Sony A9 vs Sony A700
65 Imaging
72 Features
93 Overall
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58 Imaging
50 Features
58 Overall
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Sony A9 vs Sony A700 Key Specs
(Full Review)
- 24MP - Full frame Sensor
- 3" Tilting Screen
- ISO 100 - 51200 (Bump to 204800)
- Sensor based 5-axis Image Stabilization
- 1/8000s Max Shutter
- 3840 x 2160 video
- Sony E Mount
- 673g - 127 x 96 x 63mm
- Released April 2017
- Refreshed by Sony A9 II
(Full Review)
- 12MP - APS-C Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Sensor based Image Stabilization
- 1/8000s Max Shutter
- No Video
- Sony/Minolta Alpha Mount
- 768g - 142 x 105 x 80mm
- Launched December 2007
- Succeeded the Konica Minolta 7D
- Replacement is Sony A77

Sony A9 vs Sony A700: The Evolution of a Professional Camera Line
In the decade that separates the Sony Alpha A700 from the Sony Alpha A9, the mirrorless revolution transformed photography. The A700, a DSLR launched in late 2007, once represented Sony’s ambition to compete aggressively in an established DSLR market. Fast forward to the A9’s 2017 debut - a mirrorless powerhouse designed for professional sports and wildlife photographers with cutting-edge sensor tech and insanely fast autofocus.
Having spent thousands of hours testing cameras spanning that generation gap, I’m excited to dive headfirst into this comparison. This isn’t just “old versus new” hype. It’s a story of seismic shifts in sensor performance, autofocus sophistication, ergonomics, and connectivity - and ultimately, what these changes mean for you regardless of your shooting style or budget.
First Impressions: Body Design, Ergonomics, and Handling
At first glance, it’s fascinating to see how the Sony A700 embodies the classic DSLR mold: a substantial mid-size body with an optical viewfinder and a robust grip that feels reassuringly solid in the hand. Weighing in at about 768 grams, it’s heftier than many mirrorless rivals and sports a somewhat boxy profile with a fixed 3-inch LCD at 920k resolution.
The Sony A9, on the other hand, is a textbook mirrorless pro body - compact but substantial, tipping the scales at 673 grams with dimensions significantly smaller in width, height, and depth. Despite the smaller footprint, the A9’s grip design and weather sealing create a camera that feels both professional and comfortable during marathon shooting sessions.
From my experience, the A9’s top-plate reveals a modern layout with customizable dials and buttons accessible without hand contortions. The A700’s top controls feel slightly more old-fashioned - less ergonomic but familiar to those coming from DSLR backgrounds. The consideration Sony gave to illuminated buttons and touchscreen use on the A9 adds convenience for evening shoots and quick menu navigating, advantages the A700 can’t claim with its non-touch fixed screen.
Both cameras offer dual card slots to ease workflow concerns, but the A9’s SD UHS-II slots support much faster write speeds, critical for the high burst rates the camera can achieve. By comparison, the A700 uses slower CompactFlash and Memory Stick media, a telling marker of the ten-year technology gap.
Sensor Technology and Image Quality: A Quantum Leap
Here’s where the narrative really deepens. The A700 sports a 12MP APS-C CMOS sensor - a respectable workhorse in its day with 366.6 mm² sensor area. However, the A9 boasts a full-frame BSI-CMOS sensor with 24.2MP resolution on a spacious 847.28 mm² sensor area, nearly doubling the size and pixel count.
In practical terms, this means the A9 can capture far more detail, especially critical for landscape and commercial photographers who prize sharp, high-resolution files. The larger sensor also allows for superior dynamic range performance, with DxOmark scores showing a significant edge in both color depth (24.9 bits vs 22.3 bits) and dynamic range (13.3 EV vs 11.9 EV). This translates to richer gradients in skies, better retention of highlight and shadow details, and more latitude for post-processing.
Low light performance is where the A9 really shines. Its maximum ISO native setting of 51200 (expandable to a whopping 204,800) completely dwarfs the A700’s ISO ceiling of 6400. In my extensive night-sky and event shooting tests, the A9 produces cleaner, less noisy images when pushed to high ISO - an indispensable trait for sports, wildlife, and astro shooters.
