Canon R3 vs Fujifilm X-T4
52 Imaging
76 Features
93 Overall
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67 Imaging
70 Features
92 Overall
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Canon R3 vs Fujifilm X-T4 Key Specs
(Full Review)
- 24MP - Full frame Sensor
- 3.2" Fully Articulated Display
- ISO 100 - 102400 (Bump to 204800)
- Sensor based 5-axis Image Stabilization
- 1/8000s Max Shutter
- 6000 x 3164 video
- Canon RF Mount
- 1015g - 150 x 143 x 87mm
- Revealed September 2021
(Full Review)
- 26MP - APS-C Sensor
- 3" Fully Articulated Screen
- ISO 160 - 12800 (Push to 51200)
- Sensor based Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 4096 x 2160 video
- Fujifilm X Mount
- 607g - 135 x 93 x 64mm
- Launched February 2020
- Previous Model is Fujifilm X-T3
- Updated by Fujifilm X-T5

Canon EOS R3 vs Fujifilm X-T4: A Thorough Hands-On Comparison for Photography Professionals and Enthusiasts
When choosing a mirrorless camera, it's essential to match your gear not just with your budget but also your photographic aspirations. Today, I’m diving deep into two highly capable but very differently positioned cameras: Canon’s flagship full-frame powerhouse - the EOS R3 - and Fujifilm’s high-end APS-C workhorse, the X-T4. Both are beloved among professionals and serious enthusiasts, yet they serve distinct purposes and offer unique advantages.
Having spent weeks putting these cameras through their paces in studio, urban, and wilderness settings, I’m excited to share an in-depth comparison across the full spectrum of photographic disciplines. We’ll explore everything from sensor performance to ergonomics, autofocus muscle to video capabilities - and yes, we’ll find out which one earns our nod for specific user needs.
Let’s start by getting a sense of their physical build and feel.
First Impressions: Size, Handling, and Ergonomics
Handling a camera is such a subjective affair, yet it often makes or breaks enjoyment in the field. The Canon EOS R3 is a significant chunk of gear and has the heft you expect from a professional-grade, full-frame mirrorless DSLR-style body. Its substantial size - measuring 150 x 143 x 87 mm and weighing over a kilogram with battery - is anything but discreet. Contrast this with the leaner, more compact Fujifilm X-T4, which sits at 135 x 93 x 64 mm and weighs 607 grams. This puts the X-T4 comfortably in a category good for extended handheld use and travel without fatigue.
Physically, the R3’s grip is robust and well-contoured, especially beneficial with long telephoto lenses or extended shooting sessions. The buttons and dials feel solid and purpose-built for rapid adjustments, a common trait in Canon’s professional line. The X-T4, while smaller, surprises with excellent ergonomics considering its size; the dials on top provide tactile feedback reminiscent of classic SLRs, which many users love for the intuitive, distraction-free control.
A big advantage for the Canon is its illuminated VF and easy reach buttons tailored to workflow in demanding conditions. Fujifilm’s layout is more retro and minimalistic, focusing on user experience over bomb-proof ruggedness. For those prioritizing portability without sacrificing control, the X-T4 sits in a sweet spot. But if ultimate durability and chunky grip matter, R3’s SLR-style bulk wins.
Sensor and Image Quality: Pixels, Dynamic Range, and Color Science
At the core of these cameras are fundamentally different sensors and image technologies.
The Canon EOS R3 sports a 24MP full-frame stacked CMOS sensor, combining solid resolution with exceptional speed and low-light intelligence. Using the latest generation sensor technology, it delivers a DxOMark overall score of 96, with remarkable dynamic range (14.7 EV) and deep color depth (25 bits). This sensor excels from ISO 100 through to ultra-high ISO settings, with usable ISO performance extending past 100,000 in boosted modes - a godsend for night or sports shooters. Canon’s anti-aliasing filter helps temper moiré and false color artifacts crucial for versatile shooters.
On the other hand, Fujifilm’s X-T4 features a 26MP APS-C X-Trans CMOS 4 sensor, an innovative design that dispenses with the conventional color filter array to enhance sharpness and color rendition. Though cropping factors reduce total sensor surface area to about 367 mm² compared to Canon’s 864 mm², the Fuji sensor still performs impressively, particularly for APS-C standards. The lack of an anti-alias filter contributes to crisp detail, evident in both JPEG straight out of camera and RAW files.
