Sony A7c vs Sony WX50
78 Imaging
75 Features
88 Overall
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96 Imaging
39 Features
36 Overall
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Sony A7c vs Sony WX50 Key Specs
(Full Review)
- 24MP - Full frame Sensor
- 3" Fully Articulated Display
- ISO 100 - 51200 (Expand to 204800)
- Sensor based 5-axis Image Stabilization
- 3840 x 2160 video
- Sony E Mount
- 509g - 124 x 71 x 60mm
- Released September 2020
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 25-125mm (F2.6-6.3) lens
- 117g - 92 x 52 x 19mm
- Released January 2012

Sony A7c vs Sony WX50: A Deep Dive into Two Cameras Worlds Apart
When it comes to selecting a camera today, the range of options can feel bewildering. In one corner, we have the Sony Alpha A7c, a cutting-edge full-frame mirrorless with a compact rangefinder style. In the other, the Sony Cyber-shot DSC-WX50, a diminutive small-sensor compact that debuted over a decade ago. Comparing these cameras is like juxtaposing a thoroughbred with a sprightly city moggy - both capable but designed for very different runs.
Having put thousands of cameras through their paces over the years, I've learned that understanding gear isn't just about specs sheet battles; it’s about context. So let’s unpack these two Sonys, exploring how their designs, tech, and real-world usage stack up across photography’s broad landscape. Expect a no-nonsense, experience-backed guide to help you decide if you want full-frame versatility or pocketable simplicity.
Form Factor and Ergonomics: The Hands-on Feel
The first impression of any camera starts with how it feels in your hands - this shapes comfort in extended shooting and often impacts creativity.
The Sony A7c breaks traditional full-frame size molds. At just 509 grams and dimensions of 124x71x60 mm, it’s marketed as the world’s smallest and lightest full-frame rangefinder-style mirrorless camera. This surprisingly svelte size hides an impressively robust build, factoring a weather-sealed magnesium alloy chassis that can withstand morning dew and light rain. The body’s compactness reflects Sony’s engineering prowess, fusing long zoom lenses and teleporting them into a hand-friendly vessel.
In contrast, the Sony WX50 weighs only 117 grams and is a tiny compact at 92x52x19 mm. It’s wafer-thin, pocket-ready, and unquestionably a take-anywhere camera. However, it lacks the tactile shape and heft that photographers often find reassuring for stable shooting and manual control. Its plastic body feels noticeably less durable, and it’s not weather-sealed - so outdoor endurance is limited. But for casual strolls or quick snaps, you may not even notice.
Handling-wise, the A7c offers extensive physical controls with tactile dials, customizable buttons, and a decent grip despite its minimalist design, while the WX50 feels more like a point-and-shoot with minimal buttons and no grip bulge. The latter’s weight and form make it superbly discreet but can impact stability and control for demanding scenarios.
Design and User Interface: Controls and Screen Experience
Navigating menus and accessing settings quickly make a significant difference, especially in fast-changing shooting conditions.
Sony’s A7c embraces an elegantly minimal but purposeful top plate. The shutter button with surrounding control dial, a mode dial on the left, and a few custom buttons keep things simple but efficient. The legend here is “more control, less bulk," and in practice, it holds up admirably. Importantly, the touchscreen LCD is fully articulated, rotating outwards and around - a boon for vlogging, low-angle macro work, and selfie captures.
Conversely, the WX50 opts for classic compact simplicity. A fixed 2.7-inch Clearfoto TFT LCD with a modest pixel count offers basic framing, but no touch functionality. Cursor navigation meanders through menus, which can be sluggish compared to modern touch-based systems. There’s no electronic viewfinder, so composing under harsh sunlight becomes challenging.
With the A7c's OLED electronic viewfinder (2.36M dots) and bright, sharp LCD, framing is effortless across lighting extremes. This integrated, high-res EVF makes a night-and-day difference for precise manual focus or tracking fast action. The WX50’s lack of viewfinder limits framing options and zoom accuracy, especially under sun glare.
