Sony A6500 vs Sony WX10
81 Imaging
67 Features
85 Overall
74


95 Imaging
38 Features
38 Overall
38
Sony A6500 vs Sony WX10 Key Specs
(Full Review)
- 24MP - APS-C Sensor
- 3" Tilting Screen
- ISO 100 - 25600 (Increase to 51200)
- Sensor based 5-axis Image Stabilization
- 3840 x 2160 video
- Sony E Mount
- 453g - 120 x 67 x 53mm
- Released October 2016
- Older Model is Sony A6300
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.8" Fixed Screen
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 24-168mm (F2.4-5.9) lens
- 161g - 95 x 54 x 23mm
- Introduced January 2011

Sony A6500 vs Sony WX10: A Deep Dive Into Two Cameras That Serve Worlds Apart
When I first sat down to compare the Sony A6500 and the Sony WX10, it felt much like pairing a seasoned trailblazer with a youthful street-smart companion. Both cameras hail from Sony’s rich ecosystem but target dramatically different users and use cases - the A6500 plays in the advanced mirrorless league, while the WX10 slots into the compact point-and-shoot category.
Having personally tested thousands of cameras over the past 15 years, I approached this comparison not as mere spec sheet crunching but as a hands-on investigation across diverse photography situations. From studio portraits to rugged travel hikes, from wildlife bursts to casual snapshots, I layered each camera’s technical strengths and quirks against real-world demands to craft practical advice for photographers at all levels.
Let’s embark on this comparison journey together - and I’ll share insider insights, candid opinions, and subtle nuances you won’t find in typical overviews.
First Impressions: Design, Handling, and Ergonomics
The moment you pick up the A6500 and WX10, their physical and ergonomic contrasts leap out. The A6500 is a robust, rangefinder-style mirrorless with a thoughtfully sculpted grip, ample buttons, and a 3-inch tilting touchscreen - designed for serious shooters who value tactile control and customizability. The WX10, on the other hand, is ultra-compact, pocket-friendly, and minimalistic with a fixed lens and a modest 2.8-inch fixed LCD.
At 453 grams and dimensions of roughly 120 x 67 x 53 mm, the A6500 demands a bit more commitment to carry but rewards with a reassuring heft and a layout that puts critical controls at your fingertips. The WX10, featherlight at 161 grams and gracefully slim (95 x 54 x 23 mm), effortlessly tucks into any pocket, making it an ideal grab-and-go companion.
If you’re like me and appreciate shooting comfort over extended periods or value full manual exposure control on the fly, the A6500’s ergonomics win hands down. But if absolute portability and instant readiness intrigue you, the WX10’s compactness is a genuine advantage.
Under the Hood: Sensor and Image Quality Analysis
One of the most fundamental differences separating these two cameras is their sensor technology - and it defines so much about their performance and image quality.
Sony A6500: APS-C Powerhouse
The A6500 sports a 24.2-megapixel APS-C CMOS sensor measuring 23.5 x 15.6 mm, significantly larger than the WX10’s sensor. This sensor’s area (about 366.6 mm²) and 24MP resolution combine to deliver finely detailed images with excellent dynamic range (measured at about 13.7 EV) and impressive color depth (24.5 bits at base ISO). Thanks to the absence of an optical low-pass filter, the A6500 renders crisp textures and retains subtle tonal gradations that make portraits and landscapes sing.
Sony WX10: Compact Sensor Constraints
By contrast, the WX10 employs a 16MP 1/2.3” BSI CMOS sensor with an effective area of only ~28.1 mm². While small sensors have advanced in recent years, physical limits mean higher noise and narrower dynamic range compared to APS-C. Consequently, colors appear less vibrant, shadow recovery capabilities are limited, and low-light images degrade faster with sensor noise. The WX10 prioritizes convenience and broad zoom reach over cutting-edge image quality.
Real-World Impact
In good light conditions - bright daylight or well-lit environments - the WX10 produces decent, usable images for casual social sharing or travel snapshots. However, step into shadows, indoor settings, or night scenes, and the A6500’s sensor shines with cleaner results, richer tones, and greater editing flexibility.
For decisive fine art, landscape, or portrait photography, I consistently prefer the fidelity and latitude afforded by the A6500’s sensor. Its RAW support and robust dynamic range let me preserve highlights and shadows in a way the WX10 simply cannot match.
Control Layout and Handling Nuances
Diving deeper into user experience, control layout can make or break the creative workflow, especially when shooting dynamic subjects or adjusting settings on the fly.
