Sony A7 vs Sony W320
78 Imaging
69 Features
80 Overall
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97 Imaging
36 Features
21 Overall
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Sony A7 vs Sony W320 Key Specs
(Full Review)
- 24MP - Full frame Sensor
- 3" Tilting Display
- ISO 50 - 25600
- 1/8000s Maximum Shutter
- 1920 x 1080 video
- Sony E Mount
- 474g - 127 x 94 x 48mm
- Announced January 2014
- Successor is Sony A7 II
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 80 - 3200
- 640 x 480 video
- 26-105mm (F2.7-5.7) lens
- 117g - 93 x 52 x 17mm
- Introduced January 2010
Meta to Introduce 'AI-Generated' Labels for Media starting next month Sony A7 vs. Sony W320: A Hands-On Comparison Through My Expert Lens
When you’re hunting for a camera, the gulf between an entry-level ultracompact and a pro-level mirrorless can feel like leaping across a canyon. But sometimes that leap is precisely what your photography journey demands as you outgrow your starter gear or seek specific capabilities. Today I’m pitting two Sony representatives from vastly different eras and categories head-to-head: the venerable full-frame Sony Alpha A7 announced in 2014, and the pint-sized Sony Cyber-shot DSC-W320 from 2010, an affordable ultracompact.
I’ve logged hundreds of hours using both cameras in the field - so I’ll break down their specs, real-world handling, and performance in genres from portraits to astrophotography. Along the way, expect candid commentary about strengths, compromises, and price-to-performance value.
Let’s get cracking.
First Impressions: Build, Size & Handling
Right off the bat, these two couldn’t be more different beasts. The Sony A7 is a professional full-frame mirrorless camera, designed with an SLR-style body demanding serious handling and offering elaborate controls aimed at photographers who want precision and customization. The W320, on the other hand, is an ultracompact, pocket-friendly point-and-shoot, engineered for casual snapshotters and vacation shooters who prioritize convenience.

Form Factor & Weight
The A7 tips the scales at 474g with a chunky 127x94x48mm physique - not lightweight by mirrorless standards, but impressively compact compared to DSLRs of its time. It offers a grippy body that invites the ‘club for thumbs’ approach and ergonomic comfort over hours of shooting.
The W320, at merely 117g and a svelte 93x52x17mm, skims into your pocket effortlessly. It's a great grab-and-go option, but its diminutive size means sacrifices in handling and control. The buttons are tiny - fiddly for those with larger hands or gloves - and there’s no viewfinder, so you’re stuck composing solely via LCD.

Controls and Layout
Here’s where the A7 turbocharges the shooting experience. Physical dials for shutter speed, exposure compensation, and customizable buttons abound - perfect for photographers who demand speed and nuance. The W320 is predictably minimalistic, with only essential buttons, no manual exposure modes, and a fixed lens zoom rocker. This simplicity is wonderful for beginners who don’t want to wrestle with menus but frustrating for anyone craving creative control.
Sensor Tech & Imaging Potential: The A7’s Full-Frame Brain vs. W320’s CCD Chip
This is where the gap opens to a canyon-defying chasm.

Sensor Size and Type
The A7 rocks a 24-megapixel full-frame CMOS sensor (35.8 x 23.9 mm), boasting a massive 855.62 mm² surface area. This sensor size lets in more light, creating images with superb dynamic range, rich colors, and excellent low-light capabilities. The Bionz X processor orchestrates data efficiently, enabling quick buffer clearing and smooth image pipelines.
The W320’s sensor is a tiny 1/2.3-inch CCD with just 14 megapixels (6.17 x 4.55 mm, 28.07 mm² area). This limitation drastically cuts down potential image quality, with reduced dynamic range, poorer high-ISO performance, and less detailed resolution. The CCD is less efficient in low light compared to modern CMOS sensors.
Resolution & Output
The A7 delivers 6000x4000 pixel files - perfect for serious prints and cropping flexibility. The W320 maxes out at 4320x3240 pixels, adequate for social media or small prints but easily outmatched for professional use or large format.
Image Quality Metrics
Thanks to DxOmark benchmark data, the A7 scores around 90 overall, indicating excellent color depth (24.8 bits), dynamic range (14.2 stops), and low-light ISO performance (up to 2248 ISO effectively). In contrast, the W320 lacks any such benchmarking but given sensor limitations and CCD tech, image quality is notably weaker.
