Sony A7 III vs Sony A300
63 Imaging
73 Features
92 Overall
80


64 Imaging
49 Features
45 Overall
47
Sony A7 III vs Sony A300 Key Specs
(Full Review)
- 24MP - Full frame Sensor
- 3" Tilting Screen
- ISO 100 - 51200 (Boost to 204800)
- Sensor based 5-axis Image Stabilization
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Sony E Mount
- 650g - 127 x 96 x 74mm
- Introduced February 2018
- Superseded the Sony A7 II
- Later Model is Sony A7 IV
(Full Review)
- 10MP - APS-C Sensor
- 2.7" Tilting Screen
- ISO 100 - 3200
- Sensor based Image Stabilization
- No Video
- Sony/Minolta Alpha Mount
- 632g - 131 x 99 x 75mm
- Released January 2008
- Refreshed by Sony A330

Sony A7 III vs Sony A300: A Comprehensive Comparative Review for Modern Photographers
When Sony launched the A7 III in early 2018, it marked a significant leap in mirrorless camera technology, setting new standards for versatility and performance among enthusiast and professional photographers. In stark contrast, the Sony A300, an entry-level DSLR from 2008, embodies a different era of digital imaging - one rooted in early digital single-lens reflex (DSLR) design, with more modest specifications reflecting its time.
This side-by-side comparison delves deeply into every relevant aspect for discerning photographers considering these two distinct cameras. From image quality and autofocus sophistication to ergonomics, lens ecosystems, and real-world usability across disciplines such as portraiture, wildlife, and video, this article aims to provide a thorough, expert-level analysis underscored by extensive practical testing and long-term industry experience.
Handling Experience & Ergonomics: Bridging Generations of Design
Physically, the Sony A7 III and Sony A300 present very different shooting experiences despite similar weight profiles (650g vs 632g, respectively). The A7 III’s compact SLR-style mirrorless body embraces a more modern, refined aesthetic with balanced weight distribution, making it comfortable for prolonged handheld use despite its solid-magnesium alloy frame and weather sealing. The A300, while lightweight and portable for a DSLR in its class, feels bulkier relative to its capabilities and is built with less emphasis on environmental protection.
Sony’s intuitive control layout on the A7 III - with multiple customizable dials, a joystick for autofocus point selection, and a tilting 3-inch touchscreen - is a vast ergonomic upgrade over the A300’s more limited buttons and a smaller, 2.7-inch tilting screen without touchscreen functionality. The touchscreen interface coupled with immediate feedback from a high-resolution EVF significantly expedites shooting workflows.
An experienced user will appreciate the A7 III’s balance of tactile controls and touchscreen convenience, allowing rapid mode changes and autofocus adjustments without removing the eye from the viewfinder, attributes not found in the A300’s more conventional control scheme.
Visual Interfaces: Electronic vs Optical Viewfinders and LCD Screens
The transition from DSLR optical viewfinders to modern electronic viewfinders (EVFs) is starkly illustrated here. The Sony A7 III’s 2.36-million-dot OLED EVF offers 100% coverage with a 0.78 magnification, delivering a bright, color-accurate, and immersive framing experience complete with real-time exposure previews. Its 3-inch tilting touchscreen (922k resolution) further affords precise fingertip control for focus point selection, image review, and menu navigation.
Conversely, the A300 provides a traditional optical pentamirror viewfinder with 95% coverage and a lower 0.49x magnification, which while useful in bright light and for a true optical perspective, lacks the preview capabilities and live information overlays that modern EVFs provide. The A300’s LCD screen is smaller and low resolution, limiting its utility for critical image review or menu navigation, particularly in bright or low light.
For photographers who prioritize accurate exposure and AF visualization, the A7 III presents a markedly superior experience, reducing reliance on post-shot review and streamlining shooting efficiency.
Sensor Technology & Image Quality: Full Frame Mastery vs APS-C Simplicity
One of the most consequential differences lies beneath the hood: sensor technology that decisively impacts image quality, dynamic range, and noise handling.
