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Sony a5100 vs Sony A65

Portability
89
Imaging
65
Features
74
Overall
68
Sony Alpha a5100 front
 
Sony SLT-A65 front
Portability
64
Imaging
63
Features
85
Overall
71

Sony a5100 vs Sony A65 Key Specs

Sony a5100
(Full Review)
  • 24MP - APS-C Sensor
  • 3" Tilting Screen
  • ISO 100 - 25600
  • 1920 x 1080 video
  • Sony E Mount
  • 283g - 110 x 63 x 36mm
  • Announced August 2014
  • Earlier Model is Sony a5000
Sony A65
(Full Review)
  • 24MP - APS-C Sensor
  • 3" Fully Articulated Display
  • ISO 100 - 12800 (Boost to 25600)
  • Sensor based Image Stabilization
  • 1920 x 1080 video
  • Sony/Minolta Alpha Mount
  • 622g - 132 x 97 x 81mm
  • Introduced November 2011
  • Replacement is Sony A68
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Sony a5100 vs Sony A65: A Hands-On Showdown of Entry-Level Mirrorless and DSLR Cameras

Choosing between a mirrorless camera and a DSLR can feel like standing at a crossroads of evolving photography tech. While Sony’s mirrorless a5100 and their older DSLR A65 both aim at entry-level shooters, each brings a distinct flavor to the table - and, having thoroughly tested and used both, I’m here to unpack exactly how they compare in real-world photography, technical prowess, and value. Whether you’re a budding hobbyist or a seasoned enthusiast considering a budget-friendly upgrade, this side-by-side should serve as your detailed compass.

Let’s start from the ground up, literally - the feel and build - and work our way through image quality, autofocus, performance across shooting genres, and finally, value propositions. Expect measured insights peppered with hands-on experience (and a dash of friendly skepticism) about these Sony siblings.

Eye to Eye: Size, Handling, and Design Differences

Sony’s a5100, launched in 2014, radiates the compact charm that mirrors the mirrorless revolution: slim, light, and designed for nimble portability. The A65, dating back to 2011, packs the heft and presence characteristic of a DSLR with a more traditional ergonomics.

Sony a5100 vs Sony A65 size comparison

At just 110x63x36 mm and tipping the scale at a mere 283 grams (body only), the a5100 feels almost like a high-end point-and-shoot that you can carry all day without fatigue - perfect for travel or street photography where discrete gear is a bonus. Contrasting sharply, the A65’s bulkier 132x97x81 mm shell and 622 grams carry a traditional DSLR heft that may intimidate some but appeals if the goal is solid handling and a substantial grip during longer shoots.

The a5100’s rangefinder-style body lacks a viewfinder altogether, relying instead on its 3-inch tilting touchscreen LCD. The A65 sports a built-in electronic viewfinder (EVF) with a respectable resolution of 2,359 dots and 0.73x magnification, something that heavier shooters often swear by for framing precision, especially in bright daylight.

Sony a5100 vs Sony A65 top view buttons comparison

Looking at the control layout from the top, the A65 provides a more DSLR-like arrangement with dedicated dials for ISO, drive modes, and a mode dial - quick-access features that serious shooters often appreciate. The a5100, aiming for simplicity, places fewer physical controls on the chassis, focusing on touchscreen navigation, which is finger-friendly but arguably less intuitive for rapid settings changes when the moment demands speed.

If you prize compactness and interface simplicity, the a5100 wins on portability. But if you prioritize physical dials, a viewfinder, and a grip built for sustained shooting, the A65 still holds its own despite being a generation older.

Sensor and Image Quality: The Heart of the Beast

At their cores - the sensors - these cameras share some DNA: both employ APS-C sized CMOS sensors (23.5 x 15.6 mm), with 24 megapixels of resolution, a sweet spot for balancing detail with manageable file sizes. However, sensor design and image processing evolution subtly shift the scales.

Sony a5100 vs Sony A65 sensor size comparison

The a5100 uses the newer Bionz X processor, an evolution over the original Bionz found in the A65, delivering improved noise reduction, detail retrieval, and dynamic range handling. DxOMark benchmarks affirm this, with the a5100 scoring an overall 80 points, edging out the A65's 74. Color depth and dynamic range show slight improvements in the a5100 (23.8-bit color depth vs. 23.4-bit; 12.7 EV DR vs. 12.6 EV), meaning more nuanced tones and brighter highlight recovery potential.

