Canon ELPH 300 HS vs Nikon S1200pj
96 Imaging
35 Features
30 Overall
33


93 Imaging
37 Features
26 Overall
32
Canon ELPH 300 HS vs Nikon S1200pj Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 24-120mm (F2.7-5.9) lens
- 141g - 92 x 56 x 20mm
- Released February 2011
- Other Name is IXUS 220 HS
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 1600 (Bump to 6400)
- Optical Image Stabilization
- 1280 x 720 video
- 28-140mm (F3.9-5.8) lens
- 186g - 107 x 64 x 23mm
- Introduced August 2011

Canon ELPH 300 HS vs Nikon Coolpix S1200pj: A Deep Dive into Two Ultracompact Powerhouses
When sifting through the ultracompact digital camera market from the early 2010s, two noteworthy contenders often emerge: Canon’s ELPH 300 HS (also known as the IXUS 220 HS) and Nikon’s Coolpix S1200pj. While both cameras adhere to the discreet, pocketable form factor beloved by casual shooters and enthusiasts seeking a lightweight secondary camera, their internal architectures, feature sets, and user experiences diverge in many respects.
Having spent extensive hands-on hours testing and comparing numerous compact cameras in this class, I’m excited to peel back the layers and examine how the ELPH 300 HS and S1200pj stack up - covering real-world performance, technical specifications, and photographic versatility. Whether you’re a travel blogger, a street photographer seeking discretion, or a casual family snapper, this comparison will help clarify the best fit for your specific needs.
Understanding the Physical Presence: Size, Ergonomics, and Handling
The first impression - and often a deciding factor for ultracompact cameras - is their physical footprint and handling comfort.
At just 92 x 56 x 20 mm and a featherlight 141 grams, Canon’s ELPH 300 HS embodies true pocketability. Its slim form and minimalist design allow it to slip seamlessly into jackets or even tighter trouser pockets without bulging. The Canon’s grip, while modest, offers slight texturing that helps maintain stability during handheld shots.
Contrasting this, Nikon’s S1200pj expands slightly to 107 x 64 x 23 mm and weighs in at a still-manageable 186 grams. This increment isn’t drastic but noticeable, especially during prolonged handling. The Nikon also features a tactile control surface with better separated buttons and a more substantial grip profile, appealing for users prioritizing secure hold without sacrificing portability.
The ergonomics division here is nuanced - Canon’s compactness favors purely on-the-go carry, whereas Nikon’s slightly larger chassis grants improved handling and comfort for extended sessions.
Control Layout and User Interface: Efficiency Meets Intuition
Form flows into function, and in digital cameras, that translates to control layouts and interface design.
Both cameras forego optical or electronic viewfinders, relying on rear LCDs to frame shots. Canon sticks to a traditional button-dial setup with basic operation: a directional pad, zoom rocker around the shutter release, and a set of function buttons. Nikon’s S1200pj ups the game with a few additional buttons to quickly access projector-related functions - more on that later - as well as a touchscreen interface, uncommon at the time in this class.
The touchscreen implementation on the Nikon is responsive, allowing direct focus point selection during live view, albeit lacking the advanced autofocus area customization we see in higher-end cameras. Canon’s interface, while faster and more straightforward in execution, does not offer touchscreen input - meaning you must rely solely on physical button navigation, which can slow operation in dynamic shooting.
Practically, if you value quick menu navigation and touch interaction, Nikon takes the edge here. But if you prefer physical controls that avoid accidental screen taps, Canon keeps it simple and effective.
Sensor and Image Quality: The Heart of the Matter
Ultracompact cameras often share common sensor size constraints, but sensor technology and processing can dramatically influence image quality.
Both the Canon ELPH 300 HS and Nikon S1200pj pack sensors measuring 1/2.3 inches with identical physical dimensions (6.17 x 4.55 mm), standard for compact cameras of their era. However, Canon equips its model with a more modern 12-megapixel backside-illuminated CMOS sensor, paired with DIGIC 4 image processing and the iSAPS technology. This combination boosts light sensitivity and noise control at higher ISOs, allowing better low-light performance.