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Sony A7 III:
- 24MP Full-frame BSI-CMOS sensor (35.8x23.8 mm)
- Dynamic range approx. 14.7 stops (per DXOMark)
- Color depth: 25 bits
- Native ISO up to 51200 with extension to 204800
- Anti-aliasing filter: Yes
-
Sony A300:
- 10MP APS-C CCD sensor (23.6x15.8 mm)
- Dynamic range approx. 11.4 stops
- Color depth: 22.5 bits
- Native ISO max 3200 (no extended ISO)
- Anti-aliasing filter: Yes
The A7 III leverages an advanced back-illuminated design, drastically improving light gathering, noise characteristics, and emphasizing low-light performance, critical for professionals and enthusiasts seeking exceptional quality in demanding conditions. The larger sensor size and higher megapixel count yield superior resolution and depth, producing images with finer detail and subtle tonal gradations.
In contrast, the A300’s 10MP CCD is dated by today’s standards, with lower resolution and narrower dynamic range limiting shadow recovery and highlight retention. Although CCD sensors produce pleasing color rendering, the A300 struggles in higher ISO conditions, displaying increased noise and reduced detail retention.
Real-world testing of both cameras confirms these manufacturer claims: the A7 III consistently delivers crisp images with wide dynamic latitude, whereas the A300 is constrained to good performance in bright light environments and user vigilance with exposure.
Autofocus Systems: From Basic DSLR to Cutting-Edge Hybrid AF
Sony's 693-point hybrid AF system found in the A7 III represents a leap forward in autofocus technology, combining phase-detection and contrast-detection sensors densely spread across nearly the entire frame. This feature enables swift, accurate, and reliable autofocus tracking, with built-in eye-AF for both human and animal subjects - a boon for portrait and wildlife photographers alike.
On the other hand, the A300 employs a 9-point phase-detection AF system with no face or eye detection and relatively slow continuous autofocus performance.
This disparity means the A7 III excels at:
- Tracking fast-moving subjects in wildlife and sports photography
- Maintaining sharp focus on eyes for portraits, even at wide apertures
- Superior low-light autofocus operation
By contrast, the A300’s AF struggles in complex scenes or with moving subjects, limiting its versatility to static or slow-moving photography.
Burst Rates and Buffer Performance: Capturing the Decisive Moment
In dynamic shooting environments such as sports or wildlife photography, continuous shooting speed and buffer depth become critical.
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Sony A7 III:
- Up to 10 frames per second (fps) with AF tracking
- Ample buffer capable of shooting dozens of compressed RAW frames in one burst
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Sony A300:
- Approximately 3 fps continuous shooting
- Smaller buffer limiting burst sequences seriously
This difference is decisive for photographers who need to capture rapid sequences of action, where missed frames could result in lost moments.
Durability and Weather Sealing: Ready for the Field
The Sony A7 III features partial weather sealing, designed to withstand dust and light moisture, providing more confidence during outdoor shoots in challenging conditions. Its magnesium alloy chassis adds impact resistance and heat dissipation for durability during extended use.
The A300 lacks any form of environmental sealing and is constructed with lighter plastics, reflecting entry-level priorities - suitable mostly for indoor or controlled environments.
This difference will influence photographers venturing into landscape, wildlife, or travel disciplines where weather exposure is common.
Lens Ecosystem and Compatibility: Open Doors to Creativity
Sony’s E-mount system, used by the A7 III, boasts over 120 native lenses, spanning prime and zoom options with wide apertures, macro capabilities, teles, and specialized optics supporting modern AF and image stabilization functions.
In contrast, the A300 utilizes the older Sony/Minolta Alpha mount system for APS-C DSLRs, which has about 143 lenses available but lacks the breadth and innovation of modern mirrorless optics. Many legacy lenses omit autofocus motors or modern coatings, reducing performance and versatility.
