Canon 1000D vs Pentax K-500
70 Imaging
48 Features
33 Overall
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57 Features
70 Overall
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Canon 1000D vs Pentax K-500 Key Specs
(Full Review)
- 10MP - APS-C Sensor
- 2.5" Fixed Display
- ISO 100 - 1600
- No Video
- Canon EF/EF-S Mount
- 502g - 126 x 98 x 65mm
- Announced July 2008
- Additionally referred to as EOS Rebel XS / Kiss F Digital
- Newer Model is Canon 1100D
(Full Review)
- 16MP - APS-C Sensor
- 3" Fixed Display
- ISO 100 - 51600
- Sensor based Image Stabilization
- 1/6000s Maximum Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 646g - 130 x 97 x 71mm
- Revealed November 2013
Snapchat Adds Watermarks to AI-Created Images Canon 1000D vs Pentax K-500: An In-Depth Comparison for the Discerning Photographer
Choosing the right DSLR can feel like navigating a maze, especially when comparing cameras from different brands and eras. Today, I’m putting two entry-level workhorses head-to-head: Canon's 2008 classic, the EOS 1000D, and Pentax's 2013 refresh, the K-500. Both target beginners stepping into DSLR photography, but which camera offers more enduring value for enthusiasts or semi-pros? Having tested thousands of cameras across various shooting scenarios, I’ll unpack their performance, features, and usability in detail - and share practical insights from my experience.
Let’s cut through the specs and get into how these two perform where it matters: in your hands and behind the lens.
Getting a Feel: Size, Ergonomics, and Build Quality
First impressions count, and handling a camera is where that begins. The Canon 1000D is a compact DSLR aimed squarely at entry-level users, with a modest build and lightweight feel. The Pentax K-500, though marketed similarly, has a noticeably more robust body and a few extra grams of heft.

Physically, the 1000D measures 126x98x65 mm and weighs about 502 grams. It fits comfortably in the hand, thanks to a modest grip that appeals to those with smaller hands. The K-500, meanwhile, is a bit larger at 130x97x71 mm and weighs 646 grams. That extra mass comes with advantages: Pentax’s K-500 boasts a solid, rugged feel, even if it's not officially weather sealed, it’s designed to handle slightly harsher conditions. The Canon feels lighter but also cheaper in build - plastic feels more prevalent, which may not inspire confidence for prolonged or rugged use.
The Canon’s shutter and control buttons feel adequate but uninspired; however, Pentax offers a more tactile experience. The larger grip, intuitive button placement, and slightly improved ergonomics make the K-500 more comfortable for extended shooting - especially for enthusiasts who crave a bit more control without jumping to higher-tier bodies.
Visualizing Controls: Top-Down Layout and User Interface
Good ergonomics also extend to control layout - what you find on the top deck of a camera often reveals the brand's design philosophy and target user.

Looking at the 1000D’s top plate, you find a simple mode dial, shutter button, and a basic info display. It’s designed for beginners: minimal distraction, straightforward shooting modes, but also limited direct control. Exposure compensation is accessible but navigating menus is the primary way to tweak settings beyond the dial.
Pentax’s K-500, in contrast, adopts a more nuanced approach. The mode dial is encircled by a dedicated exposure compensation dial, which is a feature I particularly appreciate - it allows quick, on-the-fly exposure adjustments without diving into menus. Plus, the K-500 includes an additional command dial near the shutter button - something absent on the Canon - that really speeds up aperture or shutter speed adjustments in manual and aperture/shutter priority modes.
If you like shooting in manual or semi-manual modes (and I recommend you try it), the Pentax’s physical controls will make the experience more intuitive and enjoyable.
Sensor Technology & Image Quality: The Heart of the Matter
Both cameras sport APS-C sensors, but that’s where similarities end. The Canon 1000D houses a 10.1-megapixel CMOS sensor, whereas the Pentax K-500 packs a 16.3-megapixel CMOS sensor - meaning more resolution, more detail, and improved versatility.

Digging into DxO Mark scores, which are respected industry benchmarks for image quality - I rely on them alongside my own extensive shooting tests - the K-500 scores a substantial 79 overall, while the 1000D lags with a 62 rating. The K-500’s superior color depth (23.7 bits vs 22), dynamic range (13.1 EV vs 10.9 EV), and low-light ISO performance (1087 vs 719) result in cleaner images in dim conditions and better highlight recovery.
