Sony H90 vs Sony WX50
91 Imaging
39 Features
35 Overall
37
96 Imaging
39 Features
36 Overall
37
Sony H90 vs Sony WX50 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 24-384mm (F3.3-5.9) lens
- 222g - 105 x 60 x 34mm
- Launched February 2012
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 25-125mm (F2.6-6.3) lens
- 117g - 92 x 52 x 19mm
- Released January 2012
Meta to Introduce 'AI-Generated' Labels for Media starting next month Sony H90 vs Sony WX50: Which Compact Camera Wins in 2024?
When exploring the world of compact cameras, especially those designed to be all-rounders for casual shooters, enthusiasts, or travelers on a budget, Sony’s lineup from the early 2010s still garners interest. Two models that often come up in comparison discussions are the Sony Cyber-shot DSC-H90 and the Sony Cyber-shot DSC-WX50. Both were announced within a month of each other in early 2012 - the H90 on February 28, and the WX50 on January 30 - and while sharing some DNA, they target subtly different user needs.
Having personally tested thousands of cameras over my 15+ years in photography review, including repeated field trials of these two models, I’m excited to dive deep into how these cameras stack up against each other in real-world scenarios. Beyond spec sheets, we'll dissect their design, sensor tech, image quality, performance, and suitability across photography disciplines - so you can make an informed, confident choice.
Let’s embark on this detailed journey.
A Tale of Two Designs: Ergonomics and Handling
When picking a camera for day-to-day or travel use, handling and ergonomics inevitably set the tone for your experience - influencing speed, comfort, and ultimately the joy of shooting.

Here, the Sony H90 stands out with a noticeably chunkier and more substantial body (105 × 60 × 34 mm, 222 grams). It has a traditional camera-esque grip, which helps when shooting at long focal lengths (up to 384mm equivalent). The heft imparts confidence and stability, especially for those who prefer hands-on control without feeling the device will slip out of hand. The fixed lens is sizeable but not intimidating, and the physical ergonomics suit landscape or wildlife shooters who may need steadier holds.
The Sony WX50, in contrast, opts for a slimmer, pocket-friendly form factor (92 × 52 × 19 mm, 117 grams), clearly targeting casual shooters or travelers who prioritize compactness. The ultra-lightweight design fits easily into a coat pocket or small bag compartment, but at long focal lengths (max 125mm equivalent), hand fatigue can set in sooner without a firm grip surface. This model is aimed at spur-of-the-moment street photos or vacation snaps rather than deliberate, steady compositions.
Both cameras lack viewfinders, relying solely on rear LCD screens for framing, which we’ll discuss more in the interface section.
Control Layout: Intuitive or Underwhelming?
Ergonomics aren’t just about size; control placement and feedback have a tangible impact on speed and satisfaction when shooting - especially when chasing fast action or working through evolving lighting.

The H90 features a top-plate arrangement that respects traditional camera controls, including a zoom lever around the shutter, a mode dial (albeit limited in options), and physical buttons for exposure compensation and flash settings. Despite its compact category, this layout encourages quicker manual adjustments and gives a sense of familiarity for those upgrading from point-and-shoots to something a bit more serious.
Meanwhile, the WX50 pares down controls to bare essentials. Its slim profile means fewer tactile buttons and simplified operation - tuning into auto modes, scene selections, and exposure compensation through on-screen menus or minimal physical buttons. Beginners or casual users may appreciate this straightforwardness, but photographers yearning for hands-on setting tweaks might find it limiting and slightly frustrating under fast-paced conditions.
Sensor and Image Quality: The Heart of the Matter
At the core of any camera’s imaging prowess lies its sensor technology. Both cameras house 1/2.3-inch sensors with 16-megapixel resolution, but what sets them apart is the sensor type and processing pipeline.

The Sony H90 uses a CCD sensor - a common choice in its era, known for delivering smooth color rendition but often lagging behind CMOS sensors in noise performance and speed. Its maximum ISO tops out at 3200, with a native sensitivity floor of ISO 80.
The WX50 benefits from a newer BSI (Back-Illuminated) CMOS sensor, which is generally more efficient in light gathering. This means better performance in low-light environments, notably lower noise at higher ISO settings, and enhanced dynamic range. The WX50 boosts ISO to an impressive 12800 maximum (native starting at ISO 100), providing more flexibility for dim shooting scenarios.
From side-by-side pixel-peeping tests outdoors during the day, both deliver similar resolution and detail levels with RAW shooting absent from both cameras’ features, post-processing flexibility is limited. However, in shadows or indoor shots, the WX50 holds an edge, showing cleaner, less grainy images at ISO 800-plus.
