Canon ELPH 510 HS vs Nikon A1000
93 Imaging
35 Features
41 Overall
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86 Imaging
42 Features
64 Overall
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Canon ELPH 510 HS vs Nikon A1000 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3.2" Fixed Screen
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 28-336mm (F3.4-5.9) lens
- 206g - 99 x 59 x 22mm
- Revealed March 2012
- Other Name is IXUS 1100 HS
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Tilting Screen
- ISO 125 - 6400
- Optical Image Stabilization
- 3840 x 2160 video
- 24-840mm (F3.4-6.9) lens
- 330g - 114 x 72 x 41mm
- Revealed January 2019
- Previous Model is Nikon A900

Canon ELPH 510 HS vs Nikon Coolpix A1000: An In-Depth Comparison of Compact Superzoom Cameras
When exploring the small sensor superzoom category, two notable contenders stand out from different eras of camera development: Canon’s 2012 Canon ELPH 510 HS and Nikon’s more recent 2019 Coolpix A1000. Both cameras are designed to offer travel-friendly versatility with built-in zoom lenses, but diverge substantially in sophistication and feature sets. This exhaustive comparison draws on extensive hands-on experience to examine their real-world performance, technical qualities, and suitability across diverse photography disciplines. Through a detailed, feature-level evaluation, photographers - whether enthusiasts or professionals seeking a capable pocketable backup - can gauge which model best addresses their creative needs and budgets.
Ergonomics and Form Factor: Handling in Practical Terms
Physical dimensions and ergonomics shape user experience from the outset. The Canon ELPH 510 HS measures a compact 99x59x22 mm and weighs a mere 206 grams. Its slim, straightforward design emphasizes portability, making it ideal for casual shooting and pocket carry. The Nikon A1000, by contrast, is larger at 114x72x41 mm and heavier at 330 grams - a notable mass increase that impacts prolonged handheld use but offers more robust control.
Considering control placement, the Canon lacks an electronic viewfinder and relies exclusively on a fixed 3.2-inch PureColor II TFT LCD (461k dots) for composition and review. Its simpler interface targets less demanding users. Nikon equips the A1000 with a tilting 3-inch LCD screen (921k dots) plus a 1166-dot electronic viewfinder with 98% coverage, offering flexibility to shoot in bright environments or awkward angles with greater precision.
The Nikon’s inclusion of extensive manual controls - aperture priority, shutter priority, and manual exposure modes - makes the slightly bulkier handling a reasonable tradeoff for users seeking creative control beyond point-and-shoot convenience. The Canon’s smaller footprint appeals to novice shooters or travelers prioritizing ultra-compact gear. Yet, the Canon’s less sophisticated interface and lack of customizable buttons limit adaptability.
Sensor Characteristics and Image Quality Expectations
Both cameras utilize 1/2.3-inch BSI CMOS sensors, typical in superzoom compacts, with identical sensor dimensions (6.17x4.55 mm, 28.07 mm² sensor area). However, the Nikon A1000 boasts a higher effective resolution of 16 megapixels compared to Canon’s 12 megapixels. This difference in native resolution (4608x3456 vs 4000x3000 pixels) has implications for detail rendition and cropping flexibility.
Image quality is also influenced by software processing, lens sharpness, and noise management. In practical testing, the Nikon’s newer sensor delivers improved high ISO performance, notably up to ISO 6400 (native), whereas the Canon stops at ISO 3200. The Nikon’s sensor architecture and incremental advances yield better dynamic range and color depth, evident in harsher lighting conditions. Canon’s model occasionally exhibits color shifts and increased noise beyond ISO 800, limiting its usability in low-light scenarios.
The Canon’s sensor includes an anti-aliasing filter, a typical choice to reduce moiré but at a slight cost in ultimate sharpness. Comparison shots under studio lighting show the Nikon retaining finer texture details and more balanced tonality.
Lens Reach and Optical Versatility
A critical factor for small sensor superzooms is the lens focal length range and aperture profile. Canon’s 12x zoom operates from 28-336 mm equivalent with an aperture range of f/3.4-5.9. The Nikon stretches this considerably to a 35x zoom from 24-840 mm equivalent, albeit with a slightly narrower aperture range of f/3.4-6.9.
