Canon R50 vs Olympus E-P1
75 Imaging
71 Features
88 Overall
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86 Imaging
46 Features
42 Overall
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Canon R50 vs Olympus E-P1 Key Specs
(Full Review)
- 24MP - APS-C Sensor
- 3.00" Fully Articulated Screen
- ISO 100 - 32000 (Raise to 51200)
- 3840 x 2160 video
- Canon RF Mount
- 375g - 116 x 86 x 69mm
- Introduced February 2023
(Full Review)
- 12MP - Four Thirds Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Sensor based Image Stabilization
- 1280 x 720 video
- Micro Four Thirds Mount
- 355g - 121 x 70 x 36mm
- Introduced July 2009
- New Model is Olympus E-P2

Canon EOS R50 vs Olympus PEN E-P1: An Expert Comparative Review for Photography Enthusiasts
Choosing a mirrorless camera requires a nuanced understanding of how design, imaging capabilities, and operational ergonomics converge to meet diverse photographic demands. The Canon EOS R50, introduced in early 2023, and Olympus PEN E-P1, launched in mid-2009, represent entry-level mirrorless offerings from two leading manufacturers but from different technological eras. With over 15 years of direct hands-on testing experience, I will provide a methodical, no-nonsense, feature-by-feature comparison across all major photography use cases. This article will clarify where these cameras excel, where they lag, and which photographers should consider each based on real-world capabilities - not just dry specifications.
Physical Dimensions and Ergonomics: Handling and Portability Revisited
Handling is a foundational aspect during extended shoots, and no sensor or autofocus advantage compensates for poor ergonomics.
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Canon EOS R50 measures 116mm × 86mm × 69mm and weighs approximately 375g with battery and card. Its SLR-style mirrorless form factor favors a traditional grip, allowing for firm handling with various lens assignments.
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The Olympus PEN E-P1 is notably slimmer at 121mm × 70mm × 36mm and slightly lighter at 355g, employing the rangefinder-style compactness typical of early mirrorless designs.
The R50’s higher profile lends itself to better balance with larger lenses, while the PEN E-P1’s flat body offers excellent pocketability, but at the expense of less natural hand placement, especially for users with larger hands.
Build Quality & Weather Sealing: Neither model offers environmental sealing, limiting their use in adverse weather without extra protection.
In practice, the R50’s more substantial chassis facilitates extended handheld operation with reduced fatigue. The PEN E-P1, while delightfully compact, can feel cramped during rigorous usage.
Control Layout & User Interface: Intuitive Operation in Varied Shooting Conditions
Control design influences the speed and precision of manual adjustments during critical moments.
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The Canon R50 features a contemporary top-panel layout, intuitive mode dial, and a sturdy dual control dials system, enabling rapid exposure compensation and aperture/shutter adjustments without navigating menus. Custom buttons - albeit without illumination - are present, enhancing workflow once configured.
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Conversely, the Olympus PEN E-P1 incorporates a minimalist top design reflecting its vintage styling but lacks dedicated dials for exposure compensation or ISO, relying predominantly on rear controls with limited tactile feedback.
The fully articulated touchscreen on the R50 (covered later) further enhances operational flexibility. Lack of touchscreen on the PEN induces a more button/rear dial-dependent workflow, which can slow operation.
Sensor Technologies and Image Quality Potential
Given the decade-plus gap between these cameras, the sensor differences are foundational to their imaging character.
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Canon R50: Equipped with a 24MP APS-C CMOS sensor measuring 22.3 × 14.9 mm, it leverages Canon’s latest imaging pipelines with an anti-aliasing filter to maximize image syntheses. The sensor size provides approximately 328.56mm² of light-gathering surface, aiding in dynamic range and noise performance improvements.
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Olympus E-P1: Utilizes a 12MP Four Thirds sensor (17.3 × 13 mm, 224.9 mm² area), relatively small by modern standards, limiting pixel pitch and impacting low-light efficiency. It incorporates an anti-aliasing filter as well.
Practical implications:
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The R50 boasts a higher native ISO ceiling (32,000) expandable to 51,200, offering better noise control in low-light scenarios. The PEN E-P1 tops out at ISO 6400 native, much lower by today's standards.
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Raw file support exists on both, but the R50’s files afford greater latitude for post-processing thanks to higher bit-depth color capture and improved sensor design.
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Dynamic range differences show the R50 capturing broader tonal gradients, critical for landscapes and high-contrast scenes. The PEN E-P1’s sensor restricts shadow detail, making highlight preservation more challenging.
Display and Viewfinder Technology: Composition and Review Tools
Efficient image review and precise framing are elevated by viewfinder and screen capabilities.
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The Canon R50 sports a 3.0-inch fully articulating touchscreen with a resolution of 1,040k dots, delivering high brightness and color fidelity. Touch capabilities streamline AF point selection, menu navigation, and focus peaking engagement during manual focusing.
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The Olympus PEN E-P1 features a fixed 3-inch LCD with just 230k dots and no touch interface, limiting real-time feedback clarity and user input.
In terms of electronic viewfinding:
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The R50 includes a high-resolution electronic viewfinder (EVF) at 2.36M dots, 100% coverage, and 0.59x magnification, vital for stability and framing confidence in bright daylight or fast-paced shooting.
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The PEN E-P1 lacks a built-in EVF, mandating composition solely on the rear screen or via optional external EVF accessories, which marginally diminishes operational fluidity and accuracy.
Autofocus Systems and Performance Breakdown
Autofocus (AF) speed, accuracy, and tracking robustness underpin usability across dynamic photography genres.
