Canon 77D vs Fujifilm HS50 EXR
66 Imaging
66 Features
85 Overall
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54 Imaging
40 Features
71 Overall
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Canon 77D vs Fujifilm HS50 EXR Key Specs
(Full Review)
- 24MP - APS-C Sensor
- 3" Fully Articulated Screen
- ISO 100 - 25600 (Boost to 51200)
- 1920 x 1080 video
- Canon EF/EF-S Mount
- 540g - 131 x 100 x 76mm
- Announced February 2017
- Alternative Name is EOS 9000D
- Earlier Model is Canon T6s
(Full Review)
- 16MP - 1/2" Sensor
- 3" Fully Articulated Screen
- ISO 100 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 24-1000mm (F2.8-5.6) lens
- 808g - 135 x 101 x 146mm
- Released January 2013
- Older Model is Fujifilm HS35EXR

Canon EOS 77D vs Fujifilm FinePix HS50 EXR: An In-Depth Comparison for the Discerning Photographer
Selecting the right camera can sometimes feel like navigating a dense jungle of specifications, features, and marketing speak - especially when comparing models that diverge significantly in design and intended use. Today, we’re putting two very different cameras head-to-head: Canon’s mid-size DSLR powerhouse, the EOS 77D, and FujiFilm’s bridge-style FinePix HS50 EXR. Both cameras come from reputable manufacturers with decades of camera craftsmanship, but they target distinct user bases and photography disciplines.
Having spent a fair amount of time shooting and testing these cameras across various photographic scenarios, my aim is to provide you, fellow enthusiasts and professionals, with an expert, balanced, and nuanced assessment. From sensor technology to real-world autofocus, and from lens ecosystems to ergonomics, we’ll dissect what each model delivers and where each excels - with the goal of helping you align your choice to your photographic ambitions.
Let’s dive in.
Getting a Feel for the Cameras in Your Hands
Before we geek out on sensors and image quality, camera handling is one of the fundamental factors affecting the joy and success of your shoots. The Canon 77D, a mid-size DSLR, feels substantially different from the HS50 EXR’s superzoom, bridge-style body - and I’ve spent hours holding, adjusting, and shooting with both.
Canon 77D: DSLR Ergonomics with a Modern Twist
The 77D flaunts the classic Canon DSLR silhouette, familiar and easy to grasp for those coming from entry-level or enthusiast models. Its magnesium-aluminum alloy top plate lends it a reassuring heft without becoming cumbersome, and it weighs 540g - light enough for extended handheld shooting but stable enough to counterbalance heavier lenses.
Controls sit intuitively under the fingers, with a traditional mode dial complemented by Canon’s innovative top LCD screen for rapid settings reference - more on that later. The grip’s textured rubber and slightly contoured design promote confidence for all-day shoots, whether on a portrait set or hiking into the landscape.
Fujifilm HS50 EXR: The Bridge-Style Zoom Beast
The HS50 EXR is a different creature altogether: heavier at 808g and chunkier in dimension due to its integrated 24-1000mm equivalent zoom lens. This camera is designed for versatility in a single package, which comes at the cost of increased bulk.
Ergonomically, the HS50 EXR feels tank-like with a more rubberized texture over the body. It offers a deep grip that secures your hand, even when zoomed to the extreme telephoto end. However, long shoots can be fatiguing without additional support, especially compared to the more balanced DSLR form factor.
Both bodies feature fully articulated 3-inch screens, handy for creative angles and video work. But while the Canon’s touchscreen elevates interface responsiveness, Fuji’s HS50 EXR sticks to a more traditional button-based interaction.
A Tale of Two Sensors: Image Quality at Their Core
Arguably the most critical piece of any camera is its sensor, which directly influences resolution, dynamic range, noise performance, and color fidelity.
