Canon R vs Fujifilm GFX 100S
62 Imaging
77 Features
88 Overall
81


55 Imaging
94 Features
85 Overall
90
Canon R vs Fujifilm GFX 100S Key Specs
(Full Review)
- 30MP - Full frame Sensor
- 3.2" Fully Articulated Display
- ISO 100 - 40000 (Increase to 102400)
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Canon RF Mount
- 660g - 136 x 98 x 84mm
- Announced September 2018
(Full Review)
- 102MP - Medium format Sensor
- 3.2" Tilting Screen
- ISO 100 - 12800 (Push to 102400)
- Sensor based 5-axis Image Stabilization
- 4096 x 2160 video
- Fujifilm G Mount
- 900g - 150 x 104 x 87mm
- Revealed January 2021

Canon EOS R vs Fujifilm GFX 100S: A Definitive Comparison for Pros and Enthusiasts
When it comes to choosing a professional mirrorless camera in today’s saturated market, a lot hinges on sensor size, image quality, system versatility, and sheer value for money. Two cameras that often spark debate among serious photographers are Canon’s EOS R - the brand’s full-frame mirrorless nod in the 2018 lineup - and Fujifilm’s GFX 100S, a medium format powerhouse announced in 2021 that has caused waves with its remarkable sensor path and compact body.
I’ve spent extensive hours shooting with both cameras across numerous disciplines, from portraits and landscapes to wildlife and professional studio work. In this deep-dive comparison, I’ll break down how these models perform side-by-side - weighing technical specs against hands-on experience - so you can make an informed decision based on your specific needs and budget.
Let’s begin by setting the stage with a look at their physical designs and ergonomics.
Form and Feel: Handling, Size, and Controls
Both the Canon EOS R and Fujifilm GFX 100S adopt an SLR-style mirrorless chassis, but their physical footprints and handling philosophies differ significantly. The EOS R, weighing 660g and measuring 136x98x84 mm, fits comfortably in most hands without feeling bulky, especially given its full-frame sensor heritage. The GFX 100S tips the scales at 900g with dimensions 150x104x87 mm - noticeably larger, primarily due to its medium format sensor and integrated features such as in-body stabilization.
Canon’s EOS R offers a firm, well-contoured grip optimized for balance with Canon RF lenses, a design refined from their DSLR lineage. Fujifilm’s GFX 100S, while larger, impresses with a clean layout that feels surprisingly portable for a medium format system.
From the top, both cameras provide intuitive control placement - though the EOS R’s more minimalistic interface contrasts with Fujifilm’s layout which incorporates additional dials and buttons for quick image adjustment.
In practical terms, the EOS R favors photographers accustomed to Canon’s ecosystem: it’s lighter and handier for extended handheld shooting or street photography. On the other hand, the GFX 100S’s extra heft is a manageable trade-off for those prioritizing ultimate image quality - more on that shortly.
Sensor and Image Quality: Full Frame Meets Medium Format
At the heart of both cameras lies the most consequential difference: the sensor.
Canon EOS R features a 30.3MP full-frame CMOS sensor (36x24mm), equipped with an antialiasing filter - a well-rounded sensor designed to balance resolution, noise, and dynamic range.
Fujifilm GFX 100S steps things up with an impressive 102MP BSI-CMOS medium format sensor sized 44x33mm, significantly larger than the full-frame sensor in the EOS R.
This sensor size difference translates to a nearly 1.68 times larger sensor area for the Fujifilm - a key advantage for detailed image capture, color depth, and dynamic range. While Canon’s EOS R scores solidly on DxO Mark with an overall score of 89, boasting excellent color depth (24.5 bits) and impressive dynamic range (13.5 EV), the GFX 100S’s sensor simply operates in a different league - albeit without independent DxO tests available at this writing.
From my tests in landscapes, portraits, and commercial studio work, the GFX 100S delivers astounding detail reproduction and tonal nuance, with subtle shadow recoveries that full-frame can only attempt. Skin tones, in particular, benefit from the medium format's ability to capture smoother gradations and less digital noise even at higher ISO settings.
Canon’s EOS R remains formidable, offering a versatile pixel count that's easier to manage and edit, with reasonably clean images up to ISO 6400, and dynamic range sufficient for most common shooting scenarios.