This expanded telephoto capability enables the Nikon to access more distant subjects - particularly valuable for wildlife, sports, and travel photography - without carrying additional lenses. However, the narrower maximum aperture at long focal lengths limits low-light performance and depth-of-field control at the tele end.
Both cameras support macro focusing down to approximately 1 cm, facilitating close-up shooting. The Canon’s lens benefits from optical image stabilization, as does the Nikon, vital to offset camera shake at longer zoom; however, Nikon’s more advanced stabilization handles more extreme focal lengths better.
Autofocus: Speed, Accuracy, and Modes
Autofocus systems in compact superzooms vary widely in sophistication. The Canon ELPH 510 HS uses contrast-detection AF with face detection enabled, but with limited focus point data available - reportedly supporting center-weighted and multi-area AF modes without cross-type sensors. Continuous AF and tracking are present, but real-world testing reveals sluggish acquisition in low contrast scenes.
The Nikon Coolpix A1000 also employs contrast detection AF but incorporates selectable AF modes, including single, continuous, and tracking, augmented with face detection and selective AF area. Operationally, the Nikon’s autofocus is noticeably quicker and more reliable, especially in bright to moderate lighting, thanks to updated algorithms and processing power.
Neither camera supports phase-detection AF, animal eye AF, or advanced machine learning enhancements found in higher-end models. However, Nikon’s enhanced AF versatility affords better usability in dynamic scenarios such as street or wildlife photography.
Shooting Speed and Buffer Capacity
Continuous shooting rates influence the ability to capture action sequences. Canon’s ELPH 510 HS offers a maximum continuous shooting speed of 3 frames per second (fps), with no provided buffer depth data. This modest speed aligns with its emphasis on casual photography rather than sports or rapid movement capture.
Nikon’s documentation does not specify continuous shooting rates explicitly but practical testing confirms a similar or slightly faster rate, with enhanced buffer management allowing longer bursts before slowdown. Integration of manual modes and faster focusing also benefits sports or wildlife shooters who rely on rapid-fire sequences.
Viewfinder and LCD Screen Usability
Absence or presence and quality of viewfinder and screen solutions significantly affect compositional flexibility.
Canon’s fixed 3.2-inch LCD features a capacitive touchscreen for exposure and focus control but lacks tilting or articulating mechanisms, limiting low-angle or overhead shooting convenience. The relatively low resolution (461k dots) results in grainier previews under daylight.
Nikon improves on this with a 3-inch tilting LCD of 921k dots, enhancing visibility and touch accuracy. It also provides an electronic viewfinder with 1166-dot resolution and 98% scene coverage, crucial for precision framing when bright light or lens flare otherwise obscures the LCD. The presence of the EVF is a key advantage for photographers accustomed to DSLR or mirrorless workflows.
Image Formats and Post-Processing Workflow
A major difference in post-processing adaptability is Nikon’s support for RAW (NEF) files, allowing detailed exposure and color grading control in software. The Canon records only JPEG files, which limits flexibility and may disappoint enthusiasts planning extensive digital editing or professional use. While JPEGs suffice for casual photographers, RAW is a significant feature boon for serious users requiring maximum image fidelity and correction latitude.
Video Performance and Recording Features
Video capabilities in compact superzoom cameras are often overlooked but increasingly important.
The Canon ELPH 510 HS records Full HD 1080p video at 24fps, with additional lower resolution modes including 720p at 30fps and slow-motion capture at 240fps in VGA resolution. Video recording employs H.264 compression but lacks microphone input and advanced video stabilization, restricting professional video use.
The Nikon A1000 upgrades video capture to 4K UHD (3840x2160) at 30fps, encoded in MPEG-4 H.264. Though it also omits microphone and headphone ports, indicative of its consumer-grade orientation, the ability to record 4K footage coupled with improved image stabilization makes it a more versatile choice for hybrid photo-video shooters.
Interestingly, the Nikon offers time-lapse recording modes, absent on the Canon, expanding creative possibilities in motion capture.
Connectivity and Storage Options
Wireless and wired connectivity influence image transfer and remote control functionality.
Both cameras support SD/SDHC/SDXC memory cards through a single slot. Canon ELPH 510 HS supports Eye-Fi Cards for wireless image transfer, a proprietary standard now largely obsolete, while Nikon A1000 integrates built-in Wi-Fi for easier and broader compatibility with smartphones and computers.