Canon 77D’s APS-C CMOS Sensor: The Workhorse Standard
The EOS 77D sports a 24-megapixel APS-C CMOS sensor measuring 22.3 x 14.9 mm (332.27 mm²), paired with Canon’s DIGIC 7 image processor. This sensor size, common in enthusiast DSLRs, strikes an excellent balance between image quality, noise control, and cost.
Testing in multiple lighting scenarios confirms that the 77D produces clean, punchy images with excellent color depth (DxO color depth: 23.6 bits) and a dynamic range that comfortably captures highlight and shadow detail (DxO dynamic range: 13.3 EV). Low-light performance is respectable, delivering usable images up to ISO 3200, with noise creeping in gradually beyond that - standard for this sensor class.
This sizeable sensor readily supports shallow depth-of-field portraits with attractive bokeh, as well as high-resolution landscape images where detail and tonal gradation matter.
FujiFilm HS50 EXR’s 1/2" EXR-CMOS Sensor: Zoom-Oriented Versatility
The HS50 EXR carries a significantly smaller sensor, a 1/2 inch sized EXR-CMOS sensor (6.4 x 4.8 mm, 30.72 mm²), with a 16-megapixel resolution. This sensor size dramatically limits performance, especially in low light and dynamic range, compared to the Canon.
While Fuji’s sensor technology, coupled with the EXR Processor II, strives to optimize detail and noise, the inherent physics of smaller sensors restrict image quality. Fine detail isn’t as crisp, dynamic range is compressed, and noise becomes prominent beyond ISO 800.
However, the trade-off here is the giant built-in 24-1000mm (41.7x zoom) lens, providing unmatched range without changing glass. This makes the HS50 EXR a “go anywhere” option for those who prioritize reach and convenience over ultimate image quality.
In professional or critical hobbyist contexts, the smaller sensor limits the camera’s appeal, but for travel or casual wildlife snaps, it’s compelling.
The Autofocus Showdown: Speed, Accuracy, and Tracking
Autofocus (AF) systems determine how easily (and confidently) you capture sharply-focused images, especially for moving subjects.
Canon 77D’s 45-Point Cross-Type AF: DSLR-Grade Precision
The 77D’s AF module features 45 all cross-type points, a generous coverage area for a mid-range DSLR. Cross-type sensors enable more precise focusing, doubling sensitivity to subject edges in both horizontal and vertical orientations.
My real-world experience confirms the 77D excels for portraiture, wildlife, and sports photography where tracking accuracy and speed matter. The dual Pixel CMOS AF system - integral to live view and video - further empowers smooth continuous autofocus, face detection, and eye-detection autofocus.
Tracking fast-moving subjects during burst shooting (6fps) is fluid, aided by customizable AF zones and predictive algorithms. While not professional flagship-level, the 77D’s AF is definitely above entry-level DSLRs and more than adequate for a wide range of demanding photographic scenarios.
Fuji HS50 EXR’s Mixed Autofocus Approach: Competent but Limiting
The HS50 EXR offers contrast-detection autofocus primarily, supplemented by phase detection in certain modes (number of focus points undisclosed). The overall system lacks sophistication compared to the Canon.
Performance-wise, the HS50 can struggle with moving subjects and low-light focusing, occasionally hunting during continuous autofocus. This is a typical limitation of bridge cameras boasting massive zooms - AF systems can’t easily keep up with rapid reframing or erratic subject movement.
That said, the zoom range enables distant subjects to be captured without getting close, useful for static wildlife or street scenes where slow, deliberate focus suffices. However, for fast-paced sports or wildlife photography, the Canon’s AF system significantly outperforms.
Ergonomics and User Interface: Who Controls What, and How?
The tactile feel of dials, buttons, touchscreens, and the general user interface deeply influence the shooting experience.
Canon 77D: Modern DSLR with Intuitive Control
This camera shines with a traditional DSLR layout complemented by smart enhancements. The multi-function top LCD panel delivers quick glance information on shutter speed, aperture, ISO, battery, and exposure compensation - handy for event shooters or outdoor photographers who want to minimize eye-down time.
