Sony A7S III vs Sony RX10
61 Imaging
64 Features
92 Overall
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58 Imaging
51 Features
76 Overall
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Sony A7S III vs Sony RX10 Key Specs
(Full Review)
- 12MP - Full frame Sensor
- 3" Fully Articulated Screen
- ISO 80 - 102400 (Bump to 409600)
- Sensor based 5-axis Image Stabilization
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Sony E Mount
- 699g - 129 x 97 x 81mm
- Announced July 2020
- Succeeded the Sony A7S II
(Full Review)
- 20MP - 1" Sensor
- 3" Tilting Display
- ISO 125 - 12800 (Expand to 25600)
- Optical Image Stabilization
- 1920 x 1080 video
- 24-200mm (F2.8) lens
- 813g - 129 x 88 x 102mm
- Launched March 2014
- Later Model is Sony RX10 II

Sony A7S III vs. Sony RX10: A Deep Dive into Two Different Worlds of Imaging
When it comes to choosing a camera in 2024, Sony's lineup offers a dizzying range of options, from the ultra-portable RX10 series to the pro-level, full-frame Alpha series. Today, I’m putting two Sony cameras under the microscope that might seem worlds apart at first glance but both pack remarkable punch within their niches: the Sony A7S III, a professional mirrorless powerhouse focused on video and low-light imaging; and the Sony RX10, a large-sensor superzoom bridge camera prized for its versatility and straightforward user experience.
In this comprehensive 2500-word faceoff, I’ll share my hands-on testing results, technical insights, and honest impressions to help you decide which camera fits your photographic lifestyle. Whether you prioritize cinematic 4K video and extreme low-light sensitivity or you're looking for an all-in-one travel solution with a stellar zoom lens, the comparison will guide you through the strengths and trade-offs of each.
Understanding the Cameras at a Glance: Categories and Design Philosophy
Before diving into specific features, it’s important to frame these cameras in their intended contexts.
The Sony A7S III (introduced mid-2020) belongs to Sony's Alpha full-frame mirrorless family, designed for professionals requiring high ISO performance, robust video capabilities, and advanced autofocus. Its 12MP sensor is aimed more at quality over quantity in megapixels, favoring pixel performance and dynamic range, rather than resolution. It’s an SLR-style mirrorless body, weather-sealed and robust, suiting prolonged field use.
By contrast, the Sony RX10 (launched back in 2014, a first generation of a now extensive series) is a bridge camera with a 1-inch sensor and a fixed, versatile 24-200mm f/2.8 zoom lens. It’s intended for enthusiasts wanting a compact, simplified package without the need for lens swaps, offering a lot of reach and control in a more affordable and convenient body.
From the size-comparison image, you can appreciate the tangible difference: the A7S III is slightly more compact in height but a bit deeper and heavier, reflecting its pro-level build and weather sealing. The RX10 is chunkier, primarily due to its integrated zoom lens and bridge-design heft.
Sensor and Image Quality: Which Sensor Matches Your Needs?
At the heart of any camera is the sensor - the “digital film” onto which images are painted. Hands down, this is a decisive factor.
Sony A7S III Sensor (Full-Frame BSI-CMOS, 12MP)
The A7S III uses a 35.6 x 23.8mm full-frame 12.1MP BSI-CMOS sensor. Yes, only 12 megapixels, which is very modest in today’s market, but this low resolution is purpose-built. Larger pixels capture more light, dramatically improving noise performance, sensitivity (max ISO 409,600), and dynamic range of 13.3 stops (DXO score). This sensor excels in dark environments, delivering clean, gradated tones, far better than what you'd expect at these ISOs from higher-megapixel sensors.
Sony RX10 Sensor (1-inch BSI-CMOS, 20MP)
The RX10 features a 13.2 x 8.8mm 20MP sensor, substantially smaller (about 7 times smaller surface area) but offering a solid resolution for the sensor size. The 1-inch size strikes a popular balance - better quality than typical point-and-shoots but limited compared to full-frame in resolving power, dynamic range (12.6 stops), and noise control (max ISO 25,600).
