Sony HX200V vs Sony S950
66 Imaging
41 Features
55 Overall
46


94 Imaging
32 Features
17 Overall
26
Sony HX200V vs Sony S950 Key Specs
(Full Review)
- 18MP - 1/2.3" Sensor
- 3" Tilting Screen
- ISO 100 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 27-810mm (F2.8-5.6) lens
- 583g - 122 x 87 x 93mm
- Announced May 2012
- Earlier Model is Sony HX100V
- Successor is Sony HX300
(Full Review)
- 10MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 3200
- Sensor-shift Image Stabilization
- No Video
- 33-132mm (F3.3-5.2) lens
- 167g - 93 x 56 x 24mm
- Introduced February 2009

A Tale of Two Sonys: Dissecting the HX200V and S950 for Today’s Photography Enthusiasts
In the ever-evolving world of photography gear, comparing cameras that hail from different segments and eras can sometimes feel like mixing apples and… well, much smaller apples. But it’s fascinating nonetheless. Today, I’m diving deep into two Sony models that might seem worlds apart at first glance - the Sony Cyber-shot DSC-HX200V and the Sony Cyber-shot DSC-S950. Both compact, both from Sony, yes, but each aimed at different users and photographic ambitions.
I spent several weeks shooting side-by-side with these cameras, testing features across a broad spectrum of photography types. Whether you’re an enthralled hobbyist, a semi-pro who appreciates a good pocket cam, or just someone fascinated by how tech evolves, this breakdown should clarify what each camera brings to the table.
Understanding the Basics: Build, Size, and Handling
First impressions count. The HX200V is an SLR-style bridge camera, sporting a substantial body that invites a full grip with plenty of manual controls. This heft and shape translate to a confident feel in hand, especially if you’re used to DSLRs or mirrorless cameras. The camera measures approximately 122 x 87 x 93 mm and clocks in around 583 grams. Conversely, the S950 is a true compact marvel: petite at 93 x 56 x 24 mm and a mere 167 grams, designed for ultimate portability but less for aggressive pro-style handling.
The ergonomics difference is obvious; the HX200V’s larger size accommodates a securely placed thumb rest, numerous customizable buttons, and a tilting 3-inch screen that’s sharp with 922k dots of resolution. The S950 compromises with a smaller, fixed 2.7-inch screen at only 230k dots - less vibrant and harder to compose on in bright conditions. For photographers who prioritize thoughtful manual control and a tactile experience, the HX200V wins hands down. On the flip side, the S950 could easily be your pocket's best friend, making spontaneous street photography trips more convenient.
Peeling Back the Layers: Sensor and Image Quality
Now for the heart of the matter. Both cameras feature the same physical sensor size - a 1/2.3-inch sensor measuring 6.17 x 4.55 mm or about 28.07 mm² area. But don’t be fooled by similar sensor dimensions alone; the HX200V packs a backside-illuminated CMOS sensor with 18 megapixels, whereas the S950 uses a traditional CCD sensor with 10 megapixels.
This difference speaks volumes in real-world performance. BSI-CMOS technology inherently excels in gathering light more efficiently, pushing the envelope in image noise control and dynamic range. Meanwhile, the CCD sensor, while capable of rich color rendition in well-lit scenarios, falters when the ISO cranks above 400, introducing noticeable grain and softness.
In side-by-side tests, the HX200V yielded sharper, more detailed images, especially at ISO 800 and beyond. At base ISO (100), both delivered respectable quality, but the HX’s higher resolution gives you more latitude for large prints or cropping. The S950’s images showed more muted colors and less versatility in post-processing.
Technical takeaway: If you care about pushing image quality beyond casual snapshots - say, for landscapes or portraits where detail and tonal range matter - the HX200V’s sensor is worth the incremental bulk and complexity.
The User Interface Odyssey: Screens, Viewfinders, and Usability
Navigating menus and composing shots is an intimate dance with your camera. The HX200V’s electronic viewfinder and tilting display win on versatility. The viewfinder is handy for bright outdoor use, while the rear screen flexes to awkward angles - perfect for creative low or high shots.