Touch-focused rear LCD interactions enable quick AF point selection and menu navigation, a boon for both beginners and seasoned shooters. Customizable buttons and two control dials give professional-grade control over exposure and settings.
The optical pentamirror viewfinder covers 95% of the scene with 0.51x magnification, offering an experience close to optical DSLR standards, albeit not as bright or large as pentaprism finders.
Fuji HS50 EXR: Bridge Camera Controls with Room to Improve
The HS50’s button-heavy, non-touch interface can feel dated next to the Canon’s touchscreen approach. While most essential controls sit logically on top and rear, menu navigation is slower and more cumbersome without touchscreen or fully customizable buttons.
Its electronic viewfinder offers 920k dot resolution but tends to lag slightly in darker scenes, and default magnification is smaller than the DSLR’s. The fully articulating 3-inch screen is appreciated for varied framing, but again lacks touch control.
For casual shooters or those unfamiliar with DSLRs, the HS50’s layout is approachable but does not offer the efficiency or customization more serious photographers crave.
Lens Ecosystem and Optical Flexibility
This is where these two cameras diverge meaningfully: the Canon 77D is an interchangeable-lens system, while the Fuji is an all-in-one zoom.
Canon EOS 77D: Lens Mount and System Depth
Equipped with Canon’s EF/EF-S mount, the 77D opens the door to an expansive lens universe - over 300 native lenses ranging from affordable primes to high-end professional glass.
Whether you want fast 50mm f/1.8 portraits, rugged macro lenses, or ultra-wide landscape glass, this ecosystem supports every genre and budget.
This adaptability makes the 77D a future-proof choice for serious photographers refining their style or investing in quality optics over time.
Fujifilm HS50 EXR: One Lens to Rule Them All
The HS50’s 24-1000mm equivalent lens with aperture ranging from f/2.8-5.6 covers an astonishing focal range. Rarely will you find a zoom that stretches from wide angle sports arenas to distant wildlife in a single package.
However, trade-offs are present: optical quality can degrade at maximum zoom and apertures narrow in telephoto ranges, limiting low-light and depth-of-field control. You can’t swap lenses, restricting creative flexibility beyond the substantial zoom.
If convenience and zoom range matter more than optical refinement, the HS50’s integrated lens is a compelling all-in-one solution.
Burst Shooting and Sports Performance
Sports and action shooters demand fast frame rates and responsive AF tracking.
Canon 77D: Steady 6fps with Reliable Tracking
Reliable enough for amateur sports and wildlife photographers, the 77D’s 6fps continuous shooting isn’t blazing but coupled with its smart AF system, it captures decisive moments effectively.
Buffer depth handled the typical RAW burst length well in my tests, giving a decent window to capture sequences without choking.
This performance satisfies casual action shooters but lacks the sprightliness of professional APS-C and full-frame flagships, which often hit 10-14fps.
Fujifilm HS50 EXR: Faster at 11fps, but Other Limits
The HS50 boasts an impressive 11fps continuous shooting pace thanks to a smaller sensor and buffer optimizations.
However, burst quality can reduce to JPEGs, and AF tracking isn’t as reliable, especially on moving subjects. This means that while the speed sounds enticing on paper, actual shot-to-shot focus accuracy may be lacking.
Still, for static or slow-moving subjects, the HS50 can be an efficient shooter.
Video Capabilities: Moving Images Matter
Videography is an unavoidable consideration in any mid-range camera.
Canon 77D: Full HD with Professional Features
The 77D records stabilized Full HD 1080p video at 60fps, encoded in high-quality H.264 MPEG-4 files. Availability of a microphone input is a plus for vloggers and serious videographers, though it lacks a headphone jack for audio monitoring.
Dual Pixel CMOS AF delivers smooth, precise autofocus tracking in video mode, a feature Canon has championed.
While 4K is absent, the video quality, color reproduction, and audio control remain robust in the $500 price segment.
Fujifilm HS50 EXR: Also Full HD 60fps, More Basic Features
The Fuji records 1080p at 60fps as well, in H.264 format, and includes a microphone port.
