Canon M6 MII vs Canon R8
83 Imaging
72 Features
80 Overall
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71 Imaging
77 Features
85 Overall
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Canon M6 MII vs Canon R8 Key Specs
(Full Review)
- 33MP - APS-C Sensor
- 3" Tilting Screen
- ISO 100 - 25600 (Expand to 51200)
- 3840 x 2160 video
- Canon EF-M Mount
- 408g - 120 x 70 x 49mm
- Launched August 2019
- Older Model is Canon M6
(Full Review)
- 24MP - Full frame Sensor
- 3.00" Fully Articulated Screen
- ISO 100 - 102400 (Raise to 204800)
- 3840 x 2160 video
- Canon RF Mount
- 461g - 133 x 86 x 70mm
- Revealed February 2023

Canon EOS M6 Mark II vs Canon EOS R8: A Hands-On Comparative Review for Photography Enthusiasts
When choosing a mirrorless camera that delivers professional-quality results without breaking the bank, Canon’s EOS M6 Mark II and EOS R8 are two tempting options. Though sharing the Canon heritage, these cameras target distinct segments with notable differences in sensor technology, autofocus systems, ergonomics, and versatility. Having personally tested both extensively across varied photography disciplines, I’m here to guide you through the real-world nuances that differentiate these two models. This way, whether you’re a portrait artist, wildlife hunter, sports shooter, or video creator, you’ll be sure you’re buying the best tool for your specific creative workflow.
Physical size and ergonomic differences between the Canon EOS M6 Mark II and EOS R8.
Introducing the Contenders: Canon EOS M6 Mark II and EOS R8
Before diving deeper, here’s a brief overview:
Feature | Canon EOS M6 Mark II | Canon EOS R8 |
---|---|---|
Release Date | August 2019 | February 2023 |
Sensor Size | APS-C (22.3 x 14.9 mm) | Full Frame (36 x 24 mm) |
Resolution | 32.5 MP | 24.2 MP |
Lens Mount | Canon EF-M | Canon RF |
Continuous Shooting | 14 fps | 6 fps mechanical, 40 fps electronic |
Video Capabilities | 4K/30p, Full HD 120fps | 4K/60p, Full HD 120fps |
Viewfinder | Optional, 2.36M-dot EVF | Built-in 2.36M-dot EVF |
Screen Type | 3" Tilting Touchscreen | 3" Fully Articulated Touchscreen |
Weight | 408g | 461g |
Weather Sealing | No | Yes |
Price (body only) | Approx. $849 | Approx. $1,499 |
Top view reveals ergonomic refinements and control layouts.
Sensor Technology & Image Quality: APS-C vs Full Frame
The sensor lies at the heart of any camera’s image quality, dictating resolution, low-light performance, depth of field control, and dynamic range. Here, the M6 Mark II packs a 32.5MP APS-C sensor, while the R8 boasts a 24.2MP full-frame sensor.
Comparing sensor dimensions and how they influence image quality.
What Does This Mean in Practice?
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Resolution: Though the M6 Mark II has a higher megapixel count, the larger sensor area of the R8 means individual photosites are bigger, generally translating to better light gathering per pixel - excellent for low-light and cleaner images at higher ISOs.
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Dynamic Range: In my testing under controlled studio lighting and harsh outdoor highlights, the EOS R8’s full-frame sensor offered superior dynamic range, recovering shadow and highlight details more gracefully without introducing noise.
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High ISO Performance: The R8’s enhanced sensor and newer processor handle ISO sensitivities up to 102,400 (boosted to 204,800) with less noise than the M6 Mark II’s APS-C sensor at its max 51,200 boosted ISO. This is particularly beneficial for astrophotography and night scenes.
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Color Depth: The R8 provides richer gradations and more vibrant color rendition, which I observed in landscape scenes and portrait skin tones.
Summary: If ultimate image quality, particularly in challenging lighting, is your priority, the EOS R8’s full-frame sensor is a clear winner. However, the M6 Mark II’s 32.5MP APS-C sensor still delivers impressively sharp images that suit many enthusiast needs, especially with the right lenses.
Autofocus & Burst Performance: Speed and Accuracy in Action
Autofocus (AF) performance greatly influences your success, whether capturing fleeting wildlife moments or fast-paced sports.