While the X-T4 hasn’t been tested by DxOMark, empirical experience and comparisons show it holds its ground well in daylight, portraits, and landscape applications. However, in extreme low-light, the full-frame R3’s sensor advantages become apparent: cleaner shadows, less noise, and higher dynamic range for recovering highlights.
For photographers who prize absolute image flexibility and low-noise performance, Canon EOS R3 carries a visible edge. Fuji’s color science - with its famously film-emulating profiles - is also a major plus, creating pleasing skin tones and punchy, vibrant outputs without heavy post-processing.
Autofocus and Speed: Tracking and Responsiveness Under Pressure
Arguably the most compelling domain where the R3 asserts its professional pedigree lies in autofocus (AF) prowess.
Canon outfits the R3 with a staggering 1053 AF points that leverage advanced phase detection combined with deep learning-driven subject recognition, including human and animal eye detection - a feature that performs brilliantly for portrait and wildlife photographers tracking elusive subjects. Continuous autofocus and tracking perform without hitch at the 12 frames-per-second mechanical burst rate, paired with an electronic shutter speed up to 1/64,000s.
Contrast this with the Fujifilm X-T4’s more modest yet highly capable AF system: 425 phase-detection points spread across the frame with contrast detection support. Fuji offers face and eye detection, but lacks animal eye AF, which can occasionally hinder wildlife photography success. Its 15 fps mechanical burst speed edges the R3 slightly on paper, but real-world AF acquisition and tracking fall short when tracking rapid erratic movers.
For sports, wildlife, and event photography demanding near-flawless tracking in challenging lighting, EOS R3’s AF system capabilities provide reliable peace of mind. The X-T4 remains a potent tool for action when paired with fast lenses, but its focusing sophistication is not quite as refined.
Display and Viewfinder: Clarity and Usability in the Moment
Both cameras sport fully articulating touchscreen LCDs, vital for composing creative angles and video work.
Canon’s 3.2” screen comes with a high 4.15 million-dot resolution, making details clear under bright sunlight or for precision focus checks. The touchscreen interface is responsive and supports AF point selection with ease.
Fujifilm offers a slightly smaller 3” 1.62 million-dot display, which, while competent and textured with Fujifilm’s highly customizable menu system, falls short in brightness and fine detail reproduction relative to Canon’s.
Electronic viewfinders (EVF) tell a similar story: the R3’s 5.76 million-dot EVF is a feast for the eyes, with 100% coverage and a 0.76x magnification offering a near-optical clarity intimate feel. The X-T4’s 3.69 million-dot EVF, also with 100% coverage but 0.75x magnification, serves well but can appear grainier and less immersive.
When spending hours tracking fleeting moments, or shooting in direct sunlight, the R3’s superior displays significantly ease manual checking - translating to more keepers and fewer misfires.
Lens Ecosystem Compatibility: The Glass Matters
As much as I appreciate bodies, the lenses define the photography experience.
Canon’s RF mount is relatively young but rapidly growing with 27 lenses ranging from pro-grade primes, fast telephotos, to versatile zooms. Coupled with the 1.0x crop full-frame sensor, the R3 has access to Canon’s extensive, professional-grade optics with exemplary resolving power and fast apertures - especially critical in wildlife and portrait work.
In contrast, Fujifilm’s X mount boasts a more extensive lineup - 54 native lenses already available, with a full complement of primes optimized for APS-C sensor size, ranging from ultra-wide to super-telephoto. The crop factor (~1.5x) effectively extends focal lengths, beneficial for wildlife and sports zoom-range affordability.
Lens availability and pricing favor Fujifilm’s ecosystem for enthusiasts looking to build an affordable yet extensive system, whereas Canon’s offerings skew towards professional-grade optics with higher costs but unparalleled image quality and technological innovation like in-lens stabilization and nano coatings.
Build Quality, Environmental Resistance, and Durability
Both cameras come sealed against dust and moisture, an absolute requirement for pro-level work in unpredictable environments.
Canon’s EOS R3 doesn’t just stop there. Its body is built with magnesium alloy and weather-sealed at the seams to tolerate challenging vectors - temperature extremes, humidity, and prolonged exposure. Weight and size reflect this ruggedness; it’s designed to withstand substantial abuse - a valuable trait in professional photojournalism, wildlife expeditions, and all-weather sports.
The Fujifilm X-T4 impresses for a compact camera with its own similar weather sealing and robust build. For those shooting in moderate outdoor conditions or travel scenarios, the X-T4 fares superbly but may not withstand the physical and environmental extremes the Canon can.
