Canon 6D MII vs Canon T7
59 Imaging
73 Features
92 Overall
80
68 Imaging
67 Features
62 Overall
65
Canon 6D MII vs Canon T7 Key Specs
(Full Review)
- 26MP - Full frame Sensor
- 3" Fully Articulated Display
- ISO 100 - 40000 (Push to 102400)
- 1920 x 1080 video
- Canon EF Mount
- 765g - 144 x 111 x 75mm
- Announced June 2017
- Previous Model is Canon 6D
(Full Review)
- 24MP - APS-C Sensor
- 3" Fixed Display
- ISO 100 - 6400 (Boost to 12800)
- 1920 x 1080 video
- Canon EF/EF-S Mount
- 475g - 129 x 101 x 78mm
- Released February 2018
- Additionally Known as EOS 2000D
Samsung Releases Faster Versions of EVO MicroSD Cards Canon 6D Mark II vs Canon Rebel T7: Which DSLR Should You Choose in 2024?
When it comes to Canon’s DSLR lineup, the Canon EOS 6D Mark II and the Canon Rebel T7 (aka EOS 2000D) stand as two of the brand's most popular cameras for enthusiasts and entry-level users, respectively. Both have enjoyed strong sales and loyal followings, but the question remains: which one deserves your hard-earned money in 2024?
Having spent countless hours testing and comparing DSLRs over 15 years, including extensive shoots in landscapes, portraits, sports, wildlife, and video work, I've developed a keen sense for what makes a camera excel – and which compromises wear on your creative workflow. In this detailed comparison, I’ll peel back the specs, real-world performance, and usability of both Canon 6D Mark II and Rebel T7 to offer you candid, experience-driven advice.
Let’s dive in - and don't worry, I’ll sprinkle in plenty of hands-on insights and image examples along the way.
A First Look: Size, Ergonomics, and Handling
One of the first things you notice when you pick up the 6D Mark II and the Rebel T7 side-by-side is their markedly different stance and feel. The 6D Mark II carries the heft and robustness befitting an advanced mid-size DSLR, while the T7 has the compact, lightweight build expected of an entry-level DSLR.

The Canon 6D Mark II measures approximately 144 x 111 x 75 mm and weighs in at 765 grams. It feels solid and substantial in hand, which many professional and enthusiast shooters appreciate for stability, especially with heavier lenses. The Canon Rebel T7, on the other hand, is smaller at 129 x 101 x 78 mm and lighter at just 475 grams. It’s designed to be more pocketable (well, camera bag pocketable!) and less intimidating to newcomers.
From my experience, the 6D Mark II’s more pronounced grip and dedicated controls lend themselves to quicker changes mid-action without fumbling through menus. The Rebel T7’s simpler interface, fixed 3-inch non-touch screen, and fewer external buttons keep things straightforward but can slow work pace, especially in fast-evolving situations like wildlife or sports.

Here’s a close-up of the control layout: the 6D Mark II boasts a top LCD panel, dual control dials, and customizable buttons, enabling rapid parameter tweaks - plus the fully articulating touchscreen adds a lot of compositional flexibility, particularly for video and creative angles. The T7 keeps it minimal with essential controls upfront but lacks the pros’ conveniences: no touch screen, fixed display, and fewer buttons to assign custom functions.
Ergonomics Verdict: For any shoot longer than a couple of hours or requiring quick reflexes, the Canon 6D Mark II’s handling will be a treat. But for casual shooting or first-timers learning the ropes, the Rebel T7’s compact simplicity can be less overwhelming.
Sensor and Image Quality: More Than Just Megapixels
Now to the heart of the matter - image quality. Both cameras feature Canon CMOS sensors, but they differ significantly in format, resolution, and performance nuances.

