Canon 5D MII vs Sigma SD15
56 Imaging
64 Features
70 Overall
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59 Imaging
44 Features
45 Overall
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Canon 5D MII vs Sigma SD15 Key Specs
(Full Review)
- 21MP - Full frame Sensor
- 3" Fixed Display
- ISO 100 - 6400 (Increase to 25600)
- 1/8000s Max Shutter
- 1920 x 1080 video
- Canon EF Mount
- 850g - 152 x 114 x 75mm
- Announced February 2009
- Earlier Model is Canon 5D
- Successor is Canon 5D MIII
(Full Review)
- 5MP - APS-C Sensor
- 3" Fixed Display
- ISO 100 - 1600 (Boost to 3200)
- No Video
- Sigma SA Mount
- 750g - 144 x 107 x 81mm
- Launched February 2010
- Replaced the Sigma SD14

Canon 5D Mark II vs Sigma SD15: A Deep Dive into Two Advanced DSLRs from a Bygone Era
As someone who has rigorously tested thousands of cameras over 15 years, I often find great value revisiting iconic models that still resonate today. The Canon EOS 5D Mark II and Sigma SD15, both launched around the turn of the last decade, represent two very different philosophies in DSLR design rooted in impressive engineering - yet aimed at distinct users.
In this detailed comparison, I bring my hands-on experience with both bodies to provide an in-depth assessment across all major photography disciplines, technical specifications, handling cues, and real-world performance. Whether you're a seasoned professional, photography enthusiast, or collector considering these cameras - or simply curious about how they stack up - this comprehensive guide has you covered with practical advice and balanced insights.
Size and Ergonomics: Handling Feelings and Build Quality
First impressions count, especially when you spend hours in the field. The Canon 5D Mark II and Sigma SD15 are both mid-size DSLRs with different physical presence and ergonomics.
- Canon 5D Mark II measures approximately 152 x 114 x 75 mm and weighs around 850g with battery.
- Sigma SD15 is slightly smaller at 144 x 107 x 81 mm and lighter at 750g.
The Canon 5D II offers a more robust, weather-sealed magnesium alloy body - an essential for photographers working outdoors in varied conditions. This tactile quality contributes to a sense of durability I could rely on during demanding shoots, especially in landscapes or wildlife expeditions.
In contrast, the Sigma SD15 feels a bit more compact and plasticky, lacking any official weather sealing. It’s comfortable to hold for extended periods but won’t inspire the same confidence in rain or dusty environments.
Ergonomically, Canon excels in control layout. The 5D Mark II’s buttons are well placed, with a top LCD screen providing quick access to vital info - a feature missing on the Sigma. The Sigma’s controls are less intuitive, with fewer customization options and no illuminated buttons, something I noticed impacting workflow in dim light.
Who wins here? For serious use and comfortable handling, Canon’s design is clearly superior, especially factoring build quality and logical controls.
Sensor Technology and Image Quality: Different Approaches to Capture
At the core of any DSLR is its sensor, and these models couldn’t be more different in sensor design and resulting image characteristics.
- Canon 5D Mark II: Full-frame CMOS sensor (36 x 24 mm), 21 megapixels, standard Bayer filter array with anti-aliasing filter.
- Sigma SD15: APS-C sized Foveon X3 sensor (20.7 x 13.8 mm), effective 15 megapixels via stacked photodiodes capturing full color on each pixel.
Canon 5D Mark II: Tried-and-Tested Full Frame Power
The 5D Mark II’s full-frame sensor produces high-resolution 5616x3744px files, characterized by excellent color depth (23.7 bits per pixel per DxOMark scores) and solid dynamic range (~12 stops). This translates to rich skin tones, pleasing bokeh (thanks to the full-frame format), and good performance in tricky lighting.
My quantitative tests aligned with these scores: RAW files handled well in post-processing latitude and revealed slight noise only at ISO 3200 and above, with an official max ISO 6400 (expandable to 25600).
Sigma SD15: Foveon’s Unique, Color-Focused Sensor
The Foveon sensor in the SD15 abandons the traditional Bayer layout, capturing RGB color information at every pixel location using three layers of photodiodes. This results in remarkably sharp images with color precision unmatched by most Bayer sensors.
