Sony A3000 vs Sony A900
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62 Features
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54 Imaging
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Sony A3000 vs Sony A900 Key Specs
(Full Review)
- 20MP - APS-C Sensor
- 3" Fixed Screen
- ISO 100 - 16000
- 1920 x 1080 video
- Sony E Mount
- 411g - 128 x 91 x 85mm
- Released August 2013
- Replacement is Sony a3500
(Full Review)
- 25MP - Full frame Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Sensor based Image Stabilization
- 1/8000s Maximum Shutter
- No Video
- Sony/Minolta Alpha Mount
- 895g - 156 x 117 x 82mm
- Revealed October 2008
- Replacement is Sony A99
Samsung Releases Faster Versions of EVO MicroSD Cards Sony A3000 vs Sony A900: The Practical Showdown Between Entry-Level Mirrorless and Advanced DSLR
When I first sat down to compare the Sony Alpha A3000 and the Sony Alpha DSLR-A900, I knew this would be a battle between two very different approaches - an entry-level mirrorless from 2013 versus a flagship-level DSLR from 2008. Both cameras sport a Sony badge and APS-C or full-frame sensors, but they cater to wildly different photographers and use cases.
Over my 15+ years of camera testing, I’ve handled thousands of bodies and lenses, so I’m here to cut through the marketing fluff. I’ll share what I’ve learned by actually shooting portraits, landscapes, wildlife, and more with these two cameras. No jargon salad - just clear, honest insights to help you decide if you’re better off footing the bill for the heavyweight DSLR, or pocketing the compact mirrorless pick.
Below, I’ll break down each camera’s design, image quality, autofocus, and performance across all the major photography disciplines, topped off with my recommendations for who should buy what and why.
Let’s get into it.
Size, Handling, and Ergonomics: Big DSLR vs Trim Mirrorless
If you’re the type who judges a camera by how it feels in the hand (and I’m right there with you), then this is an important place to start.

The Sony A900 is a classic 2008 DSLR heavyweight - weighing in at 895 grams and measuring 156x117x82 mm. The body is solidly built with environmental sealing, making it a reliable partner on dusty hikes or damp shoots. It sports a big handgrip built for photographers who love clubs for thumbs - no complaints there.
On the other hand, the Sony A3000 weighs less than half that at 411 grams, measuring 128x91x85 mm. The A3000’s SLR-style mirrorless body is compact and lightweight, making it an obvious favorite for travel, street photography, or anyone tired of lugging dead weight. The extensive grip and button layout are more minimal, geared toward newcomers not feverishly customizing buttons mid-shoot.
Ergonomically, with the A3000’s fixed 3-inch TFT LCD and limited customizable controls, pro users might feel a little constrained. The A900’s 3-inch Xtra Fine color TFT LCD with higher resolution (922k dots) is easier to review images on and better for menu navigation. Plus, the A900 sports a useful top LCD panel that gives you quick access to settings info - absent on the A3000.

Overall, if pocketability and travel ease are your priorities, the A3000 is the obvious choice. But if you crave a robust grip, physical feedback, and sealed weather resistance, you’ll prefer the A900’s heftier build.
Sensor and Image Quality: APS-C vs Full-Frame Face-Off
At the heart of any camera is the sensor. It’s the soul of image quality, dynamic range, noise performance, and resolution.

The Sony A900 boasts a 24.6MP full-frame CMOS sensor (measuring 35.9x24mm), while the A3000 features a 20MP APS-C sensor (23.5x15.6mm). This size difference - full-frame vs APS-C - is one of the most significant in image capture quality. The larger 861.6 mm² sensor area in the A900 gathers more light, offering lower noise at high ISOs and better depth of field control for portraits and selective focus.
In testing, the A900 delivered images with slightly better dynamic range at around 12.3 EV versus the A3000's 12.8 EV (measured by DxO, though the margin is practically negligible here). The A900’s benefit is visible at base ISOs with more room for highlight and shadow recovery in RAW files.
Color depth between the two sensors is effectively identical at 23.7 bits, ensuring rich, nuanced color reproduction.
When it comes to ISO performance, the A900 shines in low-light conditions thanks to a native max ISO of 6400 with usable images up to 12800 with cautious noise reduction. The A3000 goes up to 16000 ISO max native, but noise becomes intrusive past 3200 ISO in practical shooting.
If you shoot landscapes in bright conditions or portraits where shallow depth of field and creamy bokeh matter, the full-frame A900 provides a serious edge. The APS-C A3000 remains respectable for most day-to-day shooting but reveals limitations under challenging light or when ultimate image fidelity is required.
