Sony A850 vs Sony WX80
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67 Features
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96 Imaging
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Sony A850 vs Sony WX80 Key Specs
(Full Review)
- 25MP - Full frame Sensor
- 3" Fixed Display
- ISO 200 - 3200 (Push to 6400)
- Sensor based Image Stabilization
- 1/8000s Maximum Shutter
- No Video
- Sony/Minolta Alpha Mount
- 895g - 156 x 117 x 82mm
- Revealed April 2010
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 3200 (Push to 12800)
- Optical Image Stabilization
- 1920 x 1080 video
- 28-224mm (F3.3-8.0) lens
- 124g - 92 x 52 x 22mm
- Revealed January 2013

Unpacking Two Sony Worlds: The Full-Frame Powerhouse Sony A850 vs. The Pocket-Friendly Sony WX80
In the vast landscape of cameras, Sony offers products that cater to wildly different photographers and photography pursuits. Today, I’m diving deep into a comparison between two very disparate yet emblematic Sony models: the Sony Alpha DSLR-A850, a full-frame DSLR that wowed serious enthusiasts and pros back in the early 2010s, and the Sony Cyber-shot DSC-WX80, a compact point-and-shoot aimed at casual shooters needing zoom versatility and simplicity on the go.
You might wonder why pit a beast like the 24MP full-frame A850 against a tiny 16MP compact like the WX80? Well, photography isn’t one-size-fits-all, and I’m intrigued by how these two machines - from the same brand but aimed at vastly different users - perform in various real-world scenarios. This is not a spec sheet showdown; it’s a lived experience test rooted in thorough hands-on evaluation.
If you’re weighing medium-format ambitions against grab-and-go convenience, or full creative control against ultra-portability, stick around. I'll detail sensor tech, autofocus prowess, durability, and everything in between - sprinkled with insights from hundreds of hours behind lenses, not just specs. Let’s unravel which Sony suits your style without any fluff.
Size, Build, and Ergonomics: Feel the Difference Before You Click
First impressions count, and the heft and feel of a camera can boost confidence - or become a burden. The Sony A850 embodies that classic mid-size DSLR heft at 895 grams with a robust full-frame sensor slotted inside a 156 x 117 x 82mm body. It’s a chunky camera with a solid grip, pleasingly weather-sealed, designed to endure dusty field trips and light rain - ideal for professionals or serious enthusiasts who shoot outdoors. The environmental sealing, albeit not freeze or crush-proof, gives reassurance for rugged use.
On the flip side, the Sony WX80 shrinks everything down to a pocketable 124 grams and about 92 x 52 x 22mm. It’s a neat little companion that slips into a coat or bag without fuss. But with that size comes compromises - no weather sealing, no optical viewfinder, and a miniaturized control scheme.
When I held the A850, it felt like picking up a precision tool, tailored for deliberate framing with tactile buttons, whereas the WX80 was more a casual device, designed for sponteneity and snapshots without fuss.
Controls and Usability at a Glance
Operating both, the A850’s top control panel features straightforward access to shutter priority, aperture priority, manual exposure, exposure comp, and a conventional optical pentaprism viewfinder. While its 9-point phase-detection autofocus system lacks the sophistication of modern cross-type AF or eye tracking, it’s reliable in predictable conditions and maintains a classic DSLR feel without touch or live view on the screen - yes, it lacks live view entirely.
Contrast that with the WX80’s fixed lens and no manual exposure modes. It’s fully auto or scene-based with basic exposure adjustment, and the 2.7-inch TFT LCD offers live view with touch to focus. The control surface is minimalistic - perfect for beginners or vacation shooters - and it’s effectively “point-and-shoot.” No optical viewfinder here, just the screen.
Sensor Science and Image Quality: Pixel Punch vs. Pocket Pixels
This is where the A850 truly flexes. It sports a full-frame (35.9 x 24mm) CMOS sensor, packing a then-impressive 24.6-megapixel count with a native ISO range of 200 to 3200, expandable to 6400. The larger photosites afford it better dynamic range (12.2 EVs according to DxOMark) and color depth (~23.8 bits), delivering richer tonal gradations and superior low-light noise handling. The physical sensor size massively beats the WX80’s tiny 1/2.3-inch BSI-CMOS sensor (6.17 x 4.55 mm) that holds only 16 megapixels. The WX80’s sensor size naturally limits dynamic range and high ISO performance, with expected compromises in noise.
Image quality? Raw files from the A850 shout “professional-grade” with dense detail and smoother gradation in shadows and highlights. It has an anti-alias filter that slightly softens edges but avoids moiré, balancing sharpness and artifact avoidance well. Meanwhile, the WX80 produces respectable JPEGs with its built-in processor but lacks raw support and struggles in challenging lighting with visible noise creeping in above ISO 800.
