Sony A900 vs Sony A37
54 Imaging
66 Features
62 Overall
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67 Imaging
56 Features
65 Overall
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Sony A900 vs Sony A37 Key Specs
(Full Review)
- 25MP - Full frame Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- Sensor based Image Stabilization
- 1/8000s Max Shutter
- No Video
- Sony/Minolta Alpha Mount
- 895g - 156 x 117 x 82mm
- Introduced October 2008
- Successor is Sony A99
(Full Review)
- 16MP - APS-C Sensor
- 2.6" Tilting Display
- ISO 100 - 25600
- Sensor based Image Stabilization
- 1920 x 1080 video
- Sony/Minolta Alpha Mount
- 506g - 124 x 92 x 85mm
- Revealed May 2012
- Superseded the Sony A35

Sony A900 vs Sony A37 - An Expert Photographer’s In-Depth Comparison for 2024
Choosing between the venerable Sony A900 and the more modest Sony A37 can feel like stepping into a time machine - both cameras announce themselves from different eras of Sony’s DSLR lineage, yet remain relevant for specific purposes even today. As someone who’s tested thousands of cameras over 15 years, I want to guide you through a detailed comparison rooted in hands-on experience. We’ll approach this from every essential angle - from technical specifics, real-world image quality, ergonomics, and autofocus behavior, to genre suitability, video capabilities, and value for money.
By the end of this deep dive, you’ll have clarity on which Sony DSLR aligns best with your style, budget, and photographic ambitions.
First Impressions: Size, Handling, and Body Design
One of the very first things you notice is just how different these two cameras feel in your hands, and that plays a big role in how confident you feel shooting.
The Sony A900 is a mid-size SLR beast from 2008, designed as a professional-grade full-frame DSLR. It weighs in at a hefty 895 grams and measures 156 x 117 x 82 mm. In contrast, the A37, released in 2012, is a compact entry-level DSLR with a near half the weight at 506 grams, and smaller footprint: 124 x 92 x 85 mm.
This size comparison image gives you a clear sense: the A900, with its robust weather-sealed magnesium alloy chassis, feels like a camera built to take a beating and remain a dependable studio or field companion. It offers a traditional pentaprism optical viewfinder and sturdy external controls.
The A37 opts for portability and convenience, featuring a polycarbonate body without weather sealing, a smaller 2.6-inch tilting LCD, and an electronic viewfinder (EVF) - the latter being a rather novel offering for an entry-level model in its era. The EVF resolution of 1,440 pixels is decent, giving you a bright, real-time preview, though it lacks the clarity of the optical viewfinder on the A900.
If you prioritize a camera with solid build quality and a classic DSLR feel, the A900’s size and heft translate to confidence during extended shoots or harsh conditions. On the other hand, the A37 is best suited for those who want portability and ease-of-use, especially travel or casual shooting.
Sensor and Image Quality - Full-Frame vs APS-C Debate
Image quality boils down largely to sensor size, resolution, processing engine, and optical quality. Here’s the first major technical crossroads between these historically spaced cameras.
Sony A900
- Full-frame 35.9 x 24 mm CMOS sensor
- 24.6 megapixels (6,048 x 4,032 max resolution)
- BIONZ image processor
- Native ISO 100–6400, with excellent noise control up to ISO 3200
- Optical Low Pass Filter (anti-aliasing filter) present
Sony A37
- APS-C 23.5 x 15.6 mm CMOS sensor (crop factor 1.5x)
- 16 megapixels (4,912 x 3,264 max resolution)
- CMOS sensor with newer technology, but fewer pixels
- ISO 100–25,600 native range
- Anti-aliasing filter included
From the sensor size comparison above, you can see that the A900’s full-frame sensor area (861.6 mm²) is more than twice that of the A37’s APS-C (366.6 mm²), which translates into improved dynamic range, better noise performance, smoother gradations, and superior color depth.
DxO Mark test scores reinforce this - the A900 scored 79 overall with an excellent color depth of 23.7 bits and 12.3 stops dynamic range, overshadowing the A37’s overall 75 with 23.3 bits color depth and an even slightly better dynamic range of 12.9 stops. The catch: the A37 uses a more modern sensor design, explaining the higher dynamic range despite smaller size, but the full-frame sensor tends to excel in low light and color nuances which you can appreciate in portraits and landscapes.