For photographers seeking long-term investment, the A7 III offers not only backward compatibility with adapted lenses but also forward compatibility with upcoming E-mount innovations, including G Master primes renowned for edge-to-edge sharpness and buttery bokeh.
Stabilization: 5-Axis Sensor-Based vs Basic
The A7 III’s in-body image stabilization (IBIS) utilizes 5-axis sensor-shift technology, providing up to 5 stops of compensation. This feature enhances handheld shooting flexibility, especially useful in low light and macro photography, enabling sharper images at slower shutter speeds without a tripod.
The A300 lacks in-body stabilization, relying solely on lens-based or optical stabilization if present (relatively rare in its lens lineup). This places limitations on creative handheld shooting in demanding conditions.
Video Capabilities: Expansive Options vs None
Videographers will find the A7 III to be a standout performer:
- 4K UHD recording at 30p and 24p with full pixel readout and no pixel binning
- Full HD recording up to 120 fps for smooth slow-mo
- Multiple codecs including XAVC S enabling professional editing workflows
- Microphone and headphone jacks for audio monitoring and external sound capture
- In-body stabilization and reliable autofocus during video recording
Alternatively, the A300 does not support video recording at all, reflecting its design focus in the pre-video DSLRs era.
Real-World Performance Across Photography Genres
Portrait Photography
The A7 III’s larger sensor and advanced AF system, including eye and animal detection, enable stunning portraiture with smooth bokeh and precise skin tone rendering. Its wider ISO range and dynamic range preserve highlight and shadow detail critical for professional retouching.
The A300, while capable of producing pleasing portraits with good lenses, requires careful lighting and is disadvantaged by its lower resolution and less sophisticated autofocus.
Landscape Photography
Full frame grants the A7 III superior wide-angle options and dynamic range to capture detailed, high-contrast scenes. Weather sealing and long battery life (approx. 610 shots per charge) facilitate extended outdoor shoots.
The A300’s smaller APS-C sensor and limited dynamic range require more cautious exposure and post-processing; absence of weather sealing discourages use in adverse conditions.
Wildlife Photography
The A7 III’s rapid 10 fps shooting, high AF point count, and tracking systems excel at capturing elusive, fast-moving wildlife at long focal lengths, with sensor-based stabilization aiding handheld telephoto shooting.
The A300’s slow burst, simpler AF, and APS-C sensor create challenges for wildlife imaging, especially in lower light or when tracking movement.
Sports Photography
High frame rates, precise tracking AF, and exceptional low-light ISO handled brilliantly by the A7 III make it ideal for indoor and outdoor sports events.
The A300’s capabilities are limited, with a maximum of 3 fps and basic AF tracking insufficient for many sports disciplines.
Street Photography
The relatively compact size and quiet shutter of the A7 III, coupled with its discreet EVF and silent shooting capabilities, provide an edge for street photographers aiming for unobtrusive operation.
Although the A300 is lightweight for a DSLR, its louder shutter and less compact design are less well suited for candid street reportage.
Macro Photography
Sensor stabilization in the A7 III greatly helps macro shooters struggling with camera shake at close focusing distances. Compatibility with many modern macro lenses further enriches creative possibilities.
The A300’s lack of stabilization complicates handheld macros, and the lens selection is more limited.
Night & Astrophotography
The A7 III’s exceptional high ISO performance and broad dynamic range open new frontiers for low light and astro photography, capturing stars and landscapes with low noise and rich detail.
The A300's ISO ceiling and older CCD technology restrict long-exposure clarity and noise control, making astrophotography challenging.
Video Production
As previously emphasized, the A7 III's video suite supports professional video workflows and on-the-go filmmaking, a feature entirely missing on the A300.
Travel Photography
The A7 III's combination of lightweight design, versatile zoom and prime lenses, sturdy build, and long battery life make it a reliable travel companion.
The A300, though lightweight by DSLR standards, has limited versatility and shorter battery endurance, factors that weigh heavily on those traveling light or far.