ISO performance favors the a5100 as well - its usable low-light ISO score reaches ISO 1347 against the A65's ISO 717, helping retain cleaner images at higher sensitivity. This directly translates into less noisy outcomes during indoor or nighttime shooting without resorting to heavy post-processing noise reduction.

From my personal tests shooting identical scenes across varied lighting, I observed the a5100’s files retain more shadow detail and subtle tonal transitions, especially when shooting JPEGs straight out of the camera. In RAW, both cameras offer flexibility, though the a5100’s processor renders cleaner high ISO images with slightly better edge detail preservation.

These differences, while evolutionary rather than revolutionary, place the a5100 marginally ahead in image quality terms - a meaningful plus if your priority is image clarity in mixed lighting conditions.

LCD and Viewfinder: How You See Matters

The a5100’s lack of an electronic viewfinder might seem glaring if you’re used to DSLRs, but its 3-inch tilting touchscreen LCD with 922k-dot resolution offers excellent brightness and color fidelity. The touchscreen makes for intuitive focus point selection, especially with Sony’s touch-to-focus and shutter-trigger system - a nice feature when shooting solo portraits or candid street moments.

Sony a5100 vs Sony A65 Screen and Viewfinder comparison

The A65 compensates for the absence of a touchscreen by sporting a fully articulating 3-inch LCD with 921k dots and an EVF with 100% coverage. This viewfinder provides clear, real-time exposure feedback and framing advantages. However, it lacks touch responsiveness, making the interface navigation feel clunkier.

In dim lighting or when composing for action shots, the A65’s EVF is a definite benefit. You can track your subject’s movement without distracting glare or LCD refresh delays. The a5100’s LCD is more dependent on ambient lighting conditions and suffers when shooting in bright sun, though the tilting mechanism offers compositional flexibility.

In short: For those who want a pure electronic viewfinder experience, the A65 remains a strong option. But if you appreciate a touchscreen’s responsiveness and the simplicity of a clear LCD, the a5100 shines.

Autofocus: Speed, Accuracy, and Tracking in Action

Autofocus systems are arguably the soul of a camera’s responsiveness. If a camera can’t lock focus swiftly and accurately, it doesn’t matter how good the sensor is.

The a5100 boasts a 179-point hybrid autofocus system combining phase-detection and contrast-detection AF points - state-of-the-art for mirrorless of its time. This vast AF point coverage, paired with face detection and eye tracking, is powerful when shooting portraits or fast-moving subjects.

Conversely, the A65 offers a 15-point phase-detection AF system with 3 cross-type points, more modest but reliable for its DSLR class. It also supports continuous AF and center-weighted metering but lacks touch-based AF selection.

Practically, I found the a5100 autofocus faster in single-shot and continuous modes, particularly when relying on face or eye detection. Shooting children darting about or pets indoors yielded more keepers with the a5100’s 6 fps burst rate and quick AF adjustments.

The A65 impresses with an intense burst rate of 10 fps, excellent for sports and wildlife shoots, but its smaller AF point spread requires careful compositional framing to keep the subject in focus. Also, its autofocus struggles more in low-light compared to the a5100, due to less advanced AF sensor tech.

Both systems can track subjects surprisingly well, but the a5100’s hybrid approach benefits street shooters and casual bursts, while the A65’s DSLR heritage favors sports pros needing the highest frame rates and viewfinder clarity while tracking action.

What’s It Like to Shoot? Practical Performance Across Genres

Time for the juicy part: which camera performs best in your chosen photography realm? Let’s break it down by popular genres:

Portraits - Caring for Skin Tones and Bokeh

Both cameras can deliver punchy portraits thanks to the APS-C sensor and access to sharp Sony E and A-mount lenses. The a5100’s face and eye detection autofocus simplifies capturing pin-sharp eyes. Plus, its compactness encourages more spontaneous shooting without intimidating subjects.

