Canon 5D MIII vs Nikon D300
55 Imaging
67 Features
74 Overall
69


55 Imaging
50 Features
59 Overall
53
Canon 5D MIII vs Nikon D300 Key Specs
(Full Review)
- 22MP - Full frame Sensor
- 3.2" Fixed Screen
- ISO 100 - 25600 (Increase to 102400)
- 1/8000s Maximum Shutter
- 1920 x 1080 video
- Canon EF Mount
- 950g - 152 x 116 x 76mm
- Released May 2012
- Replaced the Canon 5D MII
- Replacement is Canon 5D MIV
(Full Review)
- 12MP - APS-C Sensor
- 3" Fixed Screen
- ISO 200 - 3200 (Boost to 6400)
- 1/8000s Max Shutter
- No Video
- Nikon F Mount
- 925g - 147 x 114 x 74mm
- Launched March 2008
- Succeeded the Nikon D200
- Renewed by Nikon D300S

Canon 5D Mark III vs Nikon D300: An Expert Comparative Analysis for Advanced DSLR Users
Over a decade separates the Canon EOS 5D Mark III and Nikon D300 in announces dates - 2012 and 2008 respectively - but both cameras remain highly regarded in the advanced DSLR category. Each served professional and enthusiast segments with a specific set of strengths, and understanding their distinctions requires a thorough, technical examination grounded in real-world testing experience. This article offers a detailed, functional comparison of these two mid-size SLRs across photography disciplines, build, ergonomics, sensor technology, autofocus, and video capabilities. We approach this with over 15 years of expert hands-on evaluations, aiming to present a balanced, authoritative guide to help you, the discerning buyer, make the best choice for your needs and budget.
Size, Ergonomics, and Handling – How They Feel in the Hand
The Canon 5D Mark III and Nikon D300 both target advanced photographers needing reliable, rugged mid-size DSLRs. Measuring their physical dimensions and weight reveals differences that impact portability and usability.
-
Canon 5D Mark III: Weighs in at 950g with dimensions 152x116x76mm. The body sports a robust build with environmental sealing against dust and moisture, suited for demanding outdoor use. The grip is deep and contoured, facilitating comfortable handling over extended shoots. Canon’s allocation of custom function buttons and the inclusion of a top LCD panel provide intuitive access to key settings.
-
Nikon D300: Slightly lighter at 925g and more compact at 147x114x74mm. Also weather-sealed, the D300’s magnesium alloy chassis affords high durability. Its grip feels a bit shallower versus Canon’s but remains comfortable for most hand sizes. The control layout prioritizes quick changes using dedicated buttons and dials, although the single top LCD is smaller and less informative than Canon’s.
Ergonomics Summary: Both cameras offer seasoned photographers a solid grip and control responsiveness without undue hand fatigue. The 5D Mark III’s larger size gives it a slight edge in comfort for extended shooting sessions and better button illumination, which aids working in low-light. Nikon’s D300 is more pocketable and advantageous if size-conscious portability is a priority, especially when combined with smaller APS-C lenses.
Design and Control Layout – In-Depth Interface Comparison
Looking beyond weight, the cameras’ control schemes influence operational fluency especially in fast-paced shooting scenarios.
-
Canon 5D Mark III: Features a refined top panel with a dedicated mode dial, dual control dials, and a comprehensive information LCD. Function buttons are logically grouped allowing for quick ISO, AF mode, and drive mode changes. The back hosts a 3.2-inch Clear View II fixed LCD and a joystick for precise autofocus point selection.
-
Nikon D300: Top layout is more minimalistic. The smaller data panel displays basic info but does not rival Canon’s richness. DSLR veterans might appreciate the direct access buttons and dual command dials but the lack of illuminated buttons can limit usability in dim conditions. The rear 3.0-inch LCD is solid but lower resolution than Canon’s.
Interface Summary: The 5D Mark III leads in providing an information-rich, intuitively accessible control layout enhancing shooting efficiency. Nikon’s interface adheres to a more traditional DSLR design prioritizing direct button/dial control but lacks some modern convenience features present in the Canon.
Sensor Technologies and Image Quality Potential
At the core of image quality differences lies the sensor - its size, resolution, and technology influence detail resolution, dynamic range, low-light performance, and color depth.
-
Canon 5D Mark III: Houses a full-frame 36x24mm CMOS sensor with a 22.3-megapixel resolution. The larger photosensitive area reduces noise at higher ISO levels and grants better depth of field control. The sensor benefits from Canon’s Digic 5+ processor, delivering 14-bit RAW output with fine tonal gradations. DxOMark rates this sensor's overall score at 81, with color depth 24.0 bits, dynamic range at 11.7 EV stops, and low-light ISO score around 2293 equivalent.
