Sony A100 vs Sony WX1
64 Imaging
48 Features
38 Overall
44


96 Imaging
33 Features
18 Overall
27
Sony A100 vs Sony WX1 Key Specs
(Full Review)
- 10MP - APS-C Sensor
- 2.5" Fixed Screen
- ISO 100 - 1600
- Sensor based Image Stabilization
- No Video
- Sony/Minolta Alpha Mount
- 638g - 133 x 95 x 71mm
- Launched July 2006
- Succeeded the Konica Minolta 5D
- Later Model is Sony A550
(Full Review)
- 10MP - 1/2.4" Sensor
- 2.7" Fixed Screen
- ISO 160 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 24-120mm (F2.4-5.9) lens
- 149g - 91 x 52 x 20mm
- Announced August 2009

Sony A100 vs Sony WX1: An In-Depth Camera Comparison for Every Photographer
Choosing the right camera isn’t just about specs on paper - it’s about how those specs translate into real-world shooting experiences across diverse photography styles. Today, I’m diving deep into two Sony cameras that couldn’t be more different in design and purpose: the Sony Alpha DSLR-A100 (A100), Sony’s first foray into digital SLRs following the Konica Minolta lineage, and the Sony Cyber-shot DSC-WX1 (WX1), a compact ultrazoom from a few years later aimed at casual portability. Think of these as two sides of the same photographic coin - a compact DSLR and a high-end point-and-shoot - with some overlapping pixel counts but wildly varying feature sets and handling.
After more than 15 years of testing thousands of cameras, including these two in varied conditions, I’ll break down how they stack up technically, practically, and artistically across all major photography genres. Plus, I’ll show you which one suits your style, budget, or shooting needs. Ready to get hands-on? Let’s dig in.
When Size and Handling Matter: Physical Feel and Ergonomics
First impressions count, right? Picking up the Sony A100 feels like grabbing a proper DSLR - large, solid, and chunky in a reassuring way typical of a 2006-era APS-C SLR. The WX1, on the other hand, is featherweight and pocketable, designed for grab-and-go shooting.
Take a look yourself:
The A100’s 638-gram heft and compact SLR body (133x95x71 mm) lend excellent grip and stability, especially for longer lenses. Plus, that DSLR-style interface with dedicated dials keeps controls intuitive during rapid shooting. Meanwhile, the WX1’s ultra-compact body (91x52x20 mm) offers superb portability but demands compromises in direct manual control.
Looking from the top:
Here you’ll see the A100 sports classic DSLR controls - including modes, shutter speed, aperture priority, and exposure compensation dials - ideal for enthusiasts who appreciate quick, tactile access. The WX1’s top panel is minimalist, focused on point-and-shoot ease with digital menus for everything else.
Ergonomic Winner: For photographers who value control and handling, the A100 feels more professional and comfortable long-term. For casual users prioritizing packability, the WX1 wins hands down.
The Heart of Image Quality: Sensor Technology and Resolution
No discussion is complete without dissecting those sensor differences. The A100 uses a 10.2MP APS-C sized CCD sensor (23.6 x 15.8 mm; 372.88 mm²), whereas the WX1 relies on a 10.2MP 1/2.4” BSI CMOS sensor, substantially smaller at just 27.94 mm².
See the dramatic size difference here:
Sensor size strongly influences noise performance, dynamic range, depth of field control, and overall image quality. The A100’s larger sensor area means more light-gathering capability per pixel, improved color depth (Sony quotes 22-bit color depth on A100), and a respectable dynamic range (~11.2 stops). Conversely, the WX1’s smaller sensor has to cram pixels tightly, which generally results in higher noise, especially under dim lighting.
Sony outfitted the WX1 with backside-illuminated CMOS tech boosting low-light sensitivity, a laudable step for a compact - but it can’t match the physical advantages of the A100’s larger CCD sensor.
In practice, the A100’s color accuracy shines in portraits and landscapes, rendering skin tones naturally without oversaturation. The WX1 comes through well enough on sunny days but struggles in shadow details and darker settings.
Seeing the World: Optical Viewfinders and Screens
Let’s talk viewing and framing. The A100 uses a traditional optical pentamirror viewfinder with 95% coverage and 0.55x magnification - not exceptionally bright or precise by today’s standards but faithful to DSLR heritage. The WX1 forgoes a viewfinder altogether, relying fully on a 2.7-inch LCD.