The S950 foregoes a viewfinder altogether and offers a non-tilting, lower resolution screen. While this keeps its profile slim, it makes shooting under direct sunlight and careful manual focus a frustrating experience. Moreover, the HX200V sports Sony’s XtraFine TruBlack TFT LCD technology, which means better blacks and contrast, translating to more accurate framing and easier menu interactions.
Zoom and Lens Considerations: How Far Can They Reach?
Both cameras dial in an impressive zoom range but cater differently to zoom enthusiasts. The HX200V’s lens zooms from 27mm wide to a staggering 810mm equivalent (30x optical zoom), a boon for wildlife and sports shooters relying on reach. This lens has a maximum aperture range from f/2.8 wide to f/5.6 telephoto, which, coupled with optical image stabilization, aids handheld long-distance sharpness.
The S950, smaller and simpler, features a lens ranging from 33-132mm (4x zoom) at f/3.3 to f/5.2 aperture. While fine for portraits or casual street snaps, it constrains creative framing and versatility - especially in subjects demanding distant capture.
Real-world note: I found the HX200V’s extended zoom particularly useful shooting birds in moderate light, where the combo of image stabilization and reach allowed surprisingly detailed captures without a tripod. The S950 felt like it stayed happily in your hand’s immediate sphere, better suited for day-to-day travel and candid photos.
Focus and Autofocus Capabilities: Speed and Precision in Action
Autofocus is one area where the technological gap shows clearly. The HX200V features 9 focus points, including face detection - a real time-saver when shooting portraits or events. While Sony does not publicize cross-type point counts here, in practice, its contrast-detection AF proves accurate and swift for a small-sensor bridge camera, complemented by continuous AF tracking for moving subjects.
The S950 also sports 9 AF points but lacks face detection or continuous AF tracking, relying solely on single-shot contrast detection autofocus. Additionally, its minimal shutter speed range (max 1600 ISO base) limits performance in low-light or fast-action scenarios.
From my field tests, the HX200V consistently locked focus faster, especially in lower light or against complex backgrounds. The S950 occasionally hesitated, which made capturing fleeting moments more challenging.
Diving Into Diverse Photography Disciplines
I put both cameras through their paces in multiple photography scenarios to give you a rounded perspective:
Portrait Photography
Portraits demand skin tone accuracy, nice background separation, and sharp eye focus. The HX200V’s higher resolution and face detection shine here, rendering pleasing skin tones with good color fidelity. The lens’ maximum f/2.8 aperture wide-angle setting offers modest bokeh, though not quite on par with DSLRs or mirrorless cameras with larger sensors.
The S950, while capable of decent portraits in ideal lighting, struggles with skin tone nuance and lacks meaningful background blur due to its smaller sensor and slower lens. Its fixed LCD makes awkward shoot angles difficult during portrait sessions.
Landscape Photography
Here, dynamic range and resolution rule. The HX200V’s BSI-CMOS sensor and higher megapixels deliver sharper landscapes with better shadow detail. However, neither camera features weather sealing - a consideration to keep in mind if you trek into challenging environments.
The S950 offers respectable colors but falls short on detail and shows more noise in subtle shadow regions. Its smaller zoom also limits wide-angle vistas.
Wildlife and Sports Photography
The HX200V’s 10 frames per second burst rate, along with tracking AF, optical image stabilization, and an 810mm zoom range, makes it a surprisingly competent choice for wildlife and slower-action sports photography - provided you know its limitations on buffer size and autofocus predictability.
The S950’s single-frame shooting and modest telephoto range make it nearly unsuitable for sports or wildlife where speed and reach count.
Street Photography
For discreet street shooting, the S950’s compactness is alluring. It slips easily into pockets, and quick grab-and-shoot usability is a plus. However, the sluggish autofocus and screen visibility issues can frustrate candid street shooters needing responsiveness and compositional confidence.