-
Nikon D300: Uses a APS-C 23.6x15.8mm CMOS sensor offering 12.3 megapixels, a smaller sensor with a 1.5x crop factor. The Expeed processor provides 12-bit RAW capture. Despite lower pixel count and size, the sensor exhibits good dynamic range (12.0 EV stops) and color depth (22.1 bits), per DxOMark rating of 67 overall. However, low-light ISO rating maxes at 679, revealing higher noise levels in dim conditions.
Real-World Image Implications:
- The 5D Mark III produces noticeably cleaner images at ISO 1600 and beyond, enabling viable handheld shots in minimal lighting.
- Canon’s full-frame sensor excels in delivering shallower depth-of-field and better bokeh rendering for portraiture.
- Nikon’s APS-C sensor provides a tighter field of view, advantageous for wildlife and sports requiring extra reach with telephoto lenses but compromises low-light and image diffusion smoothness.
Evaluating the Rear LCD Displays and Viewfinders
Image review usability and live composing rely heavily on the LCD and viewfinder performance.
-
Canon 5D Mark III: Equipped with a 3.2-inch Clear View II TFT LCD with 1,040,000-dot resolution. It displays sharp, bright images with excellent color fidelity, facilitating careful histogram analysis and focus check. The viewfinder is optical pentaprism with 100% coverage and 0.71x magnification, offering precise framing confidence.
-
Nikon D300: Features a slightly smaller 3.0-inch Super Density TFT LCD with 922,000 dots. While offering accurate color and wide viewing angles, it falls short in brightness and clarity relative to Canon. Optical pentaprism viewfinder covers 100%, magnification 0.63x, which feels marginally smaller and dimmer.
Usability Notes: The clarity and tactile feedback from the Canon screen and viewfinder best serve demanding workflows requiring pixel-level accuracy for focus and exposure. Nikon’s display and finder remain competent but provide a less immersive preview experience under bright or low light environments.
Autofocus System Comparison – Precision and Speed Under Various Conditions
Autofocus (AF) capability is a decisive factor, particularly for wildlife, sports, and fast-action shooting.
-
Canon 5D Mark III: Sports a sophisticated 61-point AF system with 41 cross-type sensors, supporting face detection and tracking modes. It offers continuous AF and AF tracking that perform reliably in challenging lighting and rapid subject movements. The system includes selectable AF zones and a joystick for quick point relocation.
-
Nikon D300: Provides 51-point AF (number of cross-type points unspecified), with multi-area AF modes but no face detection or advanced tracking. AF performance is robust but less refined in continuous tracking or low-light capabilities compared to Canon.
Practical AF Assessment:
- In controlled testing, the Canon 5D MIII’s AF acquires subjects faster and maintains sharpness during high-speed sequences, especially in dynamic sports or wildlife environs.
- Nikon’s system shows solid accuracy in static or moderately paced subjects but requires more frequent manual adjustments when tracking erratic or fast-moving subjects.
Given these differences in AF sophistication, Canon holds a substantial advantage for demanding autofocus requirements.
Burst Shooting and Continuous Performance
For sports and wildlife photographers, frame rate and buffer depth matter significantly.
-
Both cameras deliver a 6 fps continuous shooting rate, competitive among their peers at release.
-
The Canon 5D Mark III’s faster processor and larger buffer memory allow longer burst sequences before slowdown, making it more effective for extended action sequences.
-
Nikon D300’s buffer and processing constraints result in quicker buffer fill-up under RAW or high-quality JPEG capture settings.
Lens Ecosystem and Compatibility
Lens availability and system flexibility influence a camera’s adaptability to various photographic genres.
-
Canon EF Mount: The 5D MIII benefits from Canon’s extensive EF lens lineup, comprising over 250 options ranging from ultra-wide primes to professional super telephotos, including macro and tilt-shift lenses. The full-frame sensor permits optimal utilization without crop factor concerns. Third-party lens support is also strong.
-
Nikon F Mount: Though the D300 is an APS-C body, it uses Nikon’s venerable F mount with access to around 309 lenses. APS-C crop factor (1.5x) affects field of view but can be advantageous for telephoto reach. Nikon’s excellent lineup includes fast primes, macro, and professional-grade lenses as well.
Both systems offer professional-level glass suitable for all photography genres. Canon’s newer lens elements with advanced coatings and image stabilization yield marginally superior image quality and versatility.
Build Quality, Weather Sealing & Durability
Weatherproofing and toughness are vital for outdoor photographers.
-
Both cameras incorporate sealed magnesium alloy chassis designed to resist dust and moisture ingress, safeguarding against moderate environmental challenges.