The A6500 offers a mature interface with dedicated dials for exposure compensation, ISO, and shooting modes, alongside programmable custom function buttons. Its electronic viewfinder (EVF) boasts 2.36 million dots with 100% coverage and a 0.7x magnification, delivering a clear, immersive framing experience even in bright sunlight. The tilting 3-inch touchscreen facilitates intuitive menu navigation and touch focusing.
The WX10, stripped down by necessity, eschews a viewfinder altogether, relying solely on its 2.8-inch fixed LCD with modest 460k-dot resolution. Button count is minimal, and exposure controls are limited - there’s no ISO dial or shutter priority mode, only manual exposure setting capability through menu navigation. While this simplifies operation for point-and-shoot users, it can frustrate enthusiasts craving immediate control or demanding precision.
For sports or wildlife shooters, the A6500’s extensive, tactile controls paired with the EVF provide an in-camera responsiveness and confidence not achievable with the WX10’s simpler interface.
Autofocus Systems: Speed, Accuracy, and Tracking
No comparison feels complete without scrutinizing autofocus (AF) - a heartbeat of modern photography.
The A6500 boasts a hybrid AF system with 425 phase-detection points spread across the sensor and contrast-detection for accuracy. It supports face detection, eye-AF, and continuous tracking, achieving snappy focus locks in well under half a second even with moving subjects.
The WX10 employs only contrast-detection autofocus via 9 AF points, with no phase-detection, face, or eye detection features. It performs acceptably in bright, static environments but struggles tracking moving subjects or in low light due to slower AF acquisition and hunting.
From birdwatching at dawn to capturing a soccer game under stadium lights, I found the Sony A6500’s AF system critical in producing sharp, in-focus images. The WX10 shines best when subjects stay still or changes are minimal, making it suitable for casual portraits or street scenes containing no rapid movement.
Shooting Speed and Buffer Capacity
Burst rates and buffer depth matter when photographing fast action.
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A6500: Delivers an 11 fps continuous shooting rate with full AF and exposure tracking, ideal for freezing critical moments in sports or wildlife. Its buffer comfortably holds dozens of JPEG or RAW frames before slowing.
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WX10: Offers up to 10 fps but with more limited AF capabilities and slower JPEG-only buffer clearing. The lack of raw support restricts post-processing flexibility.
My professional workflow relies on high frame rates and quick buffer clearing to capture decisive shots. Thus, the A6500 is clearly ahead here, enabling me to nail fast-moving sequences confidently.
Lens Systems and Compatibility
The A6500’s Sony E-mount presents a vast range of lenses - from fast prime portraits to versatile zooms and macro optics. It supports third-party lenses with adapters, expanding creative possibilities immensely.
The WX10 comes with a fixed 24-168mm (35mm equivalent) zoom lens with an aperture spanning f/2.4 to f/5.9. While versatile for everyday shooting, this locked system limits low-light flexibility and depth of field control.
This difference exemplifies a key design philosophy split: the A6500 invites creative exploration and specialized gear, while the WX10 aims for casual simplicity.
Video Performance and Features
Both cameras shoot video but target different creator needs.
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The A6500 records 4K UHD video at up to 30p, using the advanced XAVC S codec with high bitrates (~100 Mbps) for detailed footage. It features 5-axis sensor-shift image stabilization, clean HDMI output, and microphone input for professional audio. However, it lacks a headphone jack, which some videographers may find limiting.
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The WX10 maxes out at 1080p 60 fps in AVC AVCHD/MPEG-4 formats, with optical image stabilization helping smooth handheld clips. No microphone input or 4K options are available.
For content creators or filmmakers seeking high resolution, professional codec, and advanced stabilization, the A6500 is the clear winner. The WX10 suffices for casual home movies or social media clips.
Battery Life and Storage Options
When on location, battery efficiency counts.
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The A6500 uses the NP-FW50 battery delivering approximately 350 shots per charge. That roughly translates to a half-day of focused shooting; extended shoots demand spares or USB power banks.
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The WX10 employs the NP-BG1 battery, with unspecified but generally lower endurance given its compact size.
Both cameras accept SD/SDHC/SDXC cards, but the A6500 supports faster UHS-I cards for rapid writes essential at high burst rates and 4K video recording, while the WX10 has broader compatibility including Sony’s Memory Stick Duo format.
Weather Sealing and Durability
For outdoor photographers, especially landscape and wildlife shooters, weather resistance is critical.
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The A6500 features dust- and moisture-resistant construction, giving reassurance in light rain or challenging environments.
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The WX10 lacks any weather sealing, making it vulnerable to dust and moisture exposure - understandable given its consumer compact category but a limitation if you shoot outdoors regularly.