The full-frame Canon 6D Mark II flaunts a 26.2 megapixel sensor measuring 35.9 x 24 mm, delivering a generous sensor area of around 862 mm². The Rebel T7 has a 24.1-megapixel APS-C sized sensor, measuring 22.3 x 14.9 mm with a sensor area of 332 mm². That’s roughly 38% of the 6D Mark II’s sensor size, which has big implications for depth of field control, noise handling, and dynamic range.
In my hands-on experience, the full-frame sensor in the 6D Mark II affords cleaner images at higher ISO settings, smoother tonal transitions, and richer color depth - especially noticeable in challenging lighting, like dim interiors or twilight landscapes.
Technically, the 6D Mark II registers a DxOMark overall score of 85 points, with a stellar color depth of 24.4 bits, dynamic range around 11.9 EV, and high ISO performance rated at ISO 2862. Meanwhile, the Rebel T7 scores a more modest 71, with 22.6 bits color depth, the same dynamic range, but lower ISO performance capped at about ISO 1009.
In practical terms, when shooting portraits or landscapes that demand detail retention in shadows and highlights, the 6D Mark II pulls away with notably richer files and more flexibility during editing.
Here’s where the anti-aliasing filter becomes relevant - both cameras include it, smoothing images at the risk of some detail loss, but with so many high-resolution lenses available from Canon’s EF lineup (over 250 for the 6D MII and 326 for the T7, including EF-S lenses for the APS-C sensor), sharpness can be pushed to impressive levels.
Viewing and Composition: Optical and Screen Differences
Framing your shot effectively means having reliable viewfinder and screen tools, and this is nuanced between the two models.
The 6D MII’s optical viewfinder uses Canon’s pentaprism design giving approximately 98% coverage and 0.71x magnification - noticeably better than the T7’s pentamirror with 95% coverage and 0.5x magnification. The difference, though subtle on paper, matters greatly during detailed composition, especially for professionals who demand exact framing.

The 3-inch, 1.04 million dot fully articulating touchscreen on the 6D Mark II is a huge advantage for usability. From self-portraits to awkward angles - or touch-focusing in live view - it brings a level of creative flexibility that the fixed 3-inch 920k-dot non-touch LCD of the Rebel T7 just can’t match.
For street photography, where discreet and quick framing are essentials, many users prefer optical viewfinders - here, the experience points a clear plus to the 6D MII’s superior pentaprism optics. But beginners appreciating clear live view menus may find the T7’s simple screen sufficient.
Autofocus Performance: Precision vs Simplicity
Autofocus is a key battleground where these two Canon DSLRs show their lineage and intended audiences.
The 6D Mark II sports a 45-point all cross-type AF system - meaning every focus point is highly sensitive and precise, ideal for tracking and locking onto subjects even in low contrast or low light. Face detection AF is supported, but unfortunately, no animal eye AF is present, which is becoming a more premium feature.
The Rebel T7 pares down to 9 AF points, fewer-than-ideal for dynamic scenes where subjects move unpredictably - this camera is clearly aimed at casual shooters who mostly photograph static subjects or staged portraits.
In real-world wildlife or sports shoots, the 6D II’s AF has proven reliable for continuous tracking and focus accuracy even during bursts - where it achieves 6.5 fps. By contrast, the T7 clocks in at a slower 3 fps, which often results in missed moments.
My methodology involves shooting fast-moving subjects at various apertures and light levels, and it’s no surprise the 6D Mark II has the upper hand with more granular control, better accuracy, and quicker reacquisition of moving targets.
Shooting Modes, Video, and Extra Features
Let’s discuss some finer points, including video capability and shooting modes.
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Video: The 6D Mark II can shoot Full HD 1080p video at up to 60p with a 60 Mbps bitrate and employs H.264 compression. Audio input is a major benefit here with a microphone port - essential for serious video work. In contrast, the Rebel T7 is limited to Full HD at 30p, max bitrate 46 Mbps, and lacks an external mic input, which restricts audio quality and flexibility.
