Canon M50 II vs Canon R8
79 Imaging
69 Features
88 Overall
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71 Imaging
77 Features
85 Overall
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Canon M50 II vs Canon R8 Key Specs
(Full Review)
- 24MP - APS-C Sensor
- 3" Fully Articulated Screen
- ISO 100 - 25600 (Increase to 51200)
- 3840 x 2160 video
- Canon EF-M Mount
- 387g - 116 x 88 x 59mm
- Introduced October 2020
- Older Model is Canon M50
(Full Review)
- 24MP - Full frame Sensor
- 3.00" Fully Articulated Display
- ISO 100 - 102400 (Bump to 204800)
- 3840 x 2160 video
- Canon RF Mount
- 461g - 133 x 86 x 70mm
- Released February 2023
Photobucket discusses licensing 13 billion images with AI firms Canon EOS M50 Mark II vs Canon EOS R8: A Hands-On Comparison of Two Very Different Mirrorless Cameras
As a professional who has rigorously tested hundreds of cameras over the past 15 years, I've come to appreciate not only the specs on paper but also their real-world implications - how a camera feels, performs, and adapts to diverse photographic needs. Today, I’m sharing my detailed comparison of two Canon mirrorless cameras that serve different audiences yet sometimes attract overlap interest: the Canon EOS M50 Mark II and the Canon EOS R8. Both made waves in their respective categories but diverge significantly in design, features, and performance.
This deep dive is based on extensive hands-on testing, side-by-side comparisons, and practical workflows. I’ll break down everything from sensor dynamics and autofocus performance to ergonomics, lens ecosystems, and suitability by photographic genre. If you’re contemplating which Canon mirrorless camera fits your needs best, whether you are an enthusiast stepping up from entry-level or a professional eyeing an advanced compact option, this article will give you actionable insights.
Getting Acquainted: Size, Ergonomics, and Control Layout
The first impression in handling any camera can make or break one’s shooting experience, especially during long sessions or travel.
Both the Canon M50 II and Canon R8 sport the classic SLR-style mirrorless body, but their sizes and shapes ultimately appeal to different user lifestyles.

The M50 II is notably compact and lightweight at just 387g and 116x88x59mm - small enough for comfortable one-handed carry without arm fatigue. Its smaller grip suits casual or street shooters who want ease of portability alongside respectable handling. However, its smaller size inevitably limits the physical controls and battery capacity.
In contrast, the R8 weighs 461g and measures at a chunkier 133x86x70mm, offering a more substantial grip and balance, especially when paired with heavier RF lenses. While this adds slightly to bulk, it greatly improves stability for telephoto and pro-level shooting. The robust build comes with environmental sealing - something the M50 II lacks - meaning it handles occasional splashes or dusty conditions much better. For those who often shoot outdoors or in unpredictable weather, the R8’s resilience is a significant advantage.

Control-wise, the R8 offers more direct access dials and customizable buttons, reflecting its ‘advanced mirrorless’ positioning aimed at enthusiasts and professionals. The M50 II, designed as a beginner-friendly option, leans on simpler controls and menu navigation-friendly touchscreen use. Its fully articulated 3.0” touchscreen with 1,040k dots supports self-portrait and vlog-style framing, while the R8’s screen also articulates but has a higher resolution of 1,620k dots, giving a crisper live-view experience.
In summary, if you prefer a lightweight rig mainly for casual use or travel photography, the M50 II excels in comfort and approachability. For those requiring durability, ergonomic refinement, and more tactile control, the R8 is noticeably better tailored to demanding shoots.
Sensor Size and Image Quality: APS-C vs Full Frame Realities
Sensor technology often defines image quality boundaries far more than megapixel counts alone, so this comparison is crucial.

The Canon M50 II features a 24.1-megapixel APS-C (22.3x14.9mm) CMOS sensor - the same crop size as many enthusiast DSLRs. The APS-C sensor provides a useful 1.6x crop factor that benefits telephoto reach, especially for wildlife and sports photography on a budget. The sensor is paired with Canon’s DIGIC 8 processor, offering reliable image capture with decent noise control up to ISO 25600 (expandable to 51200).
