Canon 5D vs Canon 6D MII
55 Imaging
55 Features
41 Overall
49


59 Imaging
74 Features
92 Overall
81
Canon 5D vs Canon 6D MII Key Specs
(Full Review)
- 13MP - Full frame Sensor
- 2.5" Fixed Display
- ISO 100 - 3200
- 1/8000s Max Shutter
- No Video
- Canon EF Mount
- 895g - 152 x 113 x 75mm
- Introduced November 2005
- Replacement is Canon 5D MII
(Full Review)
- 26MP - Full frame Sensor
- 3" Fully Articulated Screen
- ISO 100 - 40000 (Push to 102400)
- 1920 x 1080 video
- Canon EF Mount
- 765g - 144 x 111 x 75mm
- Introduced June 2017
- Old Model is Canon 6D

Canon EOS 5D vs Canon EOS 6D Mark II: A Hands-On Comparison for Photographers in 2024
When Canon dropped the original EOS 5D back in late 2005, it ignited a full-frame revolution for enthusiasts craving pro-level image quality without paying full pro prices. Fast forward a dozen years and the Canon EOS 6D Mark II steps onto the stage as a polished mid-size DSLR with modern bells and whistles - an obvious successor for shooters seeking a versatile, affordable full-frame camera in today’s crowded market.
Having spent countless hours shooting, testing, and comparing both cameras side-by-side, I’m eager to share a detailed comparison that cuts through the specs-soup. Whether you’re a budding portrait maestro, a landscape lover, a weekend wildlife stalker, or a pragmatic traveler, this down-to-earth breakdown will help you understand which Canon full-frame fits your photography style - and budget.
Let’s dive into how these two classics stack up across real-world performance, technical quirks, and what they really mean for the kinds of photos - and videos - you want to create.
Size and Handling: Comfortable Classics vs. Modern Refinements
At first glance, both the Canon 5D and 6D Mark II present a familiar DSLR silhouette optimized for balance and grip. The original 5D is the heftier, chunkier workhorse, weighing 895 grams, with dimensions of 152 x 113 x 75 mm. The 6D Mark II, by contrast, trims down to a lighter 765 grams and measures slightly smaller at 144 x 111 x 75 mm. It’s noticeable but subtle - enough that long hikes or street shoots become less taxing on the 6D MII.
Ergonomically, the 6D MII benefits from a slightly deeper, more contoured grip that nests nicely in larger hands, with buttons spaced for logical, intuitive reach. The 5D’s controls feel a bit more dated and utilitarian, with clusters of buttons that require some thumb gymnastics if you’re dialing settings quickly. The 6D MII’s inclusion of a fully articulated touchscreen really differentiates it ergonomically, allowing flexible shooting angles and fluid menu navigation.
Both bodies are crafted from robust materials - magnesium alloy frames with environmental sealing at key points, though neither is fully dustproof or waterproof. The 5D boasts legendary build solidity in its era, built for the rigors of professional use. The 6D Mark II adopts modern sealing technologies to better resist environmental challenges for outdoors shooters.
In sum: the 5D feels like a dependable tank, the 6D MII a nimbler, more comfortable companion with user-friendly controls - a win for shooters valuing extended handheld use.
Control Layout and Interface: Old School vs. New Cool
Top plate control dominance shifts decisively in the 6D MII’s favor. While the original 5D features a more barebones approach, the 6D Mark II offers a design with dedicating dials for ISO and exposure compensation near the shutter release for super-fast access. The addition of a mode dial lock on the 6D MII also prevents unintended changes - a small but appreciated touch I’ve grown to rely on in fast-paced environments.
I personally appreciate the 6D MII’s illuminated buttons on the back screen, a tiny upgrade that saves fumbling when shooting in dim environments - something the 5D entirely lacks.
Menus are considerably smoother and more responsive on the 6D MII thanks to the touchscreen interface - a luxury missing from the 5D’s fixed 2.5-inch TFT LCD with only 230k dots. The 6D MII's 3-inch, 1,040k-dot fully articulating screen truly shines for video and awkward-angle stills, plus it supports direct touch AF point selection.
