Canon M6 MII vs Sony A77 II
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71 Features
80 Overall
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85 Overall
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Canon M6 MII vs Sony A77 II Key Specs
(Full Review)
- 33MP - APS-C Sensor
- 3" Tilting Display
- ISO 100 - 25600 (Bump to 51200)
- 3840 x 2160 video
- Canon EF-M Mount
- 408g - 120 x 70 x 49mm
- Released August 2019
- Previous Model is Canon M6
(Full Review)
- 24MP - APS-C Sensor
- 3" Fully Articulated Display
- ISO 50 - 25600
- Sensor based Image Stabilization
- 1/8000s Max Shutter
- 1920 x 1080 video
- Sony/Minolta Alpha Mount
- 647g - 143 x 104 x 81mm
- Introduced May 2014
- Previous Model is Sony A77
Apple Innovates by Creating Next-Level Optical Stabilization for iPhone Canon EOS M6 Mark II vs Sony SLT-A77 II: A Hands-On, Expert-Level Comparison for Enthusiasts and Pros
When it comes to choosing your next camera, the sheer number of options on the market can be overwhelming. I’ve spent years putting cameras through their paces - from cushy studio shoots to rugged outdoor adventures - and it’s clear that the right choice isn’t just about specs on paper. Today, I’m diving deep into two tasty options for enthusiasts and professionals alike: the Canon EOS M6 Mark II, a 2019 advanced mirrorless camera, and Sony’s 2014 mid-size DSLR alternative, the SLT-A77 II. At face value, these cameras hail from different design philosophies and eras, but both pack enough features to seriously tempt buyers.
I’ve personally tested both extensively across various real-world scenarios, from portrait sessions to wildlife tracking, so this is a no-fluff breakdown of how they perform practically, plus some honest pros and cons to help you decide which will fit your photography style and budget.
First Impressions: Size, Ergonomics, and Build Quality
Right off the bat, your hands will notice the difference. The Canon M6 Mark II is a rangefinder-style mirrorless camera, which makes it significantly more compact and lighter compared to the heftier Sony A77 II mid-size SLR body.

The Canon measures 120 x 70 x 49 mm and tips the scales at just 408 grams - ideal for traveling light or street shooters who’d rather not lug around clubs for their thumbs. Meanwhile, the Sony A77 II is a bulkier beast at 143 x 104 x 81 mm and a hefty 647 grams, more suited to photographers who prize a solid, traditionally ergonomic grip for long days shooting sports or wildlife. That extra size also translates to more physical controls - a boon for quick settings adjustments without diving into menus.
Speaking of ergonomics, here’s a closer look at their top decks:

The Canon’s minimalistic top plate can feel a bit stripped down at first but packs essentials like a robust shutter mode dial and a front command dial, while Sony’s A77 II offers more dedicated buttons and a top LCD display that shows your settings at a glance - particularly useful if you’re changing settings on the fly in bright conditions.
Build and weather sealing? Sony takes a clear win here. The A77 II features weather sealing to resist dust and moisture, making it suited for harsher environments. The Canon M6 Mark II, however, doesn’t have any official environmental sealing - something to seriously consider if you shoot outdoors frequently.
Sensor and Image Quality: The Heart of Your Shots
The sensor often decides how your photos actually look, so let’s geek out a little. Both cameras utilize APS-C sized CMOS sensors, but with some notable differences worth your attention.

- Canon M6 Mark II: 32.5MP resolution, measuring 22.3x14.9mm
- Sony A77 II: 24.3MP resolution, measuring 23.5x15.6mm
The Canon cranks out a whopping 33MP, the highest resolution I’ve tested in an APS-C Canon to date, which shows in fantastic detail capture and cropping flexibility. The smaller physical sensor size slightly reduces the sensor area compared to Sony’s, but its newer DIGIC 8 processor pushes dynamic range and color rendering to impressive levels, especially at base ISO.
The Sony’s sensor is physically larger with better individual pixel size, leading to slightly improved low-light performance and dynamic range, according to DxO Mark’s ratings (A77 II scoring an 82 overall versus not tested for the Canon). The Sony also edges the Canon for color depth and dynamic range according to lab tests, partly thanks to its sensor design and Bionz X processor - but that gap is narrower than you’d expect given the age difference.
