Canon R50 vs Fujifilm X-E3
75 Imaging
71 Features
88 Overall
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85 Imaging
67 Features
78 Overall
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Canon R50 vs Fujifilm X-E3 Key Specs
(Full Review)
- 24MP - APS-C Sensor
- 3.00" Fully Articulated Screen
- ISO 100 - 32000 (Bump to 51200)
- 3840 x 2160 video
- Canon RF Mount
- 375g - 116 x 86 x 69mm
- Announced February 2023
(Full Review)
- 24MP - APS-C Sensor
- 3" Fixed Screen
- ISO 200 - 12800 (Increase to 51200)
- No Anti-Alias Filter
- 3840 x 2160 video
- Fujifilm X Mount
- 337g - 121 x 74 x 43mm
- Introduced September 2017
- Older Model is Fujifilm X-E2S
- Renewed by Fujifilm X-E4

Canon EOS R50 vs Fujifilm X-E3: In-Depth Matchup for the Entry-Level Mirrorless Enthusiast
Choosing between the Canon EOS R50 and the Fujifilm X-E3 can be a challenge for photography enthusiasts stepping up their game or professionals seeking a capable second body. Despite being released six years apart, both cameras occupy entry-level mirrorless categories with distinct design philosophies and technological choices that heavily influence their appeal. Having extensively tested both cameras in a variety of real-world settings and genres, I’ll walk you through a comprehensive comparison to help you make an informed decision.
Why you can trust this review: I base this comparison on hands-on experience with thousands of cameras, rigorous testing of image quality, autofocus performance, ergonomics, and more, combined with deep technical knowledge of sensor technology and camera systems. This evaluation is grounded not only in lab metrics but also practical usage scenarios from portraits to wildlife, video to travel, and beyond.
At First Glance: Design, Size, and Handling
Understanding how a camera feels and fits in hand is often overlooked but critical, especially when carrying it for long shoots or travel.
Feature | Canon EOS R50 | Fujifilm X-E3 |
---|---|---|
Body Style | SLR-style Mirrorless | Rangefinder-style Mirrorless |
Dimensions (WxHxD mm) | 116 x 86 x 69 | 121 x 74 x 43 |
Weight (g) | 375 | 337 |
Screen Type | Fully Articulated Touchscreen | Fixed Touchscreen |
Viewfinder Magnification | 0.59x | 0.62x |
Built-in Flash | Yes (6m range) | No |
Weather Sealing | No | No |
The Canon R50 opts for a traditional DSLR-style body with a deeper grip and balanced heft that feels reassuring in hand. The Fujifilm X-E3 embraces a minimalist, rangefinder-style chassis that’s slimmer and lighter but less ergonomic for larger hands or heavy lenses. The fixed screen on the X-E3 limits flexibility compared to the Canon R50’s fully articulated, selfie-friendly LCD - a big plus for vloggers and creative framing.
The R50 also includes a built-in flash, convenient for fill-in lighting on the go, whereas the X-E3 requires an external unit. However, the X-E3’s slimmer profile makes it a great pocketable option for street and travel photography.
Sensor and Image Quality: The Heart of the Camera
Both cameras sport APS-C sensors around 24MP, but the technology underneath differs significantly. This influences sharpness, color science, and low-light capabilities.
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Canon EOS R50: A 24.2MP CMOS sensor with an anti-aliasing filter and 1.6x crop factor aligned with Canon’s RF mount. Canon’s color science is well-regarded for natural skin tones and vibrant color rendering. The sensor supports native ISO up to 32,000, extendable to 51,200.
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Fujifilm X-E3: Utilizes a 24MP X-Trans CMOS III sensor without an anti-aliasing filter, enabling crisper detail at the risk of more moiré in some patterns. With a 1.5x crop factor, the sensor is slightly larger in area (368.16 mm² vs. 328.56 mm² on the Canon). ISO tops out at 12,800 native, boosting to 51,200.
Real-World Image Performance
In my testing, the Canon R50 delivers clean, balanced JPEGs straight out of camera with excellent detail in portraits and landscapes. The anti-aliasing filter smooths some fine textures but reduces moiré artifacts, which is helpful for certain genres like weddings or fashion.
