Sony A6100 vs Sony WX220
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Sony A6100 vs Sony WX220 Key Specs
(Full Review)
- 24MP - APS-C Sensor
- 3" Tilting Display
- ISO 100 - 32000 (Increase to 51200)
- 3840 x 2160 video
- Sony E Mount
- 396g - 120 x 67 x 59mm
- Released August 2019
(Full Review)
- 18MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 25-250mm (F3.3-5.9) lens
- 121g - 92 x 52 x 22mm
- Released February 2014

Sony A6100 vs Sony WX220: A Thorough Real-World Comparison for Photography Enthusiasts
As someone who has personally tested hundreds of digital cameras over the last 15 years - whether taking portraits at dawn, chasing wildlife at dusk, or traveling remote corners - choosing the right camera can be daunting. Today, I’m diving into an extensive comparison between two very different Sony models: the Sony Alpha a6100 (a seasoned advanced mirrorless camera) and the compact Sony Cyber-shot DSC-WX220. These cameras cater to distinct user needs and budgets but share Sony’s legacy for solid imaging performance.
My goal here is to walk you through every critical facet - from sensor technology to usability and genre-specific capabilities - based on rigorous hands-on testing. Hopefully, this will help you make a confident purchase decision grounded in practical experience, not just specs on paper.
Holding Them Side by Side: Size and Ergonomics Matter
When you first pick up the A6100 and WX220, you immediately notice a fundamental difference: the A6100 feels like a serious photographic tool, while the WX220 whispers discretion and portability.
Side-by-side glimpse of the Sony A6100 (left) and WX220 (right) clearly highlights the difference in size and grip design.
The A6100 sports a robust rangefinder-style mirrorless body, featuring a pronounced grip that fits comfortably in my hand for extended shooting - even with larger lenses. Weighing roughly 396 grams, it strikes a balance between travel-friendly and DSLR-like handling.
Conversely, the WX220 packs itself into an ultracompact frame (about 92x52x22 mm) and weighs just 121 grams. Its tiny body and flat design mean it easily slips into a pocket or purse, which is a dream if you shoot urban or travel photography where minimalism is key. However, that compactness comes with trade-offs in controls and in-hand comfort over longer sessions.
Top Deck Insights: Controls and Interface
Ergonomics go beyond size; the control layout and top panel usability hugely impact day-to-day shooting.
The A6100’s dedicated mode dial and customizable buttons contrast sharply with the WX220’s sparse and minimal control surface.
With the A6100, I appreciated the tactile feedback of its well-organized dials and buttons. Exposure compensation, shutter/aperture priority modes, and manual settings are immediately accessible, which photographers who really like to craft their image exposures will love. The lack of illuminated buttons isn’t a dealbreaker but might slow you down in dimly-lit events.
On the WX220, controls are zoom-rocker centric and fewer in number. It lacks manual exposure modes and dedicated dials, which can frustrate users craving fine-tuned creative control. It's very much aimed at “point and shoot” ease.
The Heart of the Image: Sensor Technology and Image Quality
Let me start with the most crucial photographic component: the sensor. The A6100 rocks a 24MP APS-C sensor (23.5x15.6 mm) with a Bionz X processor, while the WX220 has a tiny 1/2.3” 18MP BSI-CMOS sensor.
The relative scale between Sony A6100’s large APS-C sensor and the WX220’s small 1/2.3” sensor illustrates why the A6100 pulls ahead in image quality.
The impact of sensor size on image quality can’t be overstated. The A6100’s sensor is over 13 times larger in surface area than the WX220’s. In my testing under varied lighting - urban late afternoons, shaded forest trails, and even indoor events - the A6100 consistently delivered superior detail retention, dynamic range, and cleaner shadows.
Dynamic range translates in practical terms to the ability to recover detail from both highlight and shadow areas without sacrificing tonal gradation. It shines in high-contrast scenes such as backlit portraits and landscapes at golden hour. The WX220’s smaller sensor struggles to hold onto shadows, resulting in noisier files when pushed.
High ISO performance is another area where the A6100 offers significant advantages; beyond ISO 1600, the WX220’s image noise becomes distracting while the A6100 remains impressively clean up to its max ISO 32000 (boosted to 51200). This is vital for sports, wildlife, or night shooting.
Looking, Composing, and Navigating: Viewfinders & Screens
Composing shots is also a more immersive experience on the A6100.
The A6100’s high-res tilting touchscreen stands in contrast to the fixed, lower-res screen of the WX220.
The Sony A6100 features a bright 3” tilting touchscreen with 922k dots, which is responsive and great for both eye-level shooting and creative angles. The electronic viewfinder (EVF) with 1440k dots and 100% coverage provides a rich, sharp preview - critical for precise focusing and exposure, especially in bright daylight.
I found the WX220’s 3” fixed screen (460k dots) less detailed and trickier to see clearly in sunlight. Plus, it lacks any viewfinder, which means relying solely on the LCD for composition. This affects shooting comfort for those used to bringing the camera to their eye.
Both cameras have live view, but the A6100’s touchscreen interfacing allows tap-to-focus and easy menu navigation, which speeds up workflow markedly.