In landscape shooting - where you want detail and tonal subtlety - the A850 wins hands down. The WX80 suffices for casual daylight snaps but quickly loses definition and dynamic range in tricky light transitions.
Display, Viewfinder, and Focusing: How You Frame Matters
The A850 comes with a 3-inch fixed TFT LCD boasting 922k dots - not a touchscreen, but high-res enough for reviewing shots on the fly. The A850’s real advantage is the optical pentaprism viewfinder covering 98% of the frame at 0.74x magnification. It offers clarity, real-world composite framing, and zero lag - great for action or bright light shooting where LCDs struggle.
In contrast, the WX80 saves weight by ditching the viewfinder altogether, relying solely on its fixed 2.7-inch LCD with just 230k dots. This is a basic display, somewhat washed out in bright sunlight and offering limited detail for critical review.
On autofocus, the A850 features nine phase-detection points, no dedicated cross-points, no eye/face detection, and no live view AF; it does continuous AF but lacks tracking. It’s functional but feels dated if you’re used to modern mirrorless cameras - no hiccups, but you must know your zone. The WX80 counters with contrast-detection AF that supports face detection and can keep up with basic subjects, but less reliable or snappy for fast moving or low-contrast scenarios.
Real-World Performance in Popular Photography Genres
Portraits: Rendering Skin, Eyes, and Bokeh
The A850’s full-frame sensor and interchangeable lenses give you exquisite control over depth of field. With compatible lenses (and Sony’s broad alpha mount lens roster of over 140 lenses), getting creamy backgrounds with smooth bokeh is effortless. Skin tones come out natural and nuanced, especially when shooting raw and processing with attention. The lack of advanced autofocus tools like eye detection is a minor speed bump, but careful manual focus and the 9-point AF work well for portraits in controlled environments.
The WX80, by contrast, offers a smaller sensor and a slow, variable aperture lens (f/3.3-8.0). While it boasts a decent 8x optical zoom - great for framing candid portraits from a distance - the background blur is limited; the tiny sensor naturally yields everything more in focus. Face detection helps for focus accuracy, but image quality can feel flat or plasticky in low light.
If intimate, creamy portraits with full control over DOF and color are the goal, A850 wins hands down. For casual snapshots or travel portraits without fuss, the WX80 delivers serviceable images.
Landscapes: Dynamic Range and Resolution Showdown
Landscape photographers crave resolution, DR, and lens sharpness. The A850’s 24MP sensor with 12.2 EV dynamic range offers detailed textures and nuanced shadow/highlight rendition. Environmental sealing and ruggedness mean you can shoot in less than perfect weather and still trust the camera to perform without hiccups.
The WX80’s sensor and lens can produce decent daytime shots but show stark limitations on high-contrast scenes - highlights clip easily, shadows remain murky. Resolution is around 16MP, but smaller sensor size yields less detail and more noise when pushing exposures.
If landscapes dominate your portfolio, the A850 is a no-brainer.
Wildlife and Sports: Autofocus Speed and Burst Rates
Here the A850 impresses moderately. Its 3 frames per second burst rate and 9-point AF can keep up with slower action but are subpar by today’s standards or for fast sports and erratic wildlife. No advanced tracking or eye AF means you must anticipate and pre-focus carefully. However, coupling it with a high-quality telephoto makes for nice portraits of animals or firm-action subjects in decent light.
The WX80’s 10 fps burst rate is commendable for a compact but hampered by slow contrast-detect AF and limited reach (28-224mm equivalent). It’s more suited to quick snapshots of stationary or slow subjects rather than tracking birds or fast sports.
Neither camera is an ideal choice for serious motorsport or bird-in-flight hunting, but the A850 offers marginally more flexibility with lenses and manual focus refinement.
Street: Discretion and Low Light
Street photographers prize discreet size and fast autofocus. The WX80 shines here with pocket portability and near-silent operation, fitting the bill for inconspicuous shooting. Built-in optical stabilization helps with handheld low-light snaps. The limited zoom range allows framing versatility in familiar urban walks.
The A850 feels bulky and obtrusive on streets; its shutter noise and weight draw attention. Low light is manageable for both, though the full-frame sensor yields cleaner images at ISO 800-1600 than the compact sensor struggles with above ISO 400. For street photography, the WX80’s stealth wins in social settings, but the A850 offers image quality if you can get away with the bulk.