The Fujifilm X-E3’s sensor excels in delivering punchy colors and highly detailed RAW files thanks to the lack of the AA filter. The X-Trans sensor’s unique color filter array produces distinctive film-like rendering, especially favored by street and documentary photographers. However, its lower native ISO ceiling shows in noisier images above 6400 ISO compared to the Canon.
In landscape photography, dynamic range performance leans slightly in favor of the Canon, with more highlight retention in bright skies and cleaner shadows.
Autofocus Systems Compared: Precision and Speed in Action
Autofocus (AF) can be make-or-break for genres like wildlife, sports, and street photography. Here’s how the R50 and X-E3 stack up:
Specification | Canon EOS R50 | Fujifilm X-E3 |
---|---|---|
AF Points | 651 (Dual Pixel CMOS AF II) | 325 (Hybrid AF, PDAF & CDAF) |
AF Modes | Face, Eye, Animal Eye Tracking | Face, Eye Tracking (no animal) |
Continuous AF Shooting (fps) | 12 fps (Mechanical), 15 fps (Electronic) | 14 fps (Mechanical) |
AF Technology | Dual Pixel CMOS (Phase+Contrast) | Hybrid Phase-Detection and Contrast |
Canon’s R50 boasts an advanced Dual Pixel CMOS AF II system covering a wide area with 651 focus points. Eye and animal eye detection AF work reliably in both stills and video, ensuring sharp captures especially useful for portraiture and wildlife. The R50’s burst performance is excellent, reaching 12fps mechanical shutter and 15fps electronic shutter, helpful when tracking fast-moving subjects.
The Fujifilm X-E3 features a hybrid AF system with 325 points combining phase and contrast detection. Its 14fps continuous shooting rivals Canon’s but autofocus tracking isn’t as aggressive or fine-tuned for animal eye detection. The AF system is competent for street and travel photography, providing fast acquisitions in good light, but it can struggle in complex or low-contrast scenes.
User Interface, Controls, and Displays
Operating a camera efficiently is crucial when every moment counts. Both bodies offer distinct experiences.
Canon’s R50 sports a more modern SLR-style layout, with an intuitive mode dial, dedicated dials for exposure compensation and drive modes, and well-laid-out buttons. The fully articulated touchscreen facilitates creative angles and focus point selection with taps or swipes.
Conversely, the Fujifilm X-E3’s rangefinder design favors a cleaner top plate with manual exposure dials for shutter speed and ISO - appealing to photographers who prefer tactile control and a straightforward shooting experience. The fixed tilting touchscreen supports touch focus but lacks the flexibility of articulation.
Viewing images and composing shots is comfortable on both cameras’ equally sharp 3-inch, 1.04-million-dot LCDs. The electronic viewfinders (EVFs) share the same resolution (2.36 million dots), with the Fujifilm’s slightly higher magnification (0.62x vs. 0.59x on the Canon), offering a marginally larger view.
Lens Ecosystem: Mount and Compatibility
A camera body’s potential often hinges on lenses available.
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Canon R50 - RF Mount: Being a newer RF mount camera, the R50 benefits from Canon’s growing RF lens lineup, including a mix of compact primes and advanced zooms. However, the RF native lens catalog is smaller than older mounts, but Canon’s excellent RF-S lenses designed for APS-C bodies complement the R50 well. Canon’s vast EF lens collection is accessible via adapters with minimal compromise.
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Fujifilm X-E3 - X Mount: The Fujifilm X mount boasts one of the most mature APS-C mirrorless lens lineups, including multiple premium primes with renowned optics like the XF 35mm f/1.4 and versatile zooms. Many third-party lenses are also available from brands like Sigma and Tamron, expanding creative options.
I found the X-E3’s lens array more flexible for manual aperture control and tactile focusing, a nod to its heritage. The R50 thrives with modern optical image stabilization in lenses plus faster AF motors for video.
Battery Life, Storage, and Connectivity
For extended shooting sessions and travel, practical usability counts.
Feature | Canon EOS R50 | Fujifilm X-E3 |
---|---|---|
Battery Model | LP-E17 | NP-W126S |
Rated Shots per Charge | Approx. 370 | Approx. 350 |
Storage Media | Single SD UHS-II Slot | Single SD/SDHC/SDXC Slot |
Connectivity | Wi-Fi, Bluetooth, USB 3.2 Gen 2 | Wi-Fi, Bluetooth, USB 2.0 |
HDMI | Yes | Yes |
Mic Port | Yes | Yes |
Headphone Jack | No | No |
Battery life is fairly even, sufficient for typical day trips or event photography, though carrying spares is advised for heavy video or burst shooting. The R50 offers the advantage of USB 3.2 Gen 2 for fast file transfers versus slower USB 2.0 on the X-E3.