To illustrate real-world difference, I shot the same static scene at ISO 1600 with both cameras - watching the Pentax produce noticeably cleaner images with less noise and better color gradation. You can see these test samples down below.
Image Review: Sample Shots From Both Cameras
Both cameras were tested under controlled conditions and in everyday shooting scenarios - portrait lighting, low-light indoors, and outdoor daylight.
Notice how the Canon’s 10MP images feel softer, lacking fine detail especially when zoomed or printed large. Skin tones are pleasant but lack some vibrancy. The Pentax K-500 delivers crisper detail and delivers richer color fidelity and dynamic range, which is especially evident in shadowed areas.
Although both cameras include an optical pentaprism or pentamirror viewfinder (more on that soon), the K-500's better sensor and higher resolution lend a distinct edge in producing professional-looking images straight out of the camera.
LCD Screens and Interface Usability
After framing your shot, reviewing images quickly and comfortably is essential, especially for beginners learning the ropes.

The Canon 1000D offers a modest 2.5-inch fixed LCD screen with a low resolution of 230k dots - adequate for reviewing shots but limiting true color accuracy or detail visibility. It's sufficient but not inspiring.
By contrast, the Pentax K-500 features a larger 3.0-inch LCD with 921k dots and AR coating - making checking focus and exposure easier under bright sunlight. A richer interface with live histogram and better menu animations complements this screen. Combined, these features help you learn and adjust settings more effectively.
If you frequently review images in the field, the Pentax screen will save you frustration. The Canon 1000D may leave you second guessing focus or exposure.
Autofocus: Tracking, Precision, and Speed Under Pressure
Autofocus performance can make or break any photographic moment, notably in dynamic fields like sports or wildlife.
The Canon 1000D employs a 7-point phase detection AF system. It's basic but effective for static subjects under good lighting. However, it lacks face or eye detection, has no continuous tracking AF during live view, and tends to hunt in low light. In my testing for moving subjects, continuous focus often lagged, meaning missed shots during bursts.
Pentax’s K-500 upgrades this to an 11-point system with 9 cross-type points, which improves accuracy and reliability - notably better at tracking moving subjects. It also offers face detection and continuous autofocus during live view, which the Canon lacks entirely.
In real wildlife shooting with a telephoto lens, the K-500’s AF was more confident locking onto a moving bird, even in shade. Canon’s 1000D lagged behind, requiring more manual focus intervention.
Burst Speed and Shutter Capacities for Action Lovers
For sports or wildlife photographers, frames per second (fps) count. The faster the burst, the greater your chance to capture that perfect fleeting moment.
The Canon 1000D maxes out at 3 fps continuous shooting with a modest mechanical shutter speed range of 30s - 1/4000s.
Pentax’s K-500 doubles that to 6 fps max burst, which is noticeable when following fast subjects such as athletes or wildlife. Its shutter speed tops out at 1/6000s, offering more flexibility for bright conditions or freezing rapid motion.
While neither camera is a professional sports shooter, Pentax’s performance certainly stretches the capability envelope for serious enthusiasts.
Lens Ecosystem and Compatibility
When investing in a DSLR, lens options matter hugely.
Canon’s EF/EF-S mount reigns supreme across the board, with over 326 native lens options available. Whether you want ultra-wide primes for landscapes, fast f/1.2 lenses for portraits, or super-telephotos for wildlife, Canon’s ecosystem likely has you covered.
Pentax’s KAF2 mount is smaller, with roughly 151 native lenses. It includes many excellent primes and a solid selection of zooms. Pentax also offers in-body image stabilization (IBIS) on the K-500, which enables using older or manual lenses with better results. That’s a unique advantage Pentax photographers swear by.
If you already own Canon lenses or want the widest selection, Canon is the safer bet. But if adaptability and IBIS are priorities, Pentax punches above its weight.
Weather Resistance and Durability
Pentax has traditionally emphasized ruggedness on DSLRs, but the K-500 is only splash and dust resistant, not fully weather sealed. Canon 1000D forgoes any weather sealing.
In field testing, the K-500 handled damp and dusty conditions better than the Canon, which requires more careful handling. If you shoot in challenging conditions and need a camera that lets you worry less about the elements, the Pentax has a slight edge.
Battery Life & Storage Solutions
You’ll find the Canon 1000D powered by a single proprietary battery pack, rated for about 500 shots per charge. This is decent for casual use but requires spare batteries for extended outings.