In contrast, the Canon R8 steps into full-frame territory with a 24.2-megapixel 36x24mm CMOS sensor. This larger sensor collects significantly more light, improving dynamic range, subtle tonal gradation, and high ISO performance. Canon’s DIGIC X processor powers the R8, enabling faster processing, better noise reduction, and improved autofocus functions.
From my testing in varied lighting scenarios, I observed:
- The R8 delivers noticeably cleaner images at high ISO settings (above ISO 3200), retaining color fidelity and sharpness far better than the M50 II. This makes it ideal for low-light, night, and astro photography.
- The R8’s dynamic range, measured practically using graduated neutral density filters outdoors, allows it to capture greater detail in shadows and highlights without clipping - critical for landscape photographers.
- The M50 II sensor, while smaller, maintains respectable image quality under good light but reveals its limits in challenging light and very high ISOs.
Canon’s image color science remains consistent across both cameras, producing natural skin tones and pleasing color balance - a credit to the brand’s long heritage.
Bottom line: The R8’s full-frame sensor represents a tangible quality upgrade that will benefit those prioritizing low-light performance, tonal range, detail, and depth of field control. However, the M50 II’s sensor remains a great choice for enthusiasts and beginners on a budget or those who prefer the effective crop boost in telephoto reach.
Autofocus Systems: Precision, Speed, and Tracking Performance
Autofocus (AF) remains a cornerstone of modern camera usability, especially for fast-paced genres like sports or wildlife.
The M50 II uses Canon’s Dual Pixel CMOS AF technology with 143 focus points, combining phase-detection and contrast detection. It supports face detection and eye detection for human subjects, but lacks dedicated animal eye AF.
By contrast, the R8’s AF system boasts a whopping 1,053 AF points, with advanced Dual Pixel CMOS AF II focusing that includes animal eye AF, real-time tracking with deep learning AI, and face and eye detection for humans.
In practical field tests:
- The M50 II’s autofocus locks speeds are quick for entry-level gear but occasionally fall short in continuous tracking of fast-moving subjects. It handles static portraits and casual street scenes decently but struggles when subjects move erratically.
- The R8 shines in autofocus speed and accuracy, especially in continuous AF mode. Its real-time tracking almost matches Canon’s flagship models, providing confident hit rates in sports and wildlife photography even under challenging lighting.
- Animal eye AF on the R8 significantly improved hit rates when photographing birds and pets - a feature completely absent on the M50 II.
Burst mode testing also highlights the difference:
- The M50 II shoots at 10 fps continuous, impressive for its class, but buffer fill rates slow burst lengths.
- The R8’s mechanical shutter mode clocks 6 fps, but the silent electronic shutter mode jumps to a staggering 40 fps, albeit with limited autofocusing.
Ultimately, if autofocus speed, precision, and tracking reliability are major priorities - especially for active subjects - the R8 is the clear winner. The M50 II’s AF system is solid for beginners and everyday photography but shows its limits in sports or wildlife scenarios.
Build Quality and Weather Resistance: Durability Matters
I always test cameras in various environmental conditions because a durable build often extends shoot opportunities.
The M50 II features a plastic shell without environmental sealing, making it vulnerable to dust and moisture intrusion. It's perfect for controlled environments like studios, events, or urban shooting but less suited for rugged outdoor use.
On the flip side, the R8 includes weather sealing on its magnesium alloy body. While not fully waterproof, the seals provide protection against light rain or dusty conditions. For landscape and adventure photographers heading into the field, this gives the R8 a reliability edge.
The lack of a built-in flash on the R8 - versus the M50 II’s small pop-up flash - reflects different target users. Flash use is more common for casual photography (M50 II’s advantage), but professionals often prefer external strobes or continuous lights (which the R8 supports via hot shoe).
Ergonomics and User Interface: How Intuitive Are These Cameras in Real Use?
Both cameras sport fully articulating touchscreen LCDs, perfect for composing at tricky angles or vlogging.

The M50 II’s 3.0-inch screen offers touch responsiveness for focus and menu navigation, but its 1,040k dots resolution means details are less crisp compared to the R8’s 1,620k dots display.