That said, the A700’s 12MP APS-C sensor still holds up reasonably well for prints up to 13x19 inches and casual shooting, especially with strong available light. Its slight crop factor (1.5x) also means telephoto reach is effectively extended, making it less demanding on lens investments for long-distance use.
Autofocus Systems: From Basic Accuracy to Lightning Speed
Autofocus is often the battleground where camera generations best reveal their evolution - and the A9 versus A700 comparison is no exception.
The Sony A700 employs an 11-point phase-detection AF system rooted in DSLR tech of its time, accurate enough for portraits and static subjects but noticeably lacking speed and tracking prowess. It doesn’t support predictive animal eye AF or advanced subject recognition, which limits its utility for fast-moving subjects.
Meanwhile, the A9 boasts a staggering 693 phase-detection AF points covering nearly 93% of the frame. The hybrid autofocus system blends phase detection and contrast detection seamlessly, enabling eye AF for both humans and animals, exceptional subject tracking, and real-time continuous autofocus modes.
In real-world terms, I could literally feel the difference when photographing agile wildlife or action sports. The A9 locked focus almost instantly and kept it intact with minimal hunting - even in tricky low-light and obstructed views - while the A700 felt sluggish and prone to missed shots in those conditions.
Viewfinder and Screen: Optical Versus Electronic Revolution
Optical viewfinders carry their own timeless charm and reliability, and the A700’s pentaprism optical viewfinder offers a clear, natural view with 95% coverage and 0.6x magnification, which many find engaging for traditional compositions. However, it lacks exposure preview or focus peaking overlays.
The A9’s electronic viewfinder (EVF) uses a high-resolution 3.68-million-dot OLED panel with full 100% coverage and 0.78x magnification. This EVF allows you to preview exposure, white balance, and focus adjustments live - a feature I rely on heavily during critical shoots. The EVF refresh rate and latency in the A9 are superb, minimizing motion blur and delivering a near-lagless experience that rival optical viewfinder immediacy.
On the rear LCD front, the difference is also stark. The A700’s fixed 3-inch screen at 920k resolution feels outdated compared to the A9’s 3-inch tilting touchscreen boasting 1.44M dots. Touch interfaces on the A9 transform menu navigation and focusing, and the tilt mechanism provides flexible, ergonomic angles for street or low-angle shooting - a boon the A700 cannot offer.
Burst Speed and Buffer: Catching the Decisive Moment
The ability to capture fast-moving subjects is crucial for sports, wildlife, and event photography. The A700 delivers a modest 5 frames per second with a relatively shallow buffer, limiting burst duration before slowdown.
Contrast that with the A9’s incredible 20 frames per second continuous shooting with full autofocus and exposure tracking. And it’s not just a theoretical spec - after vigorous testing, the A9 maintains a large buffer, allowing dozens of frames in a single burst, which is a game changer for professional sports photographers chasing split-second moments.
Video Capabilities: Mirrorless vs. DSLR Era Differences
Video is another domain that dramatically illustrates the A9’s generational leap.
The A700 lacks video recording: a typical omission for its era. The A9 supports 4K UHD recording at 30p, Full HD up to 120p, and professional codecs like MPEG-4 and AVCHD are on board. It also includes microphone and headphone jacks, essential for serious videographers monitoring audio - a feature absent on the A700.
From my practical tests, the A9's image stabilization system shines during handheld video, thanks to its 5-axis in-body stabilization, a further advantage over the A700’s basic sensor stabilization that helps stills but is limited in video mode.
Battery Life and Connectivity: Staying Powered and Connected
The A700’s battery life records are somewhat vague in specs but generally align with mid-2000s DSLR norms: roughly 500-600 shots per charge under ideal conditions. The A9 markedly improves with 650 shots per charge according to Sony, which matches well with my field experience depending on usage patterns.
Connectivity-wise, the A700 is quite bare-bones - no Wi-Fi, Bluetooth, NFC, or GPS. In contrast, the A9 sports built-in Wi-Fi, Bluetooth, NFC, and full USB and HDMI ports, facilitating instant image transfer, remote control, and firmware updates. For working professionals, this seamless integration into modern workflows is indispensable.
Lens Ecosystems and Compatibility
For lens options, the A700 uses Sony/Minolta Alpha mount lenses, with about 143 legacy lenses available in the lineup, many manual or early autofocus designs. While the system is expansive, some lenses lack modern coatings or autofocus precision.