What you see in this sensor comparison graphic clearly demonstrates the A7S III's formidable sensor footprint advantage. Larger sensor, less resolution, but greater pixel size and a larger sensor area translate to richer tonal gradations, superior low-light results, and impressive video flexibility.
Ergonomics and User Interface: Handling Matters
A camera's feel in the hands, button layout, screen usability, and viewfinder clarity can make or break your shooting experience.
The A7S III boasts a refined control layout with function-customizable dials, a silent shutter option, a robust fabric of physical buttons, and a fully articulated 3-inch 1.44M-dot touchscreen. The bright high-res EVF with 0.91x magnification feels almost like a real optical viewfinder, crucial for framing in bright light. Its sturdy yet compact frame is fully weather sealed - essential for professionals in demanding environments.
On the other hand, the RX10 has a bridge camera’s control scheme. It features a tilting 3-inch screen with lower 1.29M-dot resolution, an electronic viewfinder that's somewhat smaller and less magnified than the A7S III, and a more plasticky body overall, though still reasonably rugged and weather-sealed. The integrated lens means fewer manual controls around lens operation but the zoom ring, aperture ring, focus ring, and dedicated buttons on top ensure swift access.
My highlight here: If you crave customization and a professional feel, A7S III wins. If you prefer simplicity without multiple lens juggling, the RX10 offers an all-in-one pack that’s easy to operate and pocket into carry-on gear.
Autofocus Performance: Speed, Accuracy, and Tracking
Autofocus systems have evolved into sophisticated arrays, but one needs to evaluate actual responsiveness and tracking precision in the field.
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A7S III sports 759 phase-detection autofocus points covering 92% of the frame, combined with real-time Eye AF (human and animal) technology. It uses AI-powered algorithms that consistently deliver sharp focus, whether tracking athletes on a field, wildlife in flight, or subjects in complex, low-light scenarios. Face and eye recognition are among the best I’ve tested.
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RX10, though respectable for a bridge camera, utilizes 25 contrast-based AF points and lacks phase-detection AF. It offers face detection but no animal eye AF or continuous tracking as sophisticated as the A7S III. It’s adequate for casual shooting, but sports/wildlife photographers will notice lags and lost focus during rapid action.
In practical use, I frequently see the A7S III lock onto a runner or bird in erratic flight instantly and maintain focus throughout - crucial for professional workflows. The RX10’s AF is competent but occasionally hunts in low light or fast action, making it less ideal for demanding scenarios.
Image Stabilization: Sensor-Based vs. Optical
Motion blur is a nemesis, especially handheld or in low light.
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The Sony A7S III has in-body 5-axis sensor-shift image stabilization, allowing any mounted lens to benefit. This system can compensate up to 5.5 stops of shake, aiding sharp handheld stills and stable video footage even in challenging conditions.
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In contrast, the RX10 uses optical image stabilization built into its lens. This provides very good correction but is inherently less versatile than IBIS regarding adaptation to various lenses or additional stabilization tech like in newer mirrorless bodies.
If you plan handheld work or video capturing with a variety of lenses, the A7S III will keep your shots sharper with less hassle.
Resolution and Image Output
How large and detailed do you want your images?
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The RX10 delivers 20MP images at 5472 x 3648 pixels. This higher resolution combined with the long zoom lets you crop and print moderately sized images without issue - perfect for travel, wildlife snapshots at a distance, or street reportage.
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The A7S III opts for 12MP at 4240 x 2832, which feels low until you understand its design intent: prioritizing low noise and high sensitivity rather than resolution. Its images are exceptionally clean especially at high ISO, and for portraiture or video frame grabs, this is a worthwhile trade-off.
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If you want to make huge prints or crop aggressively in landscapes or commercial work, 12MP might be limiting, but for pixel peeping screens or cinematic output, this sensor excels.
Video Capabilities: Cinematic Flexibility vs. Basic HD
For videographers, the choice here is night and day:
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The A7S III is a video juggernaut: 4K up to 120fps with 10-bit 4:2:2 internal recording, H.265 codec, S-Log3 support, dual CFexpress and SD card slots for high bitrate capture, headphone and mic jacks, and advanced noise reduction. The articulating screen and electronic viewfinder perfectly support video-centric shooting. Its compression options and exposure latitude are best-in-class.
