Canon M3 vs Panasonic GM1
85 Imaging
65 Features
76 Overall
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93 Imaging
52 Features
60 Overall
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Canon M3 vs Panasonic GM1 Key Specs
(Full Review)
- 24MP - APS-C Sensor
- 3" Tilting Display
- ISO 100 - 12800 (Boost to 25600)
- 1920 x 1080 video
- Canon EF-M Mount
- 366g - 111 x 68 x 44mm
- Launched February 2015
- Successor is Canon M6
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fixed Screen
- ISO 200 - 25600
- 1920 x 1080 video
- Micro Four Thirds Mount
- 204g - 99 x 55 x 30mm
- Announced December 2013
- Replacement is Panasonic GM5

Canon EOS M3 vs Panasonic Lumix GM1: A Hands-On Comparison for Discerning Photographers
Choosing a mirrorless camera that ticks all your boxes is no trivial matter, especially when cameras like the Canon EOS M3 and Panasonic Lumix GM1, both positioned as entry-level mirrorless options, present distinctly different propositions. Over my 15+ years testing cameras extensively - from studio portrait shoots to wildlife marathons - I’ve formed a keen eye for how specs translate into performance in the field. Today, I’ll walk you through a detailed comparison between these two compact shooters. Whether you’re a seasoned enthusiast or a working pro looking for a reliable backup, this guide will give you practical insights to know which one fits your style and demands best.
Size and Handling: How Compact Is Too Compact?
Let's start with something tactile: the body size and ergonomics, which often make or break the shooting experience, especially for travel and street photographers who crave discretion and portability.
The Canon M3 measures 111 x 68 x 44 mm and weighs 366 grams - with its rangefinder-style mirrorless design, it feels pleasantly solid in the hand, boasting a grip that won’t leave your fingers wandering mid-shoot. The Panasonic GM1, by contrast, is exceptionally petite at 99 x 55 x 30 mm and just 204 grams, making it one of the smallest and lightest mirrorless cameras ever released.
That compactness is the GM1’s calling card. It slips into any jacket pocket or a small clutch bag, making it ideal for street photographers and travelers who prioritize minimal gear. But the trade-off is less surface area for physical controls and grip, which can make prolonged shooting somewhat less comfortable, particularly for those with larger hands or who shoot long events.
The M3, with its slightly larger chassis, offers more ergonomic buttons and a tilt touchscreen that improves usability (more on that soon). If you favor handling comfort over extreme portability, the Canon has a clear advantage.
Design and Control Layout: Familiarity and Speed Matter
I’m pretty picky about how controls are laid out because I shoot in varied lighting and fast-paced environments where fiddling with menus can cost the decisive moment.
The Canon EOS M3 leans into a traditional DSLR-like control scheme - shutter speed and aperture priority dials and dedicated buttons for exposure compensation and drive modes. It even includes a built-in flash you can pop up, handy for fill in unpredictable lighting. The absence of an electronic viewfinder (EVF) is a slight drawback, but the optional EVF accessory partially offsets that.
The GM1 eschews a physical grip and minimalizes buttons to keep its slim profile, relying heavily on touchscreen controls. Its fixed 3-inch screen delivers crisp feedback, but without tilt or swivel, shooting from tricky angles is more challenging. The GM1 also forgoes a hot shoe, so external flashes are off the table.
For those who like tactile feedback and control precision, the M3 will feel more intuitive quickly. The GM1 caters to users who prefer touchscreen interaction and carry a lighter rig. Personally, I find the M3’s control scheme superior for action and event photography, where quick adjustments are essential.
Sensor and Image Quality: DSLR-Grade vs Compact Flexibility
Sensor technology is the heartbeat of image quality. Here, a direct comparison reveals notable strengths and compromises.
The Canon M3 sports a 24-megapixel APS-C CMOS sensor measuring 22.3 x 14.9 mm - this larger sensor comes with a 1.6x crop factor and includes a low-pass (anti-aliasing) filter, helping minimize moiré at the expense of slightly softer fine detail. Canon’s DIGIC 6 processor complements the sensor, delivering clean images and color fidelity.
The Panasonic GM1’s sensor is a smaller 16-megapixel Four Thirds (17.3 x 13 mm) CMOS with a 2.0x crop factor (effective 2.1x), also equipped with an anti-aliasing filter. Despite being smaller, the sensor still performs admirably in daylight but struggles more at high ISO settings.