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Image Stabilization: The 6D Mark II features in-body image stabilization (sensor-shift), helping reduce blur during handheld shooting - especially beneficial for low light and telephoto. The Rebel T7 has no internal stabilization, so you’re fully dependent on stabilized lenses (of which there are many, but it's a limitation to note).
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Connectivity: Wireless connectivity is built-in on both, but the 6D Mark II adds Bluetooth on top of Wi-Fi and NFC, allowing for quicker pairing and remote control. The T7 only supports Wi-Fi and NFC, which is fine but less streamlined.
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Battery Life: The 6D MII shines again with approximately 1,200 shots per charge - astonishing endurance. The T7 manages an average of 500 shots, about half, so factor that in for long trips or event coverage.
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Storage: Both cameras have single SD card slots compatible with SD/SDHC/SDXC UHS-I cards.
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Build: The 6D Mark II is weather-sealed, dust-resistant, and generally more robust, making it suitable for harsher shooting environments. The T7 lacks environmental sealing - treat it more as a studio or casual outdoor option.
Versatility Across Different Photography Genres
Now that we've covered core specs, how do these cameras perform across the varied world of photography? This is where practical wisdom meets technical data.
Portrait Photography
The Canon 6D Mark II delivers creamy, luscious bokeh from its full-frame sensor, complemented by the finer gradations in skin tone rendering due to higher color depth. The 45-point AF with face detection supports sharp eye focusing, critical for portraits.
The Rebel T7’s APS-C sensor crops in, increasing depth of field and making it trickier to get that smooth background blur unless you rely on very fast lenses. Its 9-point AF system and lack of touch AF can slow down composition, especially with moving subjects or tricky lighting.
Landscape Photography
Here, the 6D MII again has the edge with better dynamic range and higher resolution, letting you capture the subtle tonal shifts of sunsets, shadows, and mountain textures with less noise and more latitude in post-processing.
It also benefits from weather sealing when hiking in mist or light rain. Meanwhile, the T7’s limited dynamic range and temperature vulnerabilities mean it’s better for casual landscapes in well-lit conditions.
Wildlife and Sports Photography
Shooting sessions with birds or fast athletes highlight the 6D Mark II’s superior AF tracking, 6.5 fps burst rate, and excellent high ISO handling that allow early morning or dusk shooting.
The T7’s slower burst (3 fps), reduced AF points, and higher noise levels at elevated ISO curtain it firmly out of serious sports or wildlife pursuits.
Street Photography
Portability matters when you’re sneaking around or traveling light. The Rebel T7’s smaller size and lighter weight make it less conspicuous - a boon for street shooters wary of drawing attention.
However, the 6D MII’s articulating screen and better low-light ISO performance offer more creative options for the serious street photographer willing to carry the extra weight.
Macro Photography
Neither camera offers built-in magnification or focus stacking - those are lens and software tasks. However, the 6D MII’s accurate AF system aids in critical focusing needed for macro work, whereas the T7’s simpler AF setup can frustrate close-up shooters needing precision.
Night and Astrophotography
The 6D Mark II’s full-frame sensor shines at night - from lower noise at ISO 3200+ to improved dynamic range enabling recovery of stars and dark shadows.
The T7 can handle night shots, but expect significant noise and lower star detail when pushing high ISO RAW files.
Video Capture
If video matters, the 6D Mark II’s touch screen, external mic port, and 60p framerate place it well ahead of the T7’s basic HD 30p recording without mic support.
Travel and Everyday Use
For travel photographers, the T7 might win if weight and budget are your key constraints, especially if you already own Canon EF-S lenses designed for APS-C. But if versatility and quality matter more, the 6D Mark II’s robust build, longer battery life, and better sensor justify its heft and price tag.
Professional Work
In professional realms - editorial, weddings, events - reliability, file quality, and workflow integration shine through. The 6D Mark II handles RAW files smoothly, offers faster file transfer via USB, GPS tagging, and overall durability worthy of gigging photographers.
The T7 is best seen as a secondary or learning tool for professionals rather than a first choice.
