Sony a3500 vs Sony TX30
69 Imaging
62 Features
54 Overall
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96 Imaging
42 Features
43 Overall
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Sony a3500 vs Sony TX30 Key Specs
(Full Review)
- 20MP - APS-C Sensor
- 3" Fixed Screen
- ISO 100 - 16000
- 1920 x 1080 video
- Sony E Mount
- 411g - 128 x 91 x 85mm
- Announced March 2014
- Old Model is Sony A3000
(Full Review)
- 18MP - 1/2.3" Sensor
- 3.3" Fixed Screen
- ISO 80 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 26-130mm (F3.5-4.8) lens
- 141g - 96 x 59 x 15mm
- Released July 2013
Photobucket discusses licensing 13 billion images with AI firms Sony a3500 vs Sony TX30: An Expert’s Take on Two Very Different Cameras
When you hear the names Sony a3500 and Sony TX30, they might seem related just by brand, but they serve wildly different purposes. Having extensively tested both mirrorless and compact cameras over the past decade and a half, I’m excited to dive deep into a detailed comparison that isn’t just specs on paper, but what these cameras actually deliver in the field. Whether you’re an enthusiast hunting for your next entry-level mirrorless or someone wanting a grab-and-go ultra-compact for everyday shooting, this comprehensive review highlights the strengths and trade-offs of each.
Let’s start by framing the cameras in their categories: the Sony a3500 is a modestly priced entry-level mirrorless camera aimed at photographers looking for more control and image quality than typical compacts, while the Sony TX30 is an ultracompact fixed-lens camera designed for casual use, rugged travel, and instant simplicity. You’ll see right away it’s not apples to apples, but each has value depending on what you prioritize.
Footprints and Feel: Handling and Ergonomics

The first tangible difference is in the size and handling. The a3500 features a classic SLR-style mirrorless body measuring 128x91x85 mm and weighing in at 411 grams with battery - substantial but not bulky. Meanwhile, the TX30 is dramatically smaller and thinner at just 96x59x15 mm and an ultra-light 141 grams, almost pocketable.
Ergonomics wise, the a3500 offers a pronounced grip, physical dials, and buttons, which I greatly appreciate especially on longer shoots or when shooting manually. The TX30, built for portability and ease, sacrifices some tactile feedback for neat compactness - the flat design and minimal controls make it a convenience-focused tool.
If you prefer an experience akin to traditional cameras where you can tweak settings intuitively as you shoot, the a3500 wins hands down. But if portability and simple point-and-shoot are your idea of fun, the TX30’s pocketable design is unbeatable.
Top Side Controls: Command Layout and Accessibility

Looking down from above, the a3500’s control layout aligns with mirrorless norms - dedicated shutter speed and exposure compensation dials, a clearly marked mode dial, and a pop-up flash. This makes switching quickly between modes and adjusting exposure a breeze, especially when you’re juggling changing light or creative effects.
By contrast, the TX30 has a pared-down control scheme. There’s a zoom lever around the shutter button and a couple of generalized buttons, but no dedicated manual mode or aperture control. Touchscreen support on the 3.3-inch OLED helps ease navigation for menu functions, but you won’t get the physical tactile control speed that serious users appreciate.
This difference signals the core philosophy: a3500 puts control in your hands; TX30 streamlines operation for quick snaps. Choose based on how involved you want to be in composing and adjusting exposure.
Sensor Specs and Image Quality

This takes us to image performance, where sensor tech and size immensely influence results. The a3500 employs an APS-C sized sensor measuring 23.5 x 15.6 mm, with 20mp resolution. This larger sensor enables superior dynamic range, better noise performance at high ISOs (up to 16,000 native), and richer color depth. It uses an older BIONZ processing engine but handles raw files, which is crucial for post-processing and professional workflows.
The TX30, meanwhile, has a tiny 1/2.3" BSI-CMOS sensor (6.16 x 4.62 mm) with 18mp resolution. To put that in perspective, the a3500’s sensor area is over 12 times larger. The smaller sensor limits dynamic range and low-light sensitivity substantially, although the back-illuminated sensor design helps squeeze better quality than traditional compacts of similar size.