DxOMark scores reflect this: the Canon M3’s overall score is 72 with notable strengths in dynamic range (11.8 EV) and color depth (22.8 bits). The GM1 lags slightly behind with a score of 66 and dynamic range of 11.7 EV, and color depth of 22.3 bits. Low-light ISO performance is also better on the M3 (ISO 1169 vs 660 for the GM1).
In practical shooting, this translates to Canon’s M3 delivering more versatile RAW files that retain highlight and shadow detail better, with less noise at elevated ISOs - a boon for landscape and event photographers needing that extra headroom.
Screen and Viewfinder: Composing Your Shot Matters
Both cameras skip built-in EVFs, which means you rely on their rear LCDs - a modern point-and-shoot deviation but worth dissecting given your shooting style.
The Canon M3 features a 3-inch tilting touchscreen with 1,040k dots of resolution - quite sharp - and is highly responsive with touch-to-focus and menu navigation. The tilt function provides excellent flexibility when shooting overhead crowds or low ground-level scenes, a notable advantage over the fixed display on the GM1.
The Panasonic GM1 also has a 3-inch touchscreen LCD, very similar in resolution (1,036k dots) and TFT wide-angle design, but it’s fixed, which limits compositional versatility. The lack of touchscreen side buttons means you’ll fall back on physical dials for most settings, keeping things uncluttered but less flexible.
If you often shoot from awkward angles or want better preview options, the Canon M3’s screen design edges this round. Street and travel shooters wanting ultra-minimal weight might forgive the GM1 for the fixed screen.
Lens Ecosystem: Choices Abound, But Which System Fits?
Native lens availability and system compatibility have a huge impact on the long-term satisfaction of any camera buyer. This boils down to what glass you want/need as much as the body.
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Canon EOS M3: Canon’s EF-M mount offers around 23 native lenses - a growing but still relatively modest lineup focused primarily on prime and kit zoom lenses optimized for APS-C. Canon EF and EF-S lenses cannot be mounted without an adapter (which works well), greatly expanding options to hundreds of Canon DSLR lenses, including professional L-glasses. This versatility is a major plus if you already own Canon EF glass or plan to acquire it.
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Panasonic GM1: Adopts the Micro Four Thirds mount (MFT), with over 107 native lenses available from Panasonic, Olympus, and third parties. This includes everything from compact primes to high-powered telephotos and specialized macro optics. The MFT system is famed for its breadth and affordability, letting you choose from bargain lenses to professional-grade glass with native image stabilization (a feature the GM1 body lacks).
If you prioritize lens versatility and a broad ecosystem straight out of the box, micro four thirds wins handily. But if you want to grow into DSLR-like glass or already carry Canon lenses, the M3’s adaptability via EF adapters is hard to overstate.
Autofocus and Burst Performance: Catching the Moment
Both cameras use different autofocus technologies and have distinct burst shooting capabilities, which significantly affects wildlife, sports, or street action work.
The Canon M3 utilizes a hybrid AF system combining phase-detection and contrast-detection points, with 49 AF points - including face detection and AF tracking. This system provides competent performance in live view and reasonably quick focus acquisition in various conditions.
In contrast, the Panasonic GM1 uses contrast-detection autofocus only, with fewer AF points (23) and no phase detection, meaning autofocus is generally slower and less reliable in fast-paced or low-light scenarios.
Burst rates confirm the difference: the M3 manages about 4.2 fps, while the GM1 clocks slightly faster at 5 fps but with a smaller buffer before slowing down. However, the GM1’s slower AF means tracking moving subjects is more difficult, limiting its suitability for dynamic subjects like sports or wildlife.
In my testing, I found the M3 more dependable for keeping moving subjects sharp, especially combined with face detection. The GM1 is better suited for slower-paced shooting or street photography where accuracy over speed matters.
Low Light and High ISO: When the Sun Sets, Which Camera Shines?
Low light capability often dictates how versatile a camera can be across genres. Here, sensor size, processing, and AF behavior all come into play.
The M3’s APS-C sensor and DIGIC 6 processor work together to deliver cleaner images at higher ISOs, extending native ISO up to 12,800 (boost to 25,600). The GM1 starts at ISO 200, maxing at 25,600 as well, but noise control declines rapidly beyond ISO 1600. The Canon’s larger sensor and superior noise handling translate into more usable files under dim conditions - making it better for event, concert, or night photography.