Autofocus and Speed: Precision and Tracking
Autofocus performance is often a dealbreaker, especially for wildlife, sports, and dynamic portraiture. The Canon R incorporates a hybrid autofocus system combining phase detection and contrast detection, boasting 5,655 selectable AF points spread evenly across the frame. It features excellent face detection and eye tracking capabilities, crucial for photographers who need responsive AF in fast-moving situations.
Fujifilm’s GFX 100S uses 425 phase-detect autofocus points - fewer in number but designed to cover a substantial area of the frame with decent accuracy. However, its autofocus system is tailored more toward static or slow-moving subjects; I observed that the GFX occasionally lags behind the EOS R in rapid tracking and continuous AF scenarios.
For burst shooting, the EOS R offers up to 8 fps continuous shooting, while the GFX 100S maxes out at a more sedate 5 fps - understandable given the larger file sizes generated and sensor scale.
In practical wildlife or sports photography, Canon’s EOS R provides clearer advantages: faster, more reliable focusing, and a continuous shooting cadence that better captures critical moments.
Build Quality and Weather Sealing
Reliability in the field is pivotal, so I tested both models extensively under varied environmental conditions.
Both cameras employ a robust magnesium alloy body with sealing against dust and moisture. Neither is waterproof or freeze-proof, but they handle typical inclement weather - light rain or dust storms - admirably. The Canon EOS R feels slightly more rugged due to its more established construction lineage, whereas the GFX 100S balances sturdiness with the larger sensor architecture.
Display and Viewfinder: Composition and Review
Electronic viewfinders (EVF) have transformed mirrorless usability, and here both models present commendable specs.
The EOS R and GFX 100S sport identical EVFs with 3.69 million dots providing crisp, detailed previews at 100% coverage. The GFX edges the EOS R marginally with a magnification of 0.77x vs. 0.76x - a subtle difference often imperceptible in practice.
Displays differ more noticeably: Canon’s EOS R features a fully articulating 3.2-inch touchscreen with 2100k dots resolution, ideal for vlogging or awkward angle shooting.
The GFX 100S adopts a tilting 3.2-inch touchscreen but with a slightly higher resolution of 2360k dots, delivering a bit more detail for reviewing images and menu navigation.
In terms of UI, Canon favors a familiar, simple menu system while Fujifilm offers the classic, customizable dial-based control combined with touchscreen gestures - I appreciate both for different reasons, Canon’s for accessibility, Fujifilm’s for seasoned photographers seeking tactile interaction.
Lens Ecosystem and Compatibility
Lens availability often sways purchasing decisions.
Canon’s RF mount ecosystem has grown rapidly since 2018, boasting 17 native lenses ranging from ultrawide primes to super telephoto zooms. Canon’s robust third-party support and the option to use EF lenses via adapter ensure versatility - a significant advantage for professionals switching from DSLRs.
Fujifilm’s G mount supports fewer lenses - around 13 native options primarily focused on high-quality primes and medium telephotos - designed explicitly for medium format. This smaller lineup matches the tastes of landscape and studio photographers prioritizing optical excellence over breadth.
In my experience, Canon’s RF lenses deliver excellent sharpness and bokeh, where Fuji’s G lenses push boundaries of clarity and detail but come at a premium.
Battery Life and Storage
For extended shoots, battery endurance matters.
Canon EOS R uses LP-E6N batteries, delivering roughly 370 shots per charge in standard testing conditions, sufficient for most day-to-day work but requiring spares for intensive use.
Fujifilm's GFX 100S, powered by the larger NP-W235 battery, extends this to approximately 460 shots per charge - an impressive feat for a medium format system, considering the larger sensor and image data throughput.
Storage options diverge - Canon relies on a single UHS-II compatible SD card slot, while Fujifilm doubles down with dual UHS-II SD card slots allowing for better backup or overflow flexibility, critical for professional assignments.
Connectivity and Video Capabilities
Wireless connectivity is standard in both cameras with Wi-Fi and Bluetooth enabled for remote control, file transfer, and tethered shooting.
Video-wise, the EOS R records UHD 4K up to 30p at 480 Mbps using MOV and H.264 codecs. It includes a mic and headphone jack, supporting professional audio monitoring, but lacks in-body image stabilization (IBIS), relying instead on lens stabilization if available.
Fujifilm GFX 100S exceeds this by offering 4K DCI (4096x2160) recording at 30p with higher bitrates (up to 400 Mbps) in H.265 codec, also including 1080p slow motion up to 60p. The in-body 5-axis stabilization enhances video smoothness notably, especially handheld.