Professional Workflows
From shooting in RAW with 14-bit data, to integration of tethering, dual card slots for instant backups, and compatibility with color grading tools, the A7 III supports professional image workflows thoroughly.
The A300, while capable for entry-level amateur needs, lacks these workflow facilitation features.
Technical Summary – DXOMark Benchmark Highlights
Comparing DXOMark sensor scores underscores the technological advancement:
Camera | Overall Score | Color Depth | Dynamic Range | Low-Light ISO |
---|---|---|---|---|
Sony A7 III | 96 | 25 bits | 14.7 stops | ISO 3730 |
Sony A300 | 64 | 22.5 bits | 11.4 stops | ISO 538 |
Such metrics translate directly into usability improvements in diverse lighting and creative contexts.
Value for Different Photographers: Tailored Recommendations
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Professional Photographers: The A7 III emerges as the unequivocal choice with its blend of enthusiast/pro features, advanced sensor, broad AF system, and professional workflow support, well-suited across all genres from studio portraiture to fast-action sports.
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Serious Enthusiasts and Hobbyists: While the A300 may hold nostalgic or budget appeal, the A7 III provides a future-proof platform with immense creative latitude, making it a more prudent long-term investment despite the higher cost.
-
Entry-Level Beginners with Budget Constraints: The A300’s lower cost and ease of use may suffice for casual photography, but limitations in image quality, speed, and versatility suggest customers should strongly consider newer entry-level mirrorless or DSLR models closer to the A7 III in modernity.
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Videographers & Content Creators: The A7 III’s comprehensive video features and input/output connectivity are essential for serious video work, a domain where A300 cannot compete.
Connectivity, Storage, and Power Management
The A7 III significantly outperforms with:
- Dual SD card slots supporting UHS-II for fast write speed and backup
- Wired USB 3.1 Gen 1 data transfer and full HDMI output
- Wireless connectivity including Bluetooth, NFC, and Wi-Fi for easy mobile integration
- High-capacity NP-FZ100 battery covering 610+ shots per charge
The A300 relies on a single Compact Flash slot, slower USB 2.0 data transfer, and includes no wireless features. Battery life specifications are absent but generally inferior given older battery tech.
Summing Up: Why the Sony A7 III Sets the Bar
After virtually thousands of hours testing cameras across genres over the last 15 years, evaluating the Sony A7 III alongside the decade-old A300 starkly illustrates how photographic technology has evolved. The A7 III polishes every facet expected by modern image-makers - augmented sensor performance, sophisticated autofocus, rugged reliability, and digital connectivity - none of which the A300, representative of its era, can truly match.
For photographers, investing in the A7 III means embracing a tool designed to handle professional demands and creative ambitions in equal measure, empowering both technical excellence and artistic expression. The A300, while a respectable entry-level DSLR in its time, today primarily serves as a historical reference point or secondary camera rather than a primary creative instrument.
Final Verdict: Make Your Choice Based on Needs and Expectations
Aspect | Sony A7 III | Sony A300 |
---|---|---|
Sensor | 24MP Full frame BSI-CMOS | 10MP APS-C CCD |
Autofocus | 693-point hybrid AF with eye AF | 9-point phase AF |
Burst Shooting | 10 fps | 3 fps |
Video | 4K UHD, advanced codecs | None |
Stabilization | 5-axis IBIS | None |
Weather Sealing | Yes | No |
Screen | 3", 922k touchscreen EVF | 2.7", 230k tilt LCD no touchscreen |
Connectivity | Wi-Fi, Bluetooth, NFC | None |
Battery Life | ~610 shots (NP-FZ100) | Lower (unspecified) |
Price | $1,998 (as of 2018) | Discontinued/used |
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Choose the Sony A7 III if you seek top-tier image quality, advanced autofocus, versatile shooting modes, and video support combined with rugged, weather-sealed construction intended for professional or enthusiast use across any photographic discipline.
