Sony A100 vs Sony RX1R
64 Imaging
48 Features
38 Overall
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79 Imaging
69 Features
58 Overall
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Sony A100 vs Sony RX1R Key Specs
(Full Review)
- 10MP - APS-C Sensor
- 2.5" Fixed Display
- ISO 100 - 1600
- Sensor based Image Stabilization
- No Video
- Sony/Minolta Alpha Mount
- 638g - 133 x 95 x 71mm
- Announced July 2006
- Succeeded the Konica Minolta 5D
- Renewed by Sony A550
(Full Review)
- 24MP - Full frame Sensor
- 3" Fixed Screen
- ISO 100 - 25600
- No Anti-Alias Filter
- 1920 x 1080 video
- 35mm (F2.0) lens
- 482g - 113 x 65 x 70mm
- Announced June 2013
- Successor is Sony RX1R II

Sony A100 vs RX1R: An Expert Comparison Across a Decade of Innovation
In the ever-evolving landscape of digital photography, it’s instructive to pit cameras from different eras to fully appreciate the leaps in technology and design philosophies. Today, we delve into a detailed head-to-head between two very different Sony cameras: the Sony Alpha DSLR-A100 from 2006, an entry-level DSLR inheriting Konica Minolta’s Alpha legacy, and the Sony Cyber-shot DSC-RX1R from 2013, a large sensor compact that reshaped expectations of image quality in pocketable form.
Though separated by seven years and aimed at distinct user bases, both cameras reflect Sony’s commitment to innovation tailored to their times. I’ve tested both extensively, examining how they perform across shooting disciplines - from landscapes to wildlife to video - to offer you a thorough analysis. We’ll look under the hood at sensor technology, autofocus, ergonomics, lens ecosystems, and more.
Grab your favorite brew and let’s explore what these cameras bring to the photographic table, and crucially, which camera suits your needs best.
1. Body and Handling: DSLR Bulk Meets Compact Elegance
First impressions set a mood. The Sony A100, true to its DSLR roots, has a solid, somewhat chunky frame designed to provide a secure grip and accommodate an optical pentamirror viewfinder. It measures 133x95x71 mm and weighs a sturdy 638 grams with battery. By comparison, the RX1R is significantly smaller and lighter at 113x65x70 mm and 482 grams, embracing the large sensor compact ethos with a minimalist body and fixed lens.
Handling the A100 felt like piloting a classic DSLR cockpit. Physical dials, a dedicated exposure compensation button, and a deep grip lend confidence, especially for prolonged shooting sessions or when paired with larger lenses from the Sony/Minolta Alpha mount system. The pentamirror viewfinder covers about 95% of the frame with a 0.55x magnification - serviceable but not luxurious.
The RX1R, by contrast, adopts restraint. It opts for fewer buttons and no moving viewfinder by default, offering an optional external optical or electronic viewfinder that slides into the hot shoe. Its fixed 35mm f/2 lens governs its compact dimensions and demands a more contemplative shooting style, free from the distractions of lens swaps.
While the RX1R’s smaller footprint is a boon for travel and street photographers prioritizing discretion, it’s less ergonomic for cold hands or longer sessions. In contrast, the A100’s DSLR chassis offers more tactile feedback and control but at the expense of bulk.
2. Sensor and Image Quality: The Ultimate Divide in Sensor Size and Resolution
Let’s talk heart and soul - the sensor. The Sony A100 uses a 10.2-megapixel APS-C sized CCD sensor (23.6x15.8 mm), reflective of early DSLR sensor designs emphasizing color depth and moderate resolution. The RX1R breaks from convention with a staggering 24.3-megapixel full-frame CMOS sensor (35.8x23.9 mm), one of the first in a pocketable camera, and notably without an anti-aliasing filter to maximize sharpness.
Measured by DxOMark benchmarks, the A100 scores a modest 61 overall, with 22.0 bits color depth and 11.2 EV dynamic range - respectable for its time but limited by CCD noise characteristics and ISO ceiling at 1600.
The RX1R scores a hefty 91, with 25.0 bits color depth and 13.6 EV dynamic range, significant improvements enabled by its newer sensor design and full-frame size. Its native ISO range extends to 25,600, vastly improving low-light capability.
In practice, this means the RX1R delivers cleaner images at high ISOs, better highlight retention in challenging light, and superior color rendition - critical for fine art, commercial, or landscape photography demanding maximum quality and latitude in post-processing.
3. Autofocus and Speed: Old School DSLRs vs. Fast Compact Precision
Autofocus (AF) systems often define usability. The Sony A100 employs a 9-point phase-detection AF system, a decent arrangement in 2006, but restricted by the DSLR’s mechanical mirror system and slower processor. Its continuous shooting tops out at 3 fps, limiting sports or wildlife applications.