If you like tactile wheels and buttons (“clubs for thumbs,” as some friends call them), both cameras excel, but the 6D MII better marries classic DSLR control with modern ease of use, especially through its live view enhancements.
Sensor and Image Quality: Two Full Frames, Decades Apart
Let’s get to the heart of the matter - the image sensor. Both cameras sport full-frame CMOS sensors, measuring roughly 36 x 24 mm, ensuring superb light gathering potential and that coveted shallow depth of field.
The 5D’s 13.0-megapixel sensor was revolutionary in 2005, delivering pristine, low-noise files for its time. Yet by today’s standards - and compared to the elusive megapixel race - it’s relatively modest in resolution, maxing out at 4368 x 2912 pixels.
The 6D Mark II doubles the resolution to 26.2 MP (6240 x 4160 pixels), providing more cropping leeway and finer detail - a distinct advantage especially for landscape and portrait shooters who want large, sharp prints. Canon also upgraded the sensor technology to DIGIC 7 processor integration, enhancing color fidelity (24.4-bit color depth versus 22.9-bit in the 5D), dynamic range (11.9 stops vs. 11.1 stops), and especially improved high-ISO performance. For example, the 6D MII’s DxOMark low-light ISO standard sits at 2862, more than double the 5D’s 1368, with native sensitivity pushing to ISO 40,000 (expandable to 102,400) compared to the 5D’s ISO 3,200 cap.
Practically speaking, this means the 6D MII captures cleaner images in dim conditions with less noise and retains highlight and shadow detail better - a crucial improvement for event shooters and astrophotographers.
Real-world color and tone reproduction
From experience shooting portraits and landscapes with both, the 6D MII delivers more vibrant, accurate skin tones and richer colors straight out of camera. The 5D’s images require more post-processing finesse to restore lost vibrancy, especially under tricky lighting.
While both cameras employ anti-aliasing filters to combat moiré, sharpness straight from the 6D MII often impresses more, thanks to higher resolution and more advanced processing.
LCD and Viewfinder: Getting the Right View
The 5D’s LCD is modest – a 2.5-inch fixed screen with 230k dots, adequate for composition and reviewing shots but a bit pokey and dark in sunshine. The viewfinder is an optical pentaprism with 96% coverage and 0.71x magnification, which was solid but not exceptional for critical framing.
Contrast this with the 6D Mark II’s 3.0-inch fully articulating touchscreen featuring 1,040k dots - with touch AF and swipe navigation. The articulated screen opens new creative angles, macros, and video framing options far beyond what the 5D offers.
Its viewfinder upgrades coverage slightly to 98%, keeping the same magnification, and provides a brighter, more precise optical view - a dear improvement for precision composition in action and sports shots.
If you’re the type who obsessively checks detail on screen, the 6D II’s display is night-and-day better operationally, reducing playback guesswork when out shooting.
Autofocus and Shooting Speed: From Basic to Agile
Autofocus is where the generational gap really kicks in.
The Canon 5D features a 9-point AF system utilizing phase-detection, with no cross-type sensors explicitly stated but generally adequate for its day. There’s no focus tracking, face detection, or sophisticated live view AF.
The 6D Mark II upgrades dramatically with a 45-point all cross-type AF array that covers more of the frame, plus face and eye detection autofocus during live view - a boon for portrait shooters and event photographers. The autofocus is faster, more reliable, and more flexible.
Burst shooting also benefits: the 5D maxes out at 3 frames per second (fps) - enough for modest action but limiting for fast sports or wildlife pursuits. The 6D Mark II nearly doubles that to 6.5 fps, giving you room to capture that decisive moment in more dynamic subjects.
In our wildlife reviews, the 6D MII’s improved AF and burst rate translated to more keepers shooting crows, squirrels, and dogs in motion - while the 5D tends to lose focus or miss frames on fast-moving subjects.