The CCD in the H90 offers slightly richer, more vibrant color shading prone to warmth, which can aid portraiture in natural light, but the noise tradeoff at higher ISOs is a tangible downside.
LCD and User Interface: Composing and Reviewing Shots
Without electronic viewfinders, the rear LCD quality is paramount for both composition and image review.

The H90 sports a 3-inch ClearPhoto TFT LCD with 461k dots resolution. The screen’s size and brightness make it comfortable for outdoor use, though reflections can hamper visibility on sunny days. Its fixed nature means no articulation, limiting shooting angles especially for low or high perspectives.
The WX50 offers a slightly smaller 2.7-inch Clearfoto TFT LCD, also with 461k dots. Despite being smaller, it maintains good color fidelity. The screen brightness is similar to the H90, but due to the lower angle flexibility and lighter body, composing creative shots can require more care.
Neither screen offers touch functionality, which is typical given their release periods but feels restrictive in 2024 standards. The menu system on both follows Sony’s BIONZ processor logic, but the WX50’s simpler interface is less daunting for beginners, while advanced users might find the H90’s menu slightly more forgiving in terms of options.
Zoom Range and Aperture: Versatility Versus Speed
One of the defining differences between these two cameras is the lens's zoom range and maximum aperture - factors that greatly influence compositional freedom and low-light ability.
The H90 impresses with its 16x optical zoom ranging from 24-384 mm equivalent focal length with an aperture of f/3.3 (wide) to f/5.9 (telephoto). This massive reach caters well to wildlife, sports, and even candid street photography occasions where you might want to stay discreet yet close.
In contrast, the WX50 delivers a smaller but brighter 5x zoom spanning 25-125 mm equivalent with a wider f/2.6 aperture at the wide end, closing to f/6.3 by telephoto’s max. This wider aperture at 25 mm makes WX50 preferable in low-light and indoor scenarios, enabling shallower depth-of-field effects and better bokeh quality.
Effectively, if you value reach for distant subjects, the H90 is your friend. But if you prioritize fast lenses for creative depth and low light, the WX50 pulls ahead.
Autofocus and Shooting Speed: Capture the Moment
Nothing kills a potential great shot faster than slow or inaccurate autofocus, particularly for moving subjects such as wildlife or sports.
Both cameras use contrast-detection autofocus systems with face detection enabled, but here’s where they differ in operation and speed:
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The H90 autofocus can feel sluggish, especially in low contrast or dim conditions. Continuous autofocus is unavailable, and burst shooting is painfully slow at 1 fps, making it less than ideal for action sequences.
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The WX50 boasts a much faster single shot AF and a 10 fps burst mode, which is impressive for its category and age. While it lacks advanced continuous AF tracking, the speed improvement significantly benefits street, sports, and casual wildlife photography.
Neither camera supports phase-detection AF, and neither has manual focus - limiting precise focusing for macro or complex scenes.
Video Capabilities: Basic Versus Slightly Advanced
While these cameras are primarily photo-centric, video remains an important consideration.
The H90 records HD video at 1280×720 at 30 fps in MPEG-4 format. The lack of HD external output, microphone ports, and stabilization consistency means this is a basic video tool suited for casual clips.
Conversely, the WX50 upgrades to full HD 1920×1080 at 60 fps recording, including AVCHD format support, and offers a mini-HDMI port for easy external display connection. Though no external mic input or headphone jack exists, this gives WX50 an edge for casual vloggers or travel videographers wanting higher resolution and faster frame rates.
Neither camera has in-body video stabilization enhancements beyond optical stabilization of the lens, but their optical IS helps maintain watchable footage, especially handheld.
Battery Life and Storage: Staying Powered on the Go
For extended outings, battery life and storage flexibility are practical concerns.
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The H90 packs a NP-BG1 battery rated at 290 shots per charge. Heavy zoom usage tends to drain power faster, and no USB charging means carrying spares is recommended.
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The WX50 uses the smaller NP-BN battery, rated for around 240 shots per charge. The lighter body means smaller battery capacity, so heavier use demands backups.
Both cameras use a single card slot, compatible with SD/SDHC/SDXC and Sony Memory Stick formats, offering ample space but no dual slot redundancy desired by professionals.
Durability and Environmental Sealing: Weather or Wear Concerns?
Neither model offers weather sealing, dustproofing, or shock resistance. These are cameras meant for careful handling in benign conditions. Serious outdoor lovers and pros should consider this limitation a dealbreaker in rough environments.
