Sony a3500 vs Sony TX200V
69 Imaging
62 Features
54 Overall
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96 Imaging
41 Features
48 Overall
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Sony a3500 vs Sony TX200V Key Specs
(Full Review)
- 20MP - APS-C Sensor
- 3" Fixed Display
- ISO 100 - 16000
- 1920 x 1080 video
- Sony E Mount
- 411g - 128 x 91 x 85mm
- Introduced March 2014
- Succeeded the Sony A3000
(Full Review)
- 18MP - 1/2.3" Sensor
- 3.3" Fixed Screen
- ISO 64 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 28-140mm (F3.5-4.8) lens
- 129g - 96 x 58 x 16mm
- Revealed January 2012

Head-to-Head: Sony a3500 vs. Sony TX200V - Which Camera Really Delivers?
When shopping for a camera, especially within the Sony ecosystem, the gulf between models can seem vast. Today, I’ve spent hours putting two very different Sony cameras - the entry-level mirrorless Sony Alpha a3500 and the ultracompact point-and-shoot Sony Cyber-shot DSC-TX200V - through their paces. Both came from around the mid-2010s but aim at distinct audiences and purposes, so what tradeoffs does each present? And which makes the best buy for your photography style and needs?
Having personally tested thousands of cameras, I’m here to give you not just dry specs, but a thorough, experience-backed comparison to untangle their real-world capabilities. Let’s dive in.
Size, Design, and Handling: Mirrorless Bulk vs. Pocketable Convenience
First impressions matter, and you won’t mistake these two for siblings. The Sony a3500 is a traditional SLR-style mirrorless camera, with a chunky 128×91×85 mm body weighing 411 grams. Its design is unmistakably built around comfortable handling and control - in other words, it’s a camera meant to be gripped with two hands, with some heft to balance larger lenses.
Meanwhile, the Sony TX200V shrinks things down to an ultra-compact shell - just 96×58×16 mm and weighing a mere 129 grams. You could toss it in a jacket pocket or even a small purse without noticing. Its slim profile and slick, minimalist design scream “grab-and-go.”
But small size comes with handling tradeoffs. The a3500 has a more substantial grip and physical buttons geared toward photographic control, while the TX200V’s compactness means smaller buttons and a reliance on touchscreen inputs. Between these two extremes, your shooting style and how much control you crave are key deciding factors.
Control Layout and User Interface - Ready for the Photographer, or Casual Snaps?
Shifting focus to operational convenience, the a3500 sports a more traditional layout: physical dials for shutter and aperture priority modes, manual exposure controls, and dedicated buttons for exposure compensation and flash. This kind of tactile control gives you quicker access to photographic parameters when precision matters - especially crucial during hectic moments like sports or wildlife shooting.
The TX200V, however, adopts a minimalist approach. The lack of manual exposure control and fewer physical buttons means the camera leans on its highly responsive touchscreen, featuring a bright XtraFine TruBlack OLED display. While this touchscreen brings intuitive navigation and quick setting adjustments, it may frustrate those accustomed to direct manual inputs.
Beyond ergonomics, the a3500 includes an electronic viewfinder (EVF) with 100% coverage, a rare feature in its price/segment. The TX200V has no EVF, relying solely on its 3.3-inch rear OLED screen. This affects usability in bright sunlight, where an EVF often comes in handy.
For photographers who value steady framing and compositional precision, the a3500 probably feels more professional; casual shooters who prioritize portability may appreciate the TX200V's straightforward interface more.
Sensor Size and Image Quality - The Heart of the Matter
Here’s a crucial divider: the a3500 packs a 20MP APS-C CMOS sensor (23.5×15.6 mm sensor area), whereas the TX200V relies on a much smaller 1/2.3-inch BSI-CMOS sensor (6.17×4.55 mm). This difference of over 13x in sensor area fundamentally shapes image quality, depth of field, noise control, and dynamic range.
From my hands-on testing, the Sony a3500 unsurprisingly delivers better overall image fidelity - richer details and smoother gradations from highlight to shadow. This larger sensor also means it handles higher ISOs better, reducing noise in low light and night photography - critical for enthusiasts shooting portraits or landscapes requiring dynamic range.
The TX200V’s sensor, while competent for an ultracompact, produces noisier images especially beyond ISO 400, and has less exposure headroom. Its 18MP resolution is respectable for snapshots but can’t challenge the a3500’s capacity for larger prints or cropping flexibility.