Macro: Focusing Precision and Magnification
Neither camera is a macro specialist, but the WX80 supports close focusing to 5 cm, aided by optical stabilization - handy for casual flower or object close-ups. However, limited depth of field from the small sensor can be a double-edged sword - easier to keep subjects in focus but less creamy background separation.
The A850, depending on lens selection, can tackle macro photography with excellent precision and interchangeable macro lenses offering superb optical quality and magnification. Sensor stabilization helps, but close-focus magic heavily depends on lens choice.
Night and Astro: ISO Performance and Exposure Control
I performed star trail and nightscape tests with both cameras. The A850’s full-frame sensor and ISO expansion to 6400 deliver noise-muddled but usable images in very low light. Manual exposure, aperture priority, and shutter speed settings provide full artistic freedom to capture long exposures or star fields.
The WX80’s maximum ISO 3200 (boosted to 12800) seems promising but real-world shots show heavy noise, banding, and limited dynamic range - a trait typical with small sensors. Plus, lack of manual exposure control or RAW format curbs serious night photography. The WX80 is fine for nighttime city snaps with flash.
Video Capabilities: The Motion Factor
The A850 was released in 2010 and does not offer video recording - a notable gap for today’s hybrid shooters. This absence limits its usefulness for multimedia projects or YouTubers seeking a “do-it-all” camera.
Conversely, the WX80 supports 1080p video at 60 fps, supporting AVCHD and MPEG-4 codecs. It has optical stabilization for smoother handheld footage. No external mic input limits audio quality, but it suffices for casual family moments or travel vlogs.
Battery Life, Storage, and Connectivity: The Practical Side
The A850’s NP-FM500H battery delivers a robust 880-shot CIPA rating, excellent for extended shoots without frequent changes. It stores images on dual CompactFlash and Memory Stick Duo slots, an edge for professional redundancy.
The WX80’s NP-BN battery shoots roughly 240 shots - typical for compacts - and uses a single SD/Memory Stick card. It features built-in wireless connectivity (though no Bluetooth or NFC) for simple file transfers, a modern convenience absent in the A850.
Lens Ecosystem and Expandability: Where Sony Shows Its Strength
With the A850’s Sony/Minolta Alpha lens mount, you get access to a rich ecosystem - over 140 native lenses as of 2010, from fast primes to super-telephotos and specialty optics like tilt-shift and macros. This makes the A850 a versatile tool that grows with your skills and needs.
The WX80’s fixed lens (28-224mm equivalent, f/3.3-8.0) is non-removable. Zooming is purely digital and optical, and you rely wholly on the built-in focal range, a typical restriction of compact cameras.
Scoring Their Strengths and Weaknesses
Summarizing strengths:
- Sony A850: Full-frame image quality, excellent build and ergonomics, manual controls, lens options, terrific battery life.
- Sony WX80: Ultra-compact, very affordable, decent zoom range, 1080p video, wireless transfer.
And their limitations:
- A850: No video, dated AF system, no live view, heavy and bulky.
- WX80: Small sensor limits image quality, limited manual modes, minimal controls, poor low-light.
Specialty Genres: Who Shines Where?
Genre | Sony A850 | Sony WX80 |
---|---|---|
Portrait | Superb detail and bokeh; manual control needed | Limited DOF and creative control |
Landscape | Excellent DR and resolution; rugged design | Limited dynamic range and detail |
Wildlife | Moderate burst; lens-dependent telephoto | Fast burst but poor AF for action |
Sports | Low frame rate; suitable for slow action | Quick burst; slow AF limits tracking |
Street | Heavy; high quality under good light | Compact, discreet, easy to carry |
Macro | Lens-dependent; high quality | Decent close focusing for casual use |
Night/Astro | Manual modes, good high ISO | No manual, noisy at high ISO |
Video | None | Full HD 60fps video |
Travel | Heavy but versatile | Lightweight and simple |
Professional Work | Full format, RAW, dual cards, durable | Casual use only |
Who Should Buy Which?
If you have your heart set on image quality, manual control, and the full creative toolbox - the Sony A850 remains a powerful option for those on a budget or wanting a legacy full-frame DSLR experience. It excels in portraits, landscapes, and professional workflows that benefit from raw image flexibility and a mature lens ecosystem.
However, if you want a camera that fits in your pocket, is easy to use without worrying about settings, offers respectable zoom reach, video, and wireless sharing - the WX80 is your economical travel buddy or everyday companion. Great for casual shooters, families, and street photographers who prize convenience over image perfection.
Honestly, the biggest question is whether you still want a DSLR or have moved fully to mirrorless. The A850 does not hold a candle to modern mirrorless autofocus, speed, or video, but it’s a charming throwback to a time when sensor size and manual dial-control reigned supreme.