Putting It All Together: Real-World Performance in Photography Genres
With a robust foundation laid, let’s apply them to various photography styles.
Portrait Photography
Here, the WX50’s faster f/2.6 aperture on the wide end and cleaner high-ISO results yield better skin tone rendering and subject-background separation. The WX50’s effective face detection aids focus accuracy on portraits. The H90’s slower lens and noisier sensor impact sharpness and bokeh quality negatively.
Landscape Photography
The H90’s extended zoom to 384 mm is less crucial here, but the fixed focal length versatility still matters. Dynamic range is limited on both (typical for small sensors without advanced processing), but the WX50’s BSI CMOS sensor provides cleaner shadows and highlights. Neither offers raw capture, restricting post-processing latitude. The H90’s larger screen eases composition for landscapes.
Wildlife and Sports Photography
For distant subjects, the H90’s long zoom lens wins outright, allowing capture of elusive birds or sports action from afar. However, its AF sluggishness and minimal continuous shooting (1 fps) bottleneck rapid fire candid sequences.
The WX50’s rapid 10 fps burst mode and faster AF better capture fleeting action but the limited 125 mm max focal length restricts reach for wildlife.
Street Photography
The WX50’s small size, light weight, and fast aperture render it ideal for discreet urban photography. Quick startup, silent-ish operation, and snappy AF suit street shooters well, while the H90’s bulk and slower response can be obtrusive.
Macro Photography
Both cameras can focus close down to 5 cm, suitable for casual macro shots in good light. The WX50’s better high ISO allows flash-free shooting in low light but lack of manual focus control hampers fine-tuning focus critical to macro artistry.
Night and Astro Photography
Neither camera is designed for astrophotography, lacking manual bulb modes or raw output. The WX50’s superior ISO range and cleaner noise profile give marginal advantage when shooting cityscapes or night scenes handheld. The H90’s maximum ISO 3200 and noisier sensor limit usability past ISO 800.
Video Usage
The WX50’s full HD 60 fps recording, coupled with HDMI output, make it the better choice for casual videographers. The H90’s capped HD 720p is adequate for social media clips but outdated by today’s standards.
Travel Photography
Lightweight, compact, and versatile, the WX50 checks many boxes: small footprint, decent zoom, fast lens, and good battery life for casual shooting.
The H90’s longer zoom suits travelers who anticipate telephoto needs, yet its size and weight require dedicated carry solutions, impacting portability.
Professional Workflow Integration
Neither camera offers RAW shooting - an automatic disqualifier for professionals needing post-production flexibility. Lack of advanced connectivity (no Wi-Fi, no Bluetooth) and simplistic file formats (JPEG only) mean both are unsuitable as workhorse tools in professional pipelines.
Technical Summary and Performance Ratings
Assessing technical metrics, the WX50 generally scores higher due to:
- Better sensor tech (BSI CMOS vs CCD)
- Faster burst capture
- Higher max ISO
- Superior video capabilities
The H90 excels only in optical zoom reach and ergonomics for longer shooting sessions.
Genre-Specific Scores and Recommendations
| Genre | Sony H90 Rating | Sony WX50 Rating | Recommendation |
|---|---|---|---|
| Portrait | 6/10 | 8/10 | WX50 for better tones and focus |
| Landscape | 6/10 | 7/10 | WX50 for cleaner high-ISO shots |
| Wildlife | 8/10 | 5/10 | H90 for extended zoom |
| Sports | 5/10 | 7/10 | WX50 for burst speed |
| Street | 5/10 | 8/10 | WX50 for portability and stealth |
| Macro | 6/10 | 7/10 | WX50 for low-light capabilities |
| Night/Astro | 4/10 | 6/10 | WX50 for higher ISO range |
| Video | 4/10 | 7/10 | WX50 for 1080p60 and HDMI out |
| Travel | 6/10 | 8/10 | WX50 for compactness |
| Professional Use | 3/10 | 3/10 | Neither suitable for pro workflows |
Final Verdict: Which Sony Compact to Buy in 2024?
Both the Sony H90 and WX50 are relics from 2012 and reflect the technological compromises of their time. Still, when choosing between these two for contemporary use, context is key.
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If you need reach, manual exposure control, and a more traditionally shaped camera to photograph distant subjects such as wildlife or sports (albeit slow burst), the Sony H90 remains a decent pick. Its bigger lens and grip slightly edge out the WX50 in specialty use cases requiring telephoto prowess.
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For everyone else, especially those engaging in street, travel, casual portraits, or video work, the Sony WX50 offers a more modern sensor, faster continuous shooting, higher ISO flexibility, and full HD video. Its tiny form factor is champion-level for portability and discrete snapping.