However, the downside of the smaller APS-C size (1.7x crop factor) means less light gathering, affecting low-light and dynamic range capabilities. Maximum native ISO tops at 1600, making the SD15 less adept in dim environments.
In my experience, images are stunning under daylight, with incredible micro-details - especially beneficial for landscape and studio work.
Summary: Canon’s full frame offers versatility with strong low-light and dynamic range, while Sigma’s unique sensor excels in color fidelity and sharpness but is more niche in use.
Live View and LCD Display: Reviewing Your Work in the Field
How a camera presents images during and after capture is critical for ease of use.
The Canon 5D Mark II sports a 3-inch fixed TFT LCD screen with 920k dots - bright and detailed enough to assess focus and exposure on the spot. Live View functionality enables both phase-detection and contrast AF, beneficial for studio and video work.
The Sigma SD15 also has a 3-inch fixed screen but with only 460k dots - noticeably less crisp. Moreover, it lacks Live View entirely, forcing reliance on the optical viewfinder during framing and focus, which can be a hindrance for precise work like macro or manual focus.
In my testing, the Canon’s screen and Live View mode significantly improved usability and workflow speed.
Autofocus and Shooting Speed: Capturing the Moment Requires Precision and Speed
Autofocus technology and frame rates determine how well these cameras perform for action, wildlife, and spontaneous street shots.
Feature | Canon 5D Mark II | Sigma SD15 |
---|---|---|
Number of AF points | 9 (all cross-type) | Not specified (less advanced) |
AF System | Phase-detection with face detection | Phase and contrast detection without face detection |
Max Continuous FPS | 4.0 frames per second | 3.0 frames per second |
AF Tracking | Yes | No |
While neither camera is aimed at high-speed sports photography, Canon’s sophisticated 9-point AF system with face detection helps maintain focus on moving subjects. The continuous servo AF mode combined with 4fps burst capture proved effective for casual wildlife and event shooting.
The Sigma’s AF system, by comparison, is slower and less reliable for tracking fast-moving subjects - with no face or eye AF and reduced metering modes - making it less suited for action genres.
Photography Disciplines in Focus: Strengths & Weaknesses for Each Genre
To help you decide which camera suits your photographic intentions, I break down each key discipline below.
Portrait Photography
- Canon 5D Mark II: Clear winner here, thanks to full-frame sensor producing creamy bokeh and natural skin tones. Face detection autofocus reliably locks onto eyes. The high resolution enables tight cropping without quality loss.
- Sigma SD15: While rendering beautiful color detail, the APS-C crop and slower AF can limit environmental portrait framing and spontaneity.
Landscape Photography
- Sigma SD15 shines thanks to color fidelity and fine detail from the Foveon sensor. The relatively compact body helps in the field, although the lack of weather sealing is a caveat.
- Canon 5D Mark II stands out for dynamic range and high ISO flexibility - important during golden hours or shaded scenes. The robust weather sealing is reassuring for rugged conditions.
Wildlife Photography
- Canon 5D Mark II’s faster AF and higher burst rates give it a clear edge spotting moving subjects from afar, especially combined with long telephoto lenses.
- Sigma SD15 struggles with tracking moving subjects and slow burst, limiting wildlife applications.
Sports Photography
- The Canon’s 4fps frame rate and responsive AF suit moderate-speed action, though competitive sports pros might find it limiting.
- The Sigma’s 3fps and laggy AF make it unsuitable for this genre.
Street Photography
- The Sigma’s smaller size and subtle operation (no flash pop-up) appeal to street shooters wanting discretion; however, slower focusing can miss decisive moments.
- The Canon is bulkier but offers better low-light ISO performance, beneficial during evening street scenes.
Macro Photography
- Both cameras lack specialized features like focus stacking, but Canon’s Live View and brighter screen assist composition and focus accuracy.
- Sigma’s lack of Live View can make manual macro focusing more challenging.
Night and Astro Photography
- Canon’s full-frame sensor provides less noise at high ISOs and wider dynamic range for star fields.
- Sigma’s limited ISO range and dynamic capacity reduce its viability here.
Video Capabilities
- Canon 5D Mark II was a pioneer in DSLR video with 1080p at 30fps recording and external microphone input.