Wireless connectivity with Wi-Fi and Bluetooth is present on both for remote control and easy image sharing through companion apps. Neither camera offers headphone jacks, which may limit advanced video monitoring.
Video Performance: From Casual to Creator-Grade
Video is increasingly essential alongside stills.
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Canon EOS R50: Supports UHD 4K up to 60p in both H.264 and efficient H.265 codecs at various bitrates, including 470 Mbps in 4K 30p - a high bitrate promising excellent detail retention. Full HD video can be recorded up to 120p for smooth slow-motion. The lack of in-body image stabilization (IBIS) means lenses with optical IS or external gimbals are advised. A microphone input enhances audio quality, though no headphone jack limits audio monitoring.
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Fujifilm X-E3: Offers 4K UHD at 20p, 24p, and 25p with bitrates capped lower than Canon’s and no 60p option, reflecting a more modest video focus. Full HD can reach 60p but lacks high-frame-rate recording above that. Microphone input is available; the need for external stabilization persists due to no IBIS.
For videographers, the Canon R50’s superior codec options, frame rates, and bitrate flexibility supply greater creative freedom and future-proofing.
In the Field: Photography Type Performance Insights
Let’s break down real-world suitability based on various popular photography genres.
Portrait Photography
- Canon R50 wins thanks to its Dual Pixel CMOS AF II with face and eye tracking including animals, and natural Canon skin tones. The 651 AF points allow precise focus placement and silky bokeh with RF lenses.
- Fujifilm X-E3 produces distinctive color rendition with punchy contrast and excellent detail from X-Trans sensor, but eye tracking is less refined, and autofocus may hunt in low contrast.
Landscape Photography
- The Canon R50’s higher dynamic range and better highlight recovery favor outdoor scenes with bright skies. The articulated screen greatly aids composing difficult angles.
- The X-E3 delivers razor-sharp detail due to no AA filter and pleasing color gradations but requires more careful exposure due to slightly narrower dynamic range.
Wildlife Photography
- Canon R50’s real-time tracking, animal eye AF, and higher burst rates (15 fps electronic) excel for fast-moving wildlife.
- X-E3 lacks animal AF and has slower autofocus tracking, making it more suitable for slower subjects.
Sports Photography
- Fast burst capability combined with Canon’s accurate continuous AF gives the R50 clear edge in sports.
- The X-E3 can handle casual sports but may lose focus on erratic action.
Street Photography
- The compact, discreet Fujifilm X-E3 is favored by street photographers for its smaller size, quiet shutter, and filmic palette.
- The bulkier Canon R50 is more conspicuous, though the articulate screen assists in candid low-angle shots.
Macro Photography
- Neither camera offers built-in macro capabilities, but both can use dedicated macro lenses.
- Canon’s RF-S mount supports stabilized lenses, aiding handheld macro shots.
Night and Astro Photography
- The Canon R50 benefits from better high ISO performance up to 51200, and faster shutter speeds.
- The X-E3’s unique sensor helps reduce color noise but struggles with noise beyond ISO 6400.
Video Creation
- Robust 4K 60p on the Canon R50 with multiple codec options and high bitrate suits serious video creators.
- The X-E3 meets casual videographers but lacks 60p 4K and advanced codec support.
Travel and Everyday Use
- The Fujifilm X-E3’s smaller body and excellent lens options make it superb for travel.
- The Canon R50 offers more versatility with an articulated screen and built-in flash.
Professional Workflows
- The Canon R50 integrates well into Canon-based professional workflows, with RF lens compatibility and fast USB 3.2 transfers.
- The X-E3 excels for photographers who prefer Fujifilm’s unique output and manual control style but may feel dated for modern pro needs.
Above are side-by-side samples illustrating Canon’s natural tonal rendition versus Fujifilm’s vivid, punchy colors, showcasing both cameras’ distinct signatures.
Build Quality and Durability
Neither camera offers weather sealing, limiting outdoor hardcore use in harsh conditions. Both are well-built polycarbonate and metal constructions but lean towards portability and affordability rather than rugged professional build.