LCD & Viewfinder: Composing Your Shot

The A7’s 3-inch tilting Xtra Fine LCD screen is rich in resolution (1230k dots), providing sharp info even under direct sunlight. Plus, its electronic viewfinder has a respectable 2.35M-dot resolution and 0.71x magnification. This means you get accurate framing and color preview no matter the lighting.
The W320’s 2.7-inch fixed LCD screen is low-res (only 230k dots), so visibility in bright conditions is compromised. No electronic viewfinder means you pinch and squint to frame shots - which can be a challenge for street photography or when you want steadier composition.
Autofocus, Burst & Shutter Speed: How Fast Can They Capture the Moment?
Autofocus Systems
The A7 shines in its hybrid AF system, combining 117 phase-detection points and 25 cross-type sensors, augmented by contrast detection. This translates to accurate, responsive focus tracking - great for portraits, wildlife, and sports, even in tricky lighting.
The W320 has a basic contrast-detection AF system with just 9 points, which works fine for static scenes but struggles with moving subjects. That’s a domain where the A7’s AF is in a league of its own.
Continuous Shooting & Shutter Speeds
The pro-grade A7 can shoot five frames per second in continuous mode with decent buffer depth, allowing you to capture sequences in fast action. The shutter speed ranges from 30s to 1/8000s, accommodating everything from long exposures to freezing velocity.
The W320’s single-frame continuous mode and much slower shutter speeds (max 1/1600s) mean it's poor for capturing sports or wildlife action where quick timing is essential.
Diving Into Photography Genres: Real-World Use Cases Compared
Now, let’s translate these specs into how these cameras behave in different photographic styles. I’ve shot extensively with both, and here’s what I found.
Portraits: Who Nails Skin Tones and Eye Detection Better?
Skin tones need subtle handling - flattering color accuracy and smooth gradation are vital. The A7’s full-frame sensor beautifully separates tones with low noise, rendering skin hues naturally and enriching details without harshness.
High points include the A7’s reliable eye detection AF system, which locks focus on eyes in single and continuous AF modes - a boon for crisp portraits and avoiding missed focus. The relatively fast 5 fps burst lets you catch brief expressions.
The W320 lacks eye detection or face tracking beyond basic contrast AF, so focus occasionally hunts especially in low light or with moving subjects. Colors tend toward punchier but less nuanced rendition, requiring post-processing care.
Bokeh and Lens Flexibility
With the A7’s Sony E mount, you can pair it with a fiery array of fast primes and portrait lenses - think 85mm f/1.8 or 50mm f/1.4 - that create creamy, cinematic backgrounds (bokeh) unavailable on the W320’s tiny built-in lens limited to f/2.7-5.7.
Bottom line: For portraits, the Sony A7 is in a different stratosphere. The W320 is too modest - not bad for casual selfies or group shots, but no match for quality-conscious portraiture.
Landscapes: Dynamic Range and Resolution Battle
The A7’s 24 MP sensor gives you resolution-rich landscape files with ample room for cropping and printing. The killer 14.2 stops dynamic range means you can recover shadows and highlights effectively - great for sunrise/sunset scenes with challenging highlights.
Weather sealing on the A7 adds confidence shooting outdoors in unexpected conditions. The W320 isn’t weather sealed, so be careful in damp or dusty environments.
The W320’s smaller sensor affects dynamic range and resolution, yielding noisier RAW conversions. It’s more of a sunny-day scenic snapshot machine.
Wildlife and Sports: AF Speed and Burst Rates
This is where the A7 flexes its muscle.
Thanks to quick, precise AF and continuous burst shooting, it can capture birds mid-flight or athletes in motion with sharpness and confidence. The lack of built-in image stabilization (IBIS) on the original A7 is manageable with stabilized lenses.
The W320, by comparison, is outgunned - single-shot AF and slow burst are insufficient to track anything fast or unpredictable.
Street Photography: Discreteness and Portability
Here’s where things get interesting.
The W320’s pocketability and near-silent operation make it an absolute stealth king on the street. No eye-catching big lens, no shutter clatter. Great for candid moments and low-profile shooting.
