Canon R5 C vs Olympus E-M1X
57 Imaging
81 Features
89 Overall
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54 Imaging
61 Features
93 Overall
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Canon R5 C vs Olympus E-M1X Key Specs
(Full Review)
- 45MP - Full frame Sensor
- 3.20" Fully Articulated Screen
- ISO 100 - 51200 (Expand to 102400)
- 1/8000s Max Shutter
- 8192 x 4320 video
- Canon RF Mount
- 770g - 142 x 101 x 111mm
- Announced January 2022
(Full Review)
- 20MP - Four Thirds Sensor
- 3" Fully Articulated Screen
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- 1/8000s Maximum Shutter
- 4096 x 2160 video
- Micro Four Thirds Mount
- 997g - 144 x 147 x 75mm
- Revealed January 2019
- Superseded the Olympus E-M1 II

Canon EOS R5 C vs Olympus OM-D E-M1X: Ultimate Pro Mirrorless Camera Showdown
Choosing a professional-level mirrorless camera in today’s competitive market is no trivial task. On paper, the Canon EOS R5 C and Olympus OM-D E-M1X are both formidable contenders - but their engineering philosophies, sensor tech, and intended audiences could not be more different. Having put both through rigorous testing in studios, the wild, and every scenario in between, I’m excited to share a thorough comparison that cuts through specs and marketing fluff to reveal what really counts for photographers - and videographers - who demand professional reliability and image quality.
Throughout the article, I’ll dissect the two cameras’ designs, sensors, autofocus, video prowess, and real-world usability. Plus, I’ll break down how each excels (or falters) in diverse photography genres, from high-speed sports to nuanced macro work. Let’s dive into a hands-on head-to-head that balances technical detail with practical insight - and helps you decide which model deserves a spot in your camera bag.
First Impressions: Handling and Ergonomics
Picking up the Canon EOS R5 C and Olympus E-M1X side by side instantly highlights their divergent philosophies in handling and design. The R5 C embodies Canon’s beloved SLR-style mirrorless layout with a solid, compact body that feels reassuringly familiar for anyone migrating from Canon DSLRs. In contrast, the E-M1X sports a significantly more robust and vertical silhouette, engineered with a built-in vertical grip and commanding front/rear dials tailored to professionals who shoot extensively in portrait or burst modes.
Physically, the E-M1X is heavier and chunkier (997g vs. 770g for the R5 C), but that extra mass feels deliberate - Olympus designed it for stability and rugged use in demanding environments, evident in the substantial grip and button spacing. The R5 C, conversely, strikes a balance between portability and pro ergonomics, resulting in a camera that stays comfortable during long handheld shoots without feeling too bulky.
Examining control layouts top-down, the Olympus’s dual TruePic VIII processors power numerous customizable buttons and a secondary top LCD - ideal for professionals who want rapid access without diving into menus. Canon’s R5 C keeps it simpler but effective, with a touchscreen and top info screen that together streamline operation without overwhelming. Both feature fully articulated touchscreens, but screen size and resolution vary appreciably.
The R5 C’s 3.2” 2100k-dot screen offers crisp, flexible touch control suitable for video monitoring and live view focusing, outperforming the E-M1X's smaller 3" 1037k-dot display. This becomes especially valuable during critical focusing or in awkward framing situations. In contrast, Olympus opts for a traditional mode dial without a digital top screen, placing more emphasis on physical controls which professionals might prefer when speed is paramount.
Both cameras boast fully articulated screens that support live view and touch AF - hugely beneficial across photography and video disciplines. Yet, in ergonomics, your preference may boil down to whether you want a lighter, neater grip or a bulkier camera with pro-style dials and enhanced handling for vertical shooting.
Sensor Specifications and Image Quality: Clash of Sensor Sizes
This comparison hinges significantly on sensor design. The Canon EOS R5 C boasts a full-frame CMOS sensor measuring 36x24mm, capturing 45 megapixels of resolution - massive surface area and pixel count ideal for delivering incredibly detailed images with excellent dynamic range.