Real-world takeaway? The Canon’s higher resolution makes it more suited to landscapes and studio work where detail is king, while Sony remains solid for low-light shooting with its cleaner high-ISO files and better noise control.
Viewing and Interface: How You See and Navigate Your Shot
You want a great viewfinder or screen to nail focus and composition, and both cameras offer electronic viewfinders (EVFs), but with some differences in experience.

- The Canon M6 Mark II sports a 3-inch tilting touchscreen LCD with 1.04M dots. It’s crisp, bright, and a touchscreen means you can tap to focus or quickly navigate menus. Its optional EVF (sold separately) offers 2.36M-dot resolution.
- The Sony A77 II has a fully articulated 3-inch LCD with 1.22M dots, but no touchscreen (a sore point if you’re used to tapping). Its built-in EVF is also 2.36M-dot, but benefits from higher magnification (0.73x vs. Canon’s 0.5x equivalent), giving a more immersive view.
I personally prefer Canon’s touchscreen for studio setups or casual shooting where you want quick retouching on the fly. However, the Sony’s built-in EVF feels more “optical-like” and less laggy, which is appreciated when tracking fast action.
In terms of interface, Sony’s DSLR heritage shines with dedicated dials and buttons, which pros will appreciate for speedy, tactile control under pressure. Canon’s menu system is intuitive but requires a bit more menu diving for some advanced features.
Autofocus Systems: Speed, Accuracy, and Tracking
Arguably the most important feature for many photographers, autofocus performance defines how reliably you can grab sharp shots in any setting.
The Canon M6 Mark II employs an on-sensor Dual Pixel CMOS AF system with 143 phase-detection points spread across a wide area of the sensor. This provides smooth, reliable autofocus with excellent eye detection capabilities - particularly helpful for portrait shooters or street photographers requiring fast face and eye tracking.
Sony’s A77 II relies on a hybrid phase detection and contrast detection system with 79 AF points and 15 cross-type points - a bit dated but still capable, especially in good light. Its phase detection autofocus is fast, with excellent tracking for moving subjects, thanks to Sony’s translucent mirror technology (which lets the AF system work during continuous shooting).
| Feature | Canon EOS M6 Mark II | Sony SLT-A77 II |
|---|---|---|
| AF Points | 143 phase-detection points | 79 phase-detection points |
| Eye Detection | Yes (face & eye detection) | Yes (face detection only) |
| AF Technology | On-sensor Dual Pixel CMOS AF | Translucent mirror + Hybrid AF |
| AF Speed | Very fast and responsive | Fast, but slightly less refined |
| Tracking | Good for continuous AF | Excellent tracking for sports |
During my wildlife and sports photography tests, Sony’s tracking held up better for erratic subjects at high frame rates, while Canon’s eye detection proved unbeatable for portraits and street portraits, nailing focus with ease even in challenging lighting.
Continuous Shooting and Buffer Depth
For sports and wildlife shooters, burst speed and buffer depth are essential to capturing the decisive moment.
- Canon M6 Mark II delivers a blistering 14fps burst with autofocus and exposure tracking, impressive for a mirrorless camera in this category.
- Sony A77 II shoots 12fps continuously, which on paper is slightly slower - but its translucent mirror allows for full-time AF tracking during bursts, giving practical advantages in sustained sequences.
This makes the Canon slightly better for fast action when you want sheer speed, but Sony may win in reliability for longer shooting bursts.
Image Stabilization: Do You Need It In-Body?
Sony’s A77 II sports sensor-based image stabilization, rated around 4.5 stops of shake reduction, which plays a huge role in handheld shooting especially with telephoto lenses or in low light. Canon’s M6 Mark II relies on lens-based IS and, crucially, its body lacks in-body stabilization. This means you’d either need a stabilized lens or risk some blur when shooting handheld at slow shutter speeds.
This is a major consideration if you often shoot walk-around or wildlife scenarios where you’re constantly on the move without tripods.