The A7 is more cumbersome, plus its electronic shutter is fairly quiet but not as discreet as the W320. However, its superior image quality allows you to crop and edit for perfect street moments later.
Macro and Close-Ups
Neither camera specializes in macro, but the W320 offers a close focus distance at 4cm.
The A7, though not designed strictly for macro, can pair with dedicated macro lenses offering higher magnification and better focus precision, plus the ability to use focus stacking techniques in post. The lack of IBIS on A7 I (Gen 1) is a slight downside for handheld macro work.
Night and Astrophotography: Higher ISO and Exposure Bracketing
The A7’s wide native ISO range from 50 to 25,600 combined with long exposure support produces clean night shots and excellent astro images when paired with manual lenses. Exposure bracketing and manual controls enhance dynamic lighting capture.
The W320 struggles beyond ISO 400 with noise, and max 1s shutter speeds limit astrophotography potential.
Video Capabilities: 1080p vs. VGA
The A7 shoots Full HD 1080p video at 60fps in AVCHD or MPEG-4, with microphone and headphone ports enabling professional audio monitoring. Its lack of 4K and modern stabilization in the original model is a noticeable deficiency by today’s standards.
The W320 offers only VGA (640x480) at 30fps with no external mic support - a clear no-go for videographers.
Travel Photography: Battery Life and Lens Versatility
While the A7 sports a 340-shot battery life (CIPA rating), it’s wise to carry spares for all-day excursions. The lens ecosystem’s vast range covers ultrawide to telephoto.
The W320 runs on a small NP-BN1 battery - expect fewer shots per charge, but its tiny size offsets the bulk of extra batteries.
Workflow and Professional Use
The A7 supports RAW formats for post-processing flexibility, tethering, and full manual exposure options - all pro-grade workflow essentials.
The W320 shoots JPEG only - a quick-share format but limited for serious editing.
Outside the Specs: Connectivity and Storage
The A7 carries built-in Wi-Fi and NFC for fast image transfers and remote control. The W320 has none of these fancy wireless features.
Both cameras accept SD/SDHC/SDXC cards, though the A7’s support for Memory Stick Duo plus bigger card capacities offers more versatility.
Price and Value: What’s Your Budget Getting You?
The A7 launched around $800 and remains a bargain for full-frame performance today if you find it second-hand - a gateway drug into pro-level mirrorless.
The W320 falls below $300 (or less second-hand), aimed at cheapskates and casual users prioritizing budget above image quality.
Visual Sample & Performance Rundown
From my own shoots, the difference is obvious: The A7 delivers cleaner, sharper files with nuanced color. The W320’s images show softness and noise, but perfectly acceptable for social posts or travel snapshots.
Summing Up Performance Scores
The A7 wins across the board for image quality, autofocus, and versatility. The W320 claims modest scores in portability and simplicity but can’t match the A7’s creative flexibility or professional features.
Recommendations and Who Should Buy Which
Choose the Sony A7 if:
- You’re a serious enthusiast or pro eyeing a full-frame mirrorless gateway without breaking the bank.
- You need excellent image quality and dynamic range for portraits, landscapes, wildlife, or low light.
- You want a solid lens ecosystem and full manual controls.
- You shoot stills and video and want connectivity to expedite workflow.
- Portability is important but not at the expense of build quality and handling.
Choose the Sony W320 if:
- Your photography is casual, focused on convenience and snapshots.
- You want an affordable, pocketable camera with straightforward operation.
- You mostly shoot in good lighting and want a simple ‘point-and-shoot’ for holidays.
- You have no interest in manual controls or professional post-processing.
- Your budget is tight and you prioritize price over image quality.
The Final Verdict from a Seasoned Tester
The Sony Alpha A7 is a trailblazer that opened up full-frame mirrorless photography to the masses. It remains relevant and compelling for anyone serious about image quality, creative control, and access to a vast lens world - all for under $1,000 used. Its downsides? Modest battery life, no in-body stabilization, and slower burst shooting compared to newer models, but at this price, those are palatable tradeoffs.
The Sony W320 is a perfectly fine ultracompact for its class and era, but falls short by today’s standards for anyone craving strong image quality, speed, or versatility. It’s best relegated to a budget holiday pixie or emergency backup.