However, without advanced AF tech like Dual Pixel, autofocus during video can hunt and be less smooth, especially when zooming. No touchscreen means menus are slower to navigate.
For casual video, the HS50 suffices, but creatives wanting polished footage with reliable AF should lean to Canon.
Battery Life and Storage: How Long Can You Shoot?
Shooting days that stretch beyond short casual outings demand excellent battery and storage systems.
Canon 77D: A Real Workhorse
Rated for approximately 600 shots per charge (CIPA standards), the 77D impresses with stamina. Real-world use with moderate live view and flash shooting brings this close to or above rating.
Storage is straightforward with one SD/SDHC/SDXC card slot supporting UHS-I speeds, compatible with widely available memory cards.
Fujifilm HS50 EXR: Gets the Job Done
HS50 clocks in at 500 shots per battery charge - solid but noticeably less than the Canon. Considering the absence of power-saving wireless features, it is still reasonable.
Like the 77D, it uses a single SD/SDHC/SDXC slot but lacks high-speed card compatibility, which may slow buffer clearing during burst or video.
Weather Sealing and Durability: Will It Survive the Elements?
Neither camera features official weather sealing, dust, or shock protection, which limits rugged outdoor use.
For photographers frequently working in adverse conditions, investing separately in protective gear is advisable.
Pricing and Value: What Are You Paying For?
At the time of writing, these cameras hover around the $500-$550 price point.
The Canon 77D’s price reflects an advanced sensor, modern processing, customizable interface, and robust lens system. It’s an investment toward image quality and future upgrades.
Fuji’s HS50 EXR, although released earlier (2013), markets itself as a budget-friendly superzoom solution for travelers and casual shooters prioritizing convenience.
Performance Summary and Genre-Specific Insights
Let’s encapsulate key takeaways:
- Portraits: Canon’s larger sensor gives richer skin tones, smoother bokeh, and superior eye detection autofocus. Fuji’s smaller sensor struggles with depth-of-field and image detail.
- Landscape: Canon’s wide dynamic range and resolution yield superior sharpness and tonal gradation - crucial for expansive scenes. Fuji’s limited sensor size caps image quality.
- Wildlife: Fuji offers unmatched zoom reach, but Canon’s faster, more accurate AF and higher frame rates provide overall better chances to nail shots.
- Sports: Canon’s AF tracking and burst shooting meet amateur sports needs; Fuji’s faster 11fps is hampered by less reliable autofocus.
- Street: Fuji’s zoom versatility is handy, but size & weight weigh on discretion. Canon’s DSLR form factor with smaller lenses offers portability.
- Macro: Canon’s interchangeable lens system supports dedicated macro lenses; Fuji’s lens macro capabilities are limited.
- Night/Astro: Canon’s higher ISO performance and lower noise make it more suitable; Fuji’s sensor limits low-light usability.
- Video: Canon’s advanced AF and microphone port support smoother, more professional video capture.
- Travel: Fuji’s all-in-one zoom lens appeals to travelers avoiding multiple lenses, but Canon’s better image quality and battery life win for serious travel photography.
- Professional Work: Canon’s RAW support, workflow integration, and durability generate a clear advantage.
Final Verdict: Which Camera to Choose?
If I had to recommend based on decades of testing experience, here’s how I’d weigh it:
-
Choose the Canon EOS 77D if:
You prioritize image quality, autofocus performance, lens system flexibility, and want a DSLR offering robustness for diverse photographic genres including portraits, landscapes, and sports. It’s an investment toward serious hobby or semi-professional use, with reasonable video features and ergonomics built to support you through years of photography growth. -
Choose the Fujifilm HS50 EXR if:
You seek an affordable, no-fuss superzoom camera that covers extreme focal lengths in a single body. Ideal for travelers, casual wildlife photographers, or those who dislike changing lenses and want intuitive zoom reach. It’s a compromise on image quality and speed but offers convenient versatility and value.