Nikon’s S1200pj opts instead for a 14-megapixel CCD sensor, a technology that traditionally delivers excellent color rendition and sharpness in good lighting but tends to falter in noise management at higher sensitivities. Coupled to a more limited native ISO range (80-1600 compared to Canon’s 100-3200), Nikon’s camera is more reliant on ample light to produce clean images.
From my lab testing under controlled lighting, Canon consistently produces cleaner images in indoor and dim scenarios, exhibiting smoother tonal gradations in shadow areas. Nikon impresses in bright daylight with crisper detail capture, but image noise becomes more apparent once you cross ISO 800. Neither supports RAW output - which limits post-processing latitude - but Canon’s superior processing engine delivers JPEGs closer to professional standards in their default rendition.
Display and Live View Experience: Clarity and Usability
Shooting without a viewfinder spotlights the importance of LCD performance for composition and review.
Canon’s 2.7-inch PureColor II G TFT LCD panel offers a modest 230k-dot resolution. While bright enough outdoors with good contrast, fine detail visualization can feel somewhat muted, especially under challenging light. The fixed position restricts framing creativity, and there is no touch control, which impacts direct focusing ease.
Nikon counters with a larger and higher resolution 3-inch screen boasting 460k dots. This upgrade greatly enhances preview sharpness and framing precision. Moreover, the touch interface lets users toggle settings and focus points intuitively, which adds to speed during street or macro shooting.
In practical shooting sessions, Nikon’s screen facilitates more confident composition and on-the-fly focus adjustments, particularly beneficial when trying to nail critical focus on moving targets or intricate subjects. Canon’s display remains serviceable but less engaging overall.
Lens Performance and Versatility: Focal Range and Aperture Realities
Lens characteristics can make or break the usability of fixed-lens compacts.
Canon’s ELPH 300 HS sports a 24-120mm equivalent zoom range (5x), with a bright starting aperture of f/2.7 at the wide end tapering to f/5.9 at full telephoto. Nikon’s 28-140mm (5x zoom) lens starts at a smaller aperture of f/3.9, closing down to f/5.8 when zoomed in.
The Canon’s advantage in wider aperture at 24mm is significant for low-light and creative shallow depth-of-field applications - think portraits with creamy bokeh, or dimly lit interiors. Still, both lenses slow down beyond the wide end, so telephoto shots may require higher ISOs to maintain shutter speed.
Notably, both cameras offer comparable macro focus distances at approximately 3 cm, allowing close-up photography with decent subject isolation. However, Canon’s image stabilization system is more refined, aiding handheld shots at slower shutter speeds.
Autofocus Systems: Speed, Accuracy, and Feature Sets
Autofocus performance is a crucial metric for action, wildlife, and candid photography.
Canon’s camera utilizes contrast-detection autofocus with 9 focus points, backed by face detection and continuous AF capabilities. This system proved nimble in my testing, locking focus swiftly on in-camera faces even in lower light conditions. The inclusion of face detect contributes significantly to portrait and street photography reliability.
Nikon’s S1200pj features a nine-point contrast-detection AF as well, but without face or eye detection support, and no continuous AF tracking. The autofocus, while accurate in well-lit situations, feels sluggish when tracking moving subjects or under challenging lighting, reflected in the much lower continuous shooting speed of 0.8 fps compared to Canon’s 3.0 fps.
Therefore, for wildlife, sports, or any moving subject capture, Canon clearly outpaces Nikon both in AF technology and burst capabilities.
Battery Life, Storage, and Connectivity: Practical Considerations
No camera review is complete without evaluating essential usability features that affect day-to-day use.
Canon’s ELPH 300 HS uses the NB-4L rechargeable battery rated for approximately 220 shots per charge, enough for casual shoots but requiring spares for travel. The camera supports standard SD, SDHC, SDXC, MMC storage media through a single card slot.
Nikon employs the EN-EL12 battery, though official battery life specifications are sparse. Anecdotal use suggests similar endurance, possibly slightly less due to the larger, more power-hungry LCD and projector functions. Storage options include SD/SDHC/SDXC cards, plus an internal memory buffer - a nice fallback if you forget a card.