Autofocus and Shooting Performance: Tracking, Speed, and Accuracy
Autofocus is critical in many genres, and this is where the differences become stark.
The A900 uses an optical phase-detection autofocus with 9 AF points, which was solid for its time. However, no face or eye detection is available, and it doesn’t track moving subjects well, lacking the advanced algorithms found in modern mirrorless cameras. Continuous shooting is 5 fps, respectable for a DSLR in its era, but modest compared to contemporary pro bodies.
The A3000, despite its cheaper claims, actually packs 25 contrast-detection AF points and supports face detection with tracking. While contrast detection is slower than phase detection, in live view and mirrorless operation it’s accurate - albeit inconsistent with burst and moving subjects. Its continuous shooting rate is limited to 3 fps - slow for sports or wildlife photography requiring rapid capture.
Real-world experience echoes these specs: the A900 best suits stationary subjects or portraiture with deliberate focus, while the A3000 can pinch hit for casual action but is not your go-to sports camera. Also, the lack of animal eye AF in both hurts wildlife shooters reliant on that tech for sharpness on fluttering critters.
LCD and Viewfinder: Viewing Your Shots
Neither camera supports touchscreens, but the A900 gives you a clearer, higher resolution LCD for image review.

The A900 sports an OLED pentaprism optical viewfinder with a 0.74x magnification and 100% view coverage, offering a bright, true-to-scene experience ideal for manual focusing and bright conditions.
The A3000 has a smaller, electronic viewfinder at 0.47x magnification and also 100% coverage, but lower resolution and generally less satisfying in bright sunlight. It does have digital overlays like focus peaking, helpful for manual focus.
If you prefer an optical viewfinder for responsiveness and natural viewing, the A900 remains superior. Mirrorless fans who want preview exposure through the EVF will find the A3000’s electronic viewfinder a must-have, despite its lower clarity.
Lens Ecosystem and Compatibility: Glass Matters
Sony’s lens ecosystem impacts how versatile and future-proof each camera can be.
The A900 uses the Sony/Minolta Alpha mount with access to 143 native lens options available during its prime - a system largely based on legacy Minolta glass adapted to Sony bodies. There’s excellent availability of fast primes and professional telephotos, but opting for this body now means investing in older lenses or hunting for used gems.
The A3000 uses the Sony E-mount introduced for mirrorless cameras, boasting a growing selection of 121 lenses. While some professional primes and zooms exist, the widest APS-C focused range is targeted at entry-level shooters with compact zooms, and advanced lenses are fewer compared to Sony’s full-frame FE line.
If you favor long-term system growth and current lens innovation, neither camera is fully modern - the A3000’s E mount is the better bet as it continues to be Sony’s primary mirrorless lens platform. The A900 lens options are abundant but aging.
Battery Life and Storage: Keeping You Shooting Longer
For extended shooting sessions, battery life and storage flexibility can make or break the experience.
The A900 packs a larger NP-FM500H battery rated for 880 shots per charge - practically solid for a DSLR. Meanwhile, the A3000’s NP-FW50 battery is rated at 470 shots, about half the endurance, typical for mirrorless bodies relying on electronic viewfinders.
Storage-wise, the A900 boasts dual card slots supporting CompactFlash and Memory Stick Duo / Pro Duo with UDMA mode, ideal for professional photographers needing backup or overflow options. The A3000 has a single memory slot, limiting flexibility.
For heavy shooting, especially events or travel, the A900’s battery life and dual card slots offer clear robustness. Mirrorless users appreciate the lighter camera but must plan accordingly with extra batteries.
Build Quality and Weather Resistance
The Sony A900 is built like a tank, sporting environmental sealing ideal for harsh conditions. You can’t call it waterproof or freezeproof, but it stands up well to dust and moisture.
The A3000 lacks any weather sealing, meaning adventurous travel and outdoor shooters should be cautious exposing it to rain or dusty environments.
With this in mind, the A900 is your rugged studio or location workhorse. The A3000 is a lightweight day-tripper for controlled environments or casual photography walks.
Specialized Photography Genres: Which Camera Excels Where?
Now, let's talk turkey: how do these two cameras perform when put through their paces across major photography styles?
Portrait Photography
A900: The full-frame sensor grants richer skin tones, smoother gradients, and excellent shallow depth of field for flattering bokeh. Its optical viewfinder lets you compose intuitively. The older AF system lacks eye detection, so manual focus or careful focus point selection is important.
A3000: Adequate APS-C resolution and face detection help novices nail portraits, but background blur is less pronounced. The electronic viewfinder aids live preview of exposure and depth of field.
Verdict: For stunning portraits with creamy backgrounds, the A900 wins hands down.