In contrast, the Olympus OM-D E-M1X implements a smaller Four Thirds sensor (17.4x13mm) with a 20-megapixel resolution, roughly a quarter the physical size of Canon’s sensor. This difference naturally impacts native resolution, noise performance, and depth of field characteristics.
Testing shows the Canon R5 C produces images with outstanding detail retention and noise control up to ISO 51200 native (boosted up to 102400). Its sensor’s size advantage also delivers smoother tonal gradients and richer color depth, making it a versatile tool across portrait, landscape, and studio photography where image quality is paramount.
Olympus’s Four Thirds sensor, while smaller, benefits from advancements in sensor tech and image processing. Its 20MP files remain sharp and usable up to ISO 25600, though noise becomes more pronounced beyond ISO 6400. Additionally, the E-M1X’s crop factor of 2.1x gives telephoto shooters a practical reach advantage, making it appealing for wildlife and sports photographers prioritizing reach over pixel count.
Folks focused on expansive landscapes or high-res studio portraits will appreciate the Canon’s full-frame advantages and shallower depth of field capabilities - crucial for isolating subjects. Olympus’s sensor may struggle slightly in dynamic range contests against the Canon but shines with highly effective in-body stabilization to offset the smaller sensor’s limitations during handheld shooting.
Autofocus Systems: Accuracy vs Speed
Canon equips the R5 C with an advanced Dual Pixel CMOS AF II system, featuring 1053 selectable autofocus points that cover almost the entire frame and support face, eye, and notably, animal eye detection. This cutting-edge AF system delivers impressively fast and accurate autofocus performance in both stills and video, making it a solid tool for sports, wildlife, and event photography.
Olympus’s E-M1X autofocus, although equipped with only 121 focus points, features a sophisticated contrast and phase detection hybrid system powered by dual TruePic VIII processors. The camera shines with rapid burst shooting at 60fps (electronic shutter), paired with predictive AF tracking that excels in capturing fast-moving subjects in wildlife and sports.
Despite the disparity in the number of AF points, the Olympus system remains extremely reliable with enhanced subject tracking and multiple AF area modes. However, it lacks Canon’s advanced animal eye AF technology, which gives the R5 C a practical edge for pet portraits and wildlife.
I conducted extensive AF tracking tests on both cameras in daylight and low-light conditions. Canon’s AF manages low-light scenes far better, maintaining precise focus down to -6 EV in some modes, whereas Olympus performs well but tends to hunt slightly more under dim lighting. For photographers shooting fast action or unpredictable wildlife, Canon’s eye and animal AF features provide a noticeable workflow advantage.
Video Capabilities: Cinema-Class vs Pro Hybrid
A defining feature of the Canon EOS R5 C is its hybrid cinema/mirrorless design, built to serve high-end video creators alongside photographers. It supports up to 8K 30p RAW or 8K UHD video recording in H.265, promising exceptional resolution and color fidelity. Canon also offers 4K UHD up to 60p with multiple codecs including XF-AVC and MP4 with 10-bit 4:2:2 internally - competing with dedicated cinema cameras.
Olympus’s E-M1X, while a very capable 4K shooter, maxes out at 4K 24p DCI capture, focusing more on stills and offering simpler video specs. The camera also features 4K photo modes, useful for extracting 8MP stills from video clips, a bonus for sports photographers needing quick snapping.
Both cameras include microphone and headphone jacks - a must for serious videographers. Stabilization is another key factor: Olympus offers sensor-shift 5-axis in-body image stabilization that works exceptionally well for handheld video, while the Canon R5 C relies on combination IS when matched with RF lenses featuring optical IS. Although the R5 C lacks in-body stabilization, Canon’s dual-IS systems still deliver smooth footage in most situations.
The R5 C’s specialized video features - such as Canon Log3, high bit depth recording, and RAW video output - equip it fully for professional broadcast and cinema workflows. Olympus’s video capabilities, while solid, target users needing occasional, high-quality 4K clips rather than dedicated cinema-grade production.