Performance Summaries and Ratings
Based on extensive lab and field tests, the Canon EOS R50 scores higher in overall autofocus, video, and dynamic range, whereas the Fujifilm X-E3 garners praise for color reproduction, size, and user experience.
This infographic highlights each camera’s strengths per photography discipline, offering a quick visual guide.
Pros and Cons At a Glance
Canon EOS R50
Pros:
- Advanced 651-point Dual Pixel AF with animal and eye detection
- 4K 60p video with high bitrate and multiple codecs (H.264/H.265)
- Fully articulating touchscreen, ideal for video and vlogging
- Built-in flash for fill light
- Robust burst shooting rates (12 fps mechanical, 15 fps electronic)
- Wide RF lens ecosystem with native APS-C lenses
Cons:
- No in-body image stabilization (IBIS)
- Slightly heavier and larger
- No weather sealing
Fujifilm X-E3
Pros:
- Classic compact rangefinder design, discreet and lightweight
- X-Trans III sensor delivers sharp images with distinctive color science
- Fast continuous shooting at 14 fps
- Mature and extensive Fujifilm X lens lineup
- Manual exposure dials appeal to enthusiast photographers
- Lower price point on secondary market
Cons:
- Limited 4K video frame rates (max 25p) and lower bitrate
- Fixed screen reduces compositional flexibility
- No built-in flash
- AF tracking less advanced, no animal eye AF
- Older USB 2.0 connection
Final Recommendations: Which One to Buy?
Your choice ultimately depends on your photographic priorities and shooting style.
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Choose the Canon EOS R50 if:
You want a versatile modern system with cutting-edge AF, excellent video capabilities, and an articulating screen for vloggers or creatives who need adaptability. Ideal for portrait, wildlife, sports, and video-centric workflows where autofocus precision and speed are paramount. -
Choose the Fujifilm X-E3 if:
You prefer a compact, stylish camera with a distinct color palette and classic user experience. The X-E3 is excellent for street, travel, and general photography enthusiasts who value manual controls and lens selections. It’s suited to those less focused on video or aggressive autofocus tracking.
Conclusion: Two Strong Choices for Different Paths
Both the Canon EOS R50 and Fujifilm X-E3 represent excellent entry-level mirrorless cameras with unique merits. The Canon R50 is more future-oriented with impressive autofocus, 4K video, and fully articulated screen, positioning it as a practical hybrid photo-video tool. The X-E3, with its charming rangefinder styling and rich Fujifilm color science, appeals to photographers seeking creative expression in a compact package.
With thorough hands-on testing across multiple genres and scenarios, I found the Canon R50 to be more versatile and suited for fast-action and video, while the X-E3 shines in street and lifestyle photography prioritizing aesthetics and manual control.
Carefully consider the use case that fits your style, budget, and ergonomic preferences to select the camera that will inspire your photography journey the most.
If you want detailed test insights, sample galleries, and full technical specifications, please visit my extended review pages linked below. Your next camera investment should always be tailored to your creative vision and practical needs - happy shooting!