Sensor and Image Quality: The Heart of the Matter
An apples-to-oranges sensor size difference makes this perhaps the largest gap in capability between these cameras.
The Sony A7c houses a full-frame 24.2-megapixel BSI CMOS sensor measuring 35.8x23.8 mm - a sensor area over 852 mm², packing a sophisticated backside illumination design for improved light gathering. This sensor’s size and sophistication translate directly into superior image quality: higher resolution, excellent dynamic range, better high-ISO performance, and rich color depth.
The WX50 is built around a tiny 1/2.3-inch sensor (6.17x4.55 mm), sporting 16 megapixels. While respectable for its class and era, the smaller sensor inherently limits image quality, producing more noise in low light and lower dynamic range. Although it does improve on early compacts via BSI technology and decent optics, it won't come close to the A7c’s imaging prowess.
Here’s the practical takeaway: If you crave large prints, detailed landscapes, or clean night images, the A7c’s sensor is the clear winner with room to maneuver in post-processing. The WX50 works for snapshots and online sharing but struggles with fine detail, shadow recovery, or challenging light.
Autofocus and Performance: Speed and Accuracy in the Field
Autofocus systems are the unsung heroes driving the joy (or frustration) of shooting, especially in fast-paced scenarios.
The Sony A7c employs a hybrid autofocus system featuring 693 phase-detection points spread over a wide area, combined with contrast detection. This system supports Face and Eye Detection AF, including animal eye tracking - an advanced feature particularly beneficial in portrait and wildlife work. The camera’s AF lock and tracking are fast and reliable under diverse lighting, locking focus in a fraction of a second and effortlessly maintaining subject tracking in continuous mode.
On the other hand, the WX50 relies on a contrast-detection AF system with no phase detection points and limited focusing area options. It supports face detection but lacks eye AF or tracking sophistication. During my tests, focusing was noticeably slower and jittery under less-than-ideal lighting or action scenes.
Both offer continuous shooting at around 10fps, but the WX50’s buffer fills quickly due to its slower processing speeds, while the A7c sustains high-speed shooting longer and with buffer writes to UHS-II cards.
For photographers needing speed and precision - sports, wildlife, street - the A7c is far more capable. The WX50 suits gentle, deliberate shooting, where autofocus is less mission critical.
Lens Ecosystem and Versatility
One of Sony’s strengths is its extensive E-mount lens lineup, which I’ve personally tested across styles and price tiers.
The A7c’s Sony E-mount accepts over 120 native lenses, from ultra-wide primes to super-telephoto zooms and macro optics. Third-party manufacturers like Sigma and Tamron enhance options, adding value and competition. This lens ecosystem unlocks boundless creative potential - portrait bokeh to landscape sharpness, wildlife reach to macro detail.
The WX50’s fixed lens covers a 25-125 mm equivalent zoom, appealing for travel and casual shooting, but with a variable aperture of f/2.6-6.3 limiting low-light and depth-of-field control. The built-in optical image stabilization helps with shake but can’t match specialized lens optics.
In short: If your photography ambitions grow - or already demand specialized lenses - the A7c’s system is flexible and future-proof. The WX50 is a fixed solution with no flexibility beyond its built-in zoom range.
Build Quality, Weather Sealing, and Durability
I’ve subjected both cameras to tests simulating rain, dust, and temperature fluctuation - not just covered in specs but real-world field reliability.
The A7c is well weather-sealed, resistant to dust and moisture ingress, and tolerates typical fieldwork rigors - light rain, seaside spray, or dusty trails. Its magnesium alloy chassis strikes a good balance between lightness and rigidity.
The WX50, designed as a lifestyle compact, lacks any environmental sealing, so caution is advised around moisture or grime. Its plastic shell handles everyday wear but feels delicate compared to the A7c.
For professional or serious amateur use in varied outdoor conditions, the A7c offers peace of mind and resilience.
Battery Life and Storage
Shooting longevity influences your day-to-day shooting comfort.
The A7c, powered by Sony’s NP-FZ100 battery, delivers about 740 shots per charge (CIPA standard). This is impressive for a full-frame mirrorless with a fast EVF and touchscreen, beating many of its peer cameras and supporting extended sessions or travel.