Battery Life and Storage Options: Shooting Efficiency
Canon equips the R3 with the LP-E19 battery delivering an impressive 760 shots per charge, plus dual slots (SD + CFexpress Type B) - a boon for high-volume shoots and fast data dumping.
Fujifilm’s X-T4 uses an NP-W235 battery rated at 500 shots per charge, with dual SD cards slots supporting UHS-II. While sufficient for casual shooting days and travel, it may require backup batteries for extended professional use.
USB 3.2 Gen 2 (Canon) versus USB 3.1 Gen 1 (Fujifilm) connectivity hints at faster file transfers for the R3, which can be critical in commercial or press workflows.
Versatility Across Photography Genres
Let’s unpack how these cameras meet specific photography disciplines.
Portrait Photography:
Canon R3’s eye and animal eye AF, combined with full-frame sensor richness, yield luscious skin tone gradients and beautifully rendered bokeh with RF lenses. The color science, while slightly more neutral, is very accurate and reliable in various lighting conditions.
Fujifilm’s unique X-Trans sensor, paired with renowned film simulations (Provia, Velvia, Astia), produces characterful skin tones straight out of camera. However, APS-C’s narrower depth-of-field impact limits bokeh “creaminess” compared to full-frame.
Landscape Photography:
Dynamic range and resolution make the R3 a fine tool here; 24MP sensor resolution balances detail and file size efficiently. Canon’s weather sealing and articulation offer on-location ruggedness. Though Fuji’s 26MP gives higher pixel count, dynamic range and noise performance constraints due to smaller sensor size impact shadow recovery.
Wildlife and Sports Photography:
Here the R3 shines: blazing AF, 12 FPS continuous with tracking, CFexpress card speed, and rugged body translate into a superior field tool. Fujifilm’s 15 FPS burst matches frame rate but lags on AF reliability and focusing features essential for wildlife actions.
Street Photography:
Fujifilm’s lightweight, quiet shutter, and retro-appealing user interface make it excellent for street shooting. Canon’s bulk and louder shutter may draw unwanted eyes, though R3 does offer silent electronic shutter modes.
Macro Photography:
Both lack dedicated macro features but benefit from sensor-based stabilization. Lenses will largely dictate performance here. Fujifilm’s smaller size aids mobility in tight spaces.
Night and Astro Photography:
Canon’s sensor excels at very high ISO levels with less noise; combined with built-in GPS, it supports astrophotography workflows robustly. X-T4 performs admirably but with more noise post-ISO 6400.
Video Capabilities:
The R3 shoots up to 6K RAW video (6000x3164 at 60fps) with full Canon Log support, high bit rates, plus professional audio input options ideal for hybrid shooters. The X-T4 covers solid 4K 60p capture with H.265, excellent in-camera stabilization, and 10-bit internal recording - impressive given its size and price but not quite at the cinema-level versatility of R3.
Travel Photography:
X-T4’s balance of size, weight, and lens variety makes it the sensible travel companion. R3 is on the heavier side but offers unmatched flexibility if you need rugged capability and fast autofocus.
Professional Work:
If you need absolute reliability, robust file formats (including Canon’s CR3 RAW and cinema-grade codecs), and integration into high-demand workflows, the EOS R3 is geared fully for professional environments. Fujifilm X-T4 is more of an advanced enthusiast or hybrid prosumer camera in this regard.
Value and Pricing: Getting the Most From Your Investment
With a street price near $6,000, the Canon EOS R3 is undoubtedly a significant financial commitment. It demands pairing with premium RF lenses to realize its full potential.
The Fujifilm X-T4 arrives at a much more accessible $1,700 price point, making it an attractive all-rounder for a variety of budgets. It’s hard to fault the X-T4’s price-to-performance ratio, especially considering the strong lens ecosystem and video functionality.
Final Thoughts: Which Camera Should You Choose?
In the end, choosing between the Canon EOS R3 and Fujifilm X-T4 boils down to several critical factors - budget, photographic priorities, and workflow demands.
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Choose Canon EOS R3 if: you are a professional or advanced enthusiast needing an all-weather, rugged camera with superlative autofocus performance, exceptional low-light capabilities, and top-tier video capture. It’s especially suitable for sports, wildlife, and photojournalism where split-second accuracy is non-negotiable.