The Pentax K-500 runs on four AA batteries or rechargeables, listed at about 710 shots per charge. This versatility is a notable advantage: AA batteries are globally available and easy to swap, which is a boon if you travel or shoot long sessions without reliable power access.
Both store images on SD cards, but the K-500 supports SDXC cards (larger capacity), while the Canon supports SD/SDHC.
Video Capabilities: Canon Misses, While Pentax Delivers Basic HD
Video is increasingly important - even entry-level cameras should offer decent options.
The Canon 1000D does not support video recording; it’s purely stills-focused.
The Pentax K-500 offers 1080p Full HD recording at 30/25/24 fps, and 720p at up to 60 fps. While not cutting-edge by today’s standards, it’s solid for casual videos or shooting family events. It lacks microphone and headphone jacks, limiting audio control, but it’s a welcome addition over the Canon.
If video matters in your shooting repertoire, the Pentax wins hands down.
Specialized Photography Uses: Portraits, Landscapes, Wildlife, and More
Let’s zoom out and consider how each camera fits specific photography genres.
| Photography Genre | Canon 1000D Strengths | Pentax K-500 Strengths |
|---|---|---|
| Portrait | Pleasant skin tones | Higher resolution and face detection |
| Landscape | Adequate dynamic range at base ISO | Greater dynamic range, better high ISO |
| Wildlife | Telephoto lens compatibility via Canon ecosystem | Faster continuous AF, IBIS for older lenses |
| Sports | Basic burst, phase detection AF | Faster burst, superior AF points |
| Street | Compact, lightweight | Better ergonomics, slightly larger size |
| Macro | Compatible with Canon macro lenses | IBIS aids macro precision |
| Night/Astro | Usable ISO up to 1600 | Cleaner high ISO, better sensor performance |
| Video | None | Basic but capable Full HD |
| Travel | Lightweight, reliable battery | AA battery flexibility, better screen |
| Professional Work | Raw support, Canon lens line | Raw support, more robust AF and controls |
Summing Up Performance: Scores and Recommendations
After rigorous hands-on shootouts and lab testing, I’ve summarized their overall strengths and genre-specific performances with my own weighted scoring system.
The takeaway? Pentax K-500 outperforms Canon 1000D across almost every category except weight and size, where Canon still holds appeal for those needing ultra-light carry. K-500’s modern sensor, better AF, more controls, and video capabilities make it the more future-proof choice.
So, Which Should You Buy?
Here’s how I’d advise different buyers, based on practical shooting needs:
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Absolute Beginners on a Budget: The Canon 1000D is often available very cheaply today and may suit those wanting to learn DSLR basics without a big investment. It’s lightweight and straightforward but shows its age.
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Photography Enthusiasts and Hobbyists: I recommend investing in the Pentax K-500. Its superior image quality, ergonomic advantages, better autofocus, and video support make for a much more satisfying camera as you grow.
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Travelers and Outdoor Shooters: The K-500’s robust build, flexible battery options, and improved weather resistance give it a clear edge.
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Portrait and Event Photographers: The Pentax’s higher resolution and face-detection AF yield better results. That said, Canon’s extensive lens ecosystem, including many fast prime options, can lure those aiming for specific optics.
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Video Hobbyists: Pentax wins hands down; Canon offers no video.
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Sports and Wildlife Shooters: Pentax’s 6 fps burst and improved AF tracking mean fewer missed shots.
Final Thoughts: A Classic Versus a More Modern Contender
The Canon EOS 1000D served as a solid first DSLR for many photographers over a decade ago. It’s simple, approachable, and capable of good images, especially for static subjects in good light.
Yet time has not stood still. Pentax’s K-500 brings a raft of improvements that reflect evolving DSLR standards - higher resolution, better autofocus, longer battery life, and video capabilities. Though heavier and pricier, the K-500 offers greater versatility for a growing photographer or enthusiast.
If you own a 1000D, there’s little rush to upgrade unless you crave these modern features. But if you’re choosing between the two today, Pentax K-500 is the better balanced entry-level DSLR that keeps pace reasonably well and encourages photography beyond the basics.
Dear Canon, please consider bringing a fully featured entry-level DSLR back to compete with such strong rivals with more advanced features but retaining your user-friendly design!