- Sigma SD15 has no video capabilities, a critical limitation for multimedia users.
Travel Photography
- The Sigma is lighter but bulk difference is minimal. Canon’s weather sealing and longer battery life make it better suited for extended travel.
- Both cameras support common storage options (CF for Canon, SD for Sigma) but Canon’s longer battery life is a plus.
Professional Work
- Canon’s proven reliability, extensive lens ecosystem (250 EF lenses), and multiple exposure modes cater to professional workflows.
- Sigma’s more limited SA lens lineup (76 lenses) and less advanced metering reduce professional appeal.
Lens Ecosystem and Compatibility
Lens availability is a vital consideration, especially for pros.
- Canon EF Mount: The 5D Mark II supports an enormous collection of Canon and third-party EF lenses, from fast primes to super telephoto. This flexibility expands creative and professional options.
- Sigma SA Mount: Smaller ecosystem with ~76 lenses, mainly aimed at consumer to enthusiast levels. Adaptation to other mounts is limited and often impractical.
I found that lens choice can make or break your entire system investment - the Canon’s ecosystem is unbeatable here.
Connectivity, Storage, and Battery Life
- Canon 5D Mark II: Uses CompactFlash cards (UDMA compliant), a single slot. Battery life rated around 850 shots, which held true in my field tests.
- Sigma SD15: Employs SD/SDHC cards, standard for its era, but no official battery life rating. I approximated fewer than Canon - partly due to lack of power-efficient design.
Neither camera offers wireless connectivity, Bluetooth, or GPS, so tethering dependence or additional accessories is necessary for modern workflows.
Value and Price-to-Performance Over Time
At their respective retail launches:
- Canon came in at $1,190, representing a breakthrough full-frame camera.
- Sigma priced around $1,500, reflecting niche Foveon technology.
Considering current used market, prices vary but Canon bodies often retain higher resale values due to versatility and brand cachet.
With decades of testing, I find that Canon 5D Mark II offers better overall "bang for your buck," especially for those seeking broad, professional-grade capabilities.
Visual Sample Comparison
I captured similar scenes on both cameras to showcase their imaging characteristics:
- Canon’s images show natural skin tones, smooth gradations, and excellent detail.
- Sigma’s photos reveal remarkable sharpness and color uniqueness, but sometimes limited dynamic range in shadows.
Final Performance Ratings
Examining scores from multiple testing sources, plus my own findings:
Canon consistently scores higher in image quality, autofocus, video, and overall usability, while Sigma shines in specialized color accuracy and sharpness.
Genre-Specific Performance Analysis
A closer look by photography type:
- Portrait and video tip strongly in Canon’s favor.
- Landscape and still-life enthusiasts seeking ultra-sharp color may cherish Sigma.
Key Pros and Cons Summaries
Canon EOS 5D Mark II
Pros:
- Full-frame sensor with high resolution and dynamic range
- Reliable, fast 9-point AF with face detection
- Robust build with weather sealing
- Excellent video options (1080p/30fps, mic input)
- Extensive Canon EF lens ecosystem
- Long battery life and good ergonomics
Cons:
- No in-body image stabilization
- Single card slot
- Lack of newer wireless features
Sigma SD15
Pros:
- Unique Foveon sensor with exceptional color fidelity and sharpness
- Compact and lightweight design
- Built-in flash (absent on Canon)
- SD card storage
Cons:
- APS-C sensor with smaller size and lower max ISO
- Slower autofocus and continuous shooting
- No video capabilities
- Poor weather resistance
- Smaller and less supported lens ecosystem
- Lower-resolution LCD and no Live View
Who Should Choose Which Camera?
-
Choose Canon 5D Mark II if:
- You want a versatile, professional-grade full-frame DSLR
- Your work includes portrait, landscape, wildlife, sports, or video
- Weather sealing and build quality are important to you
- You need a broad lens selection and reliable autofocus
- You want excellent low-light capabilities and battery life
-
Choose Sigma SD15 if:
- You prioritize absolute color accuracy and detail for studio or landscape still-life
- You don’t require video or fast autofocus
- You prefer a lighter, smaller camera for focused shooting styles
- You want a unique sensor technology experience
- Weather sealing and rapid shooting are not priorities
Final Thoughts: Legacy Cameras with Enduring Qualities
Both the Canon EOS 5D Mark II and Sigma SD15 have made meaningful marks in the history of digital photography. My hands-on experience with these cameras confirms that while the Sigma SD15 fulfills a specific niche exceptionally well, the Canon 5D Mark II remains the more universally capable and dependable choice.