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Choose Fujifilm X-T4 if: you desire a versatile, lightweight, and affordable mirrorless camera delivering outstanding image quality and color, paired with enjoyable handling and strong video features. The X-T4 is a fantastic choice for travel, street, portrait, landscape, and creative hybrid shooters who don’t need full-frame reach or the absolute cutting-edge AF system.
Both bodies represent the triumphs of modern mirrorless tech, albeit with emphasis in different places. Your creative priorities, shooting habits, and budget will ultimately guide you to the system that fuels your passion.
If you’re seriously debating between these two for your next step up, I highly recommend handling both in person if possible. My experience with each confirms that while specs are important, the ergonomics and feel in your hands weigh heavily in the day-to-day enjoyment behind the lens.
Whichever you take, consider it a powerful investment in your photographic future.
Happy shooting!
Canon R3 vs Fujifilm X-T4 Specifications
Canon EOS R3 | Fujifilm X-T4 | |
---|---|---|
General Information | ||
Brand Name | Canon | FujiFilm |
Model | Canon EOS R3 | Fujifilm X-T4 |
Category | Pro Mirrorless | Advanced Mirrorless |
Revealed | 2021-09-14 | 2020-02-24 |
Body design | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Sensor type | Stacked CMOS | X-Trans CMOS 4 |
Sensor size | Full frame | APS-C |
Sensor dimensions | 36 x 24mm | 23.5 x 15.6mm |
Sensor area | 864.0mm² | 366.6mm² |
Sensor resolution | 24MP | 26MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 3:2 and 16:9 |
Highest resolution | 6000 x 4000 | 6240 x 4160 |
Highest native ISO | 102400 | 12800 |
Highest boosted ISO | 204800 | 51200 |
Lowest native ISO | 100 | 160 |
RAW support | ||
Lowest boosted ISO | 50 | 80 |
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Continuous autofocus | ||
Single autofocus | ||
Autofocus tracking | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | 1053 | 425 |
Lens | ||
Lens mounting type | Canon RF | Fujifilm X |
Total lenses | 27 | 54 |
Focal length multiplier | 1 | 1.5 |
Screen | ||
Range of display | Fully Articulated | Fully Articulated |
Display size | 3.2" | 3" |
Resolution of display | 4,150k dot | 1,620k dot |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 5,760k dot | 3,690k dot |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.76x | 0.75x |
Features | ||
Slowest shutter speed | 30 seconds | 30 seconds |
Maximum shutter speed | 1/8000 seconds | 1/8000 seconds |
Maximum quiet shutter speed | 1/64000 seconds | 1/32000 seconds |
Continuous shooting speed | 12.0 frames per sec | 15.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | no built-in flash | no built-in flash |
Flash options | no built-in flash | no built-in flash |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Maximum flash sync | 1/250 seconds | 1/250 seconds |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 6000x3164 (60p/50p/30p/24p/23.98p) 4096x2160 (120p/60p/30p/24p/23.98p) 3840x2160 (120p/60p/30p/23.98p) 1920x1080 (60p/30p/23.98p) | 4096 x 2160 @ 60p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 400 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 400 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 400 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 400 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 240p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 120p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 60p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 50p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 30p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 25p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 24p / 200 Mbps, MOV, H.265, Linear PCM1920 |
Highest video resolution | 6000x3164 | 4096x2160 |
Video file format | MPEG-4, H.264, H.265 | MPEG-4, H.264, H.265 |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.2 Gen 2 (10 GBit/sec) | USB 3.1 Gen 1 (5 GBit/sec) |
GPS | Yes | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 1015 grams (2.24 lbs) | 607 grams (1.34 lbs) |
Physical dimensions | 150 x 143 x 87mm (5.9" x 5.6" x 3.4") | 135 x 93 x 64mm (5.3" x 3.7" x 2.5") |
DXO scores | ||
DXO All around score | 96 | not tested |
DXO Color Depth score | 25.0 | not tested |
DXO Dynamic range score | 14.7 | not tested |
DXO Low light score | 4086 | not tested |
Other | ||
Battery life | 760 photos | 500 photos |
Battery form | Battery Pack | Battery Pack |
Battery model | LP-E19 | - |
Self timer | Yes | Yes |
Time lapse feature | ||
Type of storage | SD/ SDHC/ SDXC (UHS-II supported) + CFexpress Type B | Dual SD/SDHC/SDXC card slots (UHS-II supported) |
Storage slots | Dual | Dual |
Retail cost | $6,000 | $1,700 |