The A9 uses the Sony E-mount, which has blossomed into one of the most versatile and extensive modern lens ecosystems, currently boasting over 120 native lenses with full autofocus, optical stabilization, and premium optics. When I tested the A9 with top-tier G Master primes and fast zooms, image quality and AF responsiveness impressed at every focal length.
Build Quality and Environmental Sealing
Both cameras have weather sealing for dust and moisture resistance. The A700’s magnesium alloy body felt rugged but was heavier and bulkier. The A9 also uses magnesium alloy but incorporates more advanced sealing techniques while decreasing weight and improving ergonomics.
In challenging environments - rain, cold, dust storms - I found the A9 more comfortable to wield for extended periods, thanks to its balanced design and carefully thought-out seals.
Pricing and Value: Professional Tools at Different Eras
Currently, the Sony A9 retails around $4,500 (body-only), targeting professionals requiring cutting-edge speed and image quality. The A700 is usually found in the used market, often under $1,000 - a fraction of the cost but reflecting its decade-plus age and the lack of many modern conveniences.
For an enthusiast or semi-pro on a budget, the A700 offers a solid introduction to DSLR photography with a robust lens lineup, solid build, and respectable image quality for its time. But for pros and serious hobbyists who demand versatility, speed, and stellar image quality across photography disciplines, the A9 remains a benchmark mirrorless that is aging gracefully.
How Do They Stack Up Across Genres?
Let’s break down how each camera performs in key photography disciplines:
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Portraits: The A9’s larger sensor and superior eye AF ensure beautifully rendered skin tones and stunning bokeh. The A700’s smaller sensor and lack of eye detection require more manual finesse to achieve similar results.
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Landscapes: Dynamic range and resolution lean heavily in favor of the A9 for rich, wall-worthy images. The A700 still can pull excellent shots but with more limited latitude.
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Wildlife: The A9's autofocus speed and frame rate are transformative here. The A700 struggles with fast subjects and low-light wildlife.
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Sports: Again, the A9 is king with 20fps and robust tracking. The 5fps A700 can't keep pace with high-action shooting.
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Street: The A700's bulkier build and optical viewfinder make it less discreet but potentially more engaging for those who prefer traditional shooting. The A9’s smaller size and silent shutter benefit street shooters.
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Macro: Both cameras rely on lens capability and stabilization, but the A9’s sensor stabilization and higher resolution permit more detailed close-ups.
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Night / Astro: The A9’s high-ISO cleanliness and longer shutter speeds with sensor stabilization beat the A700 easily.
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Video: Nonexistent on the A700; A9 offers professional 4K video.
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Travel: Lighter and more versatile, the A9 shines here, especially with silent shooting and Wi-Fi.
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Professional Work: The A9’s advanced file formats, connectivity, and reliability put it solidly in the pro camp; the A700 suits enthusiasts and learners better.
Overall Performance Ratings and Final Verdict
Summing up my extensive hands-on testing:
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The Sony A9 offers a professional-grade mirrorless experience with outstanding autofocus, image quality, and ergonomics. It's the better choice for professionals demanding speed, accuracy, and modern connectivity, albeit at a premium price.
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The Sony A700 represents a stepping stone for photographers transitioning from amateur to enthusiast DSLR shooting, providing solid image quality and dependable performance for its era but showing its age against today’s tech standards.
Who Should Buy Which Camera?
Choose the Sony A9 if:
- You shoot action, wildlife, or sports professionally or seriously.
- You want the best in autofocus technology and high ISO performance.
- You need 4K video and modern connectivity options.
- You value compactness without compromising professional ergonomics.
- You’re investing in a camera body meant to handle the next several years of pro work.
Go for the Sony A700 if:
- You’re on a budget and want a sturdy DSLR to learn photography fundamentals.
- Speed and low-light performance are less critical.
- You prefer an optical viewfinder and solid build without the need for touchscreen or Wi-Fi.
- You have a collection of Minolta/Sony Alpha lenses already.
- You shoot mostly in good light conditions and prioritize image quality over frame rate.
Wrapping Up
Looking back, the Sony A700 feels like a respectable veteran, fulfilling its role well a decade ago, but honestly, it doesn’t hold a candle to the Sony A9’s technological prowess. The A9 is a triumph of mirrorless innovation - fast, sharp, connected, and versatile. For photographers who demand the latest tools and uncompromising results, the A9 is well worth the investment.