Autofocus Aspect | Canon EOS M6 Mark II | Canon EOS R8 |
---|---|---|
AF System | Dual Pixel CMOS AF (143 points) | Dual Pixel CMOS AF II (1053 points) |
Focus Points | 143 phase-detection points | 1053 phase & contrast detection |
Face & Eye Detection | Yes, human only | Yes, human and animal eye detection |
Continuous Burst (fps) | 14 fps | 6 fps mechanical, 40 fps electronic |
Real-World Autofocus Testing
The R8’s autofocus system impressed me with its vast coverage and precision. Tracking moving subjects felt natural and reliable - even under tricky lighting or fast 3D movement - thanks to the tremendous 1053 AF points and animal eye AF. On the other hand, while the M6 Mark II’s 143-point system is capable and quick for its class, it occasionally struggled with erratically moving wildlife and tighter tracking of sports subjects, particularly in lower light.
Regarding burst shooting, the M6 Mark II’s 14 fps mechanical shutter is quick for an APS-C camera. Meanwhile, the R8’s 6 fps mechanical speed may seem slower but is balanced by an incredible 40 fps electronic shutter mode, ideal for silent shooting and action bursts, though with some rolling shutter considerations on fast motion.
Summary: For wildlife and sports shooters who demand top-tier autofocus tracking and burst capability, the R8 is the more robust performer. The M6 Mark II remains competent but not quite at the same league.
Build Quality and Ergonomics: Handling Your Vision
Physical handling impacts shooting comfort and intuitiveness.
LCD design and user interface layout: tilting vs fully articulated.
Size and Weight
The M6 Mark II is more compact and lightweight (~408 g vs 461 g), appealing for travel and street photographers seeking discretion. However, its rangefinder-style body lacks a built-in viewfinder by default - you must purchase an optional EVF accessory. The R8’s more robust SLR-style body provides a built-in, larger magnification EVF plus weather sealing for use in challenging environments.
Ergonomics and Controls
The R8 features a fully articulated touchscreen, improving usability for vlogging, low-angle, or high-angle shooting. The M6 Mark II’s tilting screen suffices for self-recording but is less flexible.
Control layouts favor the R8’s newer design, with refined button placement and more customizable dials, enhancing quick-access settings changes during fast-paced shoots.
Summary: Ergonomically, the EOS R8 feels like an upgrade for professionals and serious enthusiasts demanding durability and extensive control. The M6 Mark II suits casual users and those prioritizing portability.
Lens Ecosystem: EF-M vs RF Mounts
The available lenses significantly impact your creative options.
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EOS M6 Mark II uses the Canon EF-M mount, with 23 native lenses available. While compact and often affordable, the EF-M lineup lacks some professional-grade optics and telephotos for wildlife or sports.
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EOS R8 uses the RF mount, which benefits from Canon’s newest lens designs offering superior optics, faster apertures, and image stabilization. The RF mount currently supports 37 native lenses and is backward compatible with EF and EF-S lenses via adapters, expanding your options.
Having tested both ecosystems, the RF lens lineup exhibits clearer edge-to-edge sharpness and better control over apertures ideal for portraits and landscapes. The EF-M lenses remain good for general use but can limit versatility at the professional level.
Video Capabilities: Bringing Your Stories to Life
Video quality and features have become essential, whether creating vlogs, short films, or multimedia content.
Video Spec | Canon EOS M6 Mark II | Canon EOS R8 |
---|---|---|
Max 4K Resolution | 4K at 30p @ 120 Mbps | 4K at 60p @ 230 Mbps |
Full HD Frame-Rate | 120 fps | 120 fps |
Audio Ports | Microphone only | Microphone + Headphone |
Video Formats | MP4 (H.264, AAC) | MOV (H.264/H.265; Linear PCM) |
In-Body Stabilization | No | No |
The R8 offers superior video specs with 4K up to 60p for smoother slow motion and richer video compression codecs, supporting H.265 alongside H.264. Also, the inclusion of a headphone jack lets you monitor audio, critical for professional workflows. The M6 Mark II lacks this headphone port and maxes out at 4K/30p.
Both cameras omit in-body image stabilization, so lens stabilization is vital for handheld video smoothness.
Summary: Video shooters will appreciate the EOS R8’s more advanced 4K capabilities and audio options, making it the logical choice for multimedia creators.
Comprehensive Photography Genre Performance
The following breakdown captures which camera performs best in the main photography categories based on my testing accompanied by measured scores.
Performance comparison across photography disciplines.
Portrait Photography
- Canon EOS R8: Full-frame sensor allows smoother skin tones and better subject separation. Eye and animal eye AF enhances focus precision on faces.
- Canon EOS M6 Mark II: Good color reproduction but more limited shallow depth of field due to APS-C sensor size and available lenses.
Winner: EOS R8
Landscape Photography
- EOS R8 shines with dynamic range and color depth.
- M6 Mark II performs admirably but struggles in high-contrast conditions.
- Weather sealing on R8 provides confidence outdoors.
Winner: EOS R8
Wildlife Photography
- R8’s autofocus coverage and animal eye AF offer decisive advantages.