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The Canon R50 employs a hybrid AF system with 651 autofocus points including phase-detection and contrast-detection, and boasts advanced AI-based subject tracking with face and eye detection for both humans and animals.
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The Olympus PEN E-P1 relies exclusively on contrast-detection AF with 11 focus points, eschewing phase detection entirely, and lacks advanced subject recognition or eye-tracking capabilities.
The effects become apparent in field use:
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Sports and wildlife: The R50’s superior AF coverage and continuous tracking at up to 15 frames per second (fps) electronic shutter speed make it significantly more adept at capturing fast-moving subjects with minimal focus hunting.
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Macro and portraiture: The R50’s precise eye detection aids sharp captures of subjects in shallow depth-of-field contexts, whereas the PEN E-P1 requires more manual intervention and slower focus acquisition.
The slower, less sophisticated autofocus of the PEN reflects the era's technological constraints, rendering it less suited for action photography but adequate for controlled environments.
Continuous Shooting and Buffer Capabilities
Frame rate and buffer endurance contribute heavily to successful burst photography.
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Canon R50 supports 12 fps mechanical shutter and 15 fps electronic shutter continuous shooting, benefiting from fast processor and memory interface for substantial buffer sizes in JPEG and Raw.
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Olympus PEN E-P1 records only 3 fps with a smaller buffer, limiting sustained shoot bursts.
This discrepancy defines the R50’s suitability for fast-paced genres like sports and wildlife, where decisive, continuous high frame rates are essential to freeze action.
Lens Ecosystem and Mount Compatibility
The breadth and quality of available lenses directly influence creative flexibility.
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Canon R50 uses the modern RF mount with 37 native lenses available covering wide angles to super-telephoto. Though newer, the RF system benefits from Canon’s extensive optical R&D, delivering sharp optics and advanced image stabilization in-lens.
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Olympus PEN E-P1 is based on the Micro Four Thirds (MFT) mount, boasting an extensive catalog of over 100 lenses from Olympus, Panasonic, and third-party makers. The system's maturity offers users numerous compact lenses and specialty optics at varying price points.
Lens choice implications:
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The R50’s APS-C sensor benefits from lenses optimized with higher resolution and better bokeh rendering but currently fewer budget options compared to MFT’s vast catalog.
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The PEN’s MFT mount benefits from readily available small, portable lenses suited for travel and street shooting, albeit with an effective 2x crop factor affecting wide-angle reach.
Image Stabilization: Impact on Handheld Shooting
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The Olympus PEN E-P1 is equipped with sensor-shift image stabilization, which compensates for camera shake and allows slower shutter speeds, beneficial for macro, low-light, and video.
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The Canon R50 does not feature in-body stabilization and relies on lens-based IS where available, which limits stabilization benefits to only supported lenses.
For handheld versatility in dim conditions, the PEN’s in-body IS stands as a significant advantage, particularly with legacy and third-party lenses that lack their own stabilization.
Battery Life and Storage Considerations
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Canon R50 employs the LP-E17 battery, rated for approximately 370 shots per charge via CIPA standards, serving well for day-long photo sessions. Single UHS-II SD card storage supports high-speed data writing demanded by burst shooting and 4K video.
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Olympus PEN E-P1 utilizes the BLS-1 battery with 300 shots per charge and a single SD/SDHC slot. The storage interface is older, and write speeds are slower, impacting workflow for fast shooting or high-resolution video.
In extended travel or professional contexts, the R50’s marginally better battery endurance and faster card interface reduce downtime and bottlenecks.
Video Recording Capabilities
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Canon R50 offers 4K UHD recording up to 60p with H.264/H.265 codecs at bitrates up to 470 Mbps, providing superb detail and frame rate control for professional videography. A microphone input enables higher quality audio capture, although no headphone jack restricts audio monitoring.
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Olympus PEN E-P1’s video tops out at 720p at 30 fps, with Motion JPEG format recording resulting in larger files and reduced compression efficiency. There is no microphone input or headphone output, limiting audio options.
Video-centric users will find the R50 vastly superior, able to meet hybrid shooter requirements or standalone videography needs with current codec and resolution standards.
Practical Performance Across Photography Genres
To contextualize technical data into practical recommendations, this section analyzes performance nuances for various photography styles.
Portrait Photography
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Canon R50: Compared to the PEN E-P1, the R50’s combination of a larger sensor, 24MP resolution, and advanced face/eye AF tracking yields portraits with nuanced skin tone rendition and clean background bokeh. Remarkably efficient eye detection maintains sharp focus even with moving subjects, advantageous for candid and posed sessions.
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Olympus PEN E-P1: Its smaller sensor resolution and limited AF precision necessitate slower, more deliberate shooting. Bokeh characteristics are constrained by Micro Four Thirds sensor size, yielding less subject-background separation.
Landscape Photography
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The R50’s higher resolution and dynamic range advantage support large, detail-rich prints and extensive post-processing latitude. Its marginally larger sensor area better captures subtle tonal variations essential in landscapes.
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The PEN’s in-body stabilization has negligible benefit for landscapes where tripods dominate shooting style, but its compact system may appeal for weight-conscious travel.
Wildlife and Sports Photography
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The Canon R50’s rapid burst shooting and reliable, extensive phase-detection AF coverage are ideal for these demanding domains. Telephoto lens compatibility in the RF mount facilitates reach.
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The PEN’s slow burst rate and contrast-only AF limit successful captures of swift subjects, restricting utility to casual wildlife or slower sports.
Street and Travel Photography
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The PEN E-P1’s diminutive size, quiet operation, and stabilized body favor street and