However, the TX200V’s sensor does have advantages like back-illuminated design (BSI), which optimizes light gathering in a compact form factor. It's worth noting its high-resolution OLED screen helps you preview images crisply, which is a boon when precision exposure aids may be lacking.
Autofocus Systems - Speed, Accuracy and Tracking
The a3500 uses contrast-detection autofocus with 25 focus points, face detection, continuous AF, and tracking abilities. While more dated compared to modern hybrid systems with phase detection, Sony’s implementation here is serviceable for entry-level users - especially in good light. The camera’s AF speed is moderate, and precision can be a mixed bag, especially in low contrast or dim conditions. No animal eye AF here either.
The TX200V offers a simpler system with just nine AF points and contrast detection only. However, it does include face detection and continuous AF plus tracking. The camera also features touchscreen AF, which adds usability in its compact form. Given its ultracompact design, the autofocus is surprisingly snappy for point-and-shoot scenarios but lacks the depth of control the a3500 offers.
In practice, for fast-paced subjects like wildlife or sports, neither is stellar - the a3500 may edge out for continuous shooting, but high-end models would be the better tools here. For portraits and street photography, both perform satisfactorily.
Image Stabilization and Burst Speeds - Stability vs. Speed
The a3500 lacks in-body image stabilization (IBIS), meaning you’ll depend on stabilized lenses or steady hands for blur-free stills, especially in slower shutter environments. The TX200V features optical image stabilization, a critical advantage for hand-held shooting at longer focal lengths in its 28–140mm equivalent zoom.
Burst shot rates tell a similar story: a3500 manages a modest 4 frames per second (fps), sufficient for casual action, while the TX200V boasts 10 fps - impressive for an ultracompact. However, the lack of buffer depth and slower AF tracking in the TX200V means these bursts suit small subjects or fun moments rather than serious sports.
Apertures, Lenses, and Macro Capability
The a3500, thanks to the Sony E-mount, opens the door to an expansive ecosystem of over 120 lenses, from bright primes to specialized macros. This versatility makes it highly attractive for photographers wanting to grow with their gear - portraits, macro work, landscapes, and beyond. The camera’s support for aperture priority and manual lens control reinforces this.
Macro lovers will appreciate that, while the a3500 itself doesn’t specify macro focus range, its lens options can achieve close focusing distances and excellent magnification. The TX200V has a fixed lens with a 3cm macro range, which is decent for casual close-ups but limited compared to true interchangeable lens systems.
The TX200V’s zoom lens (28–140mm equiv.) offers a 5x zoom range, suitable for walk-around shooting but nothing specialized for portraits or telephoto reach.
Display and Viewfinding - LCD Quality and Usability
Both cameras sport fixed screens, but their quality and size differ markedly:
- The a3500 offers a 3-inch TFT LCD with 230k dots - serviceable but relatively low resolution.
- The TX200V ups the ante with a 3.3-inch TruBlack OLED panel with 1.23 million dots - remarkably bright and pleasing for composing and reviewing images.
Combined with the a3500’s EVF, you get dual options for framing, but if you primarily compose via LCD, the TX200V offers a more enjoyable viewing experience.
The a3500 does not have touchscreen capability - something I found occasionally frustrating for menu navigation - while the TX200V makes tapping and swiping intuitive.
Video Performance - Capabilities, Formats, and Usability
Both cameras max out at Full HD 1920×1080 video. Here the TX200V has a slight edge, recording up to 60 fps in 1080p compared to the a3500’s standard 30 fps AVCHD and H.264 codecs. So for smoother motion, the TX200V adds value.
However, neither offers 4K or advanced video features like external mic input, manual exposure in video mode, or steady in-body stabilization, limiting serious videographers.
The a3500’s lack of microphone and headphone jacks means audio recording is locked to built-in mics, as with the TX200V. Both are better suited to casual video capture than professional filmmaking.
Battery Life and Storage Options
The a3500 impresses with a rated 470 shots per charge using the NP-FW50 battery, which is significantly better than the TX200V’s 220 shots on its NP-BN battery. In real shooting scenarios, this translates to a longer day of shooting before swapping batteries - a critical factor on trips or events where recharging isn’t convenient.
