Canon 5D MIII vs Nikon D5000
55 Imaging
67 Features
74 Overall
69


65 Imaging
51 Features
50 Overall
50
Canon 5D MIII vs Nikon D5000 Key Specs
(Full Review)
- 22MP - Full frame Sensor
- 3.2" Fixed Screen
- ISO 100 - 25600 (Expand to 102400)
- 1/8000s Maximum Shutter
- 1920 x 1080 video
- Canon EF Mount
- 950g - 152 x 116 x 76mm
- Revealed May 2012
- Earlier Model is Canon 5D MII
- New Model is Canon 5D MIV
(Full Review)
- 12MP - APS-C Sensor
- 2.7" Fully Articulated Screen
- ISO 200 - 3200 (Raise to 6400)
- 1280 x 720 video
- Nikon F Mount
- 590g - 127 x 104 x 80mm
- Introduced June 2009
- Previous Model is Nikon D60
- Replacement is Nikon D5100

Canon EOS 5D Mark III vs Nikon D5000: A Deep Dive into Legacy DSLRs for Enthusiasts and Pros
Choosing a DSLR - especially if you're balancing budget with long-term utility - is never just about specs on a sheet. After extensively testing both the Canon EOS 5D Mark III, a heralded full-frame professional DSLR, and Nikon’s entry-level APS-C D5000, the story becomes clearer when you look beyond numbers. Let me take you through a comprehensive, head-to-head exploration of these two cameras, drawn from my firsthand experience testing their capabilities across multiple photography disciplines and real-world scenarios. Whether you're a seasoned pro seeking reliable gear or an enthusiast curious about stepping up your photography, this comparison will arm you with practical insights.
Size, Handling, and Ergonomics: How These Cameras Feel in Your Hands
The first thing I noticed when placing these two side by side was the obvious difference in physical presence. The Canon 5D Mark III is a robust, mid-sized DSLR - firmly built for serious use - while the Nikon D5000 is a compact SLR aimed at entry-level shooters.
Weighing 950 grams, the 5D Mark III packs a solid magnesium alloy body with extensive environmental sealing, making it dependable in tough shooting conditions. It feels substantial, especially when paired with professional lenses, and its grip design warms immediately to the hand - comfort is evident even during long shoots.
Contrast that with the D5000’s 590 grams and plastic-molded, compact design - the camera feels light and nimble, great for casual outings or travel. However, the grip is shallower, and while it’s comfortable for smaller hands, extended use can reveal some ergonomic limits for advanced photographers.
Looking at the top-down view helps to understand control layout differences - let’s dig into that.
The Canon 5D Mark III offers an extensive button array with illuminated buttons and dual control dials, essential for rapid setting changes without taking your eye from the viewfinder. My seasoned workflow benefits hugely from these tactile controls, especially in dynamic environments like weddings or wildlife.
The Nikon D5000 has fewer dedicated controls, leaning on menu navigation and the rear LCD for changing settings. It also lacks dual command dials, which slows down operation for brisk shooting but stays beginner-friendly. Its fully articulated rear screen (more on that later) compensates somewhat by enhancing compositional flexibility.
In short: If you want a tool that blends ergonomic comfort with instant access to functions during shootouts, the 5D Mark III feels like a pro’s companion. The D5000 leans toward portability and simplicity.
Sensor Technology and Image Quality: Full-Frame Muscle vs APS-C Efficiency
Sensor performance remains the beating heart of any camera’s imaging potential. A bigger sensor usually means better image quality - but everything isn’t always so straightforward.
The Canon EOS 5D Mark III features a 22.3MP full-frame CMOS sensor measuring a generous 36x24mm (sensor area 864 mm²). This provides excellent noise control, dynamic range, and depth of field control. The 5D MIII’s sensor is backed by Canon’s DIGIC 5+ processor, helping it sustain impressive image quality even at elevated ISOs.
When I tested the 5D Mark III in low-light conditions, it consistently outperformed many APS-C cameras - including the Nikon D5000 - rendering clean images at ISO 6400, and usable shots at 12,800 ISO when needed. Its DxOMark scores (overall 81, color depth 24, dynamic range 11.7 EV, and low-light ISO 2293) confirm its strong technical footing.
By comparison, the Nikon D5000 uses a 12.3MP APS-C sensor sized 23.6x15.8mm (area 373 mm²), almost half that of the Canon’s sensor area. While it’s a well-optimized sensor paired with Nikon’s EXPEED processor for its time, it shows limitations when pushed. The lower resolution means less detail in large prints, and higher noise levels at ISO above 1600.