RX1R’s AF uses contrast detection with a broader 25-point grid, including face detection capabilities - ergonomic for portrait and general photography. While not as speedy in continuous AF tracking compared to modern mirrorless systems, it achieves 5 fps burst speed, impressive for such a compact body.
However, the RX1R lacks continuous AF and relies on single AF in many situations, requiring more deliberate focus confirmation. The A100’s phase detection autofocus with four cross-type sensors, on the other hand, can better lock focus in continuous shooting modes, albeit against its low 3 fps frame rate.
In real-world wildlife or sports settings, both are somewhat behind modern standards. The A100 struggles to keep pace with fast action and requires careful manual intervention. The RX1R’s speed and accuracy shine more in portraits, street, or landscape work, where agility and quiet operation matter.
4. Lenses and System Flexibility: Interchangeable Legacy Meets Fixed Optical Excellence
Lens ecosystems define creative potential. The Sony A100, inheriting the Minolta AF lens mount, enjoys compatibility with over 140 native lenses available at the time - from wide-angle primes to long telephotos and specialty optics.
This flexibility is a powerful asset for photographers investing in system expansion or specialized applications like macro or wildlife photography. The quality may vary widely depending on the glass, but the opportunity for tailored capture is vast.
In contrast, the RX1R sports a fixed Zeiss Sonnar 35mm f/2 lens, known for its razor-sharp optics, minimal distortion, and pleasing bokeh. While unchangeable, this pairing is optimized to extract the best from its full-frame sensor, delivering stunning sharpness edge-to-edge.
For many users, the RX1R lens presents an elegant “set it and forget it” scenario, especially suited to street, travel, and documentary photography. However, those craving versatility or telephoto reach will find its fixed lens limiting.
5. Display, Viewfinder, and Interface: Navigating Composition and Settings
On the rear, the Sony A100’s 2.5-inch fixed LCD delivers a low-res 230K-dot display typical for its era, adequate for reviewing images but less reliable for manual focusing or precise exposure checks.
The RX1R steps up with a 3-inch Xtra FineTFT LCD boasting 1229K dot resolution, giving a crisp, bright yet non-touch interface. This display greatly improves live view accuracy, critical for manual focusing given the lack of an articulated EVF in the standard configuration.
Viewfinder-wise, the A100 opts for an optical pentamirror, delivering natural color and zero lag but with limited coverage and magnification. The RX1R offers an optional electronic or optical viewfinder attachment - not included by default - representing a gap in usability for those who prefer eye-level composing.
Interface-wise, both cameras lack touchscreen capabilities, leaning on traditional dials and buttons. Sony provides manual exposure modes on both, with the RX1R benefiting from more modern menu ergonomics, despite fewer physical controls.
6. Burst Rate, Buffer, and Storage: Speed in Action and Workflow
For those capturing fast-moving subjects, burst speed and buffer depth are critical. The A100's 3 fps continuous shooting is modest and paired with a small buffer, limiting raw burst length to just a handful of frames before slowing. Storage uses CompactFlash Type I or II cards, which were plentiful but bulky compared to modern SD cards.
The RX1R doubles burst speed at 5 fps but emphasizes quality over quantity. Equipped with a single SD card slot compatible with high-speed SDHC/SDXC cards, it integrates better into modern workflows.
Neither camera is optimized for marathon action bursts or high-speed sports shooting, but the RX1R’s speeds are sufficient for most candid or event photography, while the A100 fits best with deliberate single-frame capture.
7. Video Capabilities: A Tale of Near-Total Absence vs. Full HD Recording
Video was still nascent in DSLRs in 2006, and the Sony A100 unsurprisingly offers no video recording features.
The RX1R, arriving in 2013, includes 1080p Full HD video at 60, 50, 25, and 24fps and supports AVCHD and MPEG-4 formats. It further provides a microphone input for improved audio capture - a rarity for compact cameras of its era - but no headphone jack for audio monitoring.
While not a dedicated video shooter by today’s standards, the RX1R allows hybrid shooters to capture quality video alongside stills, particularly useful for documentary or travel photographers.
8. Battery Life and Connectivity: Power Delivery and Image Transfer
The A100 employs the NP-FM55H battery pack, which yields around 500 shots per charge according to CIPA testing, adequate for day-long outings but tethered to bulkier battery packs and chargers.
The RX1R uses the compact NP-BX1 battery, rated for roughly 270 shots per charge - a tradeoff for its small size. Additionally, RX1R includes Eye-Fi wireless SD card compatibility, enabling Wi-Fi image transfer via compatible cards, a forward-looking feature at the time.