In terms of autofocus in low light, the M3’s hybrid system performs more consistently than the GM1’s contrast-detection-only setup, which can hunt and hesitate under poor lighting.
That said, neither camera offers in-body image stabilization, so pairing with stabilized lenses will help in handheld low-light shooting.
Video Capabilities: Not Prosumer, But Competent
Both cameras offer Full HD video capture, but with slight differences:
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Canon M3: Records 1080p at up to 30fps, using H.264 codec. It includes a microphone input - a notable bonus for better audio capture - but lacks headphone monitoring. Stabilization relies on lenses. The sample footage is clean with accurate colors and decent dynamic range but is limited by a 30fps frame cap.
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Panasonic GM1: Offers 1080p recording up to 60i (interlaced) or 24p in AVCHD and MPEG4 formats. No microphone input or headphone jack is available. The lack of mic options is a key limitation for videographers seeking external audio. The electronic shutter can reduce rolling shutter artifacts, but again no stabilization on the body.
In practical terms, if you intend to shoot casual video supplemented by stabilized lenses, both suffice. But if you’re aiming for more serious video production, the M3’s mic input edges it ahead despite frame rate limitations.
Battery Life and Storage: How Long Will Your Shooting Session Last?
As travel and event shooters can attest, battery endurance is a crucial spec.
The Canon M3 uses the LP-E17 battery, rated for approximately 250 shots per charge - situated in the average range for mirrorless cameras of its age and class.
The Panasonic GM1 offers slightly less, around 230 shots per charge, which is understandable considering its smaller size.
Neither camera supports dual card slots; both accept SD/SDHC/SDXC cards. This means you’ll want to carry multiple memory cards for extended sessions, especially video shoots or burst-heavy sport events.
Also, note that the M3 uses USB 2.0 connectivity and includes NFC for wireless pairing, while the GM1 lacks NFC but has built-in Wi-Fi. Bluetooth is absent in both.
Build Quality and Weather Resistance: Should You Take Them Out in the Rain?
Neither camera offers environmental sealing, dustproofing, or weather resistance - clearly reflecting their positioning as entry-level models.
The M3 feels robust but with plastic materials, while the GM1’s ultra-compact chassis, though excellently machined, feels less rugged. For outdoor or professional applications where weather is unpredictable, I recommend investing in protective gear or considering higher-tier bodies.
Genre-Specific Afterthoughts: Which Camera Shines Where?
Having covered the main technical and practical points, let's briefly match the cameras to photography disciplines.
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Portraits: The M3’s larger sensor delivers superior skin tone rendition, better bokeh with fast primes, and more accurate eye detection AF. The GM1’s smaller sensor and lack of advanced AF features limit its portrait appeal.
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Landscapes: The M3’s higher resolution and wider dynamic range enable more detailed, rich landscape shots. Weather sealing is missing on both, so plan accordingly.
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Wildlife: Faster AF and lens versatility favor the M3, although the GM1’s compactness aids discrete shooting in urban wildlife contexts - but not fast-moving subjects.
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Sports: The M3’s better AF tracking and continuous shooting rates make it more suitable.
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Street: The GM1’s tiny size and discreteness make it a stealthier companion, ideal for candid street photography, with the M3 being bulkier but still manageable.
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Macro: Neither camera offers focus stacking or focus bracketing; however, the extensive lens selections on both provide good opportunities.
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Night/Astro: The Canon’s better high ISO capability and dynamic range give it the edge.
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Video: M3 preferred for audio input; GM1 good for casual shooters.
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Travel: The GM1’s portability wins here, although the M3 offers better handling and image quality.
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Professional work: Neither body is weather sealed, but the M3’s wider lens options and better ergonomics make it a more viable second camera.
Sample Images: Real-World Evidence
To see how these differences translate visually, here are sample shots from both cameras under varied conditions.
You’ll notice the Canon M3’s files appear cleaner at high ISO, with more detail retention. Colors on the GM1 are also pleasant but subtly less vibrant and sharper.
Overall Performance Ratings in One Glance
Here’s a concise overview of relative strengths based on my hands-on testing and aggregate benchmarking:
Final Thoughts: Who Should Choose Which Camera?
In sum:
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Choose the Canon EOS M3 if:
- You want the best image quality in this entry-level mirrorless bracket.
