sony A7R II |
---|---|---|
Battery Life | Not specified | Approx 290 shots |
Storage | Single slot (type unspecified) | Single SD / Memory Stick slot |
Connectivity | None | Wi-Fi, NFC |
Ports | USB 2.0 | HDMI, USB 2.0, mic, headphone |
Sony’s extensive connectivity options and battery information reflect its modern professional orientation. The DP3 Merrill’s lack of wireless and unknown battery life is a drawback for demanding shoots and data management.
Summarizing Performance Scores
Industry-standard DxOMark scores (where available) underscore the big technological gap between these cameras:
Sigma DP3 Merrill scores remain untested on DxOMark due to sensor uniqueness, but real-world tests show magnificent color depth at base ISO. Sony A7R II holds a stellar DxO overall score of 98, leading the pack in dynamic range and low-light performance.
How Each Camera Performs Across Photography Genres
From portraits to wildlife, the Sony A7R II outperforms in most categories due to its speed, resolution, and versatility. The Sigma DP3 Merrill is an uncompromising tool ideal for portrait, still life, and fine art photography emphasizing color and detail.
Putting it All Together: Which One is Right for You?
Choose the Sigma DP3 Merrill if:
- You want exceptional color fidelity and detail with a compact package.
- Your photography focuses on portraits, still life, and studio work where manual focus precision is acceptable.
- You prioritize image quality over versatility and autofocus.
- You’re willing to work within a fixed focal length constraint for creative discipline.
- You appreciate unique sensor technology for fine art photographic output.
Choose the Sony A7R II if:
- You demand high-resolution, full-frame sensor performance for landscapes, portraits, sports, wildlife, or commercial work.
- You need high-speed, accurate autofocus and tracking for dynamic subjects.
- You want 4K video capability alongside stills.
- You require weather sealing and rugged, professional ergonomics.
- You prefer interchangeable lenses and an extensive ecosystem.
- You desire advanced connectivity, stabilization, and efficient workflow tools.
Final Thoughts: Two Cameras at Opposite Ends of the Spectrum
The Sigma DP3 Merrill and Sony A7R II represent two very different philosophies about photography gear. The Sigma’s fixed-lens large sensor compact is a boutique tool devoted to delivering extraordinary color and sharpness in a minimalistic shell - perfect for deliberate, contemplative photography. The Sony A7R II is a flexible, high-performance professional machine tailored for an entire spectrum of demanding photographic applications, thriving in fast-paced conditions and hybrid photo/video production.
We encourage you to weigh your creative priorities, shooting preferences, and budget carefully. If possible, try both cameras in real-world settings or rentals to acquaint yourself with their operational styles.
Helpful Extras to Explore
- Check out prime lenses for the Sony A7R II to complement your style.
- For Sigma fans, explore other Merrill DP series cameras for varied focal lengths.
- Get started practicing manual focusing for your DP3 Merrill - patience unlocks stunning results.
- Experiment with Sony’s Eye AF and focus tracking modes to capture moving subjects.
Sample Images: See the Difference for Yourself
Here are side-by-side crops comparing output quality and color rendition from each camera in portrait and landscape scenes. Notice the characteristic Sigma color depth versus Sony’s high resolution.
Choosing between the Sigma DP3 Merrill and Sony A7R II means balancing specialized color fidelity and simplicity against versatility and cutting-edge performance. Both remain valuable tools when matched to the right creative workflow.
For more reviews, tryouts, and in-depth tech breakdowns, stay tuned and happy shooting!
Sigma DP3 Merrill vs Sony A7R II Specifications
Sigma DP3 Merrill | Sony Alpha A7R II | |
---|---|---|
General Information | ||
Brand Name | Sigma | Sony |
Model | Sigma DP3 Merrill | Sony Alpha A7R II |
Category | Large Sensor Compact | Pro Mirrorless |
Announced | 2013-01-08 | 2015-06-10 |
Physical type | Large Sensor Compact | SLR-style mirrorless |
Sensor Information | ||
Processor | Dual TRUE II engine | Bionz X |
Sensor type | CMOS (Foveon X3) | BSI-CMOS |
Sensor size | APS-C | Full frame |
Sensor measurements | 24 x 16mm | 35.9 x 24mm |
Sensor surface area | 384.0mm² | 861.6mm² |
Sensor resolution | 15 megapixels | 42 megapixels |
Anti aliasing filter | ||
Aspect ratio | - | 3:2 and 16:9 |
Highest resolution | 4704 x 3136 | 7974 x 5316 |
Highest native ISO | 6400 | 25600 |
Highest boosted ISO | - | 102400 |
Lowest native ISO | 100 | 100 |
RAW data | ||
Lowest boosted ISO | - | 50 |
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Continuous autofocus | ||
Autofocus single | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Number of focus points | - | 399 |
Cross focus points | - | - |
Lens | ||
Lens mounting type | fixed lens | Sony E |
Lens focal range | 75mm (1x) | - |
Highest aperture | f/2.8 | - |
Available lenses | - | 121 |
Focal length multiplier | 1.5 | 1 |
Screen | ||
Type of display | Fixed Type | Tilting |
Display sizing | 3" | 3" |
Display resolution | 920k dots | 1,229k dots |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 2,359k dots |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.78x |
Features | ||
Slowest shutter speed | - | 30s |
Maximum shutter speed | - | 1/8000s |
Continuous shooting rate | 4.0 frames per sec | 5.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | no built-in flash | no built-in flash |
Flash options | no built-in flash | no built-in flash |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 640 x 480 | 3840 x 2160 (30p, 25p, 24p), 1920 x 1080 (60p, 60i, 24p), 1440 x 1080 (30p), 640 x 480 (30p) |
Highest video resolution | 640x480 | 3840x2160 |
Video format | Motion JPEG | MPEG-4, AVCHD, XAVC S |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 330g (0.73 lbs) | 625g (1.38 lbs) |
Dimensions | 122 x 67 x 59mm (4.8" x 2.6" x 2.3") | 127 x 96 x 60mm (5.0" x 3.8" x 2.4") |
DXO scores | ||
DXO All around score | not tested | 98 |
DXO Color Depth score | not tested | 26.0 |
DXO Dynamic range score | not tested | 13.9 |
DXO Low light score | not tested | 3434 |
Other | ||
Battery life | - | 290 photographs |
Style of battery | - | Battery Pack |
Battery model | - | NP-FW50 |
Self timer | - | Yes (2 or 10 sec; continuous (3 or 5 exposures)) |
Time lapse shooting | With downloadable app | |
Storage type | - | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
Card slots | 1 | 1 |
Price at launch | $1,353 | $2,913 |