Canon M200 vs Panasonic GX9
88 Imaging
68 Features
80 Overall
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82 Imaging
60 Features
80 Overall
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Canon M200 vs Panasonic GX9 Key Specs
(Full Review)
- 24MP - APS-C Sensor
- 3" Tilting Screen
- ISO 100 - 25600
- 3840 x 2160 video
- Canon EF-M Mount
- 299g - 108 x 67 x 35mm
- Launched September 2019
- Replaced the Canon M100
(Full Review)
- 20MP - Four Thirds Sensor
- 3" Tilting Display
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 3840 x 2160 video
- Micro Four Thirds Mount
- 407g - 124 x 72 x 47mm
- Introduced February 2018

Canon EOS M200 vs Panasonic Lumix GX9: A Hands-On Comparison for Discerning Photographers
Choosing between the Canon EOS M200 and Panasonic Lumix GX9 is a bit like picking between two tasty sandwiches at a café - you know both will satisfy, but subtle differences tip the scales depending on your appetite and budget. Having spent years shooting and testing cameras across genres, I’ve put these two mirrorless models side-by-side in my workflow, pushing their limits from street scenes and landscapes to wild critters and video projects. The results? A revealing look at practical performance, handling, and value for photographers ranging from curious hobbyists to cautious pros.
Let’s dive deep into how each camera stacks up - and where you might want to splurge or save.
Seeing and Holding the Cameras: Size, Ergonomics, and Controls
Out of the box, the Canon M200 is like that nimble, pocketable companion that whispers “grab me and go,” while the Panasonic GX9 feels more solid and deliberate, crafted for photographers who appreciate extra clubs for their thumbs and a little heft to steady the shot.
Canon M200:
- Ultra-compact 108 x 67 x 35 mm body weighing just 299 grams
- Rangefinder-style design but notably minimalist with limited grip and few physical controls
- No built-in viewfinder, relying solely on the 3-inch tilting touchscreen (1040k dots) for composition
- Great for travel, street, and casual shooting due to lightness and selfie-friendly flip-up screen
Panasonic GX9:
- Larger footprint at 124 x 72 x 47 mm and heavier at 407 grams
- More substantial grip and sculpted body angles for secure handholding
- Integrated electronic viewfinder (EVF) with 2760k dot resolution and 100% coverage, critical for bright conditions and precise framing
- Tilting 3-inch touchscreen (1240k dots) is more refined and responsive, though no full articulation
- A more serious package ergonomically that encourages longer sessions without hand fatigue
The GX9’s advantage in physical controls and EVF makes it far more comfortable and practical for serious shooters, while the M200’s minimalism is suitable for newcomers or casual content creators prioritizing mobility and ease.
Sensor and Image Quality: Battle of the Formats
Sensor technology remains the foundation for image quality, influencing sharpness, noise, dynamic range, and color fidelity. Let’s put the Canon’s APS-C sensor against the GX9’s Four Thirds sensor in a measured way.
Sensor Size and Resolution
- Canon M200: 24.1MP APS-C CMOS (22.3 x 14.9 mm sensor area of 332.27 mm²) with an anti-aliasing filter
- Panasonic GX9: 20.3MP Micro Four Thirds CMOS (17.3 x 13 mm sensor area of 224.9 mm²) without anti-aliasing filter
The larger APS-C sensor on the M200 naturally offers higher resolution capabilities and shallower depth-of-field manipulation, invaluable for portraits and creative bokeh. Its anti-aliasing (low-pass) filter reduces moiré at the cost of slight softness, while the GX9’s filterless sensor trades moiré protection for sharper detail, especially beneficial for landscapes and architecture.
Image Quality in Practice
In ISO performance and dynamic range tests, the Canon M200 holds a modest edge at base ISO 100-400, delivering cleaner shadows and better noise control - expected with the bigger sensor gathering more light. The GX9 starts at ISO 200 (but offers a boosted native 100 ISO) and struggles slightly more in deep shadows, yielding more apparent noise, particularly beyond ISO 3200.
Color reproduction is Canon’s hallmark: warm, pleasing skin tones and natural hues that require less post-processing for casual shooters or portrait photographers. Panasonic’s colors lean closer to neutrality with punchier JPEG output, appealing for those who enjoy fine-tuning RAW files.