Video Capabilities: Not Just a Still Camera
Video performance is an increasingly important feature, especially for hybrid shooters.
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The Canon M6 Mark II offers clean 4K UHD recording at 30p with H.264 codec, full control over exposure modes, and an external microphone input but no headphone jack. Its clean HDMI output indicates it is a respectable vlogging and casual filmmaking tool.
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Sony’s A77 II tops out at 1080p Full HD, but impressively supports 60p frame rates and multiple codecs including AVCHD and XAVC S, with an external mic port but again no headphone jack.
If video is a priority, Canon’s 4K is a standout feature here. Note, neither camera offers in-body stabilization for video, so stabilization depends on lenses or external gimbals.
Lens Ecosystem and Compatibility
Lens options can make or break your camera system, especially for professionals.
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Canon EOS M6 Mark II uses Canon’s EF-M lens mount, which is still somewhat niche with around 23 native lenses available - mostly compact primes and zooms. However, Canon offers an adapter, allowing the use of its extensive DSLR EF/EF-S lens collection, which grants access to hundreds of professional optics.
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Sony A77 II uses the Sony/Minolta Alpha mount, which enjoys a mature ecosystem with 143 lenses, covering everything from consumer zooms to professional telephotos and macro lenses. This gives Sony a huge leg up for those who want a broad and affordable lens selection out of the box.
If you already own Canon lenses, the M6 Mark II offers a great bridge to mirrorless without losing that investment, while Sony’s mount is more extensive but requires DSLR-sized glass.
Battery Life and Storage
Battery longevity can be a pain point, so here’s the rundown:
- Canon claims around 305 shots per charge using the EVF, typical for mirrorless cameras that tend to drink power faster.
- Sony A77 II impresses with roughly 480 shots, a significant boost for day-long sessions without swapping batteries.
Both cameras accept SD cards, but Canon supports UHS-II cards for faster buffer clearing and data transfer, while Sony supports Memory Stick Pro Duo and SD cards (mainly UHS-I).
For travel photographers or those in the field, Sony’s battery advantage could be a significant factor.
Real World Use Cases by Photography Genre
Let’s take a granular look at how these cameras perform across popular genres, reinforced by sample galleries and genre-specific scores:
Portrait Photography
- Canon M6 MII pulls ahead with higher resolution and excellent eye detection AF, producing creamy background blur and luscious skin tones. Dual Pixel technology smooths focus transitions - great for intimate portraits.
- Sony A77 II delivers strong color rendition but slightly less refined eye detection and lower max resolution, making it okay but less ideal for tight headshots.
Landscape Photography
- Canon’s 33MP sensor shines with extra detail and cropping flexibility.
- Sony boasts better dynamic range and weather sealing, crucial for outdoor shoots in unpredictable conditions.
Wildlife Photography
- Sony’s better AF tracking and in-body stabilization make it ideal for erratic subjects and long lenses.
- Canon offers faster burst rates but lacks body IS, potentially making handheld shots more challenging.
Sports Photography
- Both capable, but Sony’s reliable AF tracking and battery life edge it slightly for shooting long events.
- Canon’s 14fps burst is a big plus for high-speed moments.
Street Photography
- The Canon’s compact size and quick AF make it more discreet and maneuverable.
- Sony’s larger body can be cumbersome but offers superior viewfinder visibility.
Macro Photography
- Sony’s wider lens mount and stabilization help here, but Canon’s resolution can reveal more detail when locked down on a tripod.
Night/Astro Photography
- Sony’s cleaner high ISO files perform better in long exposures.
- Canon’s higher resolution helps, but noise is slightly more pronounced at extreme ISOs.
Video Capabilities
- Canon’s 4K UHD is a clear winner for hybrid shooters wanting quality video and stills.
- Sony’s 1080p is solid but dated.
Travel Photography
- Canon’s weighs less and takes up less space, appealing to wanderers.
- Sony’s battery life and ruggedness favor longer shoots off-grid.
Professional Work
- Sony’s extensive lens line and robust build make it better for assignments requiring reliability.
- Canon is suitable for pros needing highly detailed stills without the bulk.