Technical Analysis Summary and Key Takeaways
Let’s recap some technical points with supporting data:
- Sensor & Image Quality: 6D MII wins on color depth, low-light ISO, and dynamic range (DxOMark 85 vs 71).
- AF System: 45 cross-type points on 6D MII for speed and precision vs 9 limited points on T7.
- Build Quality & Sealing: Weather-sealed 6D MII beats non-sealed T7 hands down.
- Battery Life: 1,200 shots per charge (6D MII) vs 500 shots (T7).
- Video & Features: 1080p60 with mic input (6D MII) vs 1080p30 no mic port (T7).
- Ergonomics & Controls: Articulating touchscreen, customizable controls on 6D MII; fixed LCD and basic control layout on T7.
How Do They Score Across Different Photography Types?
Zooming into specific genres, let’s see a snapshot of real-world scoring:
The 6D Mark II scores higher for:
- Portraits: Due to bokeh quality and skin tone rendering.
- Landscape: Thanks to sensor size and dynamic range.
- Wildlife & Sports: For AF speed and burst rate.
- Night/Astro: Superior high ISO performance.
The Rebel T7 remains competitive for:
- Street photography: For size and portability.
- Casual travel: Lightweight ease and budget-friendly pricing.
- Entry-level video blogging: Basic video needs with some compromises.
Lens Ecosystem: Matching Glass for Your Goals
Both cameras use Canon EF mount lenses, but it's worth noting that the Rebel T7 supports both EF and EF-S lenses, the latter designed specifically for APS-C sensors. The 6D Mark II, being full frame, pairs with EF lenses exclusively, although it can use EF-S lenses in crop mode but with reduced resolution.
The Rebel T7’s availability of EF-S kit lenses is one reason it's so attractive for beginners on a budget. However, for serious image quality, many professionals lean toward the EF lenses made for full-frame sensors - sharper optics, faster apertures, and better build quality, all of which the 6D Mark II can leverage fully.
Price-to-Performance Analysis: Is the Upgrade Worth It?
At current street prices (approximate):
- Canon 6D Mark II body only: $1,799
- Canon Rebel T7 kit (with lens): $390
That’s a significant gap in investment that’s hard to overlook. So the core question is: do the performance, feature, and build quality differences justify the roughly four-to-fivefold price difference?
If your photography demands include professional reliability, superior image quality, faster AF, and long-term usability across genres, the 6D Mark II is an investment that's likely to pay off.
On the flip side, if your goals are casual shooting, learning basics, or vacation snaps with decent results and a limited budget, the Rebel T7 offers a low-barrier way into DSLR shooting without overwhelming complexity.
Final Word: Which One Should You Buy in 2024?
In wrapping up this deep dive, let me offer clear guidance based on who you are and how you intend to shoot:
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Choose the Canon 6D Mark II if:
- You’re an enthusiast or professional seeking a full-frame experience with rich image quality and robust performance.
- You shoot in varied, challenging conditions including low light, wildlife, weddings, or landscapes.
- Video is part of your workflow and mic input plus articulating screen matters.
- You appreciate longer battery life, better controls, and weather sealing.
- Your budget can stretch for a camera that truly grows with your skills.
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Choose the Canon Rebel T7 if:
- You’re a beginner just starting out with DSLR photography, on a tight budget.
- You mostly shoot in good light, casual portraits, or travel with a light kit.
- You want a simple, no-fuss camera that’s easy to carry and use.
- Video is not a primary concern, and you don’t require fast burst rates or advanced AF.
- Your intention is to learn the art before possibly upgrading later.
Photography is a personal journey - and no camera is perfect for everyone. Both the Canon 6D Mark II and Rebel T7 cater to different needs and ambitions. Choosing wisely means aligning your purchase with your creative goals and workflow.
I hope this comprehensive comparison, grounded in hands-on experience and technical expertise, aids you in making an informed choice that fuels your passion for creating beautiful images.
Happy shooting!