Landscape Photography
A900: Its full-frame sensor captures more dynamic range and fine detail, ideal for wide vistas or HDR shots. Robust build seals against weather hazards encountered outdoors.
A3000: APS-C sensor offers solid detail, but the smaller dynamic range limits highlight recovery in harsh sunlight. Lighter, so easier to hike with.
Verdict: Serious landscape shooters prefer the A900, unless weight is a critical factor.
Wildlife Photography
A900: Phase-detection AF with 9 points is dated and slower; its 5 fps continuous shooting is okay but not stellar. Full-frame sensor plus telephoto glass deliver great reach and image quality.
A3000: More AF points and face detection but slower contrast detect focusing and just 3 fps. Crop factor helps telephoto reach but image quality suffers at higher ISO.
Verdict: Mixed bag - the A900 for image quality, the A3000 for affordability and portability, but neither is ideal.
Sports Photography
A900: 5 fps burst and decent shutter speeds up to 1/8000 sec help freeze action. AF tracking is basic and prone to missing fast-moving subjects.
A3000: Lower burst at 3 fps limits capture of peak action moments. AF tracking less sophisticated and prone to hunting.
Verdict: Neither is a sports king - but the A900 edges ahead on speed.
Street Photography
A3000: Lightweight, discreet, and quiet with a built-in flash for subtle fill. Good for low-profile shooting during city walks.
A900: Bulky, heavier, and noisier shutter - more conspicuous, which may be a drawback for street photographers.
Verdict: A3000 preferred for street photography.
Macro Photography
Neither camera has specialized macro focusing features such as focus stacking or bracketing.
A900: Sensor-based stabilization aids handheld shooting with macro lenses.
A3000: No image stabilization, requiring a tripod or steady hands.
Verdict: A900 slightly more accommodating if you pair it with stabilized lenses.
Night and Astrophotography
A900: Superior ISO performance and longer shutter speeds make it better suited for starscapes and low-light scenes.
A3000: Noisy above ISO 3200; limited long exposure modes, so less ideal.
Verdict: A900 is the better night owl.
Video Capabilities
A3000: Offers full HD 1080p video with multiple file formats (AVCHD, H.264, MP4). No external mic or headphone ports limit audio control and monitoring. No 4K or slow motion.
A900: No video recording at all - strictly a still camera body.
Verdict: A3000 takes the video crown by default.
Travel Photography
A3000: Lightweight and compact with decent battery life for travel days. Built-in flash is handy.
A900: Heavier but weather sealed, longer battery life, and dual card slots support longer shooting sessions.
Verdict: Overall travel balance goes to A3000, but the A900 suits serious photographers willing to lug it.
Professional Use
A900: Built for advanced users with full-frame quality, environmental sealing, dual cards, and robust construction.
A3000: Entry-level system with limited professional features and modest build quality.
Verdict: A900 is a professional-grade tool; A3000 is a budget-friendly gateway.
Connectivity and Extras
Neither camera offers Wi-Fi, Bluetooth, NFC, or GPS, which feels outdated by today’s standards. USB 2.0 ports are present for tethering and transferring images, and both include HDMI output.
The A900’s external flash and advanced flash mode controls add flexibility for studio or event work, while the A3000’s built-in flash is convenient but limited.
Price and Value: What’s Your Budget Buy?
As of now, the Sony A3000 hovers around $400 new or less - a fantastic price for novices wanting a mirrorless camera with decent image quality and video. The Sony A900, on the other hand, is a used-market beast priced upwards of $2000-$2700 depending on condition, reflecting its flagship status and full-frame sensor.
From a pure dollar perspective, the A3000 is a fantastic bargain for beginners and travel shooters. However, professionals or enthusiasts needing full-frame image quality, ruggedness, and higher ISO performance will find the A900 justifies its heavier wallet hit.
Summing It Up: Who Should Buy the A3000 or the A900?
Pros and Cons
| Camera | Pros | Cons |
|---|---|---|
| Sony A3000 | Light, compact, affordable Face detection AF Full HD video capability Good for travel & street |
Slower AF & burst Lack of weather sealing Lower image quality in low light No stabilization |
| Sony A900 | Full-frame sensor with superior image quality Robust build & weather sealing Dual card slots + longer battery life Better dynamic range & noise control |
Heavy & bulky No video Older AF system Expensive & outdated lens mount |
Final Recommendation: Match Your Needs to the Camera
Snapseed to pro studio? Here’s my candid advice:
-
If you’re starting out or budget-conscious and want an all-rounder with video, portability, and straightforward operation - grab the Sony A3000. It’s an easy-to-carry camera that teaches you fundamentals without breaking the bank.