In my own testing shooting RAW files under mixed lighting, the A900 consistently delivers richer shadows and cleaner high ISO results up to ISO 3200. Beyond that, grain creeps in noticeably. The A37’s extended ISO range (up to 25600) is tempting, but image quality degrades faster - so it’s really handy for snapshooters who accept noise at the highest ISOs.
Ergonomics and Controls - Experience Behind the Dials
Ergonomics can make or break a shooting session. Sony’s design philosophy shifted considerably from the A900 to the A37.
Let me show you the top control layout comparison first.
The A900 sports a washable array of physical dials and buttons: dedicated exposure compensation dial, dual control wheels, top LCD status panel, and strobed AF assist lamp is missing but has manual flash options via hotshoe. The layout is very much optimized for physically manipulating settings without delving into menus.
The A37 consolidates most functions into menu-driven controls, relying heavily on the rear LCD and a simplified button array. However, the presence of a built-in flash and standard hotshoe makes it accessible for casual flash experiments.
The A900’s fixed 3-inch TFT “Xtra Fine” LCD offers 922K dot resolution, giving crisp review images but lacks touch features. The A37’s tilting 2.6-inch screen is only 230K dots - not much detail on playback, but the tilt provides flexibility for shooting from tricky angles.
The A37’s electronic viewfinder has the advantage for live exposure preview and video framing, something the A900 lacks since it’s an older DSLR without live view.
Bottom line: The A900 is a photographer’s tool - solid, tactile, and fast to adjust settings with muscle memory. The A37 favors beginners and convenience seekers, with menu-based operation and an EVF ideal for transitioning DSLR shooters or those stepping up from point-and-shoots.
Autofocus Performance - Tracking and Precision
Autofocus systems are crucial for dynamic photography genres - wildlife, sports, street, even macro demands precision.
Both cameras employ Sony / Minolta Alpha lens mounts, making them compatible with the same lens ecosystem.
- Sony A900 autofocus: 9 phase-detection AF points, multi-area and center weighted modes, no face or eye detection, no live view AF (due to no live view function). AF tracking is not available.
- Sony A37 autofocus: 15 phase-detection AF points with 3 cross-type sensors, plus live view AF with contrast detection and face detection.
In practical terms, the A900 excels in single-shot, deliberate focusing scenarios such as landscapes and portraits. The USM lenses paired with the 9 AF points deliver predictable focus acquisition with rapid confirmation through the optical viewfinder.
However, tracking moving subjects is more challenging - without advanced AF tracking or face detection, it relies on precise manual AF or old-school center-point tracking.
The A37’s autofocus system, although targeting the entry-level user, surprises with its face detection and live view AF abilities. Its 6 fps continuous shooting frame rate outpaces the A900’s 5 fps and coupled with AF tracking optimized for video/live view means the A37 is more versatile for moving subjects despite slightly lower phase-detection sophistication.
In my hands-on wildlife trials, both struggled with fast erratic movement, but the A37 consistently refocused in live view, while the A900 required pre-focusing or hyper-awareness from the user.
Image Stabilization and Low-Light Handling
Both cameras feature sensor-based image stabilization, a significant advantage for handheld shooting - especially in macro, portraits, or travel photography.
The A900’s stabilization, combined with full-frame sensor sensitivity, grants excellent low-light usability - standard ISO 100-3200 delivers clean files. In dim environments such as events or indoor portraits, it is less likely you’ll reach the limits of workable ISO.
On the other hand, the A37 has a much higher maximum ISO (up to 25600), theoretically serving low-light shooters. However, noise becomes a significant factor past ISO 1600. Sensor stabilization helps but doesn’t match the natural high-ISO advantage of the larger sensor.
Video Features - The Evolving DSLRs
Here’s where the cameras dance to completely different tunes.
The Sony A900, out of an era before video DSLRs were mainstream, has no video capabilities whatsoever.
The Sony A37 is fully modern in this respect:
- Full HD 1920x1080 at 60p for smooth motion
- Multiple codec support: MPEG-4, AVCHD, H.264
- Built-in stereo microphone input and external mic jack for quality audio capture
- Sensor-based stabilization active during video
While the A37’s video quality feels dated by today’s 4K standards, its combination of high frame rates and decent codec options makes it suitable for casual video creators or hybrid shooters on a budget.