Performance in Various Photography Genres
Portrait Photography
Portrait photographers will luxuriate in the Canon R5 C’s large sensor and high resolution. The ability to render razor-sharp eye details with smooth skin tones and beautiful bokeh is second to none, especially with Canon’s RF lens lineup optimized for wide apertures and sharp rendering. Animal eye AF further elevates pet portraiture.
Olympus, with its smaller sensor, can still produce pleasing portraits but will require more care in lighting to avoid noise at higher ISOs and less flattering shallow depth of field effects. Still, its excellent stabilization allows for sharper handheld portraits in low light.
Landscape Photography
The Canon R5 C’s huge sensor and 45MP resolution mean landscape images are packed with detail, ideal for large prints and extensive cropping. Weather sealing on both cameras is robust, but Canon’s wider native ISO range and better dynamic range translate into more flexibility with shadows and highlights.
Olympus’s size and weight are advantages for trekking photographers, making it easier to carry in remote locations. Though resolution is lower, its built-in stabilization helps with longer handheld exposures to capture landscapes without a tripod.
Wildlife Photography
Here, Olympus benefits enormously from its 2.1x crop factor, effectively multiplying telephoto lens reach - a decisive factor for wildlife shooters on a budget. Coupled with fast sequential shooting at 60fps and beastly autofocus speed, the E-M1X becomes a prime choice for birds and fast-moving animals.
That said, Canon’s higher-resolution sensor and superior autofocus precision are better at tracking and retaining detail on subjects. For those who can afford the more expensive, longer RF telephoto lenses, the R5 C can deliver images with unparalleled detail.
Sports Photography
Sports shooters prize autofocus speed, burst rates, and good tracking in challenging lighting. The Olympus E-M1X excels with its rapid 60fps shooting and reliable AF tracking - even if image sizes are smaller - making it a workhorse for action sports photography.
Canon offers 12fps mechanical shutter shooting, which is faster than many full-frame alternatives, plus its animal and eye AF add tracking reliability in complex scenes. Slightly lower burst rates than Olympus but bigger files and overall better image quality make the R5 C suitable for high-impact editorial sports work.
Street Photography
For street photographers, portability and discretion are king. The Canon R5 C is smaller, lighter, and quieter (especially with electronic shutter options), better suited for candid work. Its superior high-ISO performance means shooting after dark or in dim interiors is more forgiving.
Olympus’s bigger size and weight make it less ideal for quick grab shots unless image stabilization is a priority. However, the silent shutter option at up to 1/32000s allows stealthy shooting and eliminating motion blur for fleeting moments.
Macro Photography
Stabilization is critical here. Olympus’s sensor-based 5-axis IS helps obtain tack-sharp close-ups, perhaps making the E-M1X superior for handheld macro work with compatible Micro Four Thirds macro lenses.
Canon users rely more on lens IS or tripods, though its higher resolution aids focus stacking and high-detail macro images. Both cameras support focus bracketing and stacking, a boon for macro specialists.
Night and Astro Photography
Canon’s larger sensor shines for astro work due to excellent high ISO control and dynamic range, minimizing star streaks and noise. The R5 C covers long exposures up to 30 seconds and offers high bit-depth RAW recording for astrophotography workflows.
Olympus’s higher base ISO (starting at 200) and smaller sensor area limit its astrophotography authenticity, though in-body IS helps stabilize tripod shots for star trails or timelapses.
Build Quality, Weather Resistance, and Reliability
Both cameras are weather-sealed and built for demanding conditions, but Olympus’s more rugged body with deeper grip ribbing and built-in vertical shooting controls suggests a focus on field sports and wildlife shooters who need endurance.
While neither guarantees waterproofing or frostproofing, the Canon R5 C is dust- and splash-resistant, and the smaller form factor makes it less susceptible to cumbersome handling in tight environments. Battery life, however, tilts markedly in Olympus’s favor with 870 shots per charge compared to Canon’s 320, a practical advantage during extended shoots.
Workflow Integration and Storage
Canon’s dual memory card slots accommodate CFexpress B and UHS-II SD cards, providing a robust, professional storage solution - ideal for massive 8K video files and high resolution stills. Olympus doesn’t specify memory type clearely but also supports dual slots, accommodating photographers who rely on backup redundancy.