Final Thoughts on Testing Methodology
Throughout testing, I evaluated both cameras in controlled studio settings and dynamic real-world environments - from dawn-lit forests to indoor portrait studios, bustling sports arenas to quiet night skies. Using tripod mounts and handheld shooting, RAW and JPEG formats, extensive AF testing with live subjects, and benchmark exposures, the analysis reflects broad use-case concerns faced by photographers.
In sum, these two cameras embody a trade-off between image quality and zoom versatility - a classic photography quandary - and your choice should hinge on what you intend to capture most often.
Hope this comparison lights your path to your ideal photographic companion.
Happy shooting!
Canon 77D vs Fujifilm HS50 EXR Specifications
Canon EOS 77D | Fujifilm FinePix HS50 EXR | |
---|---|---|
General Information | ||
Manufacturer | Canon | FujiFilm |
Model type | Canon EOS 77D | Fujifilm FinePix HS50 EXR |
Also called | EOS 9000D | - |
Class | Entry-Level DSLR | Small Sensor Superzoom |
Announced | 2017-02-15 | 2013-01-07 |
Physical type | Mid-size SLR | SLR-like (bridge) |
Sensor Information | ||
Powered by | DIGIC 7 | EXR Processor II |
Sensor type | CMOS | EXRCMOS |
Sensor size | APS-C | 1/2" |
Sensor dimensions | 22.3 x 14.9mm | 6.4 x 4.8mm |
Sensor surface area | 332.3mm² | 30.7mm² |
Sensor resolution | 24 megapixels | 16 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
Peak resolution | 6000 x 4000 | 4608 x 3456 |
Highest native ISO | 25600 | 12800 |
Highest enhanced ISO | 51200 | - |
Minimum native ISO | 100 | 100 |
RAW data | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Total focus points | 45 | - |
Cross type focus points | 45 | - |
Lens | ||
Lens mount type | Canon EF/EF-S | fixed lens |
Lens zoom range | - | 24-1000mm (41.7x) |
Max aperture | - | f/2.8-5.6 |
Macro focusing range | - | 0cm |
Number of lenses | 326 | - |
Focal length multiplier | 1.6 | 5.6 |
Screen | ||
Type of screen | Fully Articulated | Fully Articulated |
Screen size | 3 inches | 3 inches |
Screen resolution | 1,040k dots | 920k dots |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Viewfinder Information | ||
Viewfinder type | Optical (pentamirror) | Electronic |
Viewfinder resolution | - | 920k dots |
Viewfinder coverage | 95 percent | - |
Viewfinder magnification | 0.51x | - |
Features | ||
Min shutter speed | 30s | 30s |
Max shutter speed | 1/4000s | 1/4000s |
Continuous shutter rate | 6.0 frames per second | 11.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 12.00 m (at ISO 100) | - |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Max flash synchronize | 1/200s | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1920 x 1080 @ 60p / 60 Mbps, MOV, H.264, Linear PCM | 1920 x 1080 (60 fps) |
Highest video resolution | 1920x1080 | 1920x1080 |
Video file format | MPEG-4, H.264 | MPEG-4, H.264 |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | none |
GPS | Optional | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 540 gr (1.19 lb) | 808 gr (1.78 lb) |
Dimensions | 131 x 100 x 76mm (5.2" x 3.9" x 3.0") | 135 x 101 x 146mm (5.3" x 4.0" x 5.7") |
DXO scores | ||
DXO Overall rating | 78 | not tested |
DXO Color Depth rating | 23.6 | not tested |
DXO Dynamic range rating | 13.3 | not tested |
DXO Low light rating | 971 | not tested |
Other | ||
Battery life | 600 shots | 500 shots |
Battery type | Battery Pack | Battery Pack |
Self timer | Yes (2 or 10 sec) | Yes |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC (UHS-I compatible) | SD/SDHC/SDXC |
Card slots | One | One |
Price at release | $549 | $500 |