If you found this comparison helpful or have questions about other cameras, drop me a line - I'm always game for a chat about gear under the hood and real-world results.
Images Recap for Contextual Reference
Canon 6D MII vs Canon T7 Specifications
| Canon EOS 6D Mark II | Canon EOS Rebel T7 | |
|---|---|---|
| General Information | ||
| Make | Canon | Canon |
| Model | Canon EOS 6D Mark II | Canon EOS Rebel T7 |
| Also referred to as | - | EOS 2000D |
| Type | Advanced DSLR | Entry-Level DSLR |
| Announced | 2017-06-29 | 2018-02-26 |
| Physical type | Mid-size SLR | Compact SLR |
| Sensor Information | ||
| Powered by | DIGIC 7 | Digic 4+ |
| Sensor type | CMOS | CMOS |
| Sensor size | Full frame | APS-C |
| Sensor measurements | 35.9 x 24mm | 22.3 x 14.9mm |
| Sensor surface area | 861.6mm² | 332.3mm² |
| Sensor resolution | 26MP | 24MP |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Max resolution | 6240 x 4160 | 6000 x 4000 |
| Max native ISO | 40000 | 6400 |
| Max enhanced ISO | 102400 | 12800 |
| Minimum native ISO | 100 | 100 |
| RAW images | ||
| Minimum enhanced ISO | 50 | - |
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Single autofocus | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Autofocus center weighted | ||
| Multi area autofocus | ||
| Autofocus live view | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Number of focus points | 45 | 9 |
| Cross focus points | 45 | - |
| Lens | ||
| Lens mount | Canon EF | Canon EF/EF-S |
| Number of lenses | 250 | 326 |
| Focal length multiplier | 1 | 1.6 |
| Screen | ||
| Type of display | Fully Articulated | Fixed Type |
| Display size | 3 inches | 3 inches |
| Display resolution | 1,040k dots | 920k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch operation | ||
| Viewfinder Information | ||
| Viewfinder | Optical (pentaprism) | Optical (pentamirror) |
| Viewfinder coverage | 98 percent | 95 percent |
| Viewfinder magnification | 0.71x | 0.5x |
| Features | ||
| Min shutter speed | 30 seconds | 30 seconds |
| Max shutter speed | 1/4000 seconds | 1/4000 seconds |
| Continuous shutter rate | 6.5fps | 3.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | Yes |
| Change white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | no built-in flash | 9.20 m (at ISO 100) |
| Flash settings | no built-in flash | Auto, On, Off, Red-eye |
| External flash | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Max flash synchronize | - | 1/200 seconds |
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 @ 60p / 60 Mbps, MP4, H.264, AAC | 1920 x 1080 @ 30p / 46 Mbps, MOV, H.264, Linear PCM |
| Max video resolution | 1920x1080 | 1920x1080 |
| Video data format | MPEG-4, H.264 | MPEG-4, H.264 |
| Microphone support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | Built-In | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | Built-in | None |
| Physical | ||
| Environmental sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 765 gr (1.69 pounds) | 475 gr (1.05 pounds) |
| Dimensions | 144 x 111 x 75mm (5.7" x 4.4" x 3.0") | 129 x 101 x 78mm (5.1" x 4.0" x 3.1") |
| DXO scores | ||
| DXO Overall score | 85 | 71 |
| DXO Color Depth score | 24.4 | 22.6 |
| DXO Dynamic range score | 11.9 | 11.9 |
| DXO Low light score | 2862 | 1009 |
| Other | ||
| Battery life | 1200 photographs | 500 photographs |
| Form of battery | Battery Pack | Battery Pack |
| Battery model | LP-E6N | LP-E10 |
| Self timer | Yes (2 or 10 secs) | Yes (2 or 10 sec) |
| Time lapse shooting | ||
| Storage type | SD/SDHC/SDXC (UHS-I compatible) | SD/SDHC/SDXC card |
| Card slots | 1 | 1 |
| Retail cost | $1,799 | $390 |