Neither camera offers wireless connectivity options like Bluetooth or Wi-Fi, common for their release period, so image transfer hinges on USB 2.0 cables. HDMI output is available on the Canon but missing from Nikon.
Unique Features and Extras
Where the Nikon Coolpix S1200pj attempts to innovate is with its integrated projector module - a niche function allowing users to project images and videos onto nearby surfaces.
This built-in projector adds versatility for sharing photos in social settings without additional peripherals. However, it also increases weight and thickness, mildly compromising compactness.
Canon doesn’t include such a feature, prioritizing a streamlined compact design and refined imaging instead.
Photo Genre Suitability: Which Camera Excels Where?
Let’s break down performance considerations across photography disciplines most relevant to prospective buyers.
Portrait Photography
Canon’s wider aperture lens at the short end, reliable face detection autofocus, and superior image processing combine to produce natural skin tones and attractively blurred backgrounds. Nikon’s lack of face detect and smaller aperture restrict bokeh ability and portrait crispness slightly.
Landscape Photography
While both cameras share similar sensors and resolution, Nikon’s extra 2MP can lend slightly more detail at base ISO in bright conditions. However, Canon’s better noise handling and stabilization support shooting in mid to low light - useful for golden hours or shaded scenes. Neither offers weather sealing.
Wildlife and Sports
With faster continuous shooting, superior AF tracking, and broader ISO capabilities, Canon takes the crown. Nikon’s slower AF and burst limit usability for fast action.
Street Photography
Nikon’s larger touchscreen and customizable focus points help achieve candid capture, but Canon’s smaller size and quicker AF provide stealth advantages. Both lack full manual controls desired by professionals.
Macro Photography
Both support 3cm focusing distances with image stabilization, but Canon’s sharper processing and optics edge slightly ahead for detail rendition.
Night and Astrophotography
Canon’s higher ISO ceiling and cleaner noise profile make it a better pick here, although both sensors’ small size limit ultimate low-light prowess.
Video Capabilities
Canon can record Full HD (1920 x 1080) at 24 fps, while Nikon maxes out at HD 720p. Both cameras lack external microphone inputs and advanced video features, suitable only for basic casual recording.
Travel Photography
Canon’s compactness, lightweight, and more versatile lens make it highly portable and flexible across scenarios. Nikon’s projector might aid sharing in social travel settings but adds bulk.
Professional Workflows
Neither supports RAW capture - a major drawback for professional-grade editing - and both are aimed primarily at enthusiasts and casual shooters rather than pros.
Image Quality Showcase: Real World Output Comparison
Here you can observe side-by-side sample images taken under similar conditions. Canon’s rendition delivers balanced exposure, commendable detail preservation, and less noise at ISO 800. Nikon’s higher resolution contributes to sharper daylight captures, but noise and lack of dynamic range soften results in shadows.
Summing Up Performance: Ratings and Scorecard
Based on our multifaceted evaluation - including image quality, autofocus, handling, and features - the Canon ELPH 300 HS achieves a superior overall score reflective of its strengths in imaging and speed. Nikon’s S1200pj scores respectably for innovation and daylight image quality but falls short in low-light and speed domains.
Specialty Genre Scores Reveal Nuances
As shown in the genre breakdown, Canon consistently leads in versatility: portraits, sports, night shooting, and travel. Nikon shows strength primarily in daylight landscape and social sharing categories with its projector feature but otherwise lags behind.
Final Recommendations: Choosing Your Ultracompact Camera Companion
Having journeyed through the dimensions, specs, and real-world trials of these two cameras, here is my distilled advice:
-
Get the Canon ELPH 300 HS if you want:
- A truly pocketable camera with excellent low-light performance
- Reliable face detection AF for portraits and candid use
- Higher frame rates suitable for casual action photography
- Full HD video recording capability
- Superior image stabilization for handheld shooting
-
Consider the Nikon S1200pj if you prioritize:
- Slightly higher resolution landscapes and daylight imagery
- Touchscreen interface for intuitive control
- Built-in projector for impromptu photo sharing
- Capability to frame at a mild telephoto range (28-140mm)
- You don’t mind a bit more bulk for the added functionality
Insider Tip: How I Tested These Cameras
Our testing involved direct side-by-side shooting over extended sessions - ranging from indoor low light, bright landscapes, macro compositing, to fast-paced candid motion capture. I analyzed JPEG output under varying ISO levels with calibrated color charts and conducted controlled AF responsiveness trials using an AF test rig.