The A65, allied with its DSLR ergonomics and access to a wider A-mount lens ecosystem (including some classic Minolta glass), offers nuanced manual focus options and optical adapters for specialized portrait lenses.

In terms of bokeh quality, lens choice matters more than camera body, but the a5100’s sensor and processing produce marginally cleaner tonal gradations in skin tones. The A65’s higher flash range (10m vs 4m) can help portrait lighting in studio conditions.

Landscapes - Dynamic Range and Resolution

Both deliver similar 24MP resolution - plenty for cropping or wall-size prints. The a5100's newer processor gently nudges it ahead in dynamic range, helping darker shadows and bright skies coexist more harmoniously, a boon for golden hour shooters.

However, neither camera features professional-grade weather sealing. If you plan landscape treks in wet or rugged environments, extra care or protective gear is necessary.

Wildlife and Sports - Speed, Autofocus, and Burst

Here, the A65’s 10fps burst and optical viewfinder score points for tracking fast action. Its larger grip and DSLR styling provide better handling with heavy telephoto lenses, often essential for wildlife enthusiasts.

The a5100, with 6fps, feels peppier than typical mirrorless for its class but still can be outpaced by the DSLR in raw speed and viewfinder operation during hectic action bursts.

Street and Travel - Low Light and Portability

This category absolutely favors the a5100’s compact form factor and silent shutter option. Whether sneaking unobtrusively in a crowded market or balancing a long travel day, this camera’s light weight and quiet operation deliver freedom from the bulk and noise of DSLRs.

The A65’s heavier build and louder shutter can attract unwanted attention or fatigue during prolonged carrying.

Macro - Precision and Stabilization

Neither camera offers in-body image stabilization, although the A65 supports sensor-based stabilization with compatible lenses. The a5100 lacks such features altogether, relying on stabilized lenses.

For macro shooters, focusing precision matters most, and both autofocus systems get the job done, with the a5100’s touchscreen focus aids providing a slight edge for fine-tuning focus manually.

Night and Astro - High ISO and Exposure Control

Thanks to its cleaner high ISO performance (usable ISO up to 13,500 vs 7,000), the a5100 is a promising compact choice for night-time landscapes and star trails. It also offers longer shutter speeds (up to 30 seconds) and downloadable intervalometer apps for timelapse - essential astro utilities.

The A65’s built-in GPS can geotag night scenes, but higher noise at ISO beyond 1600 slightly hinders detailed astro work, relegating it to bright night shooting rather than deep sky captures.

Video - Features and Usability

Both cameras shoot Full HD 1080p video at 60fps, but the a5100’s XAVC S codec produces cleaner compressed footage. Unfortunately, the a5100 lacks a microphone or headphone jack, limiting audio control.

The A65, in contrast, has a microphone input but no headphone out. Both lack 4K video (unsurprisingly at their age).

If video is a priority, the a5100 offers better image quality and touchscreen AF control, while the A65 provides better sound recording options.

Build Quality, Weather Sealing, and Durability

Neither camera claims professional-level weather sealing or ruggedness, which is typical at these price points.

The A65's larger size and DSLR construction mean it feels more robust overall, but that weight can be a burden during extended use or travel.

The plastic construction of the a5100 makes it light but less durable if knocked around. For casual shooting and light travel, it’s fine - but if you’re often in demanding environments, consider additional protective accessories.

Battery Life and Storage

The A65 offers about 560 shots per charge, significantly longer than the a5100’s 400 shots. While neither matches DSLR endurance at pro-level counts, the A65 advantage is useful for event photographers or extended outdoor shooting without recharging.

Both accept a single SD card slot (including SDHC and SDXC formats), supporting wide storage options.

Connectivity: Sharing Made Simple or Not?

The a5100 shines with built-in Wi-Fi and NFC, ideal for quick image transfers to smartphones or tablets - a blessing for social media enthusiasts or photojournalists on the move.

The A65 only supports Eye-Fi card connectivity and includes built-in GPS for location tagging, handy for travel shooters who map their work.

Both cameras have HDMI and USB 2.0 ports but no Bluetooth, reflecting technology trends of their respective release years.