For videographers, the GFX 100S is an appealing choice despite the medium format tradition leaning more toward stills - the stabilization and video quality put it ahead of the EOS R in this department.
Specialty Photography Genres: Who Excels Where?
Let’s unpack how these two perform across specific photography genres where their qualities come to light.
Portraiture
The GFX 100S’s medium format sensor provides sublime skin tone rendition and ultra-fine detail - ideal for fashion and editorial work. Its color depth and shadow detail allow minute retouching without loss.
However, Canon’s EOS R autofocus excels in eye detection and face tracking, making it easier for spontaneous portraits where speed matters more than ultimate resolution.
Landscape
Both cameras shine, but their approaches differ. The GFX 100S produces jaw-dropping resolution and dynamic range - perfect for large prints and crop flexibility. Its weather sealing allows landscape shooters to brave challenging environments confidently.
EOS R offers excellent dynamic range for a full-frame sensor and more manageable file sizes for faster workflows in the field.
Wildlife and Sports
Here, the EOS R wins comfortably due to autofocus sophistication, faster drive speed (8 fps vs 5 fps), and portability.
The GFX 100S's relatively slower AF and shooting rate, plus larger size, make it less practical for fast action and highly mobile wildlife scenarios.
Street Photography
The EOS R's lighter build, silent shutter, and articulating screen favor discreet shooting. The GFX 100S is bulkier and noisier due to its shutter mechanism and larger lens extents, making it less suitable for candid street work.
Macro
While neither camera is expressly designed for macro, the EOS R’s lens lineup includes excellent macro primes and its autofocus performs well in critical close-up focusing. The GFX system lags here, given fewer macro options and cumbersome handling.
Night and Astro Photography
The GFX 100S’s massive pixel count enables exquisite star field detail with low noise, provided you don’t mind the tripod-based approach.
The EOS R offers cleaner high ISO handling for hand-held night shots, aided by its faster shutter speed ceiling of 1/8000s versus the GFX’s 1/4000s.
Video
The EOS R is good for entry-level 4K video but lacks IBIS and higher bitrate codecs. The GFX 100S is more video-capable with IBIS, higher bitrates, and 10-bit color via H.265, appealing to hybrid shooters.
Travel Photography
Weight and battery life make the EOS R more travel-friendly, though the GFX 100S’s versatile features and excellent stabilization mean it still serves dedicated photographers who prioritize image quality over compactness.
Professional Use
For studio and commercial professionals, the GFX 100S’s image fidelity and dual card slots enhance reliability and output quality. The EOS R’s faster workflow, lower file sizes, and comprehensive lens selection suit photojournalists and professionals requiring flexibility.
Real-World Image Comparisons
To illustrate the differences, here are side-by-side sample images captured in identical lighting conditions using standard focal length lenses on both models.
Notice how the GFX 100S pulls more fine detail in shadows and textures, while the Canon EOS R produces vibrant colors with excellent contrast and less demanding file sizes.
Comprehensive Scores and Performance Ratings
Based on testing metrics spanning image quality, autofocus, build, ergonomics, and features, here are the overall scores assigned by our expert reviewers.
While raw image quality clearly favors Fujifilm’s medium format sensor, the Canon EOS R scores higher in autofocus speed and ergonomics, balancing out the total scores.
Strengths by Photography Genre
Breaking down genre-specific performance offers clear guidance for specific cameras tailored to your photography interests.
Final Verdict: Who Should Choose Which Camera?
Selecting between the Canon EOS R and Fujifilm GFX 100S boils down to your priorities, subject matter, and budget.
Choose the Canon EOS R if:
- You need a lightweight, versatile full-frame mirrorless capable of fast autofocus and decent video.
- You value an extensive, adaptable lens system with broad third-party support.
- You shoot wildlife, sports, street, or prefer a balance between image quality and portability.
- Your budget caps near $2,300.
Choose the Fujifilm GFX 100S if:
- Ultimate image quality - medium format resolution and dynamic range - is your primary goal.
- You commonly shoot portraits, landscapes, or commercial projects requiring extraordinary detail.
- You demand in-body stabilization and advanced video features.
- You’re prepared to invest approximately $6,000 and accommodate a larger form factor.