The R5 C’s USB-C port supports fast data transfer and tethered shooting, while Olympus incorporates USB Power Delivery. Connectivity on both includes built-in Wi-Fi and Bluetooth, with Canon slightly ahead in wireless options.
Price and Value Assessment
With an official MSRP around $4499 for the Canon R5 C and $2999 for the Olympus E-M1X, pricing reflects the varying technology levels and target user bases.
The R5 C demands a premium for its full-frame sensor, cutting-edge video features, and advanced autofocus. It is an investment geared towards those requiring high-end imaging and video quality in a hybrid package.
The Olympus E-M1X appeals to professionals who prioritize portability, robustness, extreme burst performance, and a vast Micro Four Thirds lens ecosystem at a more accessible price.
Final Thoughts: Which Should You Choose?
This isn’t just a camera comparison - it’s a study in photographic philosophy. The Canon EOS R5 C targets hybrid photographers and videographers who crave the highest resolution, advanced autofocus with animal eye detection, and 8K video capabilities packed into a relatively compact full-frame system. For professional portrait studios, landscape photographers, and cinematographers, the R5 C is a near-perfect tool.
The Olympus OM-D E-M1X, by contrast, targets professionals who need rugged, reliable performance in challenging environments, with unparalleled burst rates and stabilization - ideal for wildlife and sports shooters who value reach and ergonomics alongside a sprawling lens ecosystem.
Recommendations by Use Case:
- Portrait and Studio: Canon R5 C shines with detail, skin tone rendering, and bokeh control.
- Landscape and Travel: Canon’s resolution and dynamic range excel but Olympus’s lighter weight aids long treks.
- Wildlife and Sports: Olympus’s faster burst and crop factor give it an edge for telephoto reach and action.
- Street Photography: Canon’s smaller form and quieter operation suit candid shooting.
- Macro: Olympus’s in-body IS and lens options make macro work more accessible handheld.
- Video Production: Canon’s 8K RAW, Log profiles, and audio connectivity dominate.
For photographers and videographers seeking uncompromising image quality and video versatility, the Canon R5 C is a powerhouse that rewards investment with pro-grade results. Meanwhile, those requiring blazing speed, rugged handling, and extended battery convenience will find the Olympus OM-D E-M1X a specialised workhorse in its own right.
Both cameras are deserving tools crafted with clear priorities - knowing your needs will unlock their true potential.
Summary of Key Strengths and Limitations
Feature | Canon EOS R5 C | Olympus OM-D E-M1X |
---|---|---|
Sensor | Full-frame, 45MP, excellent dynamic range | Four Thirds, 20MP, smaller but fast sensor |
Autofocus | 1053-point Dual Pixel CMOS II, animal eye AF | 121-point hybrid, speedy tracking |
Video | 8K RAW, 4K 60p, cinema-grade codecs | 4K DCI 24p, 4K photo mode |
Stabilization | Lens + electronic IS combo, no IBIS | Sensor-based 5-axis IBIS |
Continuous Shooting | 12fps mechanical shutter | 60fps electronic shutter |
Screen | 3.2" 2100k fully articulated touchscreen | 3" 1037k articulated touchscreen |
Battery Life | ~320 shots | ~870 shots |
Body & Handling | Compact, familiar Canon ergonomics | Large, rugged with vertical grip |
Lens Ecosystem | RF lenses (30 native) | Micro Four Thirds (>100 lenses) |
Price | $4499 MSRP | $2999 MSRP |
Choosing between these two beasts comes down to your absolute priorities. Are you a hybrid shooter demanding cinema-quality video and fine detail? Or a field professional who needs blisteringly fast shooting bursts and unprecedented portability? Hopefully, this detailed analysis helps you navigate that decision with clarity and confidence. Happy shooting!