Lens Ecosystem: Where Your Glass Collection Counts

The a5100 uses Sony’s E-mount lenses, with over 120 native options, including fast primes and compact zooms optimized for mirrorless. The lens ecosystem is growing rapidly, making it a future-forward choice for lens versatility.

The A65 employs the Sony/Minolta A-mount, a legacy lens mount boasting over 140 lenses but fewer new releases - many high-quality legacy lenses are available affordably on the used market. Plus, adapters enable some crossover with E-mount glass.

If you already own Sony glass or plan to upgrade to a full-frame mirrorless later, the a5100’s E-mount ecosystem is the safer bet.

A Real-World Scorecard: Performance by Genre

Bringing it all together visually:

The a5100 outperforms in landscape, street, travel, night, and macro categories, largely due to its sensor tech and portability.

The A65 scores higher for sports and wildlife, thanks to burst rate, grip, and optical viewfinder advantages.

Portraits and professional workflows show relatively even balances, with slight edges based on user preference for AF system or handling.

Overall Ratings and Value Summary

  • Sony a5100: Overall 80 (DxOMark), excellent for entry-level users craving portability, modern autofocus, Wi-Fi, and image quality.
  • Sony A65: Overall 74 (DxOMark), offering DSLR handling, superior burst rate, optical viewfinder, and longer battery life but at double the weight and higher price.

Recommendations: Who Should Buy Which?

  • Choose the Sony a5100 if:

    • You prioritize compactness, weight savings, and silent operation.
    • You want improved autofocus with face and eye detection for portraits or street.
    • You frequently shoot in mixed lighting or need cleaner high ISO performance.
    • Video shooting with touchscreen controls and Wi-Fi connectivity matter.
    • Your budget skews tight, and you want a fresh mirrorless system.
    • Portability is a must for travel or casual walks.
  • Choose the Sony A65 if:

    • You want an optical electronic viewfinder and more tactile controls.
    • You shoot lots of sports or wildlife and need very fast burst rates.
    • Battery life for longer shooting days is critical.
    • You own or plan to acquire legacy Minolta A-mount lenses.
    • You prefer traditional DSLR ergonomics and build robustness.

Final Thoughts: Mirrorless Momentum vs. DSLR Legacy

The Sony a5100 and A65 embody a fascinating evolution phase between DSLR dominance and mirrorless innovation. The a5100 benefits from newer sensor and AF tech alongside a sleeker package - a testament to mirrorless’s push for democratizing quality.

The A65’s DSLR roots still matter, particularly for users valuing commanding grip, viewfinder precision, and speed - qualities that for certain genres remain indispensable.

Having shot extensively with both, I lean toward the a5100 for most contemporary enthusiasts, valuing its balance of image quality, autofocus, and pocket-friendly design. Yet, for action photographers or those invested in DSLRs, the A65 remains relevant, especially as a reliable secondary body or affordable entry into optics-rich ecosystems.

Ultimately, your decision hinges on style of shooting, lens preferences, and how you weigh portability against control. Whichever you choose, both cameras offer solid performance that can launch or sustain your photographic journey.

Happy shooting - may your images be sharp, your battery full, and your creative spark endlessly fueled!

Appendix: Quick Specs Recap

Feature Sony a5100 Sony A65
Sensor 24MP APS-C CMOS, Bionz X Proc 24MP APS-C CMOS, Original Bionz
Burst Rate 6 fps 10 fps
Autofocus Points 179 hybrid phase/contrast 15 phase-detection
Viewfinder None (LCD only) EVF 2359 dots, 100% coverage
Screen 3" Tilting Touchscreen (922k) 3" Fully Articulated LCD (921k)
Stabilization None Sensor-based IBIS (A-mount only)
Flash Built-in, range 4m Built-in, range 10m + external
Connectivity Wi-Fi, NFC Eye-Fi, GPS built-in
Battery Life 400 shots 560 shots
Weight (body only) 283g 622g
Price (approximate) $448 $700

Thank you for trusting this comparison - feel free to ask follow-up questions or share your own experiences!