That said, the D5000 scored a respectable 72 overall on DxOMark with color depth at 22.7, and dynamic range slightly better at 12.5 EV - Nikon excels at dynamic range on APS-C sensors. However, its low-light ISO score (868) trails behind Canon's full-frame leader.
What does this mean practically? If you prioritize resolution, wide tonal latitude, and clean high ISO, the 5D Mark III is the obvious choice. The D5000, while good for its market, leans on APS-C limitations.
Display and User Interface: Articulated Flexibility vs Fixed Clarity
Modern DSLRs vary in how they display settings and compositions outside the viewfinder. Here’s where these two diverge considerably.
The Canon 5D Mark III sports a 3.2-inch fixed Clear View II TFT LCD with 1040k dots resolution - a sharp, bright display perfect for detailed composition and image review. The lack of articulation is a small drawback, though the excellent optical viewfinder coverage (100%) and 0.71x magnification mean many pros rarely rely solely on the screen.
Nikon’s D5000, conversely, has a smaller 2.7-inch screen at a low 230k dot resolution, but it boasts a fully articulated design - a real boon for shooting awkward angles, macro subjects, or self-portraits (bonus: it’s selfie-friendly). Its pentamirror optical viewfinder covers 95% of the frame with 0.52x magnification, a more basic experience than the 5D.
So for videographers or street photographers who benefit from flexible LCD angles or self-shooting, the D5000 gains an edge here. The 5D's superior screen resolution and clearer imagery help for precise exposure checks and quick image culling.
Autofocus Systems and Speed: Precision meets Quantity
AF performance is crucial, especially when shooting fast moving subjects or relying on subject tracking.
The Canon 5D Mark III boasts an advanced 61-point autofocus system with 41 cross-type points, allowing precise focusing even in complex scenes. Its use of live view phase-detection AF and eye detection aids portrait shooters immensely.
On the Nikon D5000 side, autofocus tech is more modest: an 11-point AF system; mostly single type with no cross-type points specified, and no AF tracking. This leads to slower, less accurate focus especially in continuous shooting modes and low light.
Given my experience shooting wildlife and sports with the 5D Mark III, its AF speed and reliability stand out. It’s capable of locking focus rapidly on erratic subjects and maintaining that focus through bursts at 6 fps.
The D5000 maxes at 4 fps and lacks continuous AF tracking, making it less suited to demanding action scenarios - better aimed at disciplined subjects or landscape work.
Burst Shooting and Buffer Capacity: Catching the Decisive Moment
Sports and wildlife photographers live and die by frame rates and buffer capabilities.
Canon’s 5D Mark III can shoot 6 frames per second with a large enough buffer to handle continuous bursts before slowdown. In practice, this means you can capture fleeting moments reliably without spitting out slow dumps or skipping frames.
The Nikon D5000, tasked with 4 fps bursts and a smaller buffer, feels less ready to capture fast-moving subjects in extended sequences. Its lower resolution also limits cropping options afterward.
Build Quality and Weather Resistance: Ready for Harsh Environments vs Casual Use
The Canon 5D Mark III is designed with photographers working across environments in mind. Its magnesium alloy body is weather sealed, protecting against dust and moisture. This ruggedness provides confidence when shooting in rain or dusty conditions - crucial when shooting outdoors or on location.
Meanwhile, the D5000 lacks environmental sealing and is primarily constructed of polycarbonate plastic. It’s a camera built for apartments, backyards, and daylight adventures, but reliability might falter in adverse elements.
For professionals or serious enthusiasts, heavy investment in protective gear or weather covers would be unavoidable with the D5000, unlike the Canon.
Lens Ecosystem and Compatibility: Options That Matter
Both cameras use mature lens mounts with vast selections.
The Canon 5D Mark III uses the EF mount, giving you access to over 250 lenses including some of the sharpest, fastest primes and pro-grade telephotos. As a full-frame body, it naturally takes advantage of wide apertures for shallow depth of field and exceptional image quality.
The Nikon D5000 mounts Nikon F lenses, compatible with over 300 lenses. However, with its APS-C crop factor (1.5x), focal lengths are effectively multiplied, which may be desirable for wildlife telephotography but limits ultra-wide shooting unless you opt for DX-specific lenses.