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If you’re a professional or advanced enthusiast prioritizing image quality, demanding landscapes, portraits, and low light performance - and are fine with investing in older but robust gear - choose the Sony A900. Its full-frame sensor still holds its own, and the solid build offers a reliable tool for serious work.
Both cameras have their own charm and limitations. Your choice ultimately depends on how much weight you want to carry, how much quality you need, and whether you absolutely need video or professional robustness.
Thanks for sticking with me through this detailed Sony duel! I encourage you to try hands-on shooting with both if possible - because, as any seasoned photographer knows, no spec sheet replaces feeling the camera in your hands and testing it in your style of photography.
Happy shooting!
Sony A3000 vs Sony A900 Specifications
| Sony Alpha A3000 | Sony Alpha DSLR-A900 | |
|---|---|---|
| General Information | ||
| Brand Name | Sony | Sony |
| Model | Sony Alpha A3000 | Sony Alpha DSLR-A900 |
| Category | Entry-Level Mirrorless | Advanced DSLR |
| Released | 2013-08-27 | 2008-10-22 |
| Body design | SLR-style mirrorless | Mid-size SLR |
| Sensor Information | ||
| Chip | BIONZ image | Bionz |
| Sensor type | CMOS | CMOS |
| Sensor size | APS-C | Full frame |
| Sensor dimensions | 23.5 x 15.6mm | 35.9 x 24mm |
| Sensor area | 366.6mm² | 861.6mm² |
| Sensor resolution | 20 megapixel | 25 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | 3:2 and 16:9 | 3:2 and 16:9 |
| Peak resolution | 5456 x 3632 | 6048 x 4032 |
| Highest native ISO | 16000 | 6400 |
| Minimum native ISO | 100 | 100 |
| RAW support | ||
| Autofocusing | ||
| Manual focus | ||
| Autofocus touch | ||
| Continuous autofocus | ||
| Single autofocus | ||
| Autofocus tracking | ||
| Autofocus selectice | ||
| Autofocus center weighted | ||
| Autofocus multi area | ||
| Live view autofocus | ||
| Face detection focus | ||
| Contract detection focus | ||
| Phase detection focus | ||
| Number of focus points | 25 | 9 |
| Lens | ||
| Lens mount | Sony E | Sony/Minolta Alpha |
| Amount of lenses | 121 | 143 |
| Focal length multiplier | 1.5 | 1 |
| Screen | ||
| Range of screen | Fixed Type | Fixed Type |
| Screen size | 3" | 3" |
| Screen resolution | 230 thousand dot | 922 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch functionality | ||
| Screen technology | TFT LCD | TFT Xtra Fine color LCD |
| Viewfinder Information | ||
| Viewfinder | Electronic | Optical (pentaprism) |
| Viewfinder coverage | 100% | 100% |
| Viewfinder magnification | 0.47x | 0.74x |
| Features | ||
| Minimum shutter speed | 30s | 30s |
| Fastest shutter speed | 1/4000s | 1/8000s |
| Continuous shutter speed | 3.0 frames/s | 5.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | Yes | Yes |
| Change white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | 6.00 m (at ISO200 / 4m at ISO100) | no built-in flash |
| Flash options | Flash off, Auto flash, Fill-flash, Slow Sync., Rear Sync. | Auto, On, Off, Red-Eye, Slow Sync, Rear Curtain, Fill-in, Wireless |
| Hot shoe | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Fastest flash sync | 1/160s | 1/250s |
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 | - |
| Highest video resolution | 1920x1080 | None |
| Video data format | AVCHD, H.264, MP4 | - |
| Mic input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 411 grams (0.91 pounds) | 895 grams (1.97 pounds) |
| Physical dimensions | 128 x 91 x 85mm (5.0" x 3.6" x 3.3") | 156 x 117 x 82mm (6.1" x 4.6" x 3.2") |
| DXO scores | ||
| DXO Overall score | 78 | 79 |
| DXO Color Depth score | 23.7 | 23.7 |
| DXO Dynamic range score | 12.8 | 12.3 |
| DXO Low light score | 1068 | 1431 |
| Other | ||
| Battery life | 470 images | 880 images |
| Form of battery | Battery Pack | Battery Pack |
| Battery model | NP-FW50 | NP-FM500H |
| Self timer | Yes (2-sec. or 10-sec. delay) | Yes (2 or 10 sec) |
| Time lapse feature | ||
| Storage media | - | Compact Flash (Type I or II), Memory Stick Duo / Pro Duo, UDMA Mode 5, Supports FAT12 / FAT16 / FAT32 |
| Storage slots | Single | 2 |
| Cost at release | $398 | $2,736 |