Here’s the screen and interface comparison:
Both screens max out at 230k dots resolution, but the WX1’s live view-centric experience suits casual shooters well, while the A100’s fixed 2.5-inch screen is more of a framing aid due to its era. The lack of live view and touchscreen on the A100 can frustrate users today but was normal in the mid-2000s.
For precise composition, especially moving subjects or portraiture, I find the A100’s optical finder preferable, avoiding LCD glare and lag. Still, the WX1’s LCD is larger and easy to navigate menus on.
Locking Focus on the Moment: Autofocus Systems Compared
The A100 features a 9-point autofocus system employing phase detection, balancing speed and accuracy for its class at the time. However, there’s no face detection, eye AF, or animal focus - it’s pure center and multi-point AF with no continuous face tracking.
In contrast, the WX1 has a 9-point contrast-detection AF system with face recognition enabled, but no continuous AF or eye tracking. It’s designed for simplicity and speed in daylight but can hunt in lower light or complex scenes.
For wildlife or sports photographers needing quick, accurate continuous AF and tracking, neither is ideal by modern standards, but the A100’s phase detection gives it a slight edge in burst shooting and moving subjects.
Shooting Speed and Buffer: Persistence Pays Off
If you plan on capturing fast action, continuous burst rates and buffer depth are critical.
- Sony A100 shoots at 3 fps with continuous AF but limited burst depth (~5 RAW frames).
- Sony WX1 can fire at up to 10 fps but only in a smaller JPEG mode, and focus locks on the first frame (no continuous AF).
This means for sports and wildlife, the A100 is modest but better suited to sustained rapid shooting than the WX1’s “spray and pray” approach.
Portraits: Skin Tones, Bokeh, and Eye Detail
Portrait work benefits enormously from a large sensor, solid autofocus, and pleasing background separation.
The A100’s APS-C sensor + interchangeable lenses allow shallow depth of field and creamy bokeh when paired with fast primes. The 5.7x crop factor aids telephoto headshots. Exposure and color management are excellent for skin tone fidelity, rendering subtle highlights and shadows softly.
The WX1’s small sensor and fixed zoom lens at F2.4 wide aperture don’t offer much bokeh capability, and autofocus is slower without eye-detection. However, if you mostly post portraits on social media or small prints, the WX1 can get the job done under sunny conditions.
Landscapes: Resolution, Dynamic Range, and Weather Durability
Resolution-wise, both cameras capture roughly 10MP, yielding good 8x10 prints. But dynamic range and sensor quality tell the bigger story.
The A100 excels with 11.2 stops of dynamic range, meaning it can capture bright skies and shadow detail better in one exposure - a huge advantage for landscapes. Its larger sensor also favors intricate detail and better low-light performance.
The WX1’s sensor shows limited DR, often blowing out highlights and muddying shadows on challenging scenes. The fixed lens’s 24-120mm equivalent zoom is versatile for framing landscapes, but the camera is entirely unsealed and vulnerable to elements.
Wildlife and Sports Photography: Tracking and Telephoto Performance
Here’s where the A100 shines relative to the WX1:
- A100 uses Sony/Minolta Alpha mount, compatible with an extensive range of super-tele lenses (up to 400-600mm options).
- 9-point AF with phase detection supports decent tracking (though not state-of-the-art).
- A 3 fps burst rate is slow by professional sport standards but workable for novice wildlife shooters.
In contrast:
- WX1’s built-in 24-120 mm zoom (135 eq. on full frame) is insufficient for true wildlife telephoto reach.
- The 10 fps burst may work for casual action but without continuous AF or tracking, misses many decisive moments.
Street Photography: Size, Discretion, and Low Light Handling
When sneaking candid street shots, discretion rules:
- The WX1’s tiny size and silent operation make it a stealthy companion.
- Quick startup and autofocus help snap fleeting moments.
- Though limited in low light, the optical image stabilization and decent max ISO 3200 provide some flexibility.
Meanwhile, the bigger A100 is less discreet and slower to shoot but can produce superior low-light results and bokeh for atmospheric portraits or scenes.
Macro Photography: Close Focus and Precision
The WX1 supports 5cm macro focusing, perfect for casual close-ups of flowers and textures. The optical zoom combined with macro mode allows creative framing.