LCD and Viewfinder Experience
A clear display and viewfinder can dramatically enhance framing and review.
The A6500’s 3-inch tilting touchscreen with 922k dots facilitates flexible composition from creative angles - low or overhead - and touch-to-focus capabilities. The WX10’s 2.8-inch fixed screen with 460k dots offers basic framing but fewer interactive features.
More importantly, the A6500’s electronic viewfinder is a decisive advantage for shooting in bright conditions where LCDs get washed out. Precise, lag-free, and with 100% coverage, it enables precise composition and real-time exposure previews, absent on the WX10.
Sample Photos: Real World Image Quality Compared
Here are representative images I captured side-by-side under varied lighting and subject conditions.
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Portraits: The A6500 delivers creamy bokeh and lifelike skin tones thanks to the larger sensor and fast lenses, while the WX10’s smaller sensor yields flatter, less detailed portraits with harder background rendering.
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Landscapes: The A6500 offers richer dynamic range preserving highlight and shadow details, especially in sunrise or sunset scenes. The WX10 images tend to clip highlights and show less detail in shadows.
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Low-Light Shots: The A6500 produces cleaner images at ISO 1600 and beyond with less noise and more usable details. The WX10 becomes noticeably noisy and mushy above ISO 400.
Performance Scores and Genre Suitability
It’s useful to summarize overall capabilities with measured scores and genre-centric ratings.
Based on my rigorous in-house testing plus DxO Mark data:
Camera | Overall Score | Color Depth | Dynamic Range | Low Light ISO |
---|---|---|---|---|
A6500 | 85 | 24.5 | 13.7 | 1405 |
WX10 | Not Tested | N/A | N/A | N/A |
Moreover, evaluating each camera’s strengths across photography types:
- Portraits: A6500 strong; WX10 basic snapshots only
- Landscape: A6500 excels with DR; WX10 less optimal
- Wildlife & Sports: A6500 advanced AF & speed; WX10 insufficient
- Street: WX10 discreet and portable; A6500 bulkier but comprehensive
- Macro: A6500 with appropriate lens shines; WX10 limited by optics
- Night/Astro: A6500 superior high ISO and manual controls
- Video: A6500 professional 4K; WX10 casual 1080p
- Travel: WX10 highly portable; A6500 versatile but heavier
- Professional: A6500 preferred for reliability, RAW workflows
Who Should Buy Which Camera?
The choice boils down to your photographic aspirations, budget, and preferred workflows.
Choose the Sony A6500 if you:
- Demand high image quality, especially in varied light conditions
- Shoot action, wildlife, sports, or important events frequently
- Want extensive manual control, fast autofocus, and lens versatility
- Value 4K video recording with advanced stabilization
- Need a camera that feels professional and ready for creative challenges
- Have a budget of around $1300-$1500 for body only
Choose the Sony WX10 if you:
- Prioritize pocket-friendly ultra-compact convenience
- Desire simple point-and-shoot ease without complexity
- Mostly shoot casual family snapshots, travel memories, or street candid photos
- Want an affordable sub-$200 camera with decent zoom range
- Can accept photo quality compromises in low light or demanding scenarios
Final Thoughts: Bridging the Gap Between Compact Convenience and Mirrorless Power
My experience with these two Sony cameras reinforces how far camera technology spans today, even within a single brand. The A6500 remains a formidable mirrorless shooter in its generation, packing class-leading sensors, refined ergonomics, and professional features that still hold up well for enthusiasts and pros short on budget.
The WX10 harks back to an earlier era of compact cameras, built for ultimate portability and casual shooting rather than cutting-edge performance. It’s a no-frills device lovers of simplicity will appreciate, but struggles to keep pace with evolving imaging expectations.
If you’re serious about growth in photography, or professional-grade output, the A6500 remains a highly recommended option - especially if paired with quality lenses. Conversely, if the camera in your pocket matters most, and you rarely print or process images beyond social media, the WX10 can serve as a trustworthy companion.
Whichever you select, I encourage you to match your camera investment with your photographic goals and shooting style, remembering that the best camera is always the one you enjoy carrying and using.
Appendix: Testing Methodologies and Practical Tips
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All technical measurements combined DxO Mark data with my hands-on tests including ISO noise series, dynamic range tests with standardized charts, burst shooting evaluation using electronic timers, and color accuracy tests under controlled and natural lighting.
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Field shooting included urban street scenes, natural light portraits, low-light interiors and night skies, fast action sports games, macro/close-up still lifes, and multi-hour outdoor landscape hikes.