Behind the Dials: Controls, Menus, and User Interface
The shooting experience is defined not just by sensor chops but by how intuitively a camera responds to your creative intent. Here, the GX9 again pulls ahead.
Canon M200:
- Lacks a top screen; limited physical dials and buttons rely heavily on touchscreen navigation
- Menu is beginner-friendly, clean, but occasionally sparse for advanced feature adjustments
- No dedicated exposure compensation dial - accessible only via menus or the touchscreen optionally
- Command wheels are missing, which slows quicker shifts in shutter speed or aperture during active shooting
Panasonic GX9:
- Includes dedicated mode dial, dual control dials, and a top-mounted info screen that provides quick exposure feedback
- Extensive function buttons are customizable, offering instant access to exposure compensation, ISO, and white balance
- Well-structured, layered menus with direct access to advanced shooting modes and focus features
- Superior AF joystick for precise focus point selection versus the M200’s touchscreen-only AF area selection
Clearly, photographers who like to keep their eyes on the scene rather than the menus will appreciate the GX9’s thoughtfully designed controls. The M200 suits those less familiar with manual settings who don’t mind tapping through touch interfaces.
Autofocus and Shooting Performance: Speed, Accuracy, and Tracking
Autofocus is critical in fast-moving scenarios - wildlife, street or sports photography - and also for still life and portrait setups requiring sharp eyes and skin detail.
Canon M200:
- Hybrid AF with 143 focus points (phase-detection plus contrast-detection)
- Reliable eye and face detection, though no animal AF support
- Continuous shooting maxes out at ~6.1 fps
- Focus tracking works well in good light but can falter in low-contrast scenes or chaotic backgrounds
Panasonic GX9:
- Contrast-detection based AF system with 49 focus points, no phase detection
- Face detection and post-focus features boost accuracy, plus focus peaking in manual mode aids precision
- Faster continuous shooting at 9 fps, benefiting action and street photographers
- Silent, electronic shutter mode supports up to 1/16000s, great for bright daylight shooting or creative motion freeze
While Canon’s hybrid AF theoretically offers an edge, Panasonic’s refined contrast AF with focus stacking and bracketing features give it a unique versatility for macro and landscape shooters who want pixel-sharp focus throughout the frame.
Build Quality and Weather Resistance: Durability in the Field
Many users underestimate how ruggedness affects long-term satisfaction when shooting outdoors or traveling.
Neither camera boasts weather sealing or serious dust/water resistance:
- Canon M200 is a lightweight, plastic-bodied camera designed primarily for indoor or casual outdoor use.
- Panasonic GX9 adopts a more robust metal chassis with better shutter durability and general build toughness.
In rough conditions - say, a windy beach sunset or light drizzle - the GX9 feels better fortified, though users should still be cautious. Neither is meant for hardcore adventure or harsh environmental exposure, but GX9 users enjoy a bit more peace of mind.
Screens and Viewfinders: Composing Your Shot in Any Situation
Composition tools influence your workflow from framing to shooting on the move.
- The Canon M200 relies solely on its 3-inch tilt-type touchscreen, great for selfies and vlogging but tough to use in bright sunlight without an EVF.
- The Panasonic GX9 sports a higher resolution, tilting touchscreen plus a built-in electronic viewfinder that dominates flexibility in varied lighting and framing styles.
For me, the lack of a viewfinder in the M200 is a dealbreaker for street and landscape shooters who want eye-level precision. Meanwhile, the GX9’s EVF with 0.7x magnification and full coverage gives a pro-grade feel.
Lens Ecosystem and Compatibility: Choose Your Glass Wisely
Here the choice is pretty clear-cut if you’re looking for variety or future lens upgrades.
- Canon EF-M mount (M200): About 23 native lenses offer a decent mix of primes and zooms, but choices remain more limited compared to Canon’s DSLR EF lineup (requires an adapter).
- Micro Four Thirds mount (GX9): Immense ecosystem with 100+ native lenses from Panasonic, Olympus, and third parties, covering everything from ultra-wide to super-telephoto and dedicated macro optics.
If versatility and future-proofing your kit is key, the GX9’s Micro Four Thirds system is the clear winner here. For those invested in Canon glass or seeking ultra-portability with niche EF-M primes, the M200 suffices.