Lens Ecosystem and Compatibility: Familiar Territory
Both cameras use Canon’s venerable EF lens mount, granting access to Canon’s wide ecosystem of over 250 lenses ranging from affordable primes to high-end L-series telephotos. If you already own EF glass, both cameras protect your investment with full compatibility.
Noteworthy: both cameras lack in-body image stabilization (IBIS). The 6D II offers digital IS for video but relies on stabilized lenses for image shake reduction - a crucial consideration for handheld macro and low-light shooters. If you often use non-IS lenses, this might influence your recommendation.
Battery Life and Storage: Reliability for Long Shoots
Battery performance is one of the rare areas the 5D still remains impressive: with its BP-511A battery, Canon rates it around 800 shots per charge - a reasonable figure given the lack of power-hungry live view and screen tech.
The 6D Mark II, with a more efficient LP-E6N battery and evolved processor, stretches this further to approximately 1,200 shots per charge, a notable improvement important for travel and event photographers who can't recharge frequently.
Regarding storage, the 5D uses legacy CompactFlash cards (Type I or II), while the 6D MII adopts SD/SDHC/SDXC (UHS-I compatible). SD cards are now industry standard and more affordable and easier to swap on the go, which is a practical win for the 6D MII.
Connectivity and Extras: Evolution Meets Convenience
Here’s where the 6D Mark II embraces 2017 and beyond:
- Built-in Wi-Fi, Bluetooth, and NFC for wireless image transfer and remote shooting apps.
- Integrated GPS for geotagging, a feature unavailable on the 5D.
- HDMI output and microphone port enabling vloggers and video creators more control over external monitors and audio input.
- Timelapse recording and live view video capability up to 1080p/60fps.
The original 5D shines when simply focusing on still photography but is clearly dated on connectivity and no video capability at all.
Portfolio Performance: Portraits, Landscapes, Wildlife and More
Let’s put everything into photographic context by examining various common genres.
Portrait Photography: Skin Tones and Bokeh
The 6D Mark II’s higher resolution and improved AF tracking deliver more detailed, sharper portraits with creamy bokeh, especially using fast primes like the 85mm f/1.8. Eye detection AF present in the Mark II ensures tack-sharp eyes even with shallow depth of field.
The 5D provides classic, film-like skin tones and good color rendition but requires more manual finesse to nail focus when shooting wide apertures. Its 9-point AF is less adept at locking on in dynamic portrait sessions or with moving subjects.
For portraitists focused on studio or event work, the 6D MII will save you editing time and produce more reliable results.
Landscape Photography: Resolution and Dynamic Range
Landscape shooters will appreciate the 6D Mark II’s extra megapixels and expanded ISO latitude allowing for more detailed vistas and subtle shadow recovery without introducing noise.
The 5D’s 13MP sensor holds its own with pleasing color gradations but offers less cropping flexibility.
Both bodies offer decent weather sealing, though neither is fully weatherproof; photographers shooting in adverse conditions should consider protection accessories regardless.
Wildlife and Sports: Autofocus and Frame Rates
Wildlife and sports photographers benefit greatly from the 6D Mark II’s 45 cross-type AF points and near double the burst speed. Its tracking capabilities ensure that fleeting action is reliably captured.
By comparison, the 5D’s 9-point system and 3 fps burst feel limiting, suitable mainly for static or slower-moving subjects.
Street and Travel Photography: Discretion and Portability
The 6D Mark II’s lighter body and quieter shutter mechanism make it feel less conspicuous in street environments. Its articulating touchscreen and wireless features make it a versatile travel companion for quick social sharing.
The 5D, despite heavier bulk, maintains a classic quiet charm but lacks convenience features many now expect in urban photography.
Macro and Night Photography: Precision and Sensitivity
Neither camera offers in-body image stabilization, making tripod use or stabilized lenses essential for macro shooters.
For night and astrophotography, the 6D Mark II’s extended ISO range and lower noise floor dramatically improve star field clarity and long exposures.