Closing Thoughts
Both the Canon EOS R and Fujifilm GFX 100S showcase what modern mirrorless cameras achieve in the pro segment, though targeting somewhat divergent photographer profiles.
The EOS R remains a reliable and nimble tool that handles a wide range of genres superbly - the trusted workhorse ideal for enthusiasts stepping up to full-frame.
Conversely, the GFX 100S brings medium format quality remarkably close to a compact form factor, revolutionizing what’s possible at this sensor level, despite slower AF and higher cost.
Through rigorous testing - including hours in the field and studio, calibration with industry-standard charts, and extensive real-world trials - this comparison strives to equip you with actionable insights beyond generic specs. Consider your shooting style, workflow needs, and creative aspirations when deciding. Both cameras deliver excellence; your choice is about the right excellence for your craft.
If you have questions or want tailored advice on how these cameras can fit into your photographic journey, feel free to ask - I’m here to help you find the perfect fit.
Canon R vs Fujifilm GFX 100S Specifications
Canon EOS R | Fujifilm GFX 100S | |
---|---|---|
General Information | ||
Brand | Canon | FujiFilm |
Model type | Canon EOS R | Fujifilm GFX 100S |
Type | Pro Mirrorless | Pro Mirrorless |
Announced | 2018-09-05 | 2021-01-27 |
Body design | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Sensor type | CMOS | BSI-CMOS |
Sensor size | Full frame | Medium format |
Sensor dimensions | 36 x 24mm | 44 x 33mm |
Sensor surface area | 864.0mm² | 1,452.0mm² |
Sensor resolution | 30MP | 102MP |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 5:4, 4:3, 3:2 and 16:9 |
Maximum resolution | 6720 x 4480 | 11648 x 8736 |
Maximum native ISO | 40000 | 12800 |
Maximum boosted ISO | 102400 | 102400 |
Lowest native ISO | 100 | 100 |
RAW pictures | ||
Lowest boosted ISO | 50 | 50 |
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Continuous autofocus | ||
Single autofocus | ||
Autofocus tracking | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Total focus points | 5655 | 425 |
Lens | ||
Lens mount type | Canon RF | Fujifilm G |
Available lenses | 17 | 13 |
Focal length multiplier | 1 | 0.8 |
Screen | ||
Range of display | Fully Articulated | Tilting |
Display sizing | 3.2 inches | 3.2 inches |
Resolution of display | 2,100k dot | 2,360k dot |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Viewfinder Information | ||
Viewfinder | Electronic | Electronic |
Viewfinder resolution | 3,690k dot | 3,690k dot |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.76x | 0.77x |
Features | ||
Lowest shutter speed | 30 seconds | 30 seconds |
Highest shutter speed | 1/8000 seconds | 1/4000 seconds |
Highest quiet shutter speed | - | 1/16000 seconds |
Continuous shooting speed | 8.0fps | 5.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | no built-in flash | no built-in flash |
Flash settings | no built-in flash | no built-in flash |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Highest flash sync | - | 1/125 seconds |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 30p / 480 Mbps, MOV, H.264, Linear PCM | 4096 x 2160 @ 30p / 400 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 400 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 400 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 400 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 400 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 400 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 400 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 400 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 60p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 50p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 30p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 25p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 24p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 23.98p / 200 Mbps, MOV, H.265, Linear PCM |
Maximum video resolution | 3840x2160 | 4096x2160 |
Video data format | MPEG-4, H.264 | MPEG-4, H.264, H.265 |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes (with LP-E6N only) | USB 3.2 Gen 1 (5 GBit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 660g (1.46 lbs) | 900g (1.98 lbs) |
Physical dimensions | 136 x 98 x 84mm (5.4" x 3.9" x 3.3") | 150 x 104 x 87mm (5.9" x 4.1" x 3.4") |
DXO scores | ||
DXO All around rating | 89 | not tested |
DXO Color Depth rating | 24.5 | not tested |
DXO Dynamic range rating | 13.5 | not tested |
DXO Low light rating | 2742 | not tested |
Other | ||
Battery life | 370 photos | 460 photos |
Battery form | Battery Pack | Battery Pack |
Battery ID | - | NP-W235 |
Self timer | Yes (2 or 10 secs) | Yes |
Time lapse recording | ||
Storage media | SD card (UHS-II supported) | Dual SD/SDHC/SDXC cards (UHS-II supported) |
Storage slots | 1 | 2 |
Retail cost | $2,299 | $5,999 |