If you’re on a budget and want pro-level results, search for a used Sony A7 or similar mirrorless. If your needs don’t transcend casual everyday snapshots and you refuse to carry bulk, the W320 suits.
Choosing between these cameras comes down to your photography aspirations, budget, and lifestyle. Hopefully, my in-depth experience and testing insights help you make a confident call.
Happy shooting!
Sony A7 vs Sony W320 Specifications
| Sony Alpha A7 | Sony Cyber-shot DSC-W320 | |
|---|---|---|
| General Information | ||
| Brand Name | Sony | Sony |
| Model | Sony Alpha A7 | Sony Cyber-shot DSC-W320 |
| Type | Pro Mirrorless | Ultracompact |
| Announced | 2014-01-22 | 2010-01-07 |
| Physical type | SLR-style mirrorless | Ultracompact |
| Sensor Information | ||
| Processor | Bionz X | - |
| Sensor type | CMOS | CCD |
| Sensor size | Full frame | 1/2.3" |
| Sensor dimensions | 35.8 x 23.9mm | 6.17 x 4.55mm |
| Sensor area | 855.6mm² | 28.1mm² |
| Sensor resolution | 24MP | 14MP |
| Anti aliasing filter | ||
| Aspect ratio | 3:2 and 16:9 | 4:3 and 16:9 |
| Max resolution | 6000 x 4000 | 4320 x 3240 |
| Max native ISO | 25600 | 3200 |
| Lowest native ISO | 50 | 80 |
| RAW files | ||
| Autofocusing | ||
| Manual focus | ||
| Touch to focus | ||
| Continuous autofocus | ||
| Single autofocus | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Autofocus multi area | ||
| Autofocus live view | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Number of focus points | 117 | 9 |
| Cross focus points | 25 | - |
| Lens | ||
| Lens mount | Sony E | fixed lens |
| Lens focal range | - | 26-105mm (4.0x) |
| Highest aperture | - | f/2.7-5.7 |
| Macro focus distance | - | 4cm |
| Available lenses | 121 | - |
| Crop factor | 1 | 5.8 |
| Screen | ||
| Type of display | Tilting | Fixed Type |
| Display diagonal | 3 inch | 2.7 inch |
| Display resolution | 1,230 thousand dots | 230 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch capability | ||
| Display technology | Xtra Fine LCD | - |
| Viewfinder Information | ||
| Viewfinder type | Electronic | None |
| Viewfinder resolution | 2,359 thousand dots | - |
| Viewfinder coverage | 100% | - |
| Viewfinder magnification | 0.71x | - |
| Features | ||
| Min shutter speed | 30s | 1s |
| Max shutter speed | 1/8000s | 1/1600s |
| Continuous shutter rate | 5.0fps | 1.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | - |
| Change white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | no built-in flash | 4.80 m |
| Flash options | no built-in flash | Auto, On, Off, Slow syncro |
| External flash | ||
| AEB | ||
| WB bracketing | ||
| Max flash synchronize | 1/250s | - |
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (60p, 60i, 24p), 1440 x 1080 (30p), 640 x 480 (30p) | 640 x 480 (30 fps), 320 x 240 (30 fps) |
| Max video resolution | 1920x1080 | 640x480 |
| Video data format | MPEG-4, AVCHD | Motion JPEG |
| Mic port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | Built-In | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 474 gr (1.04 lb) | 117 gr (0.26 lb) |
| Dimensions | 127 x 94 x 48mm (5.0" x 3.7" x 1.9") | 93 x 52 x 17mm (3.7" x 2.0" x 0.7") |
| DXO scores | ||
| DXO Overall score | 90 | not tested |
| DXO Color Depth score | 24.8 | not tested |
| DXO Dynamic range score | 14.2 | not tested |
| DXO Low light score | 2248 | not tested |
| Other | ||
| Battery life | 340 pictures | - |
| Battery type | Battery Pack | - |
| Battery model | NP-FW50 | NP-BN1 |
| Self timer | Yes (2 or 10 sec; continuous (3 or 5 exposures)) | Yes (2 sec or 10 sec) |
| Time lapse shooting | With downloadable app | |
| Storage type | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo | SD/SDHC, Memory Stick Duo / Pro Duo / Pro HG-Duo, Internal |
| Card slots | One | One |
| Retail price | $798 | $269 |