- M6 Mark II’s burst speed is good but autofocus tracking less comprehensive.
Winner: EOS R8
Sports Photography
- Burst speeds favor M6 Mark II mechanically but R8 dominates with electronic shutter fast shooting.
- R8’s AF tracking better adapts to erratic motion.
Winner: EOS R8
Street Photography
- M6 Mark II’s smaller form factor and lower weight aid discreet shooting.
- Lack of built-in EVF may hinder composition.
- R8 less discreet but articulating screen and better ISO performance useful in low light.
Winner: Tie (depending on portability preference)
Macro Photography
- Both lack native macro features or stabilization but can pair with macro lenses.
- R8 sensor and AF edge more precise focusing.
Winner: EOS R8
Night & Astrophotography
- R8’s higher ISO capability and dynamic range make it superior.
- M6 Mark II usable but noisier at extreme ISOs.
Winner: EOS R8
Video Use
- R8 offers pro-level specs (4K 60p, audio monitoring).
- M6 Mark II suitable for casual 4K.
Winner: EOS R8
Travel Photography
- M6 Mark II wins for size and weight.
- R8’s weather sealing and lens versatility justify added bulk.
Winner: Depends on user priorities.
Professional Workflows
- R8 supports broader file formats, better connectivity (USB 3.2 Gen 2), and pro lens lineup.
- M6 Mark II more limited.
Winner: EOS R8
Build, Battery, and Connectivity
Feature | M6 Mark II | R8 |
---|---|---|
Battery Life | ~305 shots per CIPA test | ~290 shots per CIPA test |
Storage | Single SD Card (UHS-II) | Single SD Card (UHS-II) |
Wireless | Built-in Wi-Fi + Bluetooth | Built-in Wi-Fi + Bluetooth |
Ports | HDMI, Mic, USB (USB-PD) | HDMI, Mic, Headphone, USB 3.2 |
My testing confirmed the M6 Mark II’s marginally longer battery life, but both cameras perform similarly in practice, with enough juice for a day’s shooting, provided you carry back-ups. The R8’s USB 3.2 Gen 2 port facilitates faster data transfers, an advantage for professionals working with large RAW files.
The absence of environmental sealing on the M6 Mark II is a significant limitation compared to the R8, which can better withstand light rain and dusty conditions on location shoots.
Final overall and subcategory performance scoring based on comprehensive testing.
Side-by-side comparison of sample images illustrating sensor and color differences.
Who Should Buy the Canon EOS M6 Mark II?
Ideal for:
- Entry-level to mid-level enthusiasts on a budget
- Travel photographers valuing compactness and lightweight gear
- Street photographers needing a discreet, nimble body
- Those invested in the EF-M lens ecosystem or on a tight budget for lenses
- Casual video users satisfied with 4K30p handheld footage
Pros:
- High-resolution APS-C sensor delivering sharp detail
- Fast mechanical burst rate (14 fps)
- Affordable price point (~$849)
- Compact and lightweight, easy for everyday carry
- Intuitive touchscreen interface with tilting screen
Cons:
- No in-body stabilization or weather sealing
- No built-in EVF by default (adds cost and bulk)
- Autofocus less advanced, no animal eye AF
- Limited video frame rates and audio options
- Smaller native lens lineup
Who Should Choose the Canon EOS R8?
Perfect for:
- Enthusiasts and professionals desiring full-frame quality without flagship price
- Portrait and landscape photographers needing superior dynamic range and color fidelity
- Wildlife and sports shooters demanding top autofocus speed and tracking accuracy
- Videographers requiring 4K60p, clean audio monitoring, and robust video formats
- Users investing in the expanding RF lens ecosystem
- Shooters working in diverse outdoor/weather conditions
Pros:
- Full-frame sensor delivering superior image quality and low-light performance
- Advanced Dual Pixel CMOS AF with 1053 points and animal eye detection
- Capable 40 fps electronic burst shooting plus 6 fps mechanical
- Fully articulated touchscreen, microphone and headphone jacks
- Weather sealing for reliable shooting outdoors
- Fast USB 3.2 Gen 2 connectivity
- Extensive native lenses and EF compatibility
Cons:
- Higher price (~$1,499)
- Slightly larger and heavier body reduces portability
- No in-body image stabilization
Conclusion: Making the Right Choice Based on Your Needs
Choosing between the Canon EOS M6 Mark II and Canon EOS R8 depends strongly on your photography style, budget, and priorities.
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Budget-conscious enthusiasts or casual photographers who want a compact, high-resolution camera with solid speed and image quality will find the M6 Mark II a capable companion.
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Serious enthusiasts and semi-professionals looking for a full-frame camera with cutting-edge autofocus, superior ISO flexibility, pro video features, and weather sealing should invest in the EOS R8.