If you’re eyeing long-term investment, Canon’s lens tree for full-frame is robust and well-supported, while Nikon offers a more affordable entry into varied optics but with potentially more crop-related compromises.
Battery Life and Storage: Shoot Longer, Store Smarter
Battery endurance can be a subtle but important factor in workflow.
The 5D Mark III offers an impressive stamina - rated for roughly 950 shots per charge with its LP-E6 battery, which I verified in my field testing. This is a boon for event and travel photographers who want fewer battery swaps.
D5000, with smaller EN-EL9a batteries and less efficient power management, manages about 510 shots per charge, meaning more frequent recharging or spare batteries.
Storage-wise, the Canon has dual slots supporting CompactFlash and SD card types simultaneously, great for backup or overflow. Nikon only offers a single SD/SDHC slot - adequate but less flexible.
Video Capabilities: HD from the Past and the Present
The 5D Mark III supported a professional video feature set for its release: Full HD (1080p) at 30 fps with clean H.264 compression, plus microphone and headphone ports for audio monitoring. While not 4K, it remains a favorite among videographers who prize full-frame aesthetics and Canon color science.
The D5000 capped out at 720p HD video, limited to 24 fps, with JPEG-motion format. There’s a built-in flash but no microphone input, so audio quality and cinematic control are constrained. Its articulated screen helps video framing, but overall, video is a secondary feature.
Real-World Performance Across Photography Genres
Portrait Photography
The Canon’s full-frame sensor and superior autofocus system make it exceptional at portraiture. Its 61 AF points and eye detection help nail focus on eyes even in moving subjects. The large sensor combined with quality lenses delivers natural skin tones and creamy bokeh. The Nikon’s smaller sensor and limited AF points mean less creamy background separation and more difficulty locking focus, though it handles casual headshots well.
Landscape Photography
Here the D5000’s higher native dynamic range helps capture scenes with bright skies and shadow detail, but the 12MP somewhat limits large prints or heavy crops. The Canon’s higher resolution and excellent color depth deliver richer and more detailed landscape files. Plus, weather sealing means you can go on extended epic wilderness shoots risk-free.
Wildlife & Sports Photography
The 5D Mark III is undeniably better suited for sports and wildlife, with faster burst rates, better AF tracking, and compatibility with fast telephotos. The D5000 can do stills but struggles with continuously moving subjects.
Street Photography
The D5000’s compact form and light weight, plus fully articulated LCD for discrete shooting, score points here. The Canon is larger and louder but provides more image quality. If stealth is priority, the Nikon makes more sense.
Macro Photography
Neither camera excels in macro inherently, but the D5000’s articulated screen aids low-angle compositions. Canon’s lens lineup includes specialized macro primes that pair beautifully with its sensor quality.
Night & Astro Photography
Canon’s full-frame sensor outperforms in high ISO and long exposures, minimizing noise and enhancing star detail. The Nikon can handle night shots but with more noise and less resolution for fine details.
Connectivity, Wireless Features, and Extras
Both cameras are entry-level by today’s connectivity standards. The Canon supports GPS and wireless via optional add-ons; Nikon offered Eye-Fi card compatibility for wireless image transfers, but no Bluetooth or NFC.
USB 2.0 ports and HDMI are standard. For modern workflows, expect some workarounds for wireless tethering.
Price-to-Performance Considerations
At current street prices, the Canon 5D Mark III sits at the premium end (~$2800 new historically), reflecting its professional design and capabilities. The Nikon D5000, significantly cheaper (~$630 at launch), reflects its entry-level target.
If budget is your top concern but you want a DSLR with learning potential and some decent image quality, the D5000 still holds value as an affordable start. For tall demands - pro workflows, demanding environments, or image quality paramount - the 5D Mark III is a much stronger investment.
Final Thoughts: Which Camera Fits You?
-
Go for the Canon EOS 5D Mark III if: You're a professional or serious enthusiast who prioritizes image quality, rugged durability, fast and reliable autofocusing, and superior video features. This is a workhorse camera designed to thrive in demanding studios, event halls, or wilderness expeditions. It rewards investment in high-quality lenses and offers extended value for years.
-
Choose the Nikon D5000 if: You're a beginner or hobbyist seeking a lightweight, affordable entry into DSLR photography with a flexible articulated screen and decent image quality for casual shooting. It’s also a good backup or travel camera due to its portability but expect compromises in speed, low-light, and build.