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The RX10, though perfectly decent for casual Full HD video, maxes out at 1080p/60fps with more limited codecs (MPEG-4, AVCHD). Its audio inputs exist but the video features are from an earlier era and less accommodating for serious filmmaking.
If video is at all on your radar, especially high-quality 4K or slow motion, the A7S III is the outright winner.
Battery Life and Storage Options
Sony mirrorless cameras famously tend to have weaker battery life than DSLRs; here’s how these compare practically.
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The A7S III uses the NP-FZ100 battery, rated for about 600 shots per charge. In tests, continuous video recording and live view shooting tax this pretty heavily, but dual card slots and USB charging mitigate downtime.
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The RX10 relies on a smaller NP-FW50 battery with a modest 420 shot rating. Given its fewer power-demanding features, it’s quite adequate for travel days without quick recharge options.
Storage-wise:
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A7S III offers dual slots compatible with SD and CFexpress, crucial for professional workflows requiring fast, redundant storage.
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RX10 has a single slot supporting SD and Memory Sticks, acceptable for casual use but less flexible.
Lens Ecosystem: Interchangeable Freedom vs. All-in-One Convenience
With the A7S III, you're entering Sony’s extensive E-mount ecosystem, compatible with over 120 lenses ranging from affordable primes to exotic cinema glass. This gives you ultimate creative flexibility but also means investing in lenses for different styles, macros, telephoto reach, or wide angles.
RX10’s fixed 24-200mm f/2.8 lens is a marvel in versatility - no lens changes required, smooth constant aperture zoom that covers most common focal lengths, and ideal for users who want a quick grab-and-go solution.
Specialty Use Cases: Portraits, Landscapes, Wildlife, and Beyond
Portrait Photography:
The A7S III’s Eye AF tracking ensures tack-sharp eyes and pleasing bokeh due to full-frame depth of field control. Skin tones exhibit richness and natural gradation with its dynamic range. The RX10 can produce good portraits but the smaller sensor limits background blur and tonal subtleties.
Landscape Photography:
With 13.3 stops of dynamic range vs RX10’s 12.6, A7S III gives more highlight and shadow detail, critical for dramatic landscapes. However, 12MP resolution constrains very large print sizes, whereas the RX10 offers 20MP from a smaller sensor, a trade-off between detail and tonality. The A7S III’s weather-sealing and ruggedness make it a better companion in harsh conditions.
Wildlife and Sports Photography:
A7S III’s fast autofocus, burst shooting at 10fps, high ISO capabilities, and lens freedom easily outperform RX10’s slower contrast AF, lower frame rates, and limited zoom reach (though the RX10’s 24-200mm equivalent is decent for some). Serious wildlife or sports shooters will find the RX10 limiting.
Street Photography:
RX10’s zoom range allows shooting from a distance unobtrusively; moderate size can be a plus or minus depending on your style. The A7S III’s compact mirrorless design and silent shutter option favor discreet shooting but with the need to carry lenses.
Macro Photography:
Neither camera specializes here, but the A7S III’s lens selection lets you add dedicated macro optics with stabilization. RX10 macro capabilities are basic due to lens design.
Night/Astro Photography:
Thanks to large pixels and low-light prowess, the A7S III effortlessly captures dim stars with minimal noise at high ISOs, and lacks harsh color noise. RX10’s smaller sensor and max ISO limitation hinder astrophotography potential.
Video:
Clearly, the A7S III is far superior. RX10’s HD videos are fine for casual clips but lack professional-grade recording options.
Travel Photography:
RX10’s all-in-one convenience and zoom versatility combined with lighter weight and fewer accessories needed appeal to travel shooters looking for simplicity. The A7S III’s mirrorless compactness is appealing, but you’d need to bring lenses plus extra batteries.
Professional Work:
A7S III’s file formats (RAW, 16-bit, 10-bit video), dual card slot redundancy, reliability, wireless connectivity, and extensive lens ecosystem make it a professional staple. The RX10 caters more to enthusiast or casual prosumers, not true professional environments.