So what does that mean practically? Images from the a3500 are fuller, with smoother gradients, better highlight retention, and cleaner shadows. You can push ISO without diving into unusable noise territory. On the other hand, the TX30 works wonderfully in good daylight but struggles in dimmer environments, with softness creeping in and some color degradation.
Rear Displays and User Interface

Both cameras have fixed rear screens, but their designs and display technologies differ notably. The a3500’s 3-inch TFT LCD is basic with a modest 230k-dot resolution - noticeably inferior in sharpness and clarity, especially under bright sunlight. It also lacks a touchscreen, so all navigation involves buttons and dials.
The TX30’s 3.3-inch OLED touchscreen with 1229k-dot resolution provides a crisp, vibrant, and responsive interface, much more enjoyable for reviewing shots and tweaking settings casually. The touchscreen aspect speeds operations like zooming and menu browsing, which is great for casual users.
So if you prioritize visual feedback and convenient touch operation, TX30 feels more modern here. But if you’re looking for robust physical controls and don’t mind scratching around with buttons, a3500 still delivers on its more traditional interface.
Autofocus and Shooting Speed: How Quickly Does Each Lock on the Moment?
One stark difference: the a3500 features a 25-point contrast-detection autofocus system, including face detection and continuous AF in live view. While it lacks phase detection, which impacts really fast tracking, it handles everyday focus tasks reliably. Continuous shooting hits 4 fps, decent for entry-level but unexciting for fast action.
The TX30, sized and geared for convenience, does not offer any continuous or tracking autofocus modes, with a relatively slow shutter speed range (max 1/1600) and 10 fps burst shooting that’s software-limited rather than from high frame buffer capacity.
If you want to shoot wildlife or sports where quick, accurate autofocus and precise tracking are vital, the a3500 is the obvious choice. Conversely, the TX30 works well for simple street or travel photography where rapid, complex AF is less crucial.
Flash and Stabilization: Tools for Tough Lighting
Both cameras have built-in flashes, but only the a3500 supports external flash units and offers multiple flash modes (fill, slow sync, rear sync). This offers creative lighting options and better outright illumination for indoor or low-light shooting.
The TX30 features optical stabilization in its lens, a big plus for handheld photos especially at telephoto reach (26-130mm equivalent zoom). The a3500 lacks in-body image stabilization, relying on stabilized lenses to compensate, which may mean higher cost if you want steady shots on telephoto lenses.
The TX30’s shake compensation is excellent for casual shooting in mixed conditions. However, for advanced use where off-camera lighting or nuanced flash effects matter, the a3500’s system excels.
Video Capabilities: What Do They Bring to the Table?
Both cameras offer Full HD 1080p video. The a3500 records 1920x1080 with standard frame rates and supports AVCHD and H.264 formats, while the TX30 offers 1080p at higher frame rates up to 60fps. Unfortunately, neither camera supports 4K or advanced video-centric features.
A crucial limitation of the a3500 is the lack of a microphone input, which limits audio recording quality unless you rely on the built-in mic. Similarly, the TX30 does not have mic or headphone jacks, again emphasizing casual video over professional.
Neither model offers video stabilization beyond the TX30’s optical system, which limits smoothness in handheld shooting. For any serious video work, these are budget cameras to avoid - but for simple full HD clips, both do the job acceptably.
Durability and Environmental Resistance

Here is an unexpected advantage for the TX30 - it boasts environmental sealing (though not full waterproofing or shockproofing). It’s designed for travelers worried about dust and moisture in unpredictable situations like hiking or beach visits.
The a3500, in contrast, lacks any dustproof or weather sealing. Its larger mirrorless body and interchangeable lens mount make sealing complex. You’d need to be more careful with the a3500 in rough conditions.
If you anticipate shooting outdoors in dusty, humid environments regularly, the TX30 offers a level of ruggedness you won’t find in the a3500.