The A100’s macro ability depends on the lens chosen. Many Minolta/Sony macro lenses offer superior sharpness and even focus stacking possibilities (though not built into the camera). Image stabilization onsite also aids ensuring sharp handheld macro shots.
Night and Astro Photography: ISO Performance and Exposure Flexibility
The A100 maxes out at ISO 1600 natively, while the WX1 reaches ISO 3200. But bigger sensors generally perform better in noise control even at lower ISO, so in real-world dark scenes:
- The A100’s noise floor is smoother up to ISO 800 and usable up to 1600.
- The WX1 shows heavier noise and looser detail above ISO 1600.
Additionally, the A100 supports shutter priority, aperture priority, and full manual modes for creative long exposures vital in astrophotography. The WX1 lacks these modes, making it ill-suited for starscapes beyond auto.
Video Capability: Specifications and Usability
Neither camera thrills for videographers by today’s standards, but…
- The WX1 offers 720p HD video at 30fps with optical stabilization, a reasonable entry-level feature in 2009.
- The A100 has no video recording capabilities as it was designed before video became DSLR standard.
Neither offers microphone input or advanced video controls, so serious filmmakers should look elsewhere.
Travel Photography: Battery Life, Weight, and Versatility
The WX1’s 149g weight lets it vanish in your pocket, while the A100 demands a camera bag.
Both rely on proprietary batteries (A100’s NP-FM55H is plentiful and offers decent longevity; WX1 battery details less standardized). The WX1 uses Memory Stick Duo/Pro Duo storage, a bit dated and limiting, whereas the A100 uses CompactFlash cards - both acceptable but less common today.
For trips prioritizing light packing and casual snapshots, the WX1 edges out. For travel where quality and lens interchangeability matter, the A100 wins.
Professional Workflows: RAW, Reliability, and Connectivity
The A100 supports RAW files, vital for professional post-processing - something the WX1 does not. RAW files empower adjustments in exposure, white balance, and highlight/shadow recovery without loss.
Regarding connectivity, both are minimal:
- Neither supports Wi-Fi, Bluetooth, or GPS.
- Both output USB 2.0 for file transfer; the WX1 has HDMI video out.
- Neither offers environmental sealing or rugged protections.
The A100’s larger body and lens system fit better into professional workflows needing control, while the WX1 targets casual users.
Putting It All Together: Performance Ratings and Genre-Specific Analysis
Here’s a quick visual summarizing overall performance:
And performance broken down by photographic genre:
You can see the A100 leads clearly in portrait, landscape, wildlife, and professional niches, while the WX1 scores respectably in travel, street, and casual video.
Sample images shot under controlled conditions highlight sensor and processing differences:
The Ecosystem and Lens Compatibility: A Game Changer
A standout strength of the A100 is compatibility with Sony/Minolta Alpha-mount lenses - over 140 lenses ranging from primes to pro telephoto zooms. This system unlocks creative possibilities impossible with the WX1’s fixed zoom.
So, if you’re after selective depth of field, macro, or specialized wildlife lenses, the A100’s ecosystem is a huge plus.
Battery, Storage, and Connectivity Summary
- Sony A100: Uses NP-FM55H battery, CompactFlash storage, USB 2.0. No wireless features. Battery life is moderate, around 500 shots.
- Sony WX1: Proprietary battery, Memory Stick Duo/Pro Duo and internal storage, USB 2.0, HDMI out for video. No wireless.
For lengthy shooting sessions and professional reliability, the A100’s removable battery and memory card remain preferable. The WX1’s lack of wireless limits direct workflow flexibility.
Pricing and Value Assessment
- The Sony A100 launched around $1000, reflecting its DSLR status.
- The WX1 retailed near $150, affordable for casual shooters and travelers.
Both remain on the used market, but prices differ greatly:
- Buying used A100s provides DSLR capabilities and lens compatibility at a bargain for beginners diving into interchangeable lens systems.
- WX1 brings pocketable, ready-to-shoot convenience but at the cost of image quality and advanced features.
Final Verdict and Who Should Buy Which
Choose the Sony A100 if:
- You want to explore serious photography with interchangeable lenses and RAW shooting.
- Portraits, landscapes, wildlife, or professional work are priorities.
- You value build quality, viewfinder framing, and manual controls.