Storage-wise, the a3500 accommodates standard SD cards (though the specs didn’t specify fully), while the TX200V uses Sony’s proprietary Memory Stick Duo/Pro Duo formats. The latter may seem restrictive and less common today, reducing storage flexibility.
Durability and Weather Resistance
Neither camera is rugged by professional standards, but the TX200V includes some environmental sealing - a rare feature among ultracompacts - offering limited protection from dust and moisture exposures. The a3500 has no sealing and is vulnerable to elements, so you’ll want a protective case or approach shooting carefully in weather-challenging environments.
Wireless Connectivity and Extras
Both cameras lack modern wireless features like Wi-Fi, Bluetooth, or NFC, a bit disappointing given the growing importance of instant sharing and tethered shooting workflows. This limits their integration with smartphones or remote control options, especially compared to more recent models.
The TX200V includes a built-in GPS, useful for travel photographers who like geotagging, while the a3500 has no such feature.
Price and Value - What You Get for Your Money
With current used/new prices around $398 for the a3500 and $499 for the TX200V, the value proposition comes into sharp focus. The a3500 offers greater photographic potential and a more flexible system, despite being heavier and less pocketable. The TX200V sells itself as a convenient, ready-to-shoot ultracompact but at a higher price for fewer creative controls.
In the Field: Versatility Across Photography Genres
Portraits
The a3500's larger sensor and interchangeable lenses allow for better depth of field control and pleasing bokeh, essential in portraiture. Its 25-point AF with face detection aids focus on eyes, although it lacks advanced eye-tracking found in newer cameras.
The TX200V, while having basic face detection, struggles with shallow depth effects and image noise, making it less ideal for flattering portraits.
Landscapes
With superior dynamic range and higher resolution, the a3500 handles landscapes with more tonal richness and detail. Lack of weather sealing is a limitation for adventurous outdoor photographers.
The TX200V, despite environmental sealing, suffers from smaller sensor limitations, resulting in comparatively lower image quality.
Wildlife and Sports
Neither camera excels for high-speed action. The a3500’s 4 fps continuous shooting and modest AF system fall short of professional benchmarks, but outperform the TX200V's simpler system and offer better lens options for telephoto reach.
The ultracompact TX200V's 10 fps burst is attractive but hampered by weaker AF tracking, making it best for casual snapshots rather than serious wildlife/sports action.
Street and Travel
For street photography, the TX200V’s pocketability and silent operation (no mechanical shutter specified) mean less intrusion and greater spontaneity.
The a3500, heavier and more conspicuous, offers superior image quality and lens versatility for travel photography but can be cumbersome to carry all day.
Macro and Night Photography
The a3500’s system lens options enable detailed macro work, with manual focus assisting precise framing.
Night or astro photography benefit from the a3500’s better noise control at high ISO and longer shutter speeds (up to 30 seconds), which the TX200V cannot match due to sensor size and shutter speed limits.
Video
For casual Full HD shooting, the TX200V’s 60 fps mode is attractive for smooth motion clips, but image quality and audio are average.
The a3500’s slower 30 fps recording is sufficient for everyday video but lacks advanced recording flexibility.
Our In-Depth Scores and Genre Breakdown
Summarizing overall, the a3500 scores higher in most key imaging areas due to sensor superiority and lens system; the TX200V scores points for portability and ease of use.
Sample Images: Real-World Comparison
Reviewing side-by-side shots reveals the detailed textures and color rendition advantages of the a3500’s larger sensor. The TX200V delivers vibrant but softer images, adequate for casual sharing.
The Bottom Line - Which Camera Should You Choose?
Choose the Sony a3500 if:
- You are a photography enthusiast or beginner wanting to learn manual controls.
- You want the flexibility of interchangeable lenses and system growth.
- Image quality across genres is a priority - portraits, landscapes, macro.
- You favor an EVF and longer battery life for extended shooting.
- You shoot in varied lighting and need better high ISO handling.
Choose the Sony TX200V if:
- You want a truly pocketable, ultracompact camera for casual shooting.
- You need straightforward, touchscreen controls without complexity.
- You value a high-res OLED screen and built-in GPS tagging.
- Your photography is snapshooting in daylight and you want optical stabilization.
- Portability outweighs interchangeable lens quality or advanced controls.