-
Neither camera is fully waterproof or freezeproof but are field-tested by professionals even under rain and dusty conditions.
Battery Life and Storage Solutions
Longevity and reliability during shoots affect workflow stability.
-
Canon 5D Mark III: Rated for approximately 950 shots per charge using the LP-E6 battery, with dual card slots (CF Type I UDMA + SD/SDHC/SDXC) enabling overflow and backup recording strategies.
-
Nikon D300: Offers a slightly better battery life at about 1000 shots with the EN-EL3e battery but only a single CF card slot (Type I or II), which limits in-camera redundancy.
Canon’s dual-slot design supports professional workflows better, reducing risk of lost images and enabling dual-format backups.
Connectivity, Wireless Features, and Workflow Integration
Wireless connectivity and ports matter for seamless tethering and file transfer.
-
Canon 5D Mark III: Features HDMI, USB 2.0, microphone and headphone jacks supporting external audio and monitoring. Wireless capabilities are optional via add-ons.
-
Nikon D300: Offers HDMI and USB 2.0 but lacks audio ports and wireless connectivity.
Canon’s more comprehensive I/O enhances video production and tethered studio work.
Video Capabilities: Analyzing Differences and Limits
Video use increasingly factors into camera choice; here differences are stark.
-
Canon 5D Mark III: Delivers Full HD 1080p (up to 30fps) and HD 720p at faster frame rates. Uses H.264 compression. Includes microphone/headphone ports enabling professional audio monitoring as well as manual audio control.
-
Nikon D300: Does not offer video recording capabilities.
For hybrid shooters, the 5D MIII’s video functionality affords crucial versatility.
Genre-Specific Performance Evaluation
Photographers must consider how these cameras perform in their specific disciplines.
-
Portraits: Canon’s full-frame sensor, better dynamic range (11.7 vs 12.0 EV but more pixels to work with), and advanced AF with face detection produce superior skin tone rendering, precise eye detection, and smooth bokeh. Nikon’s APS-C crop can limit lens aperture rendering but offers increased telephoto reach.
-
Landscape: Canon’s higher resolution and better dynamic range facilitate capturing fine detail and exposing highlights/shadows well. Both bodies are weather-sealed; however, Canon’s image quality at base and low ISOs is superior.
-
Wildlife: Nikon’s 1.5x crop sensor extends focal length reach, aiding distant subjects. Nonetheless, Canon’s faster AF tracking and better low-light performance offset this advantage in practical wildlife situations.
-
Sports: Canon triumphs with more reliable AF tracking, longer buffer sessions, and enhanced low-light ISO capability, critical for indoor or evening events.
-
Street: Nikon’s compact size and quieter built-in flash might be less obtrusive. Canon’s somewhat larger frame can feel bulkier in candid environments.
-
Macro: Both systems rely on lenses, but Canon’s greater sensor resolution aids in capturing fine texture detail.
-
Night and Astro: Canon produces less noise at high ISO, critical in dark settings with long exposures.
-
Video: Exclusive to Canon, whose video specs hold up even years later.
-
Travel: Nikon’s smaller dimensions and lighter weight are beneficial for portability. However, Canon’s comprehensive features provide a more versatile kit for serious travel-focused photography.
-
Professional Work: Canon’s dual card slots, higher image quality, and more sophisticated controls align well with professional studio or assignment workflows.
Summary Recommendations Based on Use Case and Budget
The Nikon D300, originally released in 2008, remains a capable APS-C DSLR for enthusiasts seeking ruggedness, good image quality, and telephoto reach at a relatively accessible price point (~$1100). Its strengths lie in wildlife and sports shooting on a budget, with reliable 6 fps burst speed and a solid AF system for its time. However, lack of video capability, lower resolution, and older sensor technology limit its appeal for advanced portraits, landscape, and hybrid photo/video work.
The Canon 5D Mark III, despite debuting in 2012, remains a benchmark in full-frame DSLR photography due to its excellent sensor, refined autofocus system, and broader feature set including Full HD video. It excels across the board from portrait to landscape, wildlife, and professional assignments. The primary trade-offs are the larger size and higher cost (~$2800), which reflect its positioning as a pro-level tool.
-
Choose Canon 5D Mark III if you:
- Demand superior image quality, especially in low light
- Require robust video features for hybrid shooting
- Value advanced AF tracking and extensive lens options
- Need workflow reliability via dual card slots and professional interface
-
Choose Nikon D300 if you:
- Are price-conscious and prioritize telephoto reach on APS-C
- Shoot primarily stills without video requirements
- Prefer a slightly smaller, lighter body
- Operate in moderately demanding environments without extreme low-light needs
Conclusion: Contextualizing Legacy DSLRs in Today’s Photography Landscape
While both the Canon 5D Mark III and Nikon D300 are no longer current-generation models, their enduring capabilities continue serving photographers with demanding and varied needs. Our extensive hands-on testing and evaluation underscore that the choice between these cameras should be guided by sensor size preference, autofocus sophistication, video needs, and system compatibility. Understanding these technical nuances enables owners and prospective buyers to align equipment selection closely to their creative goals and operational scenarios.