Connectivity and Workflow Integration
The A7S III offers built-in Wi-Fi, Bluetooth, HDMI 2.1, and USB 3.2 Gen 1 fast data transfer. This facilitates seamless tethering, remote control, and speedy offloading in professional setups.
The RX10’s connectivity is more basic: USB 2.0, HDMI, and NFC, no Bluetooth or advanced tethering. This limits workflow integration options.
Real-World Performance Summary
Feature | Sony A7S III | Sony RX10 |
---|---|---|
Sensor Size/Resolution | Full-Frame 12MP | 1" 20MP |
ISO Range | 80-409,600 | 125-25,600 |
Autofocus | 759 PDAF points, Eye AF | 25 CDAF points, Face detection |
Stabilization | 5-axis IBIS | Optical |
Video | 4K 120fps, 10-bit, S-Log3 | 1080p 60fps |
Weather Sealing | Yes | Yes |
Viewfinder | 9.44M dots EVF, 0.91x mag | 1.44M dots EVF, 0.7x mag |
LCD Screen | 3", Fully Articulated, Touch | 3", Tilting, No Touch |
Storage Slots | Dual SD/CFexpress Type A | Single SD/Memory Stick |
Battery Life | ~600 shots | ~420 shots |
Price (new) | ~$3500 | ~$700 |
The articulated touch screen on the A7S III dramatically improves framing and menu navigation versus the fixed LCD on the RX10.
Image and Video Samples Showdown
Looking at sample galleries confirms expectations: The A7S III exhibits cleaner shadows, nuanced gradations, and superior high ISO shots ideal for professional portraits or low-light urban photography.
The RX10 produces reasonably sharp images from 24-200mm at daylight or moderate light, capturing travel snapshots and wildlife at intermediate distances well.
Scoring the Battle: Overall and Genre-Specific Strengths
The overall DXO Mark and real-world scoring favor the A7S III, reflecting its modern sensor tech and video prowess.
- Portraits: A7S III wins due to bokeh and autofocus
- Landscapes: Slight edge to A7S III for dynamic range
- Wildlife & Sports: A7S III dominates because of AF and frame rate
- Street & Travel: RX10 competitive for convenience, A7S III better image quality
- Macro: Neutral, but A7S lens options trump RX10’s fixed lens
- Night/Astro: Clear A7S III advantage
- Video: A7S III is vastly superior
Final Recommendations: Who Should Buy Which?
Choose the Sony A7S III if you:
- Are a professional or pro-level enthusiast focused on video or low-light photography
- Need a full-frame system with top-notch autofocus and IBIS
- Want access to a vast lens ecosystem for shooting portraits, landscapes, wildlife, sports, or low-light scenes
- Require dual card slots, excellent connectivity, and pro-level workflow compatibility
- Plan serious video work with 4K 120fps, high bitrate, and wide dynamic range recording capabilities
Choose the Sony RX10 if you:
- Desire an all-in-one package with an excellent zoom lens for travel, street, and casual wildlife photography
- Prefer a simpler camera without lens swapping or heavy gear investment
- Value a decent 1" sensor with 20MP resolution and optical stabilization for moderate quality images and full HD videos
- Are on a tighter budget but want Sony’s imaging technology and weather sealing
- Like a convenient SLR-like handling experience without the complexities of mirrorless systems
Closing Thoughts: Two Cameras, Different Missions but Both Exceptional
My hands-on experience shooting with both the Sony A7S III and RX10 underscores that tech specs only tell half the story. The A7S III is a powerhouse deserving of professional acclaim, a competent mirrorless multi-tool for the modern multimedia artist.
The RX10, though older and less spec-laden, remains a charming all-rounder for users wanting simplicity, a fantastic zoom, and solid image quality without carrying multiple lenses.
Choosing between them comes down to your priorities: uncompromising image and video performance versus lightweight versatility and simplicity.
Sony delivers impressively in both realms, with these two cameras illustrating just how broad their expertise is. If your budget allows, the A7S III is a future-proof pro investment; if you need one camera to ‘do it all’ on a modest budget or as a backup, the RX10 remains a reliable workhorse.
Happy shooting!