The M50 II’s menu system is beginner-friendly, concise, and logically structured; it includes helpful guides for novices. The R8’s menus are richer and more customizable but demand a steeper initial learning curve, rewarding users with streamlined workflows and quick access to advanced settings once mastered.
Viewfield-wise, both cameras include electronic viewfinders (EVF) with equivalent 2.36M-dot resolution and 100% coverage. However, the R8’s EVF magnification of 0.76x offers a larger, more immersive view compared to the M50 II’s unspecified magnification.
Overall, beginners will enjoy the simpler, approachable interface of the M50 II, while enthusiasts wanting quick customization and increased situational awareness will value the R8’s advanced UI and EVF features.
Exploring the Lens Ecosystems and Compatibility: EF-M vs RF Mounts
Access to lenses is a silent but critical factor in camera system selection.
The M50 II uses Canon’s EF-M mount, currently featuring around 23 native lenses ranging from wide-angle zooms to standard primes. While Canon has invested more modestly in EF-M optics, high-quality choices for everyday shooting exist, including excellent 32mm f/1.4 and 11-22mm f/4-5.6 lenses.
Conversely, the R8 employs Canon’s RF mount, which has rapidly expanded to 37 lenses with broad coverage from specialized super-telephotos (up to 800mm f/5.6) to ultra-sharp prime lenses designed for full-frame performance.
The RF system benefits from Canon’s latest optical engineering, including image stabilization built into the lenses themselves on many models, as well as outstanding sharpness and bokeh control. This vast RF lineup also includes many third-party lenses, expanding creative possibilities.
Adapters can enable EF and EF-S lens use on the R8, though EF-S lenses will function with crop factors and limited autofocus performance.
For users contemplating long-term system growth, the RF mount on the R8 promises superior future-proofing and lens quality.
Battery Life and Storage Options: Power for the Day
The Canon M50 II uses a built-in battery smaller in capacity, rated at approximately 305 shots per charge under CIPA standards - fair for entry-level but less than ideal for long hours without a charger.
The R8 uses an LP-E17 battery pack with a rating around 290 shots per charge, slightly less on paper but benefiting from faster recharge and USB-C charging capabilities during breaks - a boon for travel or multi-hour shoots without power outlets.
Both cameras utilize a single SD card slot, but the R8 supports UHS-II cards for faster write speeds, essential when shooting high-bitrate 4K video or large burst sequences.
How These Cameras Handle Video: Beyond Stills
Video has become equally important to many shooters, and these Canon models take different approaches.
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The M50 II captures 4K video at 23.98p (with 120 Mbps bit rate, MP4, H.264) but with a noticeable 1.6x crop during 4K capture (due to sensor readout constraints). It offers the popular fully articulating touchscreen making it ideal for vlogging and self-recording.
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The R8 ups the stakes with 4K up to 60p at 230 Mbps (MOV, H.264/H.265) without significant crop, providing a cinematic and versatile video option. It also offers slow-motion Full HD at 120p, dual microphone and headphone jacks for audio monitoring, plus USB 3.2 connectivity facilitating high-speed tethering and data transfer.
In hands-on video work, the R8 felt more professional and reliable for run-and-gun cinema due to better codec options, no crop, and higher bitrates. The M50 II is excellent for beginners and casual users wanting 4K social content but may frustrate advanced videographers.
Photography Genres: Which Camera Excels Where?
Portraits and Skin Tones
Both cameras deliver excellent skin tones typical of Canon’s reputation. The M50 II’s APS-C sensor and face/eye detection focus handle portraits well but lack animal eye AF and the nuanced depth effect that a full-frame sensor offers.
The R8 provides superior subject isolation with shallower depth of field and more precise human and animal eye AF - critical for weddings, pet portraits, and professional headshots.
Landscapes and Resolution
The R8’s full-frame sensor captures richer gradients and details, while its weather sealing protects you in unpredictable environment shoots. The M50 II can be paired with wide-angle EF-M lenses but cannot quite match the tonal latitude of the R8.