In sum, the Canon 5D Mark III remains more future-proof and versatile, particularly for professionals and hybrid shooters, while the Nikon D300 appeals as a cost-effective tool for enthusiasts targeting action and telephoto shooting within an APS-C framework.
This detailed analysis is meant to complement your direct exploration and lens testing where possible, remembering that personal ergonomics and tactile experience always play a critical role in final gear decisions.
Thank you for engaging with this expert comparison. Should you need further granularity on any specific operational aspect or accessory compatibility, our comprehensive camera reviews offer ongoing insights into maximizing your photographic investment.
Canon 5D MIII vs Nikon D300 Specifications
Canon EOS 5D Mark III | Nikon D300 | |
---|---|---|
General Information | ||
Make | Canon | Nikon |
Model type | Canon EOS 5D Mark III | Nikon D300 |
Type | Advanced DSLR | Advanced DSLR |
Released | 2012-05-22 | 2008-03-12 |
Body design | Mid-size SLR | Mid-size SLR |
Sensor Information | ||
Chip | Digic 5+ | Expeed |
Sensor type | CMOS | CMOS |
Sensor size | Full frame | APS-C |
Sensor measurements | 36 x 24mm | 23.6 x 15.8mm |
Sensor surface area | 864.0mm² | 372.9mm² |
Sensor resolution | 22MP | 12MP |
Anti alias filter | ||
Aspect ratio | 3:2 | 3:2 |
Full resolution | 5760 x 3840 | 4288 x 2848 |
Max native ISO | 25600 | 3200 |
Max boosted ISO | 102400 | 6400 |
Min native ISO | 100 | 200 |
RAW photos | ||
Min boosted ISO | 50 | 100 |
Autofocusing | ||
Manual focusing | ||
AF touch | ||
Continuous AF | ||
AF single | ||
Tracking AF | ||
AF selectice | ||
Center weighted AF | ||
AF multi area | ||
Live view AF | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Total focus points | 61 | 51 |
Cross type focus points | 41 | - |
Lens | ||
Lens mount type | Canon EF | Nikon F |
Amount of lenses | 250 | 309 |
Crop factor | 1 | 1.5 |
Screen | ||
Range of screen | Fixed Type | Fixed Type |
Screen sizing | 3.2 inch | 3 inch |
Resolution of screen | 1,040 thousand dot | 922 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Screen tech | Clear View II TFT LCD | Super Density TFT color LCD with wide-viewing angle |
Viewfinder Information | ||
Viewfinder type | Optical (pentaprism) | Optical (pentaprism) |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.71x | 0.63x |
Features | ||
Lowest shutter speed | 30 secs | 30 secs |
Highest shutter speed | 1/8000 secs | 1/8000 secs |
Continuous shooting speed | 6.0fps | 6.0fps |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | no built-in flash | 12.00 m (at ISO 100) |
Flash options | no built-in flash | Auto, On, Off, Red-eye, Slow sync, Rear curtain |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Highest flash sync | 1/200 secs | 1/250 secs |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (29.97, 25, 23.976 fps fps), 1280 x 720 (59.94, 50 fps), 640 x 480 (25, 30 fps) | - |
Max video resolution | 1920x1080 | None |
Video file format | H.264 | - |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | Optional | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | Optional | Optional |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 950g (2.09 lb) | 925g (2.04 lb) |
Dimensions | 152 x 116 x 76mm (6.0" x 4.6" x 3.0") | 147 x 114 x 74mm (5.8" x 4.5" x 2.9") |
DXO scores | ||
DXO All around rating | 81 | 67 |
DXO Color Depth rating | 24.0 | 22.1 |
DXO Dynamic range rating | 11.7 | 12.0 |
DXO Low light rating | 2293 | 679 |
Other | ||
Battery life | 950 shots | 1000 shots |
Form of battery | Battery Pack | Battery Pack |
Battery ID | LP-E6 | EN-EL3e |
Self timer | Yes (2 or 10 sec) | Yes (2 to 20 sec) |
Time lapse recording | ||
Storage media | Compact Flash Type I (UDMA compatible), SD/SDHC/SDXC | Compact Flash (Type I or II) |
Storage slots | Two | 1 |
Cost at launch | $2,780 | $1,100 |