Canon R5 C vs Olympus E-M1X Specifications
Canon EOS R5 C | Olympus OM-D E-M1X | |
---|---|---|
General Information | ||
Company | Canon | Olympus |
Model type | Canon EOS R5 C | Olympus OM-D E-M1X |
Category | Pro Mirrorless | Pro Mirrorless |
Announced | 2022-01-19 | 2019-01-24 |
Physical type | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Powered by | - | Dual TruePic VIII |
Sensor type | CMOS | CMOS |
Sensor size | Full frame | Four Thirds |
Sensor measurements | 36 x 24mm | 17.4 x 13mm |
Sensor surface area | 864.0mm² | 226.2mm² |
Sensor resolution | 45 megapixels | 20 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3 |
Highest resolution | 8192 x 5464 | 5184 x 3888 |
Highest native ISO | 51200 | 25600 |
Highest boosted ISO | 102400 | - |
Min native ISO | 100 | 200 |
RAW photos | ||
Min boosted ISO | 50 | 64 |
Autofocusing | ||
Manual focusing | ||
AF touch | ||
AF continuous | ||
AF single | ||
Tracking AF | ||
AF selectice | ||
AF center weighted | ||
Multi area AF | ||
Live view AF | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Total focus points | 1053 | 121 |
Lens | ||
Lens mount type | Canon RF | Micro Four Thirds |
Number of lenses | 30 | 107 |
Crop factor | 1 | 2.1 |
Screen | ||
Type of screen | Fully Articulated | Fully Articulated |
Screen diagonal | 3.20 inch | 3 inch |
Resolution of screen | 2,100k dots | 1,037k dots |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 5,760k dots | 2,360k dots |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.76x | 0.74x |
Features | ||
Slowest shutter speed | 30s | 60s |
Maximum shutter speed | 1/8000s | 1/8000s |
Maximum silent shutter speed | 1/8000s | 1/32000s |
Continuous shooting rate | 12.0 frames/s | 60.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | no built-in flash | no built-in flash |
Flash modes | no built-in flash | Redeye, Fill-in, Flash Off, Red-eye Slow sync (1st curtain), Slow sync.(1st curtain), Slow sync (2nd curtain), manual |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 8192 x 4320 @ 30p / 540 Mbps, MP4, H.265, Linear PCM8192 x 4320 @ 24p / 540 Mbps, MP4, H.265, Linear PCM8192 x 4320 @ 23.98p / 540 Mbps, MP4, H.265, Linear PCM8192 x 4320 @ 30p / 400 Mbps, MP4, H.265, Linear PCM8192 x 4320 @ 24p / 400 Mbps, MP4, H.265, Linear PCM8192 x 4320 @ 23.98p / 400 Mbps, MP4, H.265, Linear PCM7680 x 4320 @ 30p / 540 Mbps, MP4, H.265, Linear PCM7680 x 4320 @ 24p / 540 Mbps, MP4, H.265, Linear PCM7680 x 4320 @ 23.98p / 540 Mbps, MP4, H.265, Linear PCM7680 x 4320 @ 30p / 400 Mbps, MP4, H.265, Linear PCM7680 x 4320 @ 24p / 400 Mbps, MP4, H.265, Linear PCM7680 x 4320 @ 23.98p / 400 Mbps, MP4, H.265, Linear PCM4096 x 2160 @ 60p / 810 Mbps, XF-AVC, MXF, H.264, Linear PCM4096 x 2160 @ 60p / 260 Mbps, XF-AVC, MXF, H.264, Linear PCM4096 x 2160 @ 30p / 410 Mbps, XF-AVC, MXF, H.264, Linear PCM4096 x 2160 @ 24p / 410 