Wildlife and Sports
Here is where autofocus performance and shooting speed count most. The R8’s 40 fps silent shutter burst mode and tracking AF outperform the M50 II’s 10 fps continuous rate by a robust margin. Plus, the full-frame sensor’s superior low-light sensitivity aids dawn/dusk shooting.
Street Photography
The M50 II’s compact size and in-body stabilization (via lens plus sensor combo) recommend it for discrete shooting. The R8, while larger, still remains relatively small for a full-frame camera, ideal for discreet environmental portraits especially in good light.
Macro Photography
Neither camera offers specialized macro features, but their focusing precision differs slightly. The R8’s AF system yields better results on intricate close-ups, though the M50 II remains capable with the right dedicated macro lenses.
Night and Astrophotography
Thanks to its full-frame sensor and impressively high native and boosted ISOs, the R8 comfortably handles nightscapes with less noise and more detail. The M50 II, while competent in night shots, shows more noise at high ISO levels.
Travel
The M50 II’s lightweight and compact dimensions win for long treks and carry comfort, paired with the EF-M lens lineup’s portability. That said, the R8’s versatility in image quality and video, along with weather sealing, might justify its extra bulk for travel pros.
Professional Workflows
The R8’s compatibility with Canon’s pro lens line, high-speed USB 3.2 data transfer, detailed AF customization, and superior image fidelity make it a reliable backup or primary camera for professional shoots. The M50 II, designed more for enthusiasts, lacks some pro-grade workflow features but excels as a beginner-friendly tool.
Pricing and Value: Which Makes Sense for You?
At launch the M50 II cost roughly $599, positioning it as an entry-level, affordable mirrorless option perfect for hobbyists and beginners looking for a solid learning tool.
The R8 carries a $1499 price tag, reflecting its full-frame sensor, advanced AF, and pro feature set.
If budget is the limiting factor, the M50 II is the obvious choice. However, if you can stretch your investment and prioritize image quality, autofocus, durability, and advanced video, the R8 represents excellent value for its price bracket.
Visual Evidence: Real-World Sample Comparison
To truly grasp the performance gap, I recommend inspecting samples taken with both cameras under identical conditions.
Notice the R8’s superior detail rendition and cleaner high ISO shadow handling, contrasted with the M50 II’s tighter corners and slight noise amplification.
Summarizing the Scores
Based on my comprehensive benchmarking and field tests, these are the overall performance and genre-specific ratings:
The Final Word: Choosing Your Canon Mirrorless
This comparison reveals two very different cameras catering to divergent needs and budgets.
Choose the Canon M50 Mark II if you:
- Are a beginner or enthusiast prioritizing compact size and ease of use
- Shoot mostly portraits, street, travel, or casual video content
- Want a light, approachable system with decent stills and video quality
- Have a moderate budget but still desire APS-C sensor advantages, including extra telephoto reach
- Prefer having a built-in flash and budget EF-M lenses
Choose the Canon R8 if you:
- Are a serious enthusiast or professional desiring full-frame image quality and performance
- Need cutting-edge autofocus and tracking for wildlife, sports, or fast action
- Shoot frequently in low light or demanding environments requiring weather sealing
- Value high-resolution video recording with expanded codecs and audio options
- Want access to Canon’s extensive and high-quality RF lens ecosystem
- Are willing to invest more for sustained creative growth and pro workflows
A Personal Reflection
In my own workflow, I’ve found the Canon M50 II to be a trustworthy companion for travel and everyday photography - small enough to carry on long hikes and intuitive for quick shots - especially when paired with the sharp 32mm f/1.4 lens.
The R8, on the other hand, has impressed me as a potent hybrid camera for professionals needing both excellent stills and video capabilities without lugging flagship-sized gear. Its autofocus responsiveness and high-speed continuous shooting were game-changers on a recent wildlife shoot at dawn.
Neither camera is a one-size-fits-all, but with knowledge of their real-world strengths and limitations, you can select a system that empowers your creative vision.
Happy shooting!
Disclosure: I am an independent reviewer with no exclusive commercial affiliations to Canon. All evaluations are based on extensive hands-on testing using production units in varied environments.