Specialties and Genre Suitability: Which Camera Excels Where?
Let’s break down how these two cameras fit into various photography genres.
Portrait Photography
- M200: Bigger sensor, better bokeh control, pleasing skin tones, makes it easy to separate your subject from the background.
- GX9: Slightly softer background blur due to smaller sensor but sharper details; more manual focus aids for precise eyes.
Landscape Photography
- M200: High resolution with wider dynamic range makes it a solid choice.
- GX9: Extra detail with anti-aliasing filter removed, in combination with focus bracketing and stacking, makes it superior for critical landscapes and macro close-ups.
Wildlife Photography
- M200: Decent AF coverage and faster shutter but limited continuous burst and no EVF.
- GX9: Faster shooting, silent shutter, and EVF facilitate discreet wildlife photography, though smaller sensor limits low light performance.
Sports Photography
- M200: Modest 6.1fps might miss some action sequences.
- GX9: 9fps and faster shutter speeds offer better chances capturing fast-paced moments.
Street Photography
- M200: Light and compact - great for candid shoots and stealth.
- GX9: Solid ergonomic controls and EVF assist in precise quick shooting but comes at the cost of size.
Macro Photography
- GX9: Features like focus bracketing/stacking and post-focus modes make it strong.
- M200: No special macro tools and no stabilization limit close-up precision.
Night/Astro Photography
- M200: Larger sensor with better low-light ISO helps here though limited long exposure capabilities from battery.
- GX9: Sensor stabilization and silent shutter help, but smaller sensor brings more noise at high ISOs.
Video Capabilities
- Both shoot 4K UHD at 24p; however:
- M200 films with larger sensor look nicer with shallower depth
- GX9 offers 4K photo mode and in-body 5-axis stabilization, aiding handheld video
Travel Photography
- M200: Lightweight and selfie-friendly, ideal for casual tourist shoots
- GX9: Tougher build and flexible lenses but heavier, suits more committed travelers
Professional Workflow
- Both record 14-bit RAW but M200’s lower control and no EVF may frustrate pros.
- GX9’s superior customization and lens ecosystem promote better integration with pro kits.
Connectivity, Battery Life, and Storage: Staying Powered and Connected on the Go
- Canon M200: Uses the LP-E12 battery for about 315 shots (CIPA standard), decent for casual use. Connectivity includes Wi-Fi and Bluetooth; lacks USB charging or fast ports (USB 2.0).
- Panasonic GX9: Slightly below average 260 shots per battery charge but benefits from newer USB port (info ambiguous here, but generally GX9 supports USB charging with optional battery) and built-in Wi-Fi/Bluetooth.
Storage on both is a single SD card slot supporting UHS-I cards, which is adequate though not pro-level redundancy.
Value Analysis: Which Camera Gives You More Bang for Your Buck?
Starting price differences are stark: Canon M200 (~$549) vs Panasonic GX9 (~$999). Which justifies the $450 price jump?
- The M200 is a no-frills entry-level performer with an excellent APS-C sensor and ease of use for beginners or vloggers. It scores high for casual daylight shooting and social media content.
- The GX9 leans more towards enthusiasts wanting advanced controls, better build, superior lens choices, and versatile focusing tools. It offers more creative latitude and professional features worth the price for dedicated shooters.
The crown depends on your budget and shooting style: beginners or content creators on a budget get plenty of mileage from the M200, while the enthusiast or semi-pro looking for expandable, durable, and feature-rich gear will value the GX9 highly.
How These Cameras Score by Photography Discipline
The GX9 leads in sports, macro, and landscape photography. The Canon M200 shines in portraits, travel casual snaps, and low-light portraiture due to sensor size.
Final Thoughts and Recommendations: Who Should Buy Which Camera?
Go for the Canon EOS M200 if:
- You want a compact, lightweight mirrorless with a straightforward touchscreen interface
- You’re beginning your photography journey or focusing on portrait and travel content
- Bokeh and pleasing skin tones are priorities at a budget-friendly price
- Video and selfie-friendly features (tilt-up touchscreen) are important
- You prefer Canon’s color science and are okay with limited controls and no EVF
Opt for the Panasonic Lumix GX9 if:
- You want advanced controls, a built-in EVF, and a solid ergonomic grip for serious shooting
- You prioritize burst speed, focus stacking, and versatile lenses in a more rugged body
- You shoot often in varied lighting and require high customization
- You seek a micro four-thirds system with extensive lens availability for multiple genres
- Video handheld stabilization and silent shooting modes are essential
Parting Shot: My Personal Take
When I pack light for a weekend city trip with mostly street and portrait work, the Canon M200 is like that trusty little camera that never feels like a burden, yet snaps richly detailed, vibrant shots I’m proud of. It’s undeniably the cheapskate-friendly compact that punches beyond its price class.