Autofocus Systems: Precision and Rapidity in the Field
Both cameras employ autofocus, but their technologies and performance differ drastically.
The A6100 boasts 425 phase-detection points and contrast detection, with Real-time Eye AF for humans and animals. This is cutting-edge, industry-class autofocus that I tested extensively during fast-paced portrait sessions and wildlife shoots. The tracking is tight, yielding sharp focus even with moving subjects in complex backgrounds. Real-time Eye AF especially nails skin tones and delivers consistently tack-sharp eyes - a critical factor in portrait photography.
Portrait taken with Sony A6100 shows exceptionally crisp eye detail and subject separation. The WX220 delivers decent exposure on the street scene but soft details and less background separation due to smaller sensor.
On the other hand, WX220 relies solely on contrast-detection AF with limited focusing modes and no eye-detection. While it can lock onto subjects reasonably in well-lit scenes, it’s slower and less reliable in tracking motion. For casual snaps or vacation photos, it’s adequate, but for action or wildlife, it's a compromise.
Zooming In: Lens Systems and Versatility
Lens ecosystems define a camera’s long-term usefulness.
The A6100 uses the Sony E-mount lenses; when I tested it with Sony’s 16-55mm f/2.8 and 70-350mm telephoto, image quality was stellar and autofocus kept up even with long glass. Given Sony’s extensive lens lineup of primes, macros, and zooms, users have enormous creative scope.
The WX220 is a fixed-lens camera with a 25-250 mm equivalent zoom (10x optical). This is very practical for day-to-day photography - versatile focal lengths from wide to medium telephoto in one compact package. The max aperture f/3.3-5.9 is modest, limiting low-light and shallow depth-of-field capability compared to A6100’s faster lenses.
Performance Under Different Photography Genres
Let me now break down how each camera performs across popular photography disciplines, based on my real-world trials:
Portrait Photography
Sony A6100: The clear winner thanks to its larger sensor and sophisticated Real-time Eye AF. Skin tones are nuanced and natural, with beautiful bokeh achievable with fast lenses. Face and eye detection make capturing expressive portraits straightforward.
Sony WX220: While it is convenient for casual portraits, its smaller sensor results in flatter images with less background separation. Autofocus lags sometimes lead to missed sharpness on eyes.
Landscape Photography
A6100 excels again due to sensor dynamic range, high resolution (24MP), and weather sealing (though modest). It handles challenging light and fine textures well. The WX220’s small sensor limits image quality on large prints or extensive cropping, but for sharing on social media, it’s adequate.
Wildlife Photography
On multiple outdoor excursions, the A6100’s autofocus tracking and burst shooting (11 fps) were indispensable for capturing animals on the move. Long telephoto lenses synergize nicely.
The WX220’s slower AF and smaller sensor limit effective wildlife shots; zoom reaches are good for casual shots but image quality and AF speed are insufficient for serious use.
Sports Photography
The 11 fps burst on the A6100 combined with AF tracking yielded many keepers from dynamic games. Low-light ISO performance helped during indoor sports.
The WX220, capped at 10 fps but without AF tracking finesse or manual exposure, struggled in fast-action scenarios.
Street Photography
Here, the WX220’s ultra-compact form factor shines. It is discreet and quick to deploy in urban environments, advantageous for unposed moments and travel snapshots.
The A6100 is bulkier and sometimes draws attention but rewards you with better image quality and control once stationary shooting is possible.
Macro Photography
The A6100 paired with dedicated macro lenses delivered excellent close-up detail and focusing precision. The WX220’s macro capabilities are limited by lens design and lack of manual focus.
Night and Astrophotography
The A6100’s high ISO range, exposure modes, and RAW support made for compelling nightscapes and star images, especially when combined with a sturdy tripod.
WX220 lacks RAW output and has limited sensitivity, resulting in noisy night shots.
Video Capabilities
Both cameras offer video, but the A6100 shoots 4K at 30p, while the WX220 maxes out at 1080p.
The Sony A6100’s microphone port enables better audio capture, and while neither has in-body image stabilization, the A6100’s sharper autofocus during video is noticeable.
Travel Photography
The WX220’s small size and sufficient zoom make it an excellent grab-and-go travel camera, especially where packing light is critical.
The A6100, while heavier, offers superior versatility, making it a better choice if you want to integrate travel photography with professional-quality output.
Building Them to Last: Durability and Battery Life
Neither camera features environmental sealing, so shooting in wet or dusty conditions requires some care.
The A6100’s battery life is solid at around 420 shots per charge - a welcome feature for day-long excursions. The WX220 is rated about half that, which I confirmed during extended shooting days.
Both provide one SD card slot supporting modern SDXC cards; file management is straightforward.
Connectivity and Workflow Integration
The A6100 offers robust wireless connectivity: Wi-Fi, Bluetooth, and NFC for instant sharing and remote control via Sony’s apps. USB and HDMI outputs support tethered shooting or external monitors.
The WX220 has built-in Wi-Fi and NFC but lacks Bluetooth, which limits seamless smartphone pairing.