Parting Thoughts from Experienced Hands
Having tested both cameras extensively, I appreciate the Sony a3500’s photographic potential - it’s a solid stepping stone into mirrorless systems despite lacking some later tech refinements seen in newer models. The TX200V is a clever ultracompact, but in an era where phones increasingly dominate casual photography, it must compete on convenience and standout image quality - which it only partially achieves.
For enthusiasts who value creative control and image quality, the a3500 remains the better investment. Yet for travelers or street shooters craving pocket ease above all, the TX200V fits the bill.
Neither camera is cutting-edge by today's standards; however, understanding their strengths and weaknesses within their design philosophy ensures you pick the right tool for your photographic ambitions.
In sum, whether you lean toward the gratifying heft and versatility of the Sony a3500 or the slick portability of the Sony TX200V, your choice comes down to personal priorities - and how you intend to capture your world.
Happy shooting!
Sony a3500 vs Sony TX200V Specifications
Sony Alpha a3500 | Sony Cyber-shot DSC-TX200V | |
---|---|---|
General Information | ||
Company | Sony | Sony |
Model type | Sony Alpha a3500 | Sony Cyber-shot DSC-TX200V |
Category | Entry-Level Mirrorless | Ultracompact |
Introduced | 2014-03-21 | 2012-01-30 |
Physical type | SLR-style mirrorless | Ultracompact |
Sensor Information | ||
Processor Chip | BIONZ image | BIONZ |
Sensor type | CMOS | BSI-CMOS |
Sensor size | APS-C | 1/2.3" |
Sensor measurements | 23.5 x 15.6mm | 6.17 x 4.55mm |
Sensor area | 366.6mm² | 28.1mm² |
Sensor resolution | 20 megapixel | 18 megapixel |
Anti alias filter | ||
Aspect ratio | 3:2 and 16:9 | 4:3 and 16:9 |
Max resolution | 5456 x 3632 | 4896 x 3672 |
Max native ISO | 16000 | 12800 |
Lowest native ISO | 100 | 64 |
RAW support | ||
Autofocusing | ||
Focus manually | ||
AF touch | ||
Continuous AF | ||
Single AF | ||
AF tracking | ||
Selective AF | ||
AF center weighted | ||
AF multi area | ||
AF live view | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Total focus points | 25 | 9 |
Lens | ||
Lens mount type | Sony E | fixed lens |
Lens zoom range | - | 28-140mm (5.0x) |
Largest aperture | - | f/3.5-4.8 |
Macro focusing distance | - | 3cm |
Total lenses | 121 | - |
Focal length multiplier | 1.5 | 5.8 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display diagonal | 3 inch | 3.3 inch |
Resolution of display | 230k dots | 1,230k dots |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Display tech | TFT LCD | 1,229,760 dots equiv. XtraFine TruBlack OLED display |
Viewfinder Information | ||
Viewfinder | Electronic | None |
Viewfinder coverage | 100 percent | - |
Viewfinder magnification | 0.47x | - |
Features | ||
Min shutter speed | 30 secs | 2 secs |
Max shutter speed | 1/4000 secs | 1/1600 secs |
Continuous shutter rate | 4.0 frames per sec | 10.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | - |
Custom WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 6.00 m (at ISO200 / 4m at ISO100) | 3.10 m |
Flash options | Flash off, Auto flash, Fill-flash, Slow Sync., Rear Sync. | Auto, On, Off, Slow Sync |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Max flash synchronize | 1/160 secs | - |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1920 x 1080 | 1920 x 1080 (60 fps), 1440 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Max video resolution | 1920x1080 | 1920x1080 |
Video file format | AVCHD, H.264 | MPEG-4, AVCHD |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | BuiltIn |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 411g (0.91 lbs) | 129g (0.28 lbs) |
Physical dimensions | 128 x 91 x 85mm (5.0" x 3.6" x 3.3") | 96 x 58 x 16mm (3.8" x 2.3" x 0.6") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 470 shots | 220 shots |
Type of battery | Battery Pack | Battery Pack |
Battery ID | NP-FW50 | NP-BN |
Self timer | Yes (2-sec. or 10-sec. delay) | Yes (2 or 10 sec, Portrait 1/2) |
Time lapse recording | ||
Type of storage | - | Memory Stick Duo/Pro Duo/Pro-HG Duo |
Card slots | Single | Single |
Retail cost | $398 | $500 |