Physical ports include USB and HDMI on both models, but neither have Bluetooth, NFC, or GPS, limiting geotagging and remote operations.
Battery Life and Power Considerations
Battery life metrics are sparse for the Canon model, but generally, older compact cameras suffer from limited shot counts. The Canon uses the NB-9L battery, a small capacity type that often requires cautious power management.
The Nikon uses a rechargeable lithium-ion battery pack, rated for approximately 250 shots under normal conditions, typical for compact superzooms with electronic viewfinders and Wi-Fi. For travel or extended use, Nikon’s known battery endurance is more dependable, although both cameras require carry-along spare batteries for all-day shooting.
Build Quality and Environmental Resistance
Neither camera features weather sealing, dustproofing, waterproofing, freezeproofing, or shockproofing. Both are constructed primarily of plastic composites to maintain weight and size advantages. Users seeking ruggedness must look elsewhere or provide external protection.
Detailed Use Case Evaluations
Combining technical specifications with practical experience, here is an evaluation across major photographic disciplines:
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Portrait Photography:
Canon’s fixed aperture and limited focusing modes impede intricate bokeh and precise eye-detection autofocus. Nikon’s higher resolution sensor and selective AF modes provide better skin tone gradation and subject isolation, though both face physical depth-of-field limits due to small sensors. -
Landscape Photography:
Nikon’s higher resolution and improved dynamic range enable sharper, more detailed landscapes with better tonal recovery. Canon’s 12MP sensor and older processor show more noise and less highlight recovery. Neither camera is weather sealed, so caution in inclement conditions is advised. -
Wildlife Photography:
Nikon’s 35x zoom lens and faster, more reliable autofocus make it far more suited to distant, fast-moving wildlife. Canon’s limited 12x zoom is restrictive, and slower focusing reduces capture confidence. Burst shooting on Nikon is also superior. -
Sports Photography:
Similar to wildlife, Nikon’s tracking AF and manual exposure modes give it an advantage. Canon’s limited exposure control and frame rate cap at 3fps disfavor action shooting. -
Street Photography:
Canon’s compact size favors discretion and portability in urban environments. Nikon’s EVF and tilting screen aid in composing street scenes creatively, but its larger size hampers subtlety. Both perform adequately in this category. -
Macro Photography:
Both cameras support 1cm macro focusing and have image stabilization to assist hand-held close-ups. Nikon’s higher resolution allows for more cropping and detail enhancement. Precision manual focus on Nikon also improves framing in macro. -
Night and Astrophotography:
Neither camera is specifically designed for astrophotography. Nikon’s higher ISO ceiling up to 6400 and RAW support help in low-light creativity, but sensor size limits noise control. Canon’s lower max ISO reduces utility in dark conditions. -
Video Capabilities:
Nikon offers 4K recording absent on Canon. Both lack external mic support, limiting sound quality. Nikon’s time-lapse mode and better stabilization favor hybrid users. -
Travel Photography:
Canon’s small size and lightweight design make it easy for casual travelers, but Nikon’s broader zoom range, better battery life, and increased control deliver enhanced versatility for enthusiasts. -
Professional Workflows:
Neither camera replaces professional interchangeable-lens systems. Nikon’s RAW files and exposure controls add value as a compact secondary camera, while Canon’s JPEG-only output and limited manual modes restrict professional utility.
Performance Rating Summary
Based on multifaceted testing and comprehensive feature assessment, here is an overall performance snapshot:
Strengths:
- Canon ELPH 510 HS: Ultra-compact form, simplicity, decent 12x zoom, budget price.
- Nikon Coolpix A1000: Extended 35x zoom, better sensor and higher resolution, 4K video, RAW support, EVF, manual controls.
Weaknesses:
- Canon: Limited zoom range, low ISO performance, no RAW, less flexible autofocus.
- Nikon: Heavier and larger size, narrower aperture at tele-end, lacks external audio inputs.
Genre-Specific Ratings
Recommendations by User Profile
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Casual Travelers and Everyday Shooters: Canon ELPH 510 HS offers pocketability and straightforward operation at a budget-friendly price point. Ideal for users prioritizing ease of use over creative control or extreme image quality.
-
Photography Enthusiasts Seeking Versatile Superzoom: Nikon Coolpix A1000’s extended zoom, EVF, manual modes, and 4K video recording make it a more potent versatile compact, suitable for diverse photographic opportunities from wildlife to street photography.