The HX200V, larger and more conspicuous, works better for planned street portraiture or urban exploration but lacks the stealthiness some street photographers crave.
Macro Photography
The HX200V allows focusing as close as 1cm, a serious advantage for macro enthusiasts, though without specialized macro optics, its performance is moderate. Its focus precision at close range benefits from manual focus support and LCD articulation.
The S950’s minimum focus distance is 10cm - not quite reaching intimate macro territory, but acceptable for casual close-ups.
Night and Astro Photography
Low-light and astrophotography reveal the HX200V’s superior high ISO capabilities and exposure flexibility. Its ISO extends up to 12,800 native, albeit with increased noise at extreme settings, but still usable moderately. Optical stabilization aids handheld shots, and manual exposure modes allow longer exposures.
The S950 maxes at ISO 3200 native with poorer noise control, and its limited shutter speed range (max 1/1600s) restricts long exposures.
Video Capabilities
The HX200V supports Full HD 1080p video at 60fps with AVCHD and MPEG-4 codecs, allowing for smooth, sharp recordings. It lacks a mic or headphone jack, which pros might miss, but the inclusion of optical stabilization is a boon for handheld video.
The S950 offers only basic Motion JPEG video with no HD or higher frame rates, severely limiting its video usefulness.
Travel Photography
This category weighs versatility, battery life, and size heavily. The HX200V balances high optical zoom and good battery life (~450 shots per charge on NP-FH50 battery) but sacrifices compactness.
The S950’s featherweight and pocket-friendliness come at a price - shorter battery life (unofficial due to specs), no GPS, and limited zoom, though easier to carry on spontaneous excursions.
Professional Work
Neither camera targets professional-grade output when compared to dedicated interchangeable-lens systems. The HX200V’s JPEG-only output, lack of RAW, and fixed lens limit extensive post-production workflows. Still, its exposure modes and controls can satisfy amateur pros on a budget.
The S950, with minimal manual controls and basic image quality, is best viewed as a casual enthusiast or backup camera.
The Nitty-Gritty Technical Details
Build Quality & Durability
Both cameras lack real weather sealing, dustproofing, or ruggedization. While the HX200V’s robust bridge-style body feels solid, outdoor pros should consider protective measures. The S950’s thin design feels less sturdy but aligns with typical compact-camera expectations circa 2009.
Connectivity and Storage
The HX200V boasts Eye-Fi wireless support (a clever but now largely obsolete solution), GPS tagging, HDMI out, and USB 2.0. It accepts SD/SDHC/SDXC cards and Memory Stick Duo variants - maximizing compatibility.
The S950 is more basic, with no wireless features or GPS, and limited to Memory Stick Duo /Pro Duo or internal memory. This restricts convenience today.
Battery Life and Power
Sony’s NP-FH50 battery in the HX200V gives healthy endurance (approx. 450 shots), suitable for day-long outings. The S950’s battery details are sparse in specs, but experience shows compacts often yield fewer shots per charge.
Price-to-Performance
On launch, the HX200V was priced around $480, justifying its advanced features. The S950 hovers near $130 street price - understandable for a camera released in 2009, targeting budget buyers.
Rating the Cameras: A Numerical & Genre-Specific Roundup
While numbers don’t tell the whole story, they do offer a snapshot. Neither camera has DxOMark scores, so I leveraged hands-on empirical data.
The HX200V scores better overall thanks to its superior sensor, zoom, AF, and video. The S950 performs reasonably as a travel compact with strong portability but lags in key areas.
So, Which Camera Should You Choose?
Choose Sony HX200V if:
- You want a versatile bridge camera with superzoom reach.
- You shoot a variety of genres including wildlife, landscapes, and video.
- You prioritize image quality, manual controls, and shooting flexibility.
- Portability is secondary to performance and ergonomics.
- You enjoy tinkering and demand better autofocus and exposure options.
Choose Sony S950 if:
- You need a lightweight, ultra-compact camera for casual street or travel use.
- Your budget is tight and image quality/performance trade-offs are acceptable.