Photography gear decisions are highly personal, and I hope this deep dive helps you identify which camera matches your style and aspirations. Whichever you choose, both models offer a great foundation for learning the craft - and that’s what truly matters.
Happy shooting!
If you want to dive deeper into comparing their video capabilities and AF systems, or see my detailed real-world shooting tests, check out my accompanying video reviews and side-by-side galleries linked above.
Canon 1000D vs Pentax K-500 Specifications
| Canon EOS 1000D | Pentax K-500 | |
|---|---|---|
| General Information | ||
| Company | Canon | Pentax |
| Model | Canon EOS 1000D | Pentax K-500 |
| Otherwise known as | EOS Rebel XS / Kiss F Digital | - |
| Category | Entry-Level DSLR | Entry-Level DSLR |
| Announced | 2008-07-22 | 2013-11-27 |
| Physical type | Compact SLR | Compact SLR |
| Sensor Information | ||
| Chip | - | PRIME M |
| Sensor type | CMOS | CMOS |
| Sensor size | APS-C | APS-C |
| Sensor measurements | 22.2 x 14.8mm | 23.7 x 15.7mm |
| Sensor area | 328.6mm² | 372.1mm² |
| Sensor resolution | 10 megapixels | 16 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 3:2 | 3:2 |
| Highest resolution | 3888 x 2592 | 4928 x 3264 |
| Highest native ISO | 1600 | 51600 |
| Min native ISO | 100 | 100 |
| RAW files | ||
| Autofocusing | ||
| Manual focus | ||
| Touch focus | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Autofocus tracking | ||
| Autofocus selectice | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detect autofocus | ||
| Contract detect autofocus | ||
| Phase detect autofocus | ||
| Number of focus points | 7 | 11 |
| Cross focus points | - | 9 |
| Lens | ||
| Lens mounting type | Canon EF/EF-S | Pentax KAF2 |
| Amount of lenses | 326 | 151 |
| Crop factor | 1.6 | 1.5 |
| Screen | ||
| Type of display | Fixed Type | Fixed Type |
| Display diagonal | 2.5 inch | 3 inch |
| Resolution of display | 230k dots | 921k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch functionality | ||
| Display tech | - | TFT LCD monitor with brightness/color adjustment and AR coating |
| Viewfinder Information | ||
| Viewfinder | Optical (pentamirror) | Optical (pentaprism) |
| Viewfinder coverage | 95 percent | 100 percent |
| Viewfinder magnification | 0.51x | 0.61x |
| Features | ||
| Lowest shutter speed | 30 secs | 30 secs |
| Highest shutter speed | 1/4000 secs | 1/6000 secs |
| Continuous shooting rate | 3.0 frames per sec | 6.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | Yes |
| Change white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | 13.00 m (ISO 100) | 12.00 m (at ISO 100) |
| Flash settings | Auto, On, Red-eye reduction, Off | Auto, On, Off, Red-eye, Slow Sync, Slow Sync+Redeye, Trailing Curtain Sync, Wireless |
| Hot shoe | ||
| AEB | ||
| White balance bracketing | ||
| Highest flash synchronize | 1/200 secs | 1/180 secs |
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | - | 1920 x 1080 (30,25,24 fps), 1280 x 720 (60,50,30,25,24 fps), 640 x 424 (30,25,24 fps) |
| Highest video resolution | None | 1920x1080 |
| Video data format | - | MPEG-4, H.264 |
| Microphone port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | Optional |
| Physical | ||
| Environment sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 502 gr (1.11 pounds) | 646 gr (1.42 pounds) |
| Physical dimensions | 126 x 98 x 65mm (5.0" x 3.9" x 2.6") | 130 x 97 x 71mm (5.1" x 3.8" x 2.8") |
| DXO scores | ||
| DXO All around score | 62 | 79 |
| DXO Color Depth score | 22.0 | 23.7 |
| DXO Dynamic range score | 10.9 | 13.1 |
| DXO Low light score | 719 | 1087 |
| Other | ||
| Battery life | 500 photographs | 710 photographs |
| Battery type | Battery Pack | AA |
| Battery model | - | 4 x AA |
| Self timer | Yes (10 sec (2 sec with mirror lock-up)) | Yes ( 2 or 12 seconds) |
| Time lapse shooting | ||
| Storage type | SD/SDHC/MMC card | SD/SDHC/SDXC |
| Card slots | 1 | 1 |
| Retail price | $160 | $600 |