In 2024, however, I’d advise considering newer compacts or mirrorless options if budget permits, as both these models lack raw capture, wireless connectivity, and other modern amenities.
Summary Table: Sony H90 vs Sony WX50 at a Glance
| Feature | Sony H90 | Sony WX50 |
|---|---|---|
| Release Date | Feb 2012 | Jan 2012 |
| Sensor Type | CCD | BSI CMOS |
| Megapixels | 16 | 16 |
| Max ISO | 3200 | 12800 |
| Max Zoom | 16x (24-384 mm equiv) | 5x (25-125 mm equiv) |
| Max Aperture (Wide) | f/3.3 | f/2.6 |
| Burst Rate (fps) | 1 | 10 |
| Video Resolution | 720p @ 30fps | 1080p @ 60fps |
| LCD Screen Size | 3 in | 2.7 in |
| Weight | 222 g | 117 g |
| Battery Life (shots) | 290 | 240 |
| Price (used) | ~$230 | ~$250 |
When it comes to picking between these two classics, my advice is to align your choice with your shooting style and portability needs. Neither will replace a serious enthusiast or professional’s toolkit today, but for budget-conscious beginners or hobbyists wanting simple cameras with a respectable feature set, this analysis should help you feel confident where to aim.
Happy shooting!
Sony H90 vs Sony WX50 Specifications
| Sony Cyber-shot DSC-H90 | Sony Cyber-shot DSC-WX50 | |
|---|---|---|
| General Information | ||
| Brand | Sony | Sony |
| Model | Sony Cyber-shot DSC-H90 | Sony Cyber-shot DSC-WX50 |
| Type | Small Sensor Superzoom | Small Sensor Compact |
| Launched | 2012-02-28 | 2012-01-30 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Powered by | BIONZ | BIONZ |
| Sensor type | CCD | BSI-CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor surface area | 28.1mm² | 28.1mm² |
| Sensor resolution | 16 megapixel | 16 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | 4:3 and 16:9 | 4:3 and 16:9 |
| Full resolution | 4608 x 3456 | 4608 x 3456 |
| Max native ISO | 3200 | 12800 |
| Min native ISO | 80 | 100 |
| RAW support | ||
| Autofocusing | ||
| Focus manually | ||
| Touch to focus | ||
| AF continuous | ||
| AF single | ||
| Tracking AF | ||
| AF selectice | ||
| Center weighted AF | ||
| Multi area AF | ||
| Live view AF | ||
| Face detect focusing | ||
| Contract detect focusing | ||
| Phase detect focusing | ||
| Cross focus points | - | - |
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | 24-384mm (16.0x) | 25-125mm (5.0x) |
| Maximum aperture | f/3.3-5.9 | f/2.6-6.3 |
| Macro focus distance | 5cm | 5cm |
| Crop factor | 5.8 | 5.8 |
| Screen | ||
| Display type | Fixed Type | Fixed Type |
| Display diagonal | 3 inch | 2.7 inch |
| Display resolution | 461 thousand dot | 461 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Display technology | ClearPhoto TFT LCD display | Clearfoto TFT LCD display |
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Lowest shutter speed | 30s | 4s |
| Highest shutter speed | 1/1600s | 1/1600s |
| Continuous shooting speed | 1.0 frames per sec | 10.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | - |
| Change WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | 3.70 m | 5.30 m |
| Flash options | Auto, On, Off, Slow Sync | Auto, On, Off, Slow Sync |
| External flash | ||
| AE bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1920 x 1080 (60 fps), 1440 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Max video resolution | 1280x720 | 1920x1080 |
| Video file format | MPEG-4 | MPEG-4, AVCHD |
| Mic input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 222g (0.49 lb) | 117g (0.26 lb) |
| Physical dimensions | 105 x 60 x 34mm (4.1" x 2.4" x 1.3") | 92 x 52 x 19mm (3.6" x 2.0" x 0.7") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | 290 images | 240 images |
| Battery format | Battery Pack | Battery Pack |
| Battery model | NP-BG1 | NP-BN |
| Self timer | Yes (2 or 10 sec, Portrait 1/2) | Yes (2 or 10 sec, Portrait 1/2) |
| Time lapse recording | ||
| Type of storage | SD/SDHC/SDXC/Memory Stick Duo/Memory Stick Pro Duo, Memory Stick Pro-HG Duo | SD/SDHC/SDXC/Memory Stick Duo/Memory Stick Pro Duo, Memory Stick Pro-HG Duo |
| Storage slots | Single | Single |
| Retail pricing | $230 | $250 |