This approach gives confidence that the conclusions aren’t just manufacturer specs repackaged, but practical, proven insights.
Closing Thoughts
The Canon ELPH 300 HS and Nikon Coolpix S1200pj represent distinct philosophies for ultracompact cameras of their generation - one focusing on imaging finesse and compact elegance, the other embracing extra features and touchscreen ease.
While neither camera can rival the versatility of mirrorless systems today, they remain interesting choices for collectors or those seeking lightweight, no-fuss cameras with distinctive personalities.
Precision matters - and with what I’ve shared, you should feel well-equipped to match model to your photographic ambitions.
If you want to explore the details further or compare with newer models, feel free to reach out or check our comprehensive camera guide archive.
Happy shooting!
Canon ELPH 300 HS vs Nikon S1200pj Specifications
Canon ELPH 300 HS | Nikon Coolpix S1200pj | |
---|---|---|
General Information | ||
Company | Canon | Nikon |
Model | Canon ELPH 300 HS | Nikon Coolpix S1200pj |
Also called | IXUS 220 HS | - |
Type | Ultracompact | Ultracompact |
Released | 2011-02-07 | 2011-08-24 |
Body design | Ultracompact | Ultracompact |
Sensor Information | ||
Chip | DIGIC 4 with iSAPS technology | - |
Sensor type | BSI-CMOS | CCD |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor surface area | 28.1mm² | 28.1mm² |
Sensor resolution | 12MP | 14MP |
Anti aliasing filter | ||
Aspect ratio | - | 4:3 and 16:9 |
Full resolution | 4000 x 3000 | 4320 x 3240 |
Max native ISO | 3200 | 1600 |
Max boosted ISO | - | 6400 |
Minimum native ISO | 100 | 80 |
RAW support | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Continuous AF | ||
AF single | ||
Tracking AF | ||
AF selectice | ||
AF center weighted | ||
AF multi area | ||
Live view AF | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Number of focus points | 9 | 9 |
Lens | ||
Lens mounting type | fixed lens | fixed lens |
Lens focal range | 24-120mm (5.0x) | 28-140mm (5.0x) |
Max aperture | f/2.7-5.9 | f/3.9-5.8 |
Macro focus distance | 3cm | 3cm |
Crop factor | 5.8 | 5.8 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display diagonal | 2.7" | 3" |
Resolution of display | 230k dot | 460k dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Display technology | PureColor II G TFT LCD | - |
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Lowest shutter speed | 15 secs | 4 secs |
Highest shutter speed | 1/2000 secs | 1/1500 secs |
Continuous shooting speed | 3.0fps | 0.8fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Change WB | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 3.50 m | 3.50 m |
Flash settings | Auto, On, Off, Red-Eye, Slow Sync | - |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (24fps), 1280 x 720 (30 fps) 640 x 480 (30, 120 fps), 320 x 240 (30, 240 fps) | 1280 x 720 (30 fps), 640 x 480 (30, 15 fps), 320 x 240 (30,15 fps) |
Max video resolution | 1920x1080 | 1280x720 |
Video data format | H.264 | H.264 |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 141g (0.31 pounds) | 186g (0.41 pounds) |
Dimensions | 92 x 56 x 20mm (3.6" x 2.2" x 0.8") | 107 x 64 x 23mm (4.2" x 2.5" x 0.9") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 220 images | - |
Battery format | Battery Pack | - |
Battery model | NB-4L | EN-EL12 |
Self timer | Yes (2 or 10 sec, Custom) | Yes (10 or 2 sec) |
Time lapse recording | ||
Storage media | SD/SDHC/SDXC/MMC/MMCplus/HC MMCplus | SD/SDHC/SDXC, Internal |
Storage slots | One | One |
Retail pricing | $250 | $499 |