Sony a5100 vs Sony A65 Specifications

Detailed spec comparison table for Sony a5100 and Sony A65
 Sony Alpha a5100Sony SLT-A65
General Information
Make Sony Sony
Model type Sony Alpha a5100 Sony SLT-A65
Class Entry-Level Mirrorless Entry-Level DSLR
Announced 2014-08-17 2011-11-15
Physical type Rangefinder-style mirrorless Compact SLR
Sensor Information
Processor Bionz X Bionz
Sensor type CMOS CMOS
Sensor size APS-C APS-C
Sensor dimensions 23.5 x 15.6mm 23.5 x 15.6mm
Sensor surface area 366.6mm² 366.6mm²
Sensor resolution 24MP 24MP
Anti alias filter
Aspect ratio 3:2 and 16:9 3:2 and 16:9
Maximum resolution 6000 x 4000 6000 x 4000
Maximum native ISO 25600 12800
Maximum boosted ISO - 25600
Lowest native ISO 100 100
RAW images
Autofocusing
Focus manually
Touch focus
Autofocus continuous
Single autofocus
Tracking autofocus
Autofocus selectice
Center weighted autofocus
Multi area autofocus
Live view autofocus
Face detection autofocus
Contract detection autofocus
Phase detection autofocus
Total focus points 179 15
Cross type focus points - 3
Lens
Lens mount type Sony E Sony/Minolta Alpha
Available lenses 121 143
Crop factor 1.5 1.5
Screen
Type of screen Tilting Fully Articulated
Screen size 3 inches 3 inches
Resolution of screen 922 thousand dots 921 thousand dots
Selfie friendly
Liveview
Touch operation
Viewfinder Information
Viewfinder None Electronic
Viewfinder resolution - 2,359 thousand dots
Viewfinder coverage - 100%
Viewfinder magnification - 0.73x
Features
Lowest shutter speed 30 secs 30 secs
Highest shutter speed 1/4000 secs 1/4000 secs
Continuous shooting rate 6.0 frames per second 10.0 frames per second
Shutter priority
Aperture priority
Expose Manually
Exposure compensation Yes Yes
Change white balance
Image stabilization
Inbuilt flash
Flash distance 4.00 m (at ISO 100) 10.00 m
Flash modes Flash off, auto, fill-flaw, slow sync, redeye reduction Auto, On, Off, Red-Eye, Slow Sync, High Speed Sync, Rear Curtain, Fill-in, Wireless
Hot shoe
AEB
White balance bracketing
Highest flash synchronize - 1/160 secs
Exposure
Multisegment exposure
Average exposure
Spot exposure
Partial exposure
AF area exposure
Center weighted exposure
Video features
Video resolutions 1920 x 1080 (60p, 60i, 24p), 1440 x 1080 (30p, 25p), 1280 x 720 (120p), 640 x 480 (30p, 25p) 1920 x 1080 (60, 24 fps), 1440 x 1080 (30fps), 640 x 424 (29.97 fps)
Maximum video resolution 1920x1080 1920x1080
Video format MPEG-4, AVCHD, XAVC S MPEG-4, AVCHD, H.264
Mic support
Headphone support
Connectivity
Wireless Built-In Eye-Fi Connected
Bluetooth
NFC
HDMI
USB USB 2.0 (480 Mbit/sec) USB 2.0 (480 Mbit/sec)
GPS None BuiltIn
Physical
Environment sealing
Water proofing
Dust proofing
Shock proofing
Crush proofing
Freeze proofing
Weight 283 gr (0.62 lb) 622 gr (1.37 lb)
Physical dimensions 110 x 63 x 36mm (4.3" x 2.5" x 1.4") 132 x 97 x 81mm (5.2" x 3.8" x 3.2")
DXO scores
DXO All around rating 80 74
DXO Color Depth rating 23.8 23.4
DXO Dynamic range rating 12.7 12.6
DXO Low light rating 1347 717
Other
Battery life 400 photos 560 photos
Type of battery Battery Pack Battery Pack
Battery ID NP-FW50 NP-FM500H
Self timer Yes (2 or 10 sec, continuous (3-5 shot)) Yes (2 or 10 sec)
Time lapse recording With downloadable app
Type of storage SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo SD/SDHC/SDXC/Memory Stick Pro Duo/ Pro-HG Duo
Card slots One One
Cost at launch $448 $700