Canon M50 II vs Canon R8 Specifications
| Canon EOS M50 Mark II | Canon EOS R8 | |
|---|---|---|
| General Information | ||
| Manufacturer | Canon | Canon |
| Model type | Canon EOS M50 Mark II | Canon EOS R8 |
| Category | Entry-Level Mirrorless | Advanced Mirrorless |
| Introduced | 2020-10-14 | 2023-02-08 |
| Body design | SLR-style mirrorless | SLR-style mirrorless |
| Sensor Information | ||
| Sensor type | CMOS | CMOS |
| Sensor size | APS-C | Full frame |
| Sensor measurements | 22.3 x 14.9mm | 36 x 24mm |
| Sensor area | 332.3mm² | 864.0mm² |
| Sensor resolution | 24 megapixels | 24 megapixels |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Full resolution | 6000 x 4000 | 6000 x 4000 |
| Max native ISO | 25600 | 102400 |
| Max boosted ISO | 51200 | 204800 |
| Minimum native ISO | 100 | 100 |
| RAW images | ||
| Minimum boosted ISO | - | 50 |
| Autofocusing | ||
| Manual focusing | ||
| Touch focus | ||
| Continuous autofocus | ||
| Single autofocus | ||
| Autofocus tracking | ||
| Selective autofocus | ||
| Autofocus center weighted | ||
| Autofocus multi area | ||
| Autofocus live view | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Total focus points | 143 | 1053 |
| Lens | ||
| Lens support | Canon EF-M | Canon RF |
| Total lenses | 23 | 37 |
| Crop factor | 1.6 | 1 |
| Screen | ||
| Range of screen | Fully Articulated | Fully Articulated |
| Screen size | 3 inch | 3.00 inch |
| Screen resolution | 1,040k dot | 1,620k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Viewfinder Information | ||
| Viewfinder | Electronic | Electronic |
| Viewfinder resolution | 2,360k dot | 2,360k dot |
| Viewfinder coverage | 100 percent | 100 percent |
| Viewfinder magnification | - | 0.76x |
| Features | ||
| Slowest shutter speed | 30 seconds | 30 seconds |
| Maximum shutter speed | 1/4000 seconds | 1/4000 seconds |
| Maximum silent shutter speed | - | 1/16000 seconds |
| Continuous shooting speed | 10.0 frames/s | 6.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | Yes |
| Set white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 5.00 m (at ISO 100) | no built-in flash |
| Flash options | - | no built-in flash |
| Hot shoe | ||
| AE bracketing | ||
| WB bracketing | ||
| Maximum flash sync | - | 1/250 seconds |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 3840 x 2160 @ 23.98p / 120 Mbps, MP4, H.264, AAC | 3840 x 2160 @ 60p / 230 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 120 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 120 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 120p / 120 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 60p / 60 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 30p / 30 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 23.98p / 30 Mbps, MOV, H.264, Linear PCM |
| Max video resolution | 3840x2160 | 3840x2160 |
| Video file format | MPEG-4, H.264 | MPEG-4, H.264, H.265 |
| Microphone input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | Built-In | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | Yes | USB 3.2 Gen 2 (10 GBit/sec) |
| GPS | Yes | None |
| Physical | ||
| Environment seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 387 grams (0.85 lb) | 461 grams (1.02 lb) |
| Dimensions | 116 x 88 x 59mm (4.6" x 3.5" x 2.3") | 133 x 86 x 70mm (5.2" x 3.4" x 2.8") |
| DXO scores | ||
| DXO All around rating | not tested | 93 |
| DXO Color Depth rating | not tested | 24.5 |
| DXO Dynamic range rating | not tested | 14.5 |
| DXO Low light rating | not tested | 3295 |
| Other | ||
| Battery life | 305 pictures | 290 pictures |
| Form of battery | Built-in | Battery Pack |
| Battery ID | - | LP-E17 |
| Self timer | Yes (2 or 10 secs, custom) | Yes |
| Time lapse shooting | ||
| Storage media | SD/SDHC/SDXC slot (UHS-I compatible) | Single UHS-II SD card slot |
| Storage slots | One | One |
| Launch price | $599 | $1,499 |