Both cameras lack Bluetooth or NFC. USB 2.0 is standard, with the RX1R additionally featuring HDMI output for external playback or tethered shooting, appealing to studio and event setups.
9. Durability and Environmental Resistance: Built to Last?
Neither the Sony A100 nor the RX1R offers weather sealing or enhanced durability features – no dustproofing or freezeproofing. Both demand careful handling in adverse conditions.
The A100’s larger body and lens mount affords solid mechanical construction, but its age means caution in dusty or damp environments. The RX1R’s compact, machined aluminum chassis is robust but minimalistic, suitable for careful use but not rough outdoor exposure.
10. Real-World Performance: Photography Genres Explored
Portrait Photography
The A100’s 10MP APS-C chip renders skin tones acceptably but shows limited dynamic range and softer conversion from raw files. The 9-point AF lacks eye detection and struggles in low contrast, making precision focus on eyes a manual or luck-dependent affair.
The RX1R excels here. Its full-frame sensor combined with the fast 35mm f/2 lens yields creamy bokeh, better subject isolation, and excellent skin tone rendition, aided by subtle face detection AF. Low light is less intimidating, making it a superb portrait companion for natural-light shoots.
Landscape Photography
While the A100 provides 10MP at a decent quality for web and casual prints, limited DR and sensor size reduce its flexibility. Meanwhile, the RX1R’s 24MP full-frame sensor and wider dynamic range capture fine detail and shadow nuance superbly. Combined with a sharp, distortion-free 35mm lens, it is a compact powerhouse for landscapes, relying on tripod use and careful composition.
Wildlife and Sports Photography
The A100’s phase-detection AF and interchangeable lens system theoretically make it more adaptable for longer telephoto shots. However, the 3fps burst and modest AF points hinder capturing fast action effectively.
The RX1R’s fixed 35mm lens and contrast AF limit its suitability for wildlife or sports, though its 5fps burst and silent shutter favor candid street action and environmental portraits.
Street and Travel Photography
The RX1R dominates here with its small size, silent operation, and outstanding image quality. It fits discreetly in a jacket pocket and allows quick shooting in low light with excellent detail retention. Battery life is the main limitation for extended trips but mitigated by modern power banks.
The A100’s bulk and lens changing make street photography slower and more conspicuous. Its longer battery life and ruggedness might appeal on trips focused on landscapes or architecture.
Macro Photography
Neither camera offers dedicated macro lenses or focus stacking features. However, the A100’s lens ecosystem includes affordable macro optics. The RX1R lacks macro extension options but benefits from its sharp lens and full-frame sensor for close-up detail in looser framing.
Night and Astro Photography
The RX1R’s high ISO performance and excellent dynamic range make it markedly better for night scenes and astrophotography. Though limited aperture choices constrain star field framing, the low noise and clean files give more editing latitude.
The A100’s ISO ceiling at 1600 and lower DR restrict astrophotography potential but can suffice for flash-lit night scenes.
Professional Workflows
The A100 offers raw support and uses CompactFlash, well supported in 2006 but now dated. The RX1R’s faster SD cards, raw files, and HDMI output make it more compatible with modern workflows and tethered shooting setups. However, neither offers rugged pro body features or extensive customization.
11. Value Assessment: Price vs Performance in Historical Context
Originally priced near $1000, the Sony A100 launched as an entry-level DSLR competing with Canon’s Rebel line. It offered solid image quality for beginners upgrading from compact cameras, but is outclassed today by more recent APS-C DSLRs or mirrorless cameras.
The RX1R debuted at nearly $2800, placing it high in the compact camera market. It justified this with a full-frame sensor, Carl Zeiss optics, and advanced features rare for small bodies, catering to professional enthusiasts prioritizing image quality and portability.
Today, buying either used demands balancing nostalgia, specialized needs, and budget. The A100 might appeal for hands-on analogue-like DSLR experience, whereas the RX1R targets quality-first shooters accepting the fixed lens compromise.
12. Who Should Choose Which?
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Choose the Sony A100 if you seek an affordable DSLR experience, want to explore interchangeable lenses, or require a robust body for general photography learning. It suits hobbyists starting in 2000s DSLR tech nostalgia or collectors appreciating classic designs.
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Choose the Sony RX1R if you want uncompromising image quality in a compact package, prioritize full-frame performance without lens swaps, and shoot portraits, landscapes, or travel with refined discretion. It’s ideal for seasoned enthusiasts or professionals needing a high-quality pocket camera that punches above its size.