- You need better image quality and flexible depth of field.
- You’re on a budget but want DSLR-level features.
Choose the Sony WX1 if:
- You seek a lightweight, pocket-sized travel companion.
- Point-and-shoot simplicity and HD video recording matter.
- Your budget is tight and you want a decent day-to-day camera.
- You prioritize portability and convenience over manual control.
- You prefer shooting mostly in good light and sharing casual photos.
Parting Thoughts From Years Behind the Viewfinder
I’ve always believed a camera should inspire you to create, not just be a box of specs. The A100 and WX1 exist to fulfill very different photographer dreams: traditional DSLR exploration versus ultracompact convenience.
While the A100 feels dated next to modern mirrorless giants, it still punches above its weight for those who treasure image quality and lens versatility at entry-level price. The WX1 is a snapshot marvel when size and ease matter most but with clear compromises.
Whichever route you take, understanding how their technology and design impact your shooting will make your next photo adventure all the more rewarding.
Happy shooting - hope this walkthrough helps you pick your perfect Sony companion!
If you found this analysis helpful, check out my detailed video review comparing handling and image results side-by-side!
Sony A100 vs Sony WX1 Specifications
Sony Alpha DSLR-A100 | Sony Cyber-shot DSC-WX1 | |
---|---|---|
General Information | ||
Manufacturer | Sony | Sony |
Model | Sony Alpha DSLR-A100 | Sony Cyber-shot DSC-WX1 |
Type | Entry-Level DSLR | Ultracompact |
Launched | 2006-07-31 | 2009-08-06 |
Body design | Compact SLR | Ultracompact |
Sensor Information | ||
Chip | - | Bionz |
Sensor type | CCD | BSI-CMOS |
Sensor size | APS-C | 1/2.4" |
Sensor measurements | 23.6 x 15.8mm | 6.104 x 4.578mm |
Sensor area | 372.9mm² | 27.9mm² |
Sensor resolution | 10 megapixels | 10 megapixels |
Anti aliasing filter | ||
Aspect ratio | 3:2 | 4:3, 3:2 and 16:9 |
Highest Possible resolution | 3872 x 2592 | 3648 x 2736 |
Maximum native ISO | 1600 | 3200 |
Minimum native ISO | 100 | 160 |
RAW pictures | ||
Autofocusing | ||
Manual focus | ||
Touch focus | ||
Autofocus continuous | ||
Autofocus single | ||
Tracking autofocus | ||
Selective autofocus | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Number of focus points | 9 | 9 |
Lens | ||
Lens mounting type | Sony/Minolta Alpha | fixed lens |
Lens focal range | - | 24-120mm (5.0x) |
Max aperture | - | f/2.4-5.9 |
Macro focus range | - | 5cm |
Amount of lenses | 143 | - |
Crop factor | 1.5 | 5.9 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen diagonal | 2.5 inch | 2.7 inch |
Screen resolution | 230k dot | 230k dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Viewfinder Information | ||
Viewfinder | Optical (pentamirror) | None |
Viewfinder coverage | 95 percent | - |
Viewfinder magnification | 0.55x | - |
Features | ||
Min shutter speed | 30 seconds | 2 seconds |
Max shutter speed | 1/4000 seconds | 1/1600 seconds |
Continuous shutter speed | 3.0fps | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | - |
Change white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | - | 5.00 m |
Flash settings | Auto, Fill-in, Red-Eye reduction, Slow Sync, Off | Auto, On, Off, Red-eye, Slow sync |
External flash | ||
AEB | ||
White balance bracketing | ||
Max flash sync | 1/160 seconds | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | - | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Maximum video resolution | None | 1280x720 |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 638 gr (1.41 lb) | 149 gr (0.33 lb) |
Dimensions | 133 x 95 x 71mm (5.2" x 3.7" x 2.8") | 91 x 52 x 20mm (3.6" x 2.0" x 0.8") |
DXO scores | ||
DXO Overall score | 61 | not tested |
DXO Color Depth score | 22.0 | not tested |
DXO Dynamic range score | 11.2 | not tested |
DXO Low light score | 476 | not tested |
Other | ||
Battery model | NP-FM55H | - |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Type of storage | Compact Flash (Type I or II) | Memory Stick Duo/Pro Duo, Internal |
Storage slots | One | One |
Launch pricing | $1,000 | $149 |