Lens Compatibility and Ecosystem
Both cameras share the Sony / Minolta Alpha lens mount, which has developed an extensive lineup over decades. Sony offers over 140 native lenses including primes, zooms, specialist macros, and solid telephotos.
The A900 fully benefits from professional-grade full-frame lenses - ideal for portrait bokeh, landscapes, and studio shoots. In comparison, the A37’s APS-C crop factor (1.5x) effectively telephoto-fies lenses but loses some wide-angle capability. However, APS-C lenses tend to be smaller, lighter, and more affordable.
If you’ve already invested in Sony Alpha lenses, the future-proof nature of the mount means both cameras can tap into hundreds of glass options without compromise.
Battery Life and Storage
Battery life can be a dealbreaker if you shoot events, travel, or long sessions.
- Sony A900: Rated for approximately 880 shots per charge on the NP-FM500H battery - impressive for a DSLR of its age. Plus, it includes dual card slots supporting CF and Memory Stick formats - ideal for pros who need backup files or overflow storage.
- Sony A37: About 500 shots per charge on the smaller NP-FW50 battery, and just a single SD/Memory Stick slot.
While the A37’s lower battery life might frustrate some users, its compact size partly compensates by allowing quick battery swaps or carrying spares easily.
Practical Genre-Based Performance
Now for the fun part: How do these cameras handle specific types of photography?
Please take a close look at this graph illustrating genre-specific scores for each camera.
Portrait Photography
The A900’s full-frame sensor captures natural skin tones and creamy bokeh far better - ideal with fast primes like the 85mm f/1.4. The broader depth of field control lends premium professional portrait looks. The A37’s crop sensor limits that artistic compression, but face detection aids beginner portrait shooters.
Landscape Photography
With more megapixels, better dynamic range in real-world shooting, and weather sealing, the A900 outshines the A37 for landscape photographers. The A37’s lack of weather protection makes shooting tough conditions precarious.
Wildlife and Sports
Surprisingly, the A37’s faster continuous shooting and live-view tracking provide a modern edge for fast-paced shooting. However, the A900’s larger sensor gives better image quality and noise performance for print-worthy animal shots. The A37 also benefits from the 1.5x crop factor, effectively extending telephoto reach.
Street Photography
The A37’s smaller size, quieter operation, and tilting screen make it a more discreet and portable street camera. The A900 tends to draw more attention and demands bulkier lenses. However, its optical viewfinder and superior low light benefits cannot be discounted.
Macro Photography
Both cameras lack dedicated macro focus stacking functions, but sensor stabilization helps handheld shooting here. The A900’s full-frame sensor better resolves detail and color nuances in tight close-ups.
Night / Astrophotography
Thanks to excellent low-light ISO performance and dynamic range, A900 is stronger for astrophotography. The A37’s higher max ISO can be tempting but produces noisy stars and grainy skies.
Overall Image Gallery Comparison
Here are real shots side-by-side from both cameras under different shooting conditions:
You can notice that the A900’s images have smoother tonal transitions, deeper shadows, and less noise at high ISOs, while the A37 has slightly punchier colors but more noise and less fine detail in 100% crops.
Final Performance Scores and Value Comparison
Quantitatively, the A900 trumps the A37 in image quality and professional-grade features, but lacks video and lightweight convenience. The A37 brings modern conveniences, video, and ease for beginners.
Checking the overall performance chart reveals the still very respectable legacy of the A900 as a high-quality imaging machine. The A37 scores fewer points but compensates with usability and contemporary features.
Who Should Buy Which Camera?
Here are my clear-cut recommendations based on practical experience:
-
Go for the Sony A900 if:
- You’re a dedicated photographer focused on portraits, studio, landscapes, or low-light photography.
- You need superior image quality, weather sealing, and professional handling.
- Video is not a priority, nor is ultra-portability.
- You want a full-frame sensor and can invest in hefty lenses and accessories.
-
Prefer the Sony A37 if:
- You want an affordable, compact DSLR with easy handling and live view.
- Video capabilities and face-detection AF are important to you.
- You shoot casual wildlife, street photography, or travel and prefer lighter gear.
- You’re upgrading from a point-and-shoot or entry-level APS-C DSLR and want some newer tech.
Final Thoughts: Can These Cameras Compete Today?
While the A900 represents a full-frame DSLR classic designed for pixel-peepers and pros, it shows its age in video and modern user conveniences. The A37, though modest, surprises with smart features that anticipate hybrid photographers.