Lens Ecosystem and Expansion Potential
One major consideration: the a3500 supports Sony’s E-mount lenses - over 121 lenses available ranging from affordable primes to pro-level zooms and specialty optics. This ecosystem opens a world of creative possibilities, from portrait bokeh work to macro and wide landscape photography.
The TX30, being a fixed-lens camera (26-130mm equivalent zoom), limits you to the built-in lens’ range - you can’t swap or upgrade. That makes the system simpler but less versatile.
For photographers who value evolving their gear and experimenting with glass, the a3500’s mount opens endless doors. The TX30 suits those who want everything built in, all the time.
Battery Life and Storage
The a3500 comes with a Sony NP-FW50 battery rated around 470 shots per charge under CIPA testing. In real use, expect somewhat fewer, especially using Live View or video frequently.
The TX30’s battery life isn’t officially rated, but compact cameras generally offer lower endurance than mirrorless systems, though the smaller size means easy spare batteries.
Both cameras utilize a single storage slot, likely SD card, so memory expansion is straightforward and equal in usability.
Connectivity and Modern Features
Neither camera features wireless connectivity like Wi-Fi, Bluetooth, or NFC. The a3500 includes HDMI out and USB 2.0 support, useful for tethered shooting or playback. TX30 is more limited - no HDMI port.
In 2024, the lack of wireless features could be a dealbreaker if instant sharing or remote control matters.
Real-World Sample Images
Here you can see the practical outcome: portraits shot on the a3500 show impressively smooth skin tones, precise eye focus thanks to face detection, and creamy background separation even on kit lenses. Landscapes reveal vibrant color gradation and excellent dynamic range, notably in sunrise and shadow details.
The TX30’s images hold up well for casual snapshots in daylight. Zoomed telephoto shots are decently sharp, but under challenging lighting, noise and detail loss become evident. The limited control over exposure means it’s harder to coax optimal results.
Overall Performance Scores and Value
From my hands-on testing and aggregating established benchmarks, the a3500 scores solidly in image quality, autofocus, and flexibility, earning a good rating for entry-level mirrorless users.
The TX30 scores lower on technical criteria but performs admirably in portability and robustness - a niche target.
Genre-Specific Performance: What’s Best For Your Photography?
Let’s quickly run through different photography genres to help you decide:
- Portraits: a3500 shines with APS-C sensor bokeh and reliable eye detection; TX30 can manage but softer backgrounds and less control hold it back.
- Landscapes: a3500’s broad dynamic range and resolution deliver stunning detail; TX30 lack of RAW support limits editing.
- Wildlife: a3500’s superior autofocus and lens options make it the clear winner. TX30 zoom range is limited and focus slower.
- Sports: a3500 moderate burst and AF continuous help; TX30 unsuitable.
- Street: TX30’s compact size and stealthier profile give it an advantage, though a3500 gives better control for those who can carry it comfortably.
- Macro: a3500 compatible with dedicated macro lenses; TX30 limited to fixed close-focusing.
- Night/Astro: a3500 wins in high ISO noise control and exposure flexibility; TX30 struggles.
- Video: Both entry-level with 1080p, no mic ports or advanced video modes; neither excels.
- Travel: TX30 lightweight and sealed, easy to carry; a3500 bulkier but more versatile.
- Professional Work: a3500 with raw, stable workflows and lens versatility only choice here.
Final Thoughts and Recommendations
Choosing between the Sony a3500 and the Sony TX30 boils down to what you value most:
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If image quality, manual control, lens versatility, and a more serious photographic experience are your goals, the Sony a3500 is a standout in entry-level mirrorless cameras. It’s an ideal starter for enthusiasts ready to grow and experiment without breaking the bank. Sure, its design and features are a few years old now, but there’s enduring value in the large APS-C sensor and physical control setup.
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If portability, ease of use, durability, and a compact form factor for casual everyday photography are your main priorities - say beach trips, casual travel, or family snapshots - the Sony TX30 is a strong choice. It’s less capable technically, but the weather sealing and touchscreen make it a reliable companion for no-fuss shooting where carrying heavy gear is impractical.