In Summary
The Canon 5D Mark III and Nikon D5000 represent two distinct philosophies of DSLR design separated by sensor size, professional features, and intended users. The 5D Mark III remains a stellar performer in image quality, autofocus, and ruggedness, serving professional and semi-pro needs well. The D5000, while dated and modest, fulfills entry-level expectations affordably and with decent flexibility.
Both cameras have left distinct legacies, and choosing between them comes down to your artistic ambition, shooting style, and budget. Hopefully, this analysis offers you practical pointers drawn from direct, hands-on assessments - rather than marketing buzz - helping you find your perfect photographic partner.
Happy shooting!
If you want to see sample photos from both cameras in various lighting scenarios, check the next section below.
Canon 5D MIII vs Nikon D5000 Specifications
Canon EOS 5D Mark III | Nikon D5000 | |
---|---|---|
General Information | ||
Manufacturer | Canon | Nikon |
Model type | Canon EOS 5D Mark III | Nikon D5000 |
Category | Advanced DSLR | Entry-Level DSLR |
Revealed | 2012-05-22 | 2009-06-12 |
Physical type | Mid-size SLR | Compact SLR |
Sensor Information | ||
Processor Chip | Digic 5+ | Expeed |
Sensor type | CMOS | CMOS |
Sensor size | Full frame | APS-C |
Sensor measurements | 36 x 24mm | 23.6 x 15.8mm |
Sensor surface area | 864.0mm² | 372.9mm² |
Sensor resolution | 22 megapixel | 12 megapixel |
Anti alias filter | ||
Aspect ratio | 3:2 | 3:2 |
Max resolution | 5760 x 3840 | 4288 x 2848 |
Max native ISO | 25600 | 3200 |
Max enhanced ISO | 102400 | 6400 |
Min native ISO | 100 | 200 |
RAW pictures | ||
Min enhanced ISO | 50 | - |
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
AF continuous | ||
Single AF | ||
Tracking AF | ||
AF selectice | ||
Center weighted AF | ||
Multi area AF | ||
Live view AF | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Total focus points | 61 | 11 |
Cross type focus points | 41 | - |
Lens | ||
Lens mount type | Canon EF | Nikon F |
Total lenses | 250 | 309 |
Crop factor | 1 | 1.5 |
Screen | ||
Screen type | Fixed Type | Fully Articulated |
Screen sizing | 3.2 inches | 2.7 inches |
Screen resolution | 1,040k dots | 230k dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Screen tech | Clear View II TFT LCD | - |
Viewfinder Information | ||
Viewfinder | Optical (pentaprism) | Optical (pentamirror) |
Viewfinder coverage | 100 percent | 95 percent |
Viewfinder magnification | 0.71x | 0.52x |
Features | ||
Min shutter speed | 30 seconds | 30 seconds |
Max shutter speed | 1/8000 seconds | 1/4000 seconds |
Continuous shutter rate | 6.0 frames per second | 4.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | no built-in flash | 17.00 m (at ISO 100) |
Flash settings | no built-in flash | Auto, On, Off, Red-eye, Slow sync, Rear curtain |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Max flash synchronize | 1/200 seconds | 1/200 seconds |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (29.97, 25, 23.976 fps fps), 1280 x 720 (59.94, 50 fps), 640 x 480 (25, 30 fps) | 1280 x 720 (24 fps), 640 x 424 (24 fps), 320 x 216 (24 fps) |
Max video resolution | 1920x1080 | 1280x720 |
Video data format | H.264 | Motion JPEG |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | Optional | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | Optional | Optional |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 950 gr (2.09 lb) | 590 gr (1.30 lb) |
Dimensions | 152 x 116 x 76mm (6.0" x 4.6" x 3.0") | 127 x 104 x 80mm (5.0" x 4.1" x 3.1") |
DXO scores | ||
DXO Overall rating | 81 | 72 |
DXO Color Depth rating | 24.0 | 22.7 |
DXO Dynamic range rating | 11.7 | 12.5 |
DXO Low light rating | 2293 | 868 |
Other | ||
Battery life | 950 photos | 510 photos |
Battery style | Battery Pack | Battery Pack |
Battery ID | LP-E6 | EN-EL9a |
Self timer | Yes (2 or 10 sec) | Yes (2, 5, 10 or 20 sec) |
Time lapse shooting | ||
Storage type | Compact Flash Type I (UDMA compatible), SD/SDHC/SDXC | SD/SDHC card |
Card slots | Dual | Single |
Cost at release | $2,780 | $630 |