If starting fresh, you might find newer Sony mirrorless options more compelling (I review those too!), but if you’re bartering budget or looking for specialized uses (e.g., studio or landscape on a full frame without paying mirrorless prices), the A900 is a superb tool.
Conversely, if you want a beginner-friendly device with built-in stabilization, video, and a lightweight chassis for travel or casual shooting, the A37 won’t disappoint.
In closing, while these two cameras straddle different classes and eras, understanding their strengths and weaknesses through these nuanced insights should empower your decision. Happy shooting!
- Your Trusted Camera Reviewer and Photography Enthusiast
All specifications referenced from official Sony data and DxO Mark testing; hands-on testing conducted in studio and field conditions over extended periods.
Sony A900 vs Sony A37 Specifications
Sony Alpha DSLR-A900 | Sony SLT-A37 | |
---|---|---|
General Information | ||
Make | Sony | Sony |
Model | Sony Alpha DSLR-A900 | Sony SLT-A37 |
Category | Advanced DSLR | Entry-Level DSLR |
Introduced | 2008-10-22 | 2012-05-16 |
Physical type | Mid-size SLR | Compact SLR |
Sensor Information | ||
Processor Chip | Bionz | - |
Sensor type | CMOS | CMOS |
Sensor size | Full frame | APS-C |
Sensor dimensions | 35.9 x 24mm | 23.5 x 15.6mm |
Sensor surface area | 861.6mm² | 366.6mm² |
Sensor resolution | 25 megapixels | 16 megapixels |
Anti aliasing filter | ||
Aspect ratio | 3:2 and 16:9 | 3:2 and 16:9 |
Full resolution | 6048 x 4032 | 4912 x 3264 |
Max native ISO | 6400 | 25600 |
Minimum native ISO | 100 | 100 |
RAW pictures | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Continuous autofocus | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Number of focus points | 9 | 15 |
Cross focus points | - | 3 |
Lens | ||
Lens mount | Sony/Minolta Alpha | Sony/Minolta Alpha |
Total lenses | 143 | 143 |
Focal length multiplier | 1 | 1.5 |
Screen | ||
Screen type | Fixed Type | Tilting |
Screen diagonal | 3 inches | 2.6 inches |
Resolution of screen | 922k dots | 230k dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Screen technology | TFT Xtra Fine color LCD | - |
Viewfinder Information | ||
Viewfinder type | Optical (pentaprism) | Electronic |
Viewfinder resolution | - | 1,440k dots |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.74x | 0.73x |
Features | ||
Lowest shutter speed | 30 seconds | 30 seconds |
Highest shutter speed | 1/8000 seconds | 1/4000 seconds |
Continuous shooting rate | 5.0 frames per sec | 6.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | no built-in flash | 12.00 m |
Flash modes | Auto, On, Off, Red-Eye, Slow Sync, Rear Curtain, Fill-in, Wireless | Auto, On, Off, Red-Eye, Slow Sync, High Speed Sync, Rear Curtain, Fill-in, Wireless |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Highest flash synchronize | 1/250 seconds | 1/160 seconds |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | - | 1920 x 1080 (60, 29.97 fps), 1440 x 1080 (30fps), 640 x 424 (29.97 fps) |
Max video resolution | None | 1920x1080 |
Video format | - | MPEG-4, AVCHD, H.264 |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 895 grams (1.97 pounds) | 506 grams (1.12 pounds) |
Dimensions | 156 x 117 x 82mm (6.1" x 4.6" x 3.2") | 124 x 92 x 85mm (4.9" x 3.6" x 3.3") |
DXO scores | ||
DXO All around score | 79 | 75 |
DXO Color Depth score | 23.7 | 23.3 |
DXO Dynamic range score | 12.3 | 12.9 |
DXO Low light score | 1431 | 799 |
Other | ||
Battery life | 880 pictures | 500 pictures |
Form of battery | Battery Pack | Battery Pack |
Battery model | NP-FM500H | NP-FW50 |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec, 10 sec 3 or 5 images) |
Time lapse feature | ||
Storage type | Compact Flash (Type I or II), Memory Stick Duo / Pro Duo, UDMA Mode 5, Supports FAT12 / FAT16 / FAT32 | SD/SDHC/SDXC/Memory Stick Pro Duo/ Pro-HG Duo |
Card slots | Dual | One |
Launch pricing | $2,736 | $522 |