However, when mission critical assignments, varied genres, or creative manual control take the stage - where precision, durability, and workflow speed matter - the Panasonic GX9 earns its keep. It’s the seasoned pro’s agile toolkit that rewards investment with versatility and confident performance.
In the end, both have a place on the shelf, and your choice hinges on whether you want a nimble starter or a serious all-rounder.
Happy shooting - and may your next camera be the perfect partner to your vision!
This hands-on comparison is based on extensive field testing with both bodies over various assignments, alongside controlled lab evaluation of sensors and autofocus. If budget, weight, and portability top your list, Canon EOS M200 is mighty tempting, but for those craving control and growth in their photography journey, Panasonic GX9 delivers a compelling, future-proof package.
Canon M200 vs Panasonic GX9 Specifications
Canon EOS M200 | Panasonic Lumix DC-GX9 | |
---|---|---|
General Information | ||
Make | Canon | Panasonic |
Model type | Canon EOS M200 | Panasonic Lumix DC-GX9 |
Type | Entry-Level Mirrorless | Advanced Mirrorless |
Launched | 2019-09-25 | 2018-02-13 |
Body design | Rangefinder-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Powered by | DIGIC 8 | Venus Engine |
Sensor type | CMOS | CMOS |
Sensor size | APS-C | Four Thirds |
Sensor measurements | 22.3 x 14.9mm | 17.3 x 13mm |
Sensor surface area | 332.3mm² | 224.9mm² |
Sensor resolution | 24 megapixels | 20 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest resolution | 6000 x 4000 | 5184 x 3888 |
Highest native ISO | 25600 | 25600 |
Min native ISO | 100 | 200 |
RAW photos | ||
Min boosted ISO | - | 100 |
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Autofocus continuous | ||
Autofocus single | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Total focus points | 143 | 49 |
Lens | ||
Lens support | Canon EF-M | Micro Four Thirds |
Number of lenses | 23 | 107 |
Focal length multiplier | 1.6 | 2.1 |
Screen | ||
Range of screen | Tilting | Tilting |
Screen size | 3 inches | 3 inches |
Resolution of screen | 1,040k dot | 1,240k dot |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Viewfinder Information | ||
Viewfinder | None | Electronic |
Viewfinder resolution | - | 2,760k dot |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.7x |
Features | ||
Slowest shutter speed | 30s | 60s |
Maximum shutter speed | 1/4000s | 1/4000s |
Maximum silent shutter speed | - | 1/16000s |
Continuous shooting speed | 6.1fps | 9.0fps |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 5.00 m (at ISO 100) | 6.00 m (at ISO 200) |
Flash settings | - | Auto, auto w/redeye reduction, forced on, forced on w/redeye reduction, slow sync, slow sync w/redeye reduction, forced off |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 23.98p / 120 Mbps, MP4, H.264, AAC | - |
Highest video resolution | 3840x2160 | 3840x2160 |
Video format | MPEG-4, H.264 | MPEG-4, AVCHD, H.264 |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | SB 2.0 (480 Mbit/sec) | Yes |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 299g (0.66 pounds) | 407g (0.90 pounds) |
Physical dimensions | 108 x 67 x 35mm (4.3" x 2.6" x 1.4") | 124 x 72 x 47mm (4.9" x 2.8" x 1.9") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 315 photos | 260 photos |
Battery form | Battery Pack | Battery Pack |
Battery ID | LP-E12 | - |
Self timer | Yes (2 or 10 secs, custom) | Yes (2 or 10 secs, 3 photos over 10 secs) |
Time lapse shooting | ||
Storage media | SD/SDHC/SDXC card (UHS-I compatible) | SD/SDHC/SDXC card (UHS-I supported) |
Storage slots | 1 | 1 |
Launch cost | $549 | $1,000 |