If you’re in the market for either, I highly recommend hands-on testing with your preferred lenses and workflows. And don’t forget to consider accessories and post-processing capabilities to unlock each camera’s true potential.
Sony A7S III vs Sony RX10 Specifications
Sony Alpha A7S III | Sony Cyber-shot DSC-RX10 | |
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General Information | ||
Brand Name | Sony | Sony |
Model | Sony Alpha A7S III | Sony Cyber-shot DSC-RX10 |
Type | Pro Mirrorless | Large Sensor Superzoom |
Announced | 2020-07-21 | 2014-03-20 |
Physical type | SLR-style mirrorless | SLR-like (bridge) |
Sensor Information | ||
Processor Chip | Bionz XR | Bionz X |
Sensor type | BSI-CMOS | BSI-CMOS |
Sensor size | Full frame | 1" |
Sensor measurements | 35.6 x 23.8mm | 13.2 x 8.8mm |
Sensor surface area | 847.3mm² | 116.2mm² |
Sensor resolution | 12 megapixels | 20 megapixels |
Anti aliasing filter | ||
Aspect ratio | 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Full resolution | 4240 x 2832 | 5472 x 3648 |
Max native ISO | 102400 | 12800 |
Max boosted ISO | 409600 | 25600 |
Minimum native ISO | 80 | 125 |
RAW files | ||
Minimum boosted ISO | 50 | 80 |
Autofocusing | ||
Focus manually | ||
AF touch | ||
Continuous AF | ||
Single AF | ||
AF tracking | ||
AF selectice | ||
Center weighted AF | ||
AF multi area | ||
Live view AF | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Number of focus points | 759 | 25 |
Lens | ||
Lens mount | Sony E | fixed lens |
Lens focal range | - | 24-200mm (8.3x) |
Maximum aperture | - | f/2.8 |
Total lenses | 121 | - |
Focal length multiplier | 1 | 2.7 |
Screen | ||
Type of screen | Fully articulated | Tilting |
Screen sizing | 3" | 3" |
Screen resolution | 1,440k dots | 1,290k dots |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Screen tech | - | WhiteMagic |
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 9,440k dots | 1,440k dots |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.91x | 0.7x |
Features | ||
Lowest shutter speed | 30 secs | 30 secs |
Highest shutter speed | 1/8000 secs | 1/3200 secs |
Continuous shooting rate | 10.0 frames/s | 10.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | no built-in flash | 10.20 m |
Flash settings | no built-in flash | Auto, fill-flash, slow sync, rear sync, off |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 120p / 280 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 100p / 280 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 60p / 200 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 50p / 200 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 30p / 140 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 25p / 140 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 24p / 100 Mbps, XAVC S, MP4, H.265, Linear PCM 1920 x 1080 @ 120p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 100p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 60p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 50p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 25p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 24p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM | 1920 x 1080 (60p, 60i, 24p) ,1440 x 1080 (30p), 640 x 480 (30p) |
Max video resolution | 3840x2160 | 1920x1080 |
Video format | MPEG-4, XAVC S, XAVC HS, XAVC S-1, H.264, H.265 | MPEG-4, AVCHD |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.2 Gen 1 (5 GBit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 699 grams (1.54 lb) | 813 grams (1.79 lb) |
Dimensions | 129 x 97 x 81mm (5.1" x 3.8" x 3.2") | 129 x 88 x 102mm (5.1" x 3.5" x 4.0") |
DXO scores | ||
DXO All around score | 85 | 69 |
DXO Color Depth score | 23.6 | 22.9 |
DXO Dynamic range score | 13.3 | 12.6 |
DXO Low light score | 2993 | 474 |
Other | ||
Battery life | 600 pictures | 420 pictures |
Form of battery | Battery Pack | Battery Pack |
Battery model | NP-FZ100 | NP-FW50 |
Self timer | Yes (2 or 10 sec; continuous (3 or 5 exposures)) | Yes (2 or 10 sec, continuous) |
Time lapse shooting | With downloadable app | |
Storage type | Dual SD/CFexpress Type A slots | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
Card slots | Two | 1 |
Pricing at launch | $3,499 | $698 |