I’ve personally appreciated the a3500’s combination of good image quality and simplicity in my weekend photography experiments, while the TX30 has been a solid, lightweight runner-up for quick snaps on urban hikes or hikes near water. Which one you pick depends on how involved you want to be behind the lens.
If you want a deeper dive into specific workflows or need lens recommendations for the a3500, feel free to check my detailed guides on Sony mirrorless systems. Likewise, for compact cameras, I have more tests on waterproof and rugged compacts which might interest you if you like what the TX30 offers.
Happy shooting!
Sony a3500 vs Sony TX30 Specifications
| Sony Alpha a3500 | Sony Cyber-shot DSC-TX30 | |
|---|---|---|
| General Information | ||
| Brand | Sony | Sony |
| Model | Sony Alpha a3500 | Sony Cyber-shot DSC-TX30 |
| Type | Entry-Level Mirrorless | Ultracompact |
| Announced | 2014-03-21 | 2013-07-26 |
| Physical type | SLR-style mirrorless | Ultracompact |
| Sensor Information | ||
| Chip | BIONZ image | - |
| Sensor type | CMOS | BSI-CMOS |
| Sensor size | APS-C | 1/2.3" |
| Sensor dimensions | 23.5 x 15.6mm | 6.16 x 4.62mm |
| Sensor area | 366.6mm² | 28.5mm² |
| Sensor resolution | 20 megapixel | 18 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | 3:2 and 16:9 | - |
| Highest resolution | 5456 x 3632 | 4896 x 3672 |
| Highest native ISO | 16000 | 12800 |
| Lowest native ISO | 100 | 80 |
| RAW support | ||
| Autofocusing | ||
| Manual focus | ||
| AF touch | ||
| Continuous AF | ||
| AF single | ||
| AF tracking | ||
| Selective AF | ||
| AF center weighted | ||
| AF multi area | ||
| AF live view | ||
| Face detection focusing | ||
| Contract detection focusing | ||
| Phase detection focusing | ||
| Number of focus points | 25 | - |
| Cross focus points | - | - |
| Lens | ||
| Lens mounting type | Sony E | fixed lens |
| Lens focal range | - | 26-130mm (5.0x) |
| Highest aperture | - | f/3.5-4.8 |
| Amount of lenses | 121 | - |
| Focal length multiplier | 1.5 | 5.8 |
| Screen | ||
| Type of screen | Fixed Type | Fixed Type |
| Screen sizing | 3" | 3.3" |
| Screen resolution | 230k dots | 1,229k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Screen technology | TFT LCD | OLED monitor |
| Viewfinder Information | ||
| Viewfinder | Electronic | None |
| Viewfinder coverage | 100 percent | - |
| Viewfinder magnification | 0.47x | - |
| Features | ||
| Slowest shutter speed | 30s | 4s |
| Maximum shutter speed | 1/4000s | 1/1600s |
| Continuous shooting rate | 4.0 frames per second | 10.0 frames per second |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | Yes | - |
| Custom WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | 6.00 m (at ISO200 / 4m at ISO100) | - |
| Flash settings | Flash off, Auto flash, Fill-flash, Slow Sync., Rear Sync. | - |
| Hot shoe | ||
| AE bracketing | ||
| White balance bracketing | ||
| Maximum flash synchronize | 1/160s | - |
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 | 1920 x 1080 (60, 50 fps) |
| Highest video resolution | 1920x1080 | 1920x1080 |
| Video format | AVCHD, H.264 | - |
| Mic port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 411 grams (0.91 lbs) | 141 grams (0.31 lbs) |
| Dimensions | 128 x 91 x 85mm (5.0" x 3.6" x 3.3") | 96 x 59 x 15mm (3.8" x 2.3" x 0.6") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | 470 shots | - |
| Battery type | Battery Pack | - |
| Battery model | NP-FW50 | - |
| Self timer | Yes (2-sec. or 10-sec. delay) | - |
| Time lapse feature | ||
| Card slots | One | One |
| Launch price | $398 | $230 |