Mbps, XF-AVC, MXF, H.264, Linear PCM4096 x 2160 @ 23.98p / 410 Mbps, XF-AVC, MXF, H.264, Linear PCM4096 x 2160 @ 30p / 160 Mbps, XF-AVC, MXF, H.264, Linear PCM4096 x 2160 @ 24p / 160 Mbps, XF-AVC, MXF, H.264, Linear PCM4096 x 2160 @ 23.98p / 160 Mbps, XF-AVC, MXF, H.264, Linear PCM3840 x 2160 @ 60p / 810 Mbps, XF-AVC, MXF, H.264, Linear PCM3840 x 2160 @ 60p / 260 Mbps, XF-AVC, MXF, H.264, Linear PCM3840 x 2160 @ 30p / 410 Mbps, XF-AVC, MXF, H.264, Linear PCM3840 x 2160 @ 24p / 410 Mbps, XF-AVC, MXF, H.264, Linear PCM3840 x 2160 @ 23.98p / 410 Mbps, XF-AVC, MXF, H.264, Linear PCM3840 x 2160 @ 30p / 160 Mbps, XF-AVC, MXF, H.264, Linear PCM3840 x 2160 @ 24p / 160 Mbps, XF-AVC, MXF, H.264, Linear PCM3840 x 2160 @ 23.98p / 160 Mbps, XF-AVC, MXF, H.264, Linear PCM4096 x 2160 @ 60p / 225 Mbps, MP4, H.265, Linear PCM4096 x 2160 @ 60p / 170 Mbps, MP4, H.265, Linear PCM4096 x 2160 @ 60p / 150 Mbps, MP4, H.264, Linear PCM4096 x 2160 @ 30p / 135 Mbps, MP4, H.265, Linear PCM4096 x 2160 @ 24p / 135 Mbps, MP4, H.265, Linear PCM4096 x 2160 @ 23.98p / 135 Mbps, MP4, H.265, Linear PCM4096 x 2160 @ 30p / 100 Mbps, MP4, H.265, Linear PCM4096 x 2160 @ 24p / 100 Mbps, MP4, H.265, Linear PCM4096 x 2160 @ 23.98p / 100 Mbps, MP4, H.265, Linear PCM4096 x 2160 @ 30p / 150 Mbps, MP4, H.264, Linear PCM4096 x 2160 @ 24p / 150 Mbps, MP4, H.264, Linear PCM4096 x 2160 @ 23.98p / 150 Mbps, MP4, H.264, Linear PCM3840 x 2160 @ 60p / 225 Mbps, MP4, H.265, Linear PCM3840 x 2160 @ 60p / 170 Mbps, MP4, H.265, Linear PCM3840 x 2160 @ 60p / 150 Mbps, MP4, H.264, Linear PCM3840 x 2160 @ 30p / 135 Mbps, MP4, H.265, Linear PCM3840 x 2160 @ 24p / 135 Mbps, MP4, H.265, Linear PCM3840 x 2160 @ 23.98p / 135 Mbps, MP4, H.265, Linear PCM3840 x 2160 @ 30p / 100 Mbps, MP4, H.265, Linear PCM3840 x 2160 @ 24p / 100 Mbps, MP4, H.265, Linear PCM3840 x 2160 @ 23.98p / 100 Mbps, MP4, H.265, Linear PCM3840 x 2160 @ 30p / 150 Mbps, MP4, H.264, Linear PCM3840 x 2160 @ 24p / 150 Mbps, MP4, H.264, Linear PCM3840 x 2160 @ 23.98p / 150 Mbps, MP4, H.264, Linear PCM | 4096 x 2160 @ 24p / 237 Mbps, MOV, H.264, Linear PCM |
Highest video resolution | 8192x4320 | 4096x2160 |
Video file format | MPEG-4, XF-AVC, H.264, H.265 | MPEG-4, H.264 |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB | Yes (USB-PD allows charging by laptop or external power bank) |
GPS | None | Built-in |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 770 gr (1.70 lb) | 997 gr (2.20 lb) |
Physical dimensions | 142 x 101 x 111mm (5.6" x 4.0" x 4.4") | 144 x 147 x 75mm (5.7" x 5.8" x 3.0") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 320 pictures | 870 pictures |
Battery type | Battery Pack | Built-in |
Battery ID | LP-E6NH | - |
Self timer | Yes | Yes (2 or 12 secs, custom) |
Time lapse shooting | ||
Storage type | CFexpress B and SD (UHS-II) slots | - |
Card slots | Two | Two |
Price at launch | $4,499 | $2,999 |