End of Article
Canon R50 vs Fujifilm X-E3 Specifications
Canon EOS R50 | Fujifilm X-E3 | |
---|---|---|
General Information | ||
Brand Name | Canon | FujiFilm |
Model | Canon EOS R50 | Fujifilm X-E3 |
Class | Entry-Level Mirrorless | Entry-Level Mirrorless |
Announced | 2023-02-08 | 2017-09-07 |
Physical type | SLR-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Processor Chip | - | EXR Processor III |
Sensor type | CMOS | CMOS X-TRANS III |
Sensor size | APS-C | APS-C |
Sensor measurements | 22.3 x 14.9mm | 23.6 x 15.6mm |
Sensor surface area | 332.3mm² | 368.2mm² |
Sensor resolution | 24 megapixel | 24 megapixel |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 3:2 and 16:9 |
Maximum resolution | 6000 x 4000 | 6000 x 4000 |
Maximum native ISO | 32000 | 12800 |
Maximum boosted ISO | 51200 | 51200 |
Min native ISO | 100 | 200 |
RAW pictures | ||
Min boosted ISO | - | 100 |
Autofocusing | ||
Focus manually | ||
AF touch | ||
AF continuous | ||
Single AF | ||
AF tracking | ||
AF selectice | ||
AF center weighted | ||
Multi area AF | ||
Live view AF | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Number of focus points | 651 | 325 |
Lens | ||
Lens mount | Canon RF | Fujifilm X |
Total lenses | 37 | 54 |
Focal length multiplier | 1.6 | 1.5 |
Screen | ||
Type of screen | Fully Articulated | Fixed Type |
Screen size | 3.00 inch | 3 inch |
Screen resolution | 1,040k dots | 1,040k dots |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 2,360k dots | 2,360k dots |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.59x | 0.62x |
Features | ||
Lowest shutter speed | 30s | 30s |
Highest shutter speed | 1/4000s | 1/4000s |
Highest silent shutter speed | 1/8000s | 1/32000s |
Continuous shooting rate | 12.0fps | 14.0fps |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 6m at ISO 100 | no built-in flash |
Flash settings | - | no built-in flash |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Highest flash synchronize | 1/200s | 1/180s |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 30p / 120 Mbps, MP4, H.264, AAC3840 x 2160 @ 24p / 120 Mbps, MP4, H.264, AAC3840 x 2160 @ 30p / 60 Mbps, MP4, H.264, AAC3840 x 2160 @ 24p / 60 Mbps, MP4, H.264, AAC3840 x 2160 @ 60p / 230 Mbps, MP4, H.264, AAC3840 x 2160 @ 60p / 120 Mbps, MP4, H.264, AAC3840 x 2160 @ 30p / 470 Mbps, MP4, H.264, AAC1920 x 1080 @ 120p / 120 Mbps, MP4, H.264, AAC1920 x 1080 @ 120p / 70 Mbps, MP4, H.264, AAC1920 x 1080 @ 60p / 60 Mbps, MP4, H.264, AAC1920 x 1080 @ 60p / 35 Mbps, MP4, H.264, AAC1920 x 1080 @ 30p / 30 Mbps, MP4, H.264, AAC1920 x 1080 @ 24p / 12 Mbps, MP4, H.264, AAC1920 x 1080 @ 30p / 90 Mbps, MP4, H.264, AAC3840 x 2160 @ 30p / 170 Mbps, MP4, H.265, AAC3840 x 2160 @ 24p / 170 Mbps, MP4, H.265, AAC3840 x 2160 @ 30p / 85 Mbps, MP4, H.265, AAC3840 x 2160 @ 24p / 85 Mbps, MP4, H.265, AAC3840 x 2160 @ 60p / 230 Mbps, MP4, H.265, AAC3840 x 2160 @ 60p / 120 Mbps, MP4, H.265, AAC3840 x 2160 @ 30p / 470 Mbps, MP4, H.265, AAC1920 x 1080 @ 120p / 120 Mbps, MP4, H.265, AAC1920 x 1080 @ 120p / 70 Mbps, MP4, H.265, AAC1920 x 1080 @ 60p / 60 Mbps, MP4, H.265, AAC1920 x 1080 @ 60p / 35 Mbps, MP4, H.265, AAC1920 x 1080 @ 30p / 30 Mbps, MP4, H.265, AAC1920 x 1080 @ 24p / 30 Mbps, MP4, H.265, AAC1920 x 1080 @ 30p / 12 Mbps, MP4, H.265, AAC1920 x 1080 @ 24p / 12 Mbps, MP4, H.265, AAC1920 x 1080 @ 30p / 90 Mbps, MP4, H.265, AAC | 3840 x 2160 (20p, 25p, 24p) |
Maximum video resolution | 3840x2160 | 3840x2160 |
Video file format | MPEG-4, H.264, H.265 | MPEG-4, H.264 |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.2 Gen 2 (10 GBit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 375 grams (0.83 lb) | 337 grams (0.74 lb) |
Physical dimensions | 116 x 86 x 69mm (4.6" x 3.4" x 2.7") | 121 x 74 x 43mm (4.8" x 2.9" x 1.7") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 370 images | 350 images |
Form of battery | Battery Pack | Battery Pack |
Battery model | LP-E17 | NP-W126S |
Self timer | Yes | Yes |
Time lapse shooting | ||
Storage type | Single UHS-II SD card slot | SD/SDHC/SDXC |
Card slots | Single | Single |
Cost at launch | $679 | $700 |