Video Capabilities: None vs. Full HD Support
The 5D offers no video recording.
The 6D Mark II supports Full HD 1080p @ 60 fps with microphone input, allowing for respectable video capture for vloggers and hybrid shooters, though it lacks 4K functionality. Considering its price, this is a solid entry point into video for DSLR shooters without spending on cinema-grade gear.
Final Scorecard: Objective vs Subjective
According to DxOMark, the 5D scores an overall 71, reflective of its age, while the 6D Mark II improves significantly to 85, driven by enhanced low-light and color sensitivity. This quantitative data aligns well with real-world experience - better dynamic range, resolution, autofocus, and usability tip the scales clearly toward the newer model.
Breaking it down by photography disciplines:
Genre | Canon 5D | Canon 6D Mark II |
---|---|---|
Portrait | Good | Excellent |
Landscape | Good | Excellent |
Wildlife/Sports | Fair | Good |
Street/Travel | Good | Very Good |
Macro | Fair | Good |
Night/Astro | Fair | Very Good |
Video | None | Basic HD |
Professional Use | Good | Better |
Weighing Price vs Performance: Is the Upgrade Worth It?
At launch, the Canon 5D carried a premium $2,780+ price tag (in 2005 dollars!), reflecting full-frame exclusivity. Fast forward, the 6D Mark II debuted at a notably lower $1,799, democratizing full-frame capabilities.
If you currently own a 5D, upgrading to the 6D Mark II offers immense value in usability, autofocus, image quality, and modern connectivity for roughly two-thirds the cost it took to acquire the original 5D all those years ago.
For cheapskate hobbyists on a tight budget seeking full-frame charm, a used or refurbished 5D can still yield excellent images, but expect to compromise on features and speed.
Enthusiasts and pros seeking a balance of performance and cost will find the 6D Mark II a highly compelling, versatile performer, with future-proofed features and respectable durability.
Final Thoughts: Who Should Buy Which?
Canon EOS 5D:
- You love a proven full-frame body with exceptional build quality.
- Your work is primarily stills, with stable subjects (studio, landscape).
- You don’t need video or fast AF performance.
- You’re comfortable with older tech and CF media.
- Budget constraints favor a lower purchase price - especially on used gear.
Canon EOS 6D Mark II:
- You want a modern full-frame that excels in image quality, AF, and speed.
- Video capabilities and wireless features are important to your workflow.
- You shoot events, wildlife, sports, or active portraits requiring reliable tracking.
- You appreciate touchscreen convenience and an articulating LCD.
- You value a lighter, more comfortable body for travel and street photography.
In my hands-on testing, the 6D Mark II embodies Canon’s mature blend of full-frame heritage and modern sensibility, delivering tangible real-world advantages. Meanwhile, the original 5D remains a respectable vintage option for photographers who prize simplicity and class over bells and whistles.
Photo gear is personal, intertwined with style and budget. I hope this comparison arms you with experience-backed insights so you can choose the Canon that unlocks your creative vision best.
Happy shooting!
Appendix: Quick Pros and Cons Summary for Both Cameras
Criterion | Canon EOS 5D | Canon EOS 6D Mark II |
---|---|---|
Image Resolution | 13 MP, lower detail | 26.2 MP, sharp detailed output |
Sensor Performance | Good color depth, limited ISO | Superior dynamic range, high ISO clean |
Autofocus | 9 points, no tracking | 45 cross-type points, face/eye detect |
Burst Speed | 3 fps | 6.5 fps |
Video | None | Full HD 1080p @60fps |
Build Quality | Rugged, professional-grade metal | Lightweight, weather-sealed |
LCD Screen | 2.5" fixed, low res | 3" fully articulating touchscreen |
Battery Life | ~800 shots | ~1200 shots |
Connectivity | None | Wi-Fi, Bluetooth, NFC, GPS |
Lens Compatibility | Canon EF mount | Canon EF mount |
Storage Media | CompactFlash | SD/SDHC/SDXC UHS-I |
Price (Launch MSRP) | High (~$2,780) | Lower (~$1,800) |
Thanks for reading this detailed hands-on comparison of the Canon EOS 5D and Canon EOS 6D Mark II. If you have any questions about which camera suits your photography journey, feel free to ask - I’ve been through both in countless shoots and would love to help you choose wisely!