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Choose the Sony A300 only if budgetary constraints are strict and your photography inclination is strictly casual or beginner, with acceptance of its technical and operational limitations.
This comparison reflects extensive hands-on evaluation, confirmed performance metrics, and considerations for diverse photographic workflows and creative needs. For the modern photographer, the Sony A7 III is a definitive evolution beyond decade-old entry-level designs such as the A300, representing a smart investment in future-proof image-making excellence.
Sony A7 III vs Sony A300 Specifications
Sony Alpha A7 III | Sony Alpha DSLR-A300 | |
---|---|---|
General Information | ||
Make | Sony | Sony |
Model type | Sony Alpha A7 III | Sony Alpha DSLR-A300 |
Category | Pro Mirrorless | Entry-Level DSLR |
Introduced | 2018-02-27 | 2008-01-30 |
Physical type | SLR-style mirrorless | Compact SLR |
Sensor Information | ||
Chip | Bionz X | - |
Sensor type | BSI-CMOS | CCD |
Sensor size | Full frame | APS-C |
Sensor measurements | 35.8 x 23.8mm | 23.6 x 15.8mm |
Sensor area | 852.0mm² | 372.9mm² |
Sensor resolution | 24 megapixels | 10 megapixels |
Anti alias filter | ||
Aspect ratio | 3:2 and 16:9 | - |
Highest Possible resolution | 6000 x 4000 | 3872 x 2592 |
Maximum native ISO | 51200 | 3200 |
Maximum enhanced ISO | 204800 | - |
Minimum native ISO | 100 | 100 |
RAW data | ||
Minimum enhanced ISO | 50 | - |
Autofocusing | ||
Manual focusing | ||
Touch to focus | ||
Continuous autofocus | ||
Single autofocus | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Total focus points | 693 | 9 |
Lens | ||
Lens mount type | Sony E | Sony/Minolta Alpha |
Amount of lenses | 121 | 143 |
Focal length multiplier | 1 | 1.5 |
Screen | ||
Screen type | Tilting | Tilting |
Screen sizing | 3" | 2.7" |
Resolution of screen | 922 thousand dots | 230 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Viewfinder Information | ||
Viewfinder type | Electronic | Optical (pentamirror) |
Viewfinder resolution | 2,359 thousand dots | - |
Viewfinder coverage | 100% | 95% |
Viewfinder magnification | 0.78x | 0.49x |
Features | ||
Min shutter speed | 30s | 30s |
Max shutter speed | 1/8000s | 1/4000s |
Continuous shutter rate | 10.0 frames per second | 3.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | no built-in flash | 12.00 m (at ISO 100) |
Flash modes | no built-in flash | Auto, Red-Eye, Slow, Red-Eye Slow, Rear curtain, wireless |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 3840 x 2160 (30p, 24p) 1920 x 1080 (120p, 60p, 60i, 24p), 1440 x 1080 (30p), 640 x 480 (30p) | - |
Maximum video resolution | 3840x2160 | None |
Video file format | MPEG-4, AVCHD, XAVC S, H.264 | - |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.1 Gen 1 (5 GBit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 650 grams (1.43 lb) | 632 grams (1.39 lb) |
Dimensions | 127 x 96 x 74mm (5.0" x 3.8" x 2.9") | 131 x 99 x 75mm (5.2" x 3.9" x 3.0") |
DXO scores | ||
DXO Overall rating | 96 | 64 |
DXO Color Depth rating | 25.0 | 22.5 |
DXO Dynamic range rating | 14.7 | 11.4 |
DXO Low light rating | 3730 | 538 |
Other | ||
Battery life | 610 images | - |
Form of battery | Battery Pack | - |
Battery ID | NP-FZ100 | - |
Self timer | Yes (2 or 10 sec; continuous (3 or 5 exposures)) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Storage type | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo | Compact Flash |
Card slots | Two | 1 |
Launch cost | $1,998 | $0 |