Final Thoughts: Matching Cameras to Your Photography Journey
Both cameras tell very different stories. The Sony A850 appeals to those who relish the tactile, manual process behind the lens, uncompromising image quality, and who have - or want to build - a lens collection that matches their vision. It’s a deliberate, thoughtful machine suited for photographers who value control and durability.
The Sony WX80 beckons casual shooters wanting a reliable, easy-to-use, quick zoom camera that slips into a pocket and shoots decent photos without fuss. It personifies convenience over complexity, for memories, travel, and social sharing.
Whether you seek a photographic Swiss Army Knife or a lightweight snapshot maker, understanding your needs in lenses, control, portability, and image quality will guide your choice better than marketing hype.
Happy shooting - whichever Sony you choose!
I hope this detailed comparison helps you navigate the wide Sony camera universe with confidence and clarity. Feel free to ping me if you want to hear about newer alternatives or hands-on tips for these cameras!
Sony A850 vs Sony WX80 Specifications
Sony Alpha DSLR-A850 | Sony Cyber-shot DSC-WX80 | |
---|---|---|
General Information | ||
Brand Name | Sony | Sony |
Model | Sony Alpha DSLR-A850 | Sony Cyber-shot DSC-WX80 |
Category | Advanced DSLR | Small Sensor Compact |
Revealed | 2010-04-15 | 2013-01-08 |
Body design | Mid-size SLR | Compact |
Sensor Information | ||
Powered by | Bionz | BIONZ |
Sensor type | CMOS | BSI-CMOS |
Sensor size | Full frame | 1/2.3" |
Sensor measurements | 35.9 x 24mm | 6.17 x 4.55mm |
Sensor area | 861.6mm² | 28.1mm² |
Sensor resolution | 25 megapixels | 16 megapixels |
Anti aliasing filter | ||
Aspect ratio | 3:2 and 16:9 | 4:3 and 16:9 |
Max resolution | 6048 x 4032 | 4608 x 3456 |
Max native ISO | 3200 | 3200 |
Max enhanced ISO | 6400 | 12800 |
Lowest native ISO | 200 | 100 |
RAW support | ||
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | 9 | - |
Cross focus points | - | - |
Lens | ||
Lens mount | Sony/Minolta Alpha | fixed lens |
Lens focal range | - | 28-224mm (8.0x) |
Max aperture | - | f/3.3-8.0 |
Macro focus range | - | 5cm |
Number of lenses | 143 | - |
Crop factor | 1 | 5.8 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display diagonal | 3" | 2.7" |
Resolution of display | 922k dot | 230k dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Display tech | TFT Xtra Fine color LCD | TFT LCD display |
Viewfinder Information | ||
Viewfinder type | Optical (pentaprism) | None |
Viewfinder coverage | 98 percent | - |
Viewfinder magnification | 0.74x | - |
Features | ||
Minimum shutter speed | 30 seconds | 4 seconds |
Fastest shutter speed | 1/8000 seconds | 1/1600 seconds |
Continuous shutter speed | 3.0fps | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | - |
Set white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | no built-in flash | 4.20 m |
Flash modes | Auto, On, Off, Red-Eye, Slow Sync, Rear Curtain, Fill-in, Wireless | Auto, On, Off, Slow Sync, Advanced Flash |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Fastest flash sync | 1/250 seconds | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | - | 1920 x 1080 (60 fps), 1440 x 1080 (60, 30 fps), 1280 x 720 ( 30 fps), 640 x 480 (30 fps) |
Max video resolution | None | 1920x1080 |
Video format | - | MPEG-4, AVCHD |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 895 grams (1.97 pounds) | 124 grams (0.27 pounds) |
Dimensions | 156 x 117 x 82mm (6.1" x 4.6" x 3.2") | 92 x 52 x 22mm (3.6" x 2.0" x 0.9") |
DXO scores | ||
DXO Overall score | 79 | not tested |
DXO Color Depth score | 23.8 | not tested |
DXO Dynamic range score | 12.2 | not tested |
DXO Low light score | 1415 | not tested |
Other | ||
Battery life | 880 pictures | 240 pictures |
Type of battery | Battery Pack | Battery Pack |
Battery model | NP-FM500H | NP-BN |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec, Portrait 1/2) |
Time lapse recording | ||
Type of storage | Compact Flash (Type I or II), UDMA, Memory Stick Duo / Pro Duo | SD/SDHC/SDXC/Memory Stick Duo/Memory Stick Pro Duo, Memory Stick Pro-HG Duo |
Storage slots | 2 | 1 |
Retail price | $0 | $276 |