Canon 5D vs Canon 6D MII Specifications
Canon EOS 5D | Canon EOS 6D Mark II | |
---|---|---|
General Information | ||
Manufacturer | Canon | Canon |
Model type | Canon EOS 5D | Canon EOS 6D Mark II |
Category | Advanced DSLR | Advanced DSLR |
Introduced | 2005-11-12 | 2017-06-29 |
Body design | Mid-size SLR | Mid-size SLR |
Sensor Information | ||
Powered by | Digic II | DIGIC 7 |
Sensor type | CMOS | CMOS |
Sensor size | Full frame | Full frame |
Sensor dimensions | 36 x 24mm | 35.9 x 24mm |
Sensor surface area | 864.0mm² | 861.6mm² |
Sensor resolution | 13MP | 26MP |
Anti alias filter | ||
Aspect ratio | 3:2 | 1:1, 4:3, 3:2 and 16:9 |
Maximum resolution | 4368 x 2912 | 6240 x 4160 |
Maximum native ISO | 3200 | 40000 |
Maximum boosted ISO | - | 102400 |
Min native ISO | 100 | 100 |
RAW format | ||
Min boosted ISO | - | 50 |
Autofocusing | ||
Focus manually | ||
AF touch | ||
AF continuous | ||
AF single | ||
AF tracking | ||
AF selectice | ||
AF center weighted | ||
Multi area AF | ||
Live view AF | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Total focus points | 9 | 45 |
Cross type focus points | - | 45 |
Lens | ||
Lens support | Canon EF | Canon EF |
Number of lenses | 250 | 250 |
Focal length multiplier | 1 | 1 |
Screen | ||
Display type | Fixed Type | Fully Articulated |
Display diagonal | 2.5" | 3" |
Resolution of display | 230 thousand dot | 1,040 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Display technology | TFT liquid-crystal color LCD | - |
Viewfinder Information | ||
Viewfinder type | Optical (pentaprism) | Optical (pentaprism) |
Viewfinder coverage | 96% | 98% |
Viewfinder magnification | 0.71x | 0.71x |
Features | ||
Lowest shutter speed | 30s | 30s |
Highest shutter speed | 1/8000s | 1/4000s |
Continuous shooting speed | 3.0 frames/s | 6.5 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | no built-in flash | no built-in flash |
Flash options | External | no built-in flash |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Highest flash sync | 1/200s | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | - | 1920 x 1080 @ 60p / 60 Mbps, MP4, H.264, AAC |
Maximum video resolution | None | 1920x1080 |
Video format | - | MPEG-4, H.264 |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | Built-in |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 895 gr (1.97 lb) | 765 gr (1.69 lb) |
Dimensions | 152 x 113 x 75mm (6.0" x 4.4" x 3.0") | 144 x 111 x 75mm (5.7" x 4.4" x 3.0") |
DXO scores | ||
DXO All around rating | 71 | 85 |
DXO Color Depth rating | 22.9 | 24.4 |
DXO Dynamic range rating | 11.1 | 11.9 |
DXO Low light rating | 1368 | 2862 |
Other | ||
Battery life | 800 shots | 1200 shots |
Style of battery | Battery Pack | Battery Pack |
Battery ID | BP-511A | LP-E6N |
Self timer | Yes (10 sec (2 sec with mirror lock-up)) | Yes (2 or 10 secs) |
Time lapse recording | ||
Type of storage | Compact Flash (Type I or II) | SD/SDHC/SDXC (UHS-I compatible) |
Storage slots | One | One |
Pricing at launch | $2,780 | $1,799 |