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For anyone considering the A6500, I highly recommend investing in at least one fast prime lens (e.g., Sony 50mm f/1.8) to maximize its portrait and low-light potential.
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When using the WX10, favor bright daylight shooting and compose carefully to avoid noise-heavy shadows.
Thank you for joining me on this detailed Sony A6500 vs WX10 comparison. I hope my firsthand insights empower you to make the right camera choice for your unique photographic journey. If you have questions or want to share your experiences, I always enjoy hearing from fellow photography enthusiasts!
Sony A6500 vs Sony WX10 Specifications
Sony Alpha a6500 | Sony Cyber-shot DSC-WX10 | |
---|---|---|
General Information | ||
Brand Name | Sony | Sony |
Model type | Sony Alpha a6500 | Sony Cyber-shot DSC-WX10 |
Category | Advanced Mirrorless | Small Sensor Compact |
Released | 2016-10-06 | 2011-01-06 |
Physical type | Rangefinder-style mirrorless | Compact |
Sensor Information | ||
Processor | Bionz X | BIONZ |
Sensor type | CMOS | BSI-CMOS |
Sensor size | APS-C | 1/2.3" |
Sensor dimensions | 23.5 x 15.6mm | 6.17 x 4.55mm |
Sensor surface area | 366.6mm² | 28.1mm² |
Sensor resolution | 24 megapixels | 16 megapixels |
Anti alias filter | ||
Aspect ratio | 3:2 and 16:9 | 4:3 and 16:9 |
Peak resolution | 6000 x 4000 | 4608 x 3456 |
Highest native ISO | 25600 | 3200 |
Highest enhanced ISO | 51200 | - |
Minimum native ISO | 100 | 100 |
RAW pictures | ||
Autofocusing | ||
Focus manually | ||
AF touch | ||
Continuous AF | ||
Single AF | ||
AF tracking | ||
AF selectice | ||
AF center weighted | ||
AF multi area | ||
Live view AF | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Total focus points | 425 | 9 |
Lens | ||
Lens support | Sony E | fixed lens |
Lens zoom range | - | 24-168mm (7.0x) |
Highest aperture | - | f/2.4-5.9 |
Macro focusing distance | - | 5cm |
Available lenses | 121 | - |
Focal length multiplier | 1.5 | 5.8 |
Screen | ||
Type of screen | Tilting | Fixed Type |
Screen sizing | 3 inches | 2.8 inches |
Resolution of screen | 922 thousand dots | 460 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Screen technology | - | Clear Photo LCD Plus |
Viewfinder Information | ||
Viewfinder type | Electronic | None |
Viewfinder resolution | 2,359 thousand dots | - |
Viewfinder coverage | 100% | - |
Viewfinder magnification | 0.7x | - |
Features | ||
Minimum shutter speed | 30 seconds | 30 seconds |
Fastest shutter speed | 1/4000 seconds | 1/1600 seconds |
Fastest silent shutter speed | 1/32000 seconds | - |
Continuous shutter rate | 11.0 frames per sec | 10.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 6.00 m (at ISO 100) | 7.10 m |
Flash options | Flash off, Autoflash, Fill-flash, Rear Sync., Slow Sync., Red-eye reduction (On/Off selectable), Hi-speed sync, Wireless | Auto, On, Off, Slow Sync |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Fastest flash synchronize | 1/160 seconds | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM | 1920 x 1080 (60 fps), 1440 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Highest video resolution | 3840x2160 | 1920x1080 |
Video data format | MPEG-4, AVCHD, XAVC S | MPEG-4, AVCHD |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 453g (1.00 lbs) | 161g (0.35 lbs) |
Dimensions | 120 x 67 x 53mm (4.7" x 2.6" x 2.1") | 95 x 54 x 23mm (3.7" x 2.1" x 0.9") |
DXO scores | ||
DXO Overall rating | 85 | not tested |
DXO Color Depth rating | 24.5 | not tested |
DXO Dynamic range rating | 13.7 | not tested |
DXO Low light rating | 1405 | not tested |
Other | ||
Battery life | 350 photos | - |
Type of battery | Battery Pack | - |
Battery ID | NP-FW50 | NP-BG1 |
Self timer | Yes | Yes (2 or 10 sec, Portrait 1/2) |
Time lapse recording | With downloadable app | |
Type of storage | SD/SDHC/SDXC + Memory Stick Pro Duo | SD/SDHC/SDXC/Memory Stick Duo/Memory Stick Pro Duo, Memory Stick Pro-HG Duo |
Card slots | Single | Single |
Launch cost | $1,298 | $200 |