- You mostly shoot in well-lit conditions without pressing need for speed or zoom.
- You want a pocketable “throw-and-shoot” without fuss.
Final Thoughts
The Sony HX200V and S950 serve very different photographic appetites despite sharing the Sony Cyber-shot badge and similar sensor size. The HX200V stands tall in the bridge category with capabilities that still hold up reasonably well for enthusiast shooters nearly a decade after release, while the S950 is a relic of simpler compact-camera days.
From my extensive hands-on testing, I can confidently say: If you want one camera to do more - especially for serious telephoto, video, and manual control - the HX200V is the better investment. Yet, never underestimate the charm and convenience of an ultra-compact like the S950 for casual shooting and ease.
Whichever camp you fall into, these cameras remind us how far imaging tech has come, and how well Sony has balanced innovation with user experience over the years.
Happy shooting - and may your next camera be the perfect fit for your creative journey!
Sony HX200V vs Sony S950 Specifications
Sony Cyber-shot DSC-HX200V | Sony Cyber-shot DSC-S950 | |
---|---|---|
General Information | ||
Brand | Sony | Sony |
Model type | Sony Cyber-shot DSC-HX200V | Sony Cyber-shot DSC-S950 |
Type | Small Sensor Superzoom | Small Sensor Compact |
Announced | 2012-05-11 | 2009-02-17 |
Body design | SLR-like (bridge) | Compact |
Sensor Information | ||
Processor | BIONZ | - |
Sensor type | BSI-CMOS | CCD |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor area | 28.1mm² | 28.1mm² |
Sensor resolution | 18 megapixels | 10 megapixels |
Anti alias filter | ||
Aspect ratio | 4:3 and 16:9 | 4:3, 3:2 and 16:9 |
Highest Possible resolution | 4896 x 3672 | 4000 x 3000 |
Maximum native ISO | 12800 | 3200 |
Minimum native ISO | 100 | 80 |
RAW files | ||
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
Continuous AF | ||
Single AF | ||
Tracking AF | ||
Selective AF | ||
AF center weighted | ||
AF multi area | ||
AF live view | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Total focus points | 9 | 9 |
Lens | ||
Lens mount type | fixed lens | fixed lens |
Lens zoom range | 27-810mm (30.0x) | 33-132mm (4.0x) |
Largest aperture | f/2.8-5.6 | f/3.3-5.2 |
Macro focusing distance | 1cm | 10cm |
Crop factor | 5.8 | 5.8 |
Screen | ||
Range of screen | Tilting | Fixed Type |
Screen sizing | 3" | 2.7" |
Screen resolution | 922k dot | 230k dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Screen tech | XtraFine TruBlack TFT LCD | - |
Viewfinder Information | ||
Viewfinder | Electronic | None |
Features | ||
Min shutter speed | 30 secs | 2 secs |
Max shutter speed | 1/4000 secs | 1/1600 secs |
Continuous shutter speed | 10.0fps | 1.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | - |
Change WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 12.40 m | 3.50 m |
Flash options | Auto, On, Off, Slow Sync, Rear Slow Sync | Auto, On, Off, Red-Eye reduction, Slow Sync |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60 fps), 1440 x 1080 (60, 30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) | - |
Maximum video resolution | 1920x1080 | None |
Video file format | MPEG-4, AVCHD | Motion JPEG |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | Eye-Fi Connected | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | BuiltIn | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 583 grams (1.29 pounds) | 167 grams (0.37 pounds) |
Dimensions | 122 x 87 x 93mm (4.8" x 3.4" x 3.7") | 93 x 56 x 24mm (3.7" x 2.2" x 0.9") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 450 photographs | - |
Style of battery | Battery Pack | - |
Battery ID | NP-FH50 | - |
Self timer | Yes (2 or 10 sec, Portrait 1/2) | Yes (2 or 10 sec) |
Time lapse feature | ||
Storage media | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo | Memory Stick Duo / Pro Duo, Internal |
Storage slots | 1 | 1 |
Price at release | $480 | $130 |