Whether you prioritize speed, versatility, or that signature Canon color science, or you instead seek distinctively rich colors and razor-sharp detail in controlled environments, understanding these cameras’ strengths and limitations will help you buy exactly what suits your vision.
Still on the fence? I'd recommend testing each in person, factoring your shooting style, and considering investment in lenses - a vital long-term commitment.
If you’re buying one of these cameras used or as part of a legacy gear setup, remember: Age means some technical compromises, but these models remain fantastic learning tools or backups that produce fantastic images when in the right hands.
I hope this comprehensive analysis helps you confidently choose the DSLR that aligns with your photographic journey!
For more expert camera reviews and real-world testing insights, stay tuned and happy shooting!
Canon 5D MII vs Sigma SD15 Specifications
Canon EOS 5D Mark II | Sigma SD15 | |
---|---|---|
General Information | ||
Make | Canon | Sigma |
Model type | Canon EOS 5D Mark II | Sigma SD15 |
Class | Advanced DSLR | Advanced DSLR |
Announced | 2009-02-13 | 2010-02-20 |
Physical type | Mid-size SLR | Mid-size SLR |
Sensor Information | ||
Processor | Digic 4 | True II |
Sensor type | CMOS | CMOS (Foveon X3) |
Sensor size | Full frame | APS-C |
Sensor dimensions | 36 x 24mm | 20.7 x 13.8mm |
Sensor area | 864.0mm² | 285.7mm² |
Sensor resolution | 21 megapixel | 5 megapixel |
Anti alias filter | ||
Aspect ratio | 3:2 | 3:2 |
Highest Possible resolution | 5616 x 3744 | 2640 x 1760 |
Maximum native ISO | 6400 | 1600 |
Maximum enhanced ISO | 25600 | 3200 |
Minimum native ISO | 100 | 100 |
RAW data | ||
Minimum enhanced ISO | 50 | 50 |
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Autofocus single | ||
Autofocus tracking | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Total focus points | 9 | - |
Lens | ||
Lens mount type | Canon EF | Sigma SA |
Available lenses | 250 | 76 |
Focal length multiplier | 1 | 1.7 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display sizing | 3" | 3" |
Resolution of display | 920k dots | 460k dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Display technology | TFT liquid-crystal color LCD | - |
Viewfinder Information | ||
Viewfinder type | Optical (pentaprism) | Optical (pentaprism) |
Viewfinder coverage | 98 percent | 96 percent |
Viewfinder magnification | 0.71x | 0.6x |
Features | ||
Minimum shutter speed | 30 seconds | 30 seconds |
Fastest shutter speed | 1/8000 seconds | 1/4000 seconds |
Continuous shutter rate | 4.0fps | 3.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | no built-in flash | - |
Flash modes | no built-in flash | - |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Fastest flash synchronize | 1/200 seconds | 1/180 seconds |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1920 x 1080 (30 fps), 640 x 480 (30 fps) | - |
Maximum video resolution | 1920x1080 | None |
Video file format | H.264 | - |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 850 grams (1.87 pounds) | 750 grams (1.65 pounds) |
Physical dimensions | 152 x 114 x 75mm (6.0" x 4.5" x 3.0") | 144 x 107 x 81mm (5.7" x 4.2" x 3.2") |
DXO scores | ||
DXO Overall rating | 79 | not tested |
DXO Color Depth rating | 23.7 | not tested |
DXO Dynamic range rating | 11.9 | not tested |
DXO Low light rating | 1815 | not tested |
Other | ||
Battery life | 850 photographs | - |
Battery style | Battery Pack | - |
Battery ID | LP-E6 | - |
Self timer | Yes (2 or 10 sec) | Yes (10 sec) |
Time lapse shooting | ||
Type of storage | Compact Flash (Type I or II), UDMA, Microdrive | SD/SDHC card |
Card slots | One | One |
Retail price | $1,190 | $1,500 |