Final Performance Summary
For a concise overview of technical achievements and user suitability, here is a detailed scoring based on our extensive testing in image quality, autofocus, burst shooting, build, and video.
And here, a genre-specific performance snapshot helps place strengths where it counts:
In Closing
The Sony A100 and RX1R occupy distinct places in camera history. The A100 represents early DSLR democratization - reliable entry-level versatility through a tried-and-tested system. The RX1R embodies a leap forward, compressing full-frame quality into a small body, pushing the boundaries of compact camera design.
When evaluating these cameras, the choice comes down to your shooting style and priorities. Whether you cherish the tactile engagement of an autofocus DSLR with vast lens options or lean towards elegant minimalism paired with stellar image fidelity, Sony’s offerings illustrate fine examples of craftsmanship scaled to their times.
Whichever you choose, remember: a skilled photographer makes great images regardless of gear - but knowing your tools intimately makes mastery achievable. Happy shooting!
Article and testing by an industry professional with over 15 years of hands-on experience evaluating Sony DSLRs and compacts across all photography genres.
Sony A100 vs Sony RX1R Specifications
Sony Alpha DSLR-A100 | Sony Cyber-shot DSC-RX1R | |
---|---|---|
General Information | ||
Company | Sony | Sony |
Model | Sony Alpha DSLR-A100 | Sony Cyber-shot DSC-RX1R |
Category | Entry-Level DSLR | Large Sensor Compact |
Announced | 2006-07-31 | 2013-06-26 |
Body design | Compact SLR | Large Sensor Compact |
Sensor Information | ||
Sensor type | CCD | CMOS |
Sensor size | APS-C | Full frame |
Sensor measurements | 23.6 x 15.8mm | 35.8 x 23.9mm |
Sensor surface area | 372.9mm² | 855.6mm² |
Sensor resolution | 10 megapixel | 24 megapixel |
Anti aliasing filter | ||
Aspect ratio | 3:2 | 3:2 and 16:9 |
Max resolution | 3872 x 2592 | 6000 x 4000 |
Max native ISO | 1600 | 25600 |
Min native ISO | 100 | 100 |
RAW support | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Continuous AF | ||
AF single | ||
Tracking AF | ||
AF selectice | ||
AF center weighted | ||
AF multi area | ||
Live view AF | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Number of focus points | 9 | 25 |
Lens | ||
Lens mounting type | Sony/Minolta Alpha | fixed lens |
Lens focal range | - | 35mm (1x) |
Max aperture | - | f/2.0 |
Amount of lenses | 143 | - |
Crop factor | 1.5 | 1 |
Screen | ||
Range of display | Fixed Type | Fixed Type |
Display size | 2.5 inches | 3 inches |
Resolution of display | 230 thousand dot | 1,229 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Display tech | - | Xtra FineTFT LCD |
Viewfinder Information | ||
Viewfinder | Optical (pentamirror) | Electronic and Optical (optional) |
Viewfinder coverage | 95% | - |
Viewfinder magnification | 0.55x | - |
Features | ||
Min shutter speed | 30 seconds | 30 seconds |
Max shutter speed | 1/4000 seconds | 1/4000 seconds |
Continuous shutter speed | 3.0 frames/s | 5.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Built-in flash | ||
Flash range | - | 6.00 m |
Flash modes | Auto, Fill-in, Red-Eye reduction, Slow Sync, Off | Auto, On, Off, Slow Sync, Rear Sync, Wireless |
External flash | ||
AEB | ||
White balance bracketing | ||
Max flash sync | 1/160 seconds | 1/4000 seconds |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | - | 1920 x 1080 (60, 50, 25, 24 fps), 1440 x 1080 (30, 25 fps), 1280 x 720 (30 fps), 640 x 480 (30, 25 fps) |
Max video resolution | None | 1920x1080 |
Video file format | - | MPEG-4, AVCHD |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 638 grams (1.41 pounds) | 482 grams (1.06 pounds) |
Physical dimensions | 133 x 95 x 71mm (5.2" x 3.7" x 2.8") | 113 x 65 x 70mm (4.4" x 2.6" x 2.8") |
DXO scores | ||
DXO Overall score | 61 | 91 |
DXO Color Depth score | 22.0 | 25.0 |
DXO Dynamic range score | 11.2 | 13.6 |
DXO Low light score | 476 | 2537 |
Other | ||
Battery life | - | 270 photos |
Battery format | - | Battery Pack |
Battery model | NP-FM55H | NP-BX1 |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
Time lapse feature | ||
Type of storage | Compact Flash (Type I or II) | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
Storage slots | One | One |
Pricing at release | $1,000 | $2,798 |