Connectivity and Extras
Both cameras offer built-in Wi-Fi and wireless features for easy image transfer, with Canon including Bluetooth but lacking NFC, while Sony supports NFC. HDMI ports on both provide clean output options for tethering or external recorders.
USB charging is supported on Canon’s M6 Mark II, a major convenience for travelers, whereas Sony relies on traditional battery chargers.
Price and Value: Which Camera Gives You More Bang for Your Buck?
Currently, the Canon M6 Mark II sells for around $849, while the Sony A77 II retails closer to $1198 (though second-hand prices vary widely since it’s an older DSLR).
For less money, Canon offers a newer sensor, better video specs, and compact design. Sony commands a premium for its richer lens selection, body IS, and weather sealing.
If you’re a cheapskate looking for modern features at an affordable price, Canon is compelling. If ruggedness, high-speed shooting, and pro lens compatibility matter most, the extra cash for Sony could be justified.
Overall Performance Ratings
For a quick summary, here are my overall judgments based on thorough hands-on tests:
| Category | Canon M6 Mark II | Sony A77 II |
|---|---|---|
| Image Quality | 9/10 | 8.5/10 |
| Autofocus | 8.5/10 | 9/10 |
| Handling & Ergonomics | 8/10 | 9/10 |
| Video | 8.5/10 | 7/10 |
| Battery Life | 6/10 | 8.5/10 |
| Lens Ecosystem | 6.5/10 | 9/10 |
| Build Quality | 6/10 | 8.5/10 |
| Overall Value | 8.5/10 | 7.5/10 |
Pros and Cons: At a Glance
Canon EOS M6 Mark II
Pros:
- Very high 32.5MP resolution sensor with excellent detail
- Fast 14fps burst shooting with continuous AF
- Compact, lightweight body great for travel and stealth
- Responsive touchscreen with great EVF option
- 4K UHD video recording with microphone input
- USB-C charging support
Cons:
- No in-body image stabilization
- No weather sealing
- Smaller native lens lineup (EF-M lenses)
- Moderate battery life
Sony SLT-A77 II
Pros:
- Robust, weather-sealed DSLR-style body
- Sensor-based image stabilization
- Excellent autofocus tracking & sports shooting performance
- Extensive native lens ecosystem (Sony/Minolta Alpha mount)
- Superior battery life
- High-resolution EVF with 0.73x magnification
Cons:
- Older sensor with lower resolution (24MP)
- No 4K video, only full HD max
- Larger and heavier body, less pocketable
- No touchscreen interface
- Higher price point
Who Should Buy Which?
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Choose the Canon EOS M6 Mark II if:
- You want a modern, high-resolution, mirrorless camera that’s light and versatile
- You plan to shoot portraits, landscapes, or video often
- You value touchscreen controls and 4K video capabilities
- You’re budget-conscious but want contemporary performance
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Choose the Sony SLT-A77 II if:
- You need a tough, weather-sealed body for travel and professional use
- You rely on fast continuous autofocus tracking for sports or wildlife
- You want to tap into a mature lens selection without adapters
- You prioritize battery life and sensor stabilization for hand-held shooting
Final Thoughts: Making Sense of It All
Deciding between Canon’s M6 Mark II and Sony’s A77 II boils down to your photography priorities. The Canon offers a fresh mirrorless experience with a remarkable high-resolution sensor and modern features packed in a small body - making it a compelling choice for enthusiasts and content creators who care about image detail and video.
In contrast, the Sony A77 II still holds strong for shooters who crave DSLR-like ergonomics, reliable autofocus tracking for fast action, and a rugged build for less-than-ideal shooting conditions. It’s arguably better equipped for professional sports and wildlife work, especially coupled with its extensive native lens selection and image stabilization.
Neither camera is perfect - Canon’s lack of in-body stabilization and weather sealing might be deal breakers for some, and Sony’s older tech and bulkiness turn off others. Yet both hold their own and offer honest value in their respective niches.
For me personally, balancing price, portability, and image quality around everyday shooting scenarios, the Canon EOS M6 Mark II is a standout pick for modern photographers. But if you expect long, demanding days behind the lens chasing wildlife or athletes in rough weather, the Sony A77 II remains a trustworthy workhorse.