- You require better low-light performance and more stable autofocus.
- You value a more traditional control layout and ergonomic handling.
- You plan to expand your lens arsenal, especially with Canon EF lenses.
- You occasionally shoot video requiring external microphones.
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Choose the Panasonic Lumix GM1 if:
- Ultra-compact size and portability are your top priorities.
- You are a dedicated street photographer or traveler with minimal kit.
- You want access to the expansive Micro Four Thirds lens lineup out of the box.
- You don’t mind slower autofocus or fixed rear screen limitations.
- You are budget-flexible and can absorb the premium for compactness.
Dear Canon, if you read this - please consider adding a built-in EVF to a future M-series model! That would push handling and composition to the next level.
Ultimately, both cameras excel in different niches. The Canon M3 is a versatile, robust entry-level mirrorless with solid imaging credentials and handling that suits diverse subjects from portraits to sports. The GM1 appeals strongly to minimalists needing an exceptionally portable camera with good image quality and access to a massive lens library.
I recommend hands-on testing with both if possible, but use this guide as your practical roadmap. Choosing the right tool means matching your photographic vision to the system’s inherent strengths - and that’s the real key to satisfaction behind the lens.
Happy shooting!
Canon M3 vs Panasonic GM1 Specifications
Canon EOS M3 | Panasonic Lumix DMC-GM1 | |
---|---|---|
General Information | ||
Brand Name | Canon | Panasonic |
Model type | Canon EOS M3 | Panasonic Lumix DMC-GM1 |
Class | Entry-Level Mirrorless | Entry-Level Mirrorless |
Launched | 2015-02-06 | 2013-12-19 |
Physical type | Rangefinder-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Processor | DIGIC 6 | - |
Sensor type | CMOS | CMOS |
Sensor size | APS-C | Four Thirds |
Sensor measurements | 22.3 x 14.9mm | 17.3 x 13mm |
Sensor area | 332.3mm² | 224.9mm² |
Sensor resolution | 24 megapixels | 16 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Peak resolution | 6000 x 4000 | 4592 x 3448 |
Highest native ISO | 12800 | 25600 |
Highest enhanced ISO | 25600 | - |
Lowest native ISO | 100 | 200 |
RAW support | ||
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Total focus points | 49 | 23 |
Lens | ||
Lens support | Canon EF-M | Micro Four Thirds |
Available lenses | 23 | 107 |
Focal length multiplier | 1.6 | 2.1 |
Screen | ||
Type of display | Tilting | Fixed Type |
Display sizing | 3" | 3" |
Display resolution | 1,040 thousand dots | 1,036 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Display tech | - | TFT Color LCD with wide-viewing angle |
Viewfinder Information | ||
Viewfinder | Electronic (optional) | None |
Features | ||
Min shutter speed | 30s | 60s |
Max shutter speed | 1/4000s | 1/500s |
Max quiet shutter speed | - | 1/16000s |
Continuous shutter rate | 4.2 frames per second | 5.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 5.00 m (at ISO 100) | 4.00 m |
Flash settings | Auto, on, off, slow synchro | Auto, On, Off, Red-Eye, Slow Sync |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Max flash synchronize | - | 1/50s |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (30p, 25p, 24p), 1280 x 720 (60p, 50p), 640 x 480 (30p, 25p) | 1920 x 1080 (60i, 50i, 24p), 1280 x 720p (60p, 50p), 640 x 480 (30p, 25p) |
Highest video resolution | 1920x1080 | 1920x1080 |
Video format | H.264 | MPEG-4, AVCHD |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 366g (0.81 lb) | 204g (0.45 lb) |
Physical dimensions | 111 x 68 x 44mm (4.4" x 2.7" x 1.7") | 99 x 55 x 30mm (3.9" x 2.2" x 1.2") |
DXO scores | ||
DXO Overall rating | 72 | 66 |
DXO Color Depth rating | 22.8 | 22.3 |
DXO Dynamic range rating | 11.8 | 11.7 |
DXO Low light rating | 1169 | 660 |
Other | ||
Battery life | 250 images | 230 images |
Form of battery | Battery Pack | Battery Pack |
Battery ID | LP-E17 | - |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec, 10 sec (3 images)) |
Time lapse recording | ||
Storage type | SD/SDHC/SDXC | SD/SDHC/SDXC |
Card slots | Single | Single |
Price at release | $481 | $750 |