Price-to-Performance: Value Considerations
The A6100 retails around $750, whereas the WX220 is a budget ultracompact at around $200.
A comparative score chart shows the Sony A6100 leading strongly in core photography metrics over the Sony WX220.
While the A6100 demands a higher investment, its feature set and image quality justify the price for serious enthusiasts or semi-professionals. The WX220's affordability makes it an attractive entry-level or second "pocket" camera, but compromises come with savings.
How They Stack Up Across Genres
Sony A6100 (blue) dramatically outperforms WX220 (orange) in nearly all areas except portability and casual street use.
Final Thoughts and Recommendations
After months of directly comparing the Sony A6100 and WX220 in diverse shooting scenarios, here’s how I’d advise choosing between them:
Choose the Sony A6100 if:
- You want professional-level image quality and the flexibility of interchangeable lenses.
- Your priority is detailed portrait work with excellent eye autofocus.
- You shoot sports, wildlife, or low-light scenes requiring fast reliable autofocus and high ISO.
- You desire 4K video capture with quality audio options.
- Budget allows for investing in lenses and accessories.
- You want a serious travel camera that also performs well in professional workflows.
Choose the Sony WX220 if:
- You need a true pocket-sized compact for casual shooting and travel snapshots.
- Manual control and professional-level image quality are not critical.
- Your photography is primarily social media sharing, family memories, or street candids.
- You favor simplicity and speed over creative control.
- A budget-friendly camera is a priority.
In Closing
Both the Sony A6100 and WX220 fulfill different photographic purposes admirably. The A6100 is a powerhouse advanced mirrorless camera capable of delivering professional-grade results with versatility across genres. The WX220 excels as an effortless, compact snapshot companion for everyday moments.
I hope this detailed comparison, grounded in real-world experience and technical analysis, helps you find the camera that fits your style and aspirations perfectly.
If you’d like to see more sample galleries or ask specific questions, feel free to reach out. Happy shooting!
Disclaimer: I have no financial ties to Sony. My evaluations are based solely on hands-on testing and industry standards.
Sony A6100 vs Sony WX220 Specifications
Sony Alpha a6100 | Sony Cyber-shot DSC-WX220 | |
---|---|---|
General Information | ||
Make | Sony | Sony |
Model type | Sony Alpha a6100 | Sony Cyber-shot DSC-WX220 |
Category | Advanced Mirrorless | Ultracompact |
Released | 2019-08-28 | 2014-02-12 |
Body design | Rangefinder-style mirrorless | Ultracompact |
Sensor Information | ||
Processor Chip | Bionz X | Bionz X |
Sensor type | CMOS | BSI-CMOS |
Sensor size | APS-C | 1/2.3" |
Sensor dimensions | 23.5 x 15.6mm | 6.17 x 4.55mm |
Sensor area | 366.6mm² | 28.1mm² |
Sensor resolution | 24 megapixel | 18 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Peak resolution | 6000 x 4000 | 4896 x 3672 |
Highest native ISO | 32000 | 12800 |
Highest enhanced ISO | 51200 | - |
Minimum native ISO | 100 | 100 |
RAW images | ||
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Total focus points | 425 | - |
Lens | ||
Lens support | Sony E | fixed lens |
Lens zoom range | - | 25-250mm (10.0x) |
Max aperture | - | f/3.3-5.9 |
Total lenses | 121 | - |
Crop factor | 1.5 | 5.8 |
Screen | ||
Range of display | Tilting | Fixed Type |
Display diagonal | 3 inches | 3 inches |
Display resolution | 922 thousand dot | 460 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Viewfinder Information | ||
Viewfinder type | Electronic | None |
Viewfinder resolution | 1,440 thousand dot | - |
Viewfinder coverage | 100% | - |
Viewfinder magnification | 0.71x | - |
Features | ||
Minimum shutter speed | 30s | 4s |
Fastest shutter speed | 1/4000s | 1/1600s |
Continuous shutter speed | 11.0fps | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | - |
Custom white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 6.00 m (at ISO 100) | 3.70 m (with Auto ISO) |
Flash options | Flash off, auto, fill flash, slow sync, rear sync, wireless, hi-speed | Auto, on, slow synchro, off, advanced |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM | 1920 x 1080 (60p, 60i), 1440 x 1080 (30 fps), 640 x 480 (30 fps) |
Highest video resolution | 3840x2160 | 1920x1080 |
Video data format | MPEG-4, XAVC S, H.264 | MPEG-4, AVCHD |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 396g (0.87 lbs) | 121g (0.27 lbs) |
Physical dimensions | 120 x 67 x 59mm (4.7" x 2.6" x 2.3") | 92 x 52 x 22mm (3.6" x 2.0" x 0.9") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 420 images | 210 images |
Form of battery | Battery Pack | Battery Pack |
Battery ID | NP-FW50 | NP-BN |
Self timer | Yes | Yes (2 or 10 sec, portrait) |
Time lapse recording | ||
Storage media | SD/SDHC/SDXC + Memory Stick Pro Duo | SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo |
Storage slots | One | One |
Price at release | $748 | $198 |