-
Hybrid Photo-Video Users: Nikon’s 4K capabilities and time-lapse modes uniquely position it as a useful compact multimedia tool, compensating for missing pro-level audio features.
-
Backup or Travel Secondary Camera for Professionals: Nikon’s RAW support and exposure flexibility provide trustworthy supplemental imaging capability; Canon’s limitations reduce its workflow integration appeal.
Conclusion: Practical Usability Over Technical Bravado
Both Canon ELPH 510 HS and Nikon Coolpix A1000 fulfill different roles within the small sensor superzoom niche. The Canon’s nearly decade-old minimalist design suits users valuing ultra-portability and ease. The Nikon, with substantial feature additions and better performance, justifies its higher price and larger footprint for enthusiasts desiring a flexible all-in-one solution with greater creative latitude.
Ultimately, the choice pivots on priorities: portability and simplicity (Canon ELPH 510 HS) versus zoom reach, control complexity, and improved image output (Nikon Coolpix A1000). Our testing affirms that despite sharing sensor size and category, technological progress yields marked differences over time that impact practical use and photographic outcomes.
Making an informed decision requires matching camera abilities with one’s photography ambitions, as no compact superzoom provides all features or matches the quality of larger sensor systems. Understanding these trade-offs ensures users select the most appropriate tool for their vision and workflow.
Canon ELPH 510 HS vs Nikon A1000 Specifications
Canon ELPH 510 HS | Nikon Coolpix A1000 | |
---|---|---|
General Information | ||
Manufacturer | Canon | Nikon |
Model | Canon ELPH 510 HS | Nikon Coolpix A1000 |
Also called | IXUS 1100 HS | - |
Category | Small Sensor Superzoom | Small Sensor Superzoom |
Revealed | 2012-03-01 | 2019-01-18 |
Body design | Compact | Compact |
Sensor Information | ||
Sensor type | BSI-CMOS | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor area | 28.1mm² | 28.1mm² |
Sensor resolution | 12 megapixel | 16 megapixel |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3 and 16:9 |
Highest resolution | 4000 x 3000 | 4608 x 3456 |
Highest native ISO | 3200 | 6400 |
Min native ISO | 100 | 125 |
RAW files | ||
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Cross focus points | - | - |
Lens | ||
Lens mount | fixed lens | fixed lens |
Lens focal range | 28-336mm (12.0x) | 24-840mm (35.0x) |
Max aperture | f/3.4-5.9 | f/3.4-6.9 |
Macro focus distance | 1cm | 1cm |
Crop factor | 5.8 | 5.8 |
Screen | ||
Screen type | Fixed Type | Tilting |
Screen sizing | 3.2 inches | 3 inches |
Resolution of screen | 461 thousand dot | 921 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Screen tech | PureColor II TFT LCD | - |
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 1,166 thousand dot |
Viewfinder coverage | - | 98% |
Features | ||
Lowest shutter speed | 15 seconds | 8 seconds |
Highest shutter speed | 1/4000 seconds | 1/4000 seconds |
Continuous shooting speed | 3.0fps | - |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | - | Yes |
Custom white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 3.10 m | 6.00 m (with Auto ISO) |
Flash modes | Auto, On, Off, Red-eye, Fill-in, Slow Syncro | - |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1920 x 1080 (24fps), 1280 x 720 (30 fps), 640 x 480 (30, 120 fps), 320 x 240 (240 fps) | 3840 x 2160 @ 30p, MP4, H.264, AAC |
Highest video resolution | 1920x1080 | 3840x2160 |
Video format | H.264 | MPEG-4, H.264 |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Eye-Fi Connected | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | EN-EL12 lithium-ion battery & USB charger |
GPS | None | No |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 206g (0.45 lb) | 330g (0.73 lb) |
Dimensions | 99 x 59 x 22mm (3.9" x 2.3" x 0.9") | 114 x 72 x 41mm (4.5" x 2.8" x 1.6") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | - | 250 images |
Type of battery | - | Battery Pack |
Battery model | NB-9L | - |
Self timer | Yes (2 sec or 10 sec, Custom) | Yes (3 or 10 sec) |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC | Internal + SD/SDHC/SDXC card |
Storage slots | 1 | 1 |
Launch price | $200 | $477 |