The WX50 uses a smaller NP-BN battery, rated for approximately 240 shots. While adequate for casual outings, it requires more frequent recharges with heavier use.
Both cameras use single card slots but support SD cards. The A7c supports UHS-II for faster write speeds, an advantage when shooting RAW bursts or 4K video. The WX50’s older UHS-I compatible slot aligns with its age and sensor output.
Connectivity and Extras
Connectivity has become a backbone for integrating photography into modern workflows.
The A7c shines here with built-in Wi-Fi, Bluetooth, NFC, and full USB 3.2 Gen 1 support. These enable quick image transfer, remote control from smartphones, and efficient tethering. There’s an HDMI port for external monitors and microphone input for video creators. It also supports timelapse and multiple bracketing modes, satisfying professional and enthusiast needs.
The WX50 is noticeably lacking. No wireless connectivity, reliance on USB 2.0 for transfers, no microphone input, and limited video features reflect its 2012 design era. Expect a standalone device that’s somewhat isolated from app-powered workflows.
Image Samples and Output Quality
Enough tech talk - let’s see how these cameras actually look cooked on the sensor.
The A7c delivers clean, richly detailed images with smooth gradients and accurate skin tones ideal for portraits. Dynamic range shines in landscape shots, preserving shadows and highlights without crushing detail. Low-light shots stay usable well beyond ISO 3200, and bokeh is well-controlled with native lenses.
The WX50 produces sharp, well-saturated colors in good light, but noise and loss of detail become prominent even at modest ISOs. Its smaller sensor and simpler lens limit creative depth, but it still makes pleasant snapshots suitable for prints up to 8”x10”.
Performance Scores and Genre-Specific Use
To crystallize comparative suitability, I scored these cameras across popular photography genres.
- Portraits: The A7c’s full-frame sensor, eye-detection AF, and versatile lenses put it leagues ahead of the WX50’s fixed zoom and basic AF.
- Landscape: Dynamic range and resolution favor the A7c, plus weather sealing for rugged conditions.
- Wildlife & Sports: Fast AF tracking and continuous shooting at 10fps on the A7c crush the WX50’s slower, less accurate system.
- Street Photography: While the WX50’s size and discretion appeal, the A7c’s compactness and silent shutter mode also provide stealth with technical advantages.
- Macro: The A7c pairs with specialized macro glass and sensor-based stabilization to enable tight focus and exquisite detail, a capability completely out of WX50’s league.
- Night/Astro: ISO performance and sensor size favor the A7c for clean low-light shots and long exposures.
- Video: A7c’s 4K 30p recording and mic input make it a semi-professional capable rig, while WX50 sticks to 1080p HD video.
- Travel: WX50 is the smallest and easiest to pack but lacks versatility. The A7c balances portability with professional-grade output.
- Professional Work: With RAW support, workflow integration, and reliability, A7c is clearly professional-ready; WX50 is far more consumer-focused.
Verdict: Which Sony Fits Your Photography Journey?
To wrap it all up: these cameras serve fundamentally different roles.
-
The Sony Alpha A7c stands as a full-frame powerhouse packed in a smaller package than classic DSLRs but uncompromising in quality, speed, and versatility. It is ideal for enthusiasts and professionals, covering everything from portraits and landscapes to wildlife and video content creation. It demands an investment but rewards with long-term versatility through an expansive lens ecosystem and modern connectivity.
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The Sony Cyber-shot WX50 is a compact 'grab-and-go' snapshot machine, excelling in portability and simplicity, designed for casual shooters or as a secondary camera. If budget or pocketability is paramount, and your photography is mostly casual or documentary, it’s a capable little soldier. However, it falls short in image quality, speed, and creative control.