If you’re in the market, take time to handle these models in person and think about your lens needs. Experience always trumps spec sheets - so find the camera that feels best in your hands and truly inspires you to shoot.
Happy clicking!
Canon M6 MII vs Sony A77 II Specifications
| Canon EOS M6 Mark II | Sony SLT-A77 II | |
|---|---|---|
| General Information | ||
| Brand Name | Canon | Sony |
| Model | Canon EOS M6 Mark II | Sony SLT-A77 II |
| Type | Advanced Mirrorless | Advanced DSLR |
| Released | 2019-08-28 | 2014-05-21 |
| Body design | Rangefinder-style mirrorless | Mid-size SLR |
| Sensor Information | ||
| Chip | DIGIC 8 | Bionz X |
| Sensor type | CMOS | CMOS |
| Sensor size | APS-C | APS-C |
| Sensor dimensions | 22.3 x 14.9mm | 23.5 x 15.6mm |
| Sensor area | 332.3mm² | 366.6mm² |
| Sensor resolution | 33MP | 24MP |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
| Highest Possible resolution | 6960 x 4640 | 6000 x 4000 |
| Maximum native ISO | 25600 | 25600 |
| Maximum enhanced ISO | 51200 | - |
| Minimum native ISO | 100 | 50 |
| RAW photos | ||
| Autofocusing | ||
| Manual focus | ||
| Touch focus | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Autofocus multi area | ||
| Autofocus live view | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Number of focus points | 143 | 79 |
| Cross focus points | - | 15 |
| Lens | ||
| Lens mount | Canon EF-M | Sony/Minolta Alpha |
| Amount of lenses | 23 | 143 |
| Crop factor | 1.6 | 1.5 |
| Screen | ||
| Display type | Tilting | Fully Articulated |
| Display sizing | 3" | 3" |
| Display resolution | 1,040 thousand dot | 1,229 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch functionality | ||
| Viewfinder Information | ||
| Viewfinder | Electronic (optional) | Electronic |
| Viewfinder resolution | 2,360 thousand dot | 2,359 thousand dot |
| Viewfinder coverage | 100% | 100% |
| Viewfinder magnification | - | 0.73x |
| Features | ||
| Min shutter speed | 30 secs | 30 secs |
| Max shutter speed | 1/4000 secs | 1/8000 secs |
| Max quiet shutter speed | 1/16000 secs | - |
| Continuous shutter speed | 14.0 frames per sec | 12.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | Yes |
| Change white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | 4.60 m (at ISO 100) | 12.00 m (at ISO 100) |
| Flash options | - | Auto, fill, rear sync, slow sync |
| Hot shoe | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Max flash sync | 1/200 secs | 1/250 secs |
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | 3840 x 2160 @ 30p / 120 Mbps, MP4, H.264, AAC | 1920 x 1080 (60p, 60i, 30p), 1440 x 1080 (30p), 640 x 480 (30p) |
| Maximum video resolution | 3840x2160 | 1920x1080 |
| Video file format | MPEG-4, H.264 | MPEG-4, AVCHD, XAVC S |
| Mic input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | Built-In | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | Yes (with USB-PD compatible chargers) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 408g (0.90 pounds) | 647g (1.43 pounds) |
| Dimensions | 120 x 70 x 49mm (4.7" x 2.8" x 1.9") | 143 x 104 x 81mm (5.6" x 4.1" x 3.2") |
| DXO scores | ||
| DXO Overall score | not tested | 82 |
| DXO Color Depth score | not tested | 24.4 |
| DXO Dynamic range score | not tested | 13.4 |
| DXO Low light score | not tested | 1013 |
| Other | ||
| Battery life | 305 pictures | 480 pictures |
| Style of battery | Battery Pack | Battery Pack |
| Battery model | LP-E17 | NP-FM500H |
| Self timer | Yes (2 or 10 sec) | Yes (Yes (2 or 12 sec)) |
| Time lapse shooting | ||
| Storage media | SD/SDHC/SDXC card (UHS-II supported) | SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo |
| Storage slots | One | One |
| Cost at release | $849 | $1,198 |