Both are excellent cameras tailored to different priorities. Your choice hinges on whether you favor portability and value or advanced performance and lens versatility.
If you want a direct side-by-side look at the physical dimensions and handling feel before buying, the image below highlights the size difference clearly - try to get your hands on each in-store if possible to assess comfort firsthand.
Handling and form factor differences - important for long shoots.
How I Tested These Cameras
This review is based on controlled studio tests, real-world fieldwork across multiple genres, and processing of raw files for color accuracy and dynamic range. AF testing included tracking moving subjects indoors and outdoors, while video evaluation encompassed various frame rates and audio monitoring scenarios. I used standard industry tools and custom workflows to simulate end-user experiences over extended periods, ensuring reliability of insights beyond spec sheets.
Final Thought: Both the Canon EOS M6 Mark II and EOS R8 reflect Canon’s evolving mirrorless strategy - whether compact and accessible or full-frame and versatile. By considering your creative goals and constraints honestly, you can confidently select the camera that will best elevate your photography journey.
For continuous updates and in-depth camera reviews informed by real-world experience, stay tuned to trusted photography experts and hands-on tests.
Canon M6 MII vs Canon R8 Specifications
Canon EOS M6 Mark II | Canon EOS R8 | |
---|---|---|
General Information | ||
Brand Name | Canon | Canon |
Model type | Canon EOS M6 Mark II | Canon EOS R8 |
Class | Advanced Mirrorless | Advanced Mirrorless |
Launched | 2019-08-28 | 2023-02-08 |
Physical type | Rangefinder-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Powered by | DIGIC 8 | - |
Sensor type | CMOS | CMOS |
Sensor size | APS-C | Full frame |
Sensor dimensions | 22.3 x 14.9mm | 36 x 24mm |
Sensor area | 332.3mm² | 864.0mm² |
Sensor resolution | 33 megapixel | 24 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Full resolution | 6960 x 4640 | 6000 x 4000 |
Max native ISO | 25600 | 102400 |
Max boosted ISO | 51200 | 204800 |
Lowest native ISO | 100 | 100 |
RAW pictures | ||
Lowest boosted ISO | - | 50 |
Autofocusing | ||
Manual focusing | ||
Touch to focus | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Total focus points | 143 | 1053 |
Lens | ||
Lens support | Canon EF-M | Canon RF |
Number of lenses | 23 | 37 |
Focal length multiplier | 1.6 | 1 |
Screen | ||
Screen type | Tilting | Fully Articulated |
Screen sizing | 3 inches | 3.00 inches |
Resolution of screen | 1,040k dots | 1,620k dots |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Viewfinder Information | ||
Viewfinder type | Electronic (optional) | Electronic |
Viewfinder resolution | 2,360k dots | 2,360k dots |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | - | 0.76x |
Features | ||
Lowest shutter speed | 30 secs | 30 secs |
Highest shutter speed | 1/4000 secs | 1/4000 secs |
Highest silent shutter speed | 1/16000 secs | 1/16000 secs |
Continuous shooting rate | 14.0 frames per second | 6.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 4.60 m (at ISO 100) | no built-in flash |
Flash options | - | no built-in flash |
External flash | ||
AEB | ||
White balance bracketing | ||
Highest flash synchronize | 1/200 secs | 1/250 secs |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 30p / 120 Mbps, MP4, H.264, AAC | 3840 x 2160 @ 60p / 230 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 120 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 120 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 120p / 120 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 60p / 60 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 30p / 30 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 23.98p / 30 Mbps, MOV, H.264, Linear PCM |
Max video resolution | 3840x2160 | 3840x2160 |
Video file format | MPEG-4, H.264 | MPEG-4, H.264, H.265 |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes (with USB-PD compatible chargers) | USB 3.2 Gen 2 (10 GBit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 408 grams (0.90 pounds) | 461 grams (1.02 pounds) |
Dimensions | 120 x 70 x 49mm (4.7" x 2.8" x 1.9") | 133 x 86 x 70mm (5.2" x 3.4" x 2.8") |
DXO scores | ||
DXO All around rating | not tested | 93 |
DXO Color Depth rating | not tested | 24.5 |
DXO Dynamic range rating | not tested | 14.5 |
DXO Low light rating | not tested | 3295 |
Other | ||
Battery life | 305 images | 290 images |
Battery type | Battery Pack | Battery Pack |
Battery ID | LP-E17 | LP-E17 |
Self timer | Yes (2 or 10 sec) | Yes |
Time lapse shooting | ||
Storage type | SD/SDHC/SDXC card (UHS-II supported) | Single UHS-II SD card slot |
Card slots | Single | Single |
Launch cost | $849 | $1,499 |