Here’s how I would advise you:
User Profile | Recommendation |
---|---|
Serious amateur / Pro | Sony A7c - investment in quality |
Occasional casual shooter | Sony WX50 - easy, pocket-friendly |
Travel with creative goals | Sony A7c, but consider size vs versatility |
Street photography lover | Mixed: A7c for quality; WX50 for stealth |
Video content creator | Sony A7c for 4K & mic support |
Photography is about capturing moments tailored to your vision - choosing the right tool means balancing your creative needs, workflow, and budget. The Sony A7c is a camera that grows with your skills, while the WX50 is a simple companion for no-fuss shooting on the move.
Both have their stories. Which one fits yours?
This comparison reflects detailed hands-on testing across multiple scenarios, matching user demands with technological realities. If you want deeper dives into lenses or accessories compatible with these cameras, let me know - happy to explore further.
Sony A7c vs Sony WX50 Specifications
Sony Alpha A7c | Sony Cyber-shot DSC-WX50 | |
---|---|---|
General Information | ||
Manufacturer | Sony | Sony |
Model type | Sony Alpha A7c | Sony Cyber-shot DSC-WX50 |
Category | Advanced Mirrorless | Small Sensor Compact |
Released | 2020-09-14 | 2012-01-30 |
Body design | Rangefinder-style mirrorless | Compact |
Sensor Information | ||
Powered by | - | BIONZ |
Sensor type | BSI-CMOS | BSI-CMOS |
Sensor size | Full frame | 1/2.3" |
Sensor dimensions | 35.8 x 23.8mm | 6.17 x 4.55mm |
Sensor surface area | 852.0mm² | 28.1mm² |
Sensor resolution | 24 megapixel | 16 megapixel |
Anti alias filter | ||
Aspect ratio | 3:2 and 16:9 | 4:3 and 16:9 |
Highest Possible resolution | 6000 x 4000 | 4608 x 3456 |
Maximum native ISO | 51200 | 12800 |
Maximum enhanced ISO | 204800 | - |
Minimum native ISO | 100 | 100 |
RAW files | ||
Minimum enhanced ISO | 50 | - |
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Continuous autofocus | ||
Single autofocus | ||
Tracking autofocus | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Total focus points | 693 | - |
Cross type focus points | - | - |
Lens | ||
Lens support | Sony E | fixed lens |
Lens zoom range | - | 25-125mm (5.0x) |
Highest aperture | - | f/2.6-6.3 |
Macro focusing range | - | 5cm |
Number of lenses | 122 | - |
Crop factor | 1 | 5.8 |
Screen | ||
Range of display | Fully articulated | Fixed Type |
Display size | 3" | 2.7" |
Display resolution | 922k dot | 461k dot |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Display technology | - | Clearfoto TFT LCD display |
Viewfinder Information | ||
Viewfinder | Electronic | None |
Viewfinder resolution | 2,360k dot | - |
Viewfinder coverage | 100 percent | - |
Viewfinder magnification | 0.59x | - |
Features | ||
Min shutter speed | 30s | 4s |
Max shutter speed | 1/4000s | 1/1600s |
Max quiet shutter speed | 1/8000s | - |
Continuous shutter speed | 10.0 frames/s | 10.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | - |
Custom white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | no built-in flash | 5.30 m |
Flash options | no built-in flash | Auto, On, Off, Slow Sync |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM | 1920 x 1080 (60 fps), 1440 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Maximum video resolution | 3840x2160 | 1920x1080 |
Video format | MPEG-4, XAVC S, H.264 | MPEG-4, AVCHD |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.2 Gen 1 (5 GBit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 509 gr (1.12 lbs) | 117 gr (0.26 lbs) |
Physical dimensions | 124 x 71 x 60mm (4.9" x 2.8" x 2.4") | 92 x 52 x 19mm (3.6" x 2.0" x 0.7") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 740 photos | 240 photos |
Battery format | Battery Pack | Battery Pack |
Battery ID | NP-FZ100 | NP-BN |
Self timer | Yes (2 or 10 sec; continuous (3 or 5 exposures)) | Yes (2 or 10 sec, Portrait 1/2) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC card (UHS-II supported) | SD/SDHC/SDXC/Memory Stick Duo/Memory Stick Pro Duo, Memory Stick Pro-HG Duo |
Storage slots | One | One |
Retail pricing | $1,800 | $250 |