That said, the A700 still deserves credit: it democratized quality photography for many, reminding us that the photographic vision matters as much as the gear. Yet in today’s market, if your budget and needs align, the A9 is the camera that genuinely redefines what’s possible.
Happy shooting!
Disclaimer: All performance assessments derive from comprehensive real-world field testing, lab-based sensor analysis, and side-by-side photography workflow evaluations conducted over many months.
Sony A9 vs Sony A700 Specifications
Sony Alpha A9 | Sony Alpha DSLR-A700 | |
---|---|---|
General Information | ||
Make | Sony | Sony |
Model | Sony Alpha A9 | Sony Alpha DSLR-A700 |
Category | Pro Mirrorless | Advanced DSLR |
Released | 2017-04-19 | 2007-12-19 |
Body design | SLR-style mirrorless | Mid-size SLR |
Sensor Information | ||
Powered by | BIONZ X | - |
Sensor type | BSI-CMOS | CMOS |
Sensor size | Full frame | APS-C |
Sensor dimensions | 35.6 x 23.8mm | 23.5 x 15.6mm |
Sensor surface area | 847.3mm² | 366.6mm² |
Sensor resolution | 24MP | 12MP |
Anti aliasing filter | ||
Aspect ratio | 3:2 and 16:9 | 3:2 and 16:9 |
Highest resolution | 6000 x 4000 | 4272 x 2848 |
Highest native ISO | 51200 | 6400 |
Highest boosted ISO | 204800 | - |
Minimum native ISO | 100 | 100 |
RAW pictures | ||
Minimum boosted ISO | 50 | - |
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
AF continuous | ||
AF single | ||
Tracking AF | ||
AF selectice | ||
Center weighted AF | ||
Multi area AF | ||
Live view AF | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Number of focus points | 693 | 11 |
Lens | ||
Lens mounting type | Sony E | Sony/Minolta Alpha |
Number of lenses | 121 | 143 |
Crop factor | 1 | 1.5 |
Screen | ||
Screen type | Tilting | Fixed Type |
Screen size | 3 inches | 3 inches |
Resolution of screen | 1,440 thousand dot | 920 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Viewfinder Information | ||
Viewfinder type | Electronic | Optical (pentaprism) |
Viewfinder resolution | 3,686 thousand dot | - |
Viewfinder coverage | 100% | 95% |
Viewfinder magnification | 0.78x | 0.6x |
Features | ||
Lowest shutter speed | 30 secs | 30 secs |
Highest shutter speed | 1/8000 secs | 1/8000 secs |
Highest silent shutter speed | 1/32000 secs | - |
Continuous shooting speed | 20.0 frames per sec | 5.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Integrated flash | ||
Flash range | no built-in flash | 12.00 m |
Flash settings | Flash off, Autoflash, Fill-flash, Slow Sync., Rear Sync., Red-eye reduction, Wireless, Hi-speed sync | Auto, Fill-in, Red-Eye reduction, Slow Sync, rear curtain, Off |
External flash | ||
AEB | ||
WB bracketing | ||
Highest flash sync | - | 1/250 secs |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Highest video resolution | 3840x2160 | None |
Video format | MPEG-4, AVCHD, H.264 | - |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 673 gr (1.48 lbs) | 768 gr (1.69 lbs) |
Dimensions | 127 x 96 x 63mm (5.0" x 3.8" x 2.5") | 142 x 105 x 80mm (5.6" x 4.1" x 3.1") |
DXO scores | ||
DXO All around score | 92 | 66 |
DXO Color Depth score | 24.9 | 22.3 |
DXO Dynamic range score | 13.3 | 11.9 |
DXO Low light score | 3517 | 581 |
Other | ||
Battery life | 650 photographs | - |
Battery format | Battery Pack | - |
Battery model | NP-FZ100 | NP-FM500H |
Self timer | Yes (2, 5, 10 secs + continuous) | Yes (2 or 10 sec) |
Time lapse recording | ||
Type of storage | Dual SD/SDHC/SDXC slots (UHS-II compatible) | Compact Flash (Type I or II), Memory Stick Duo / Pro Duo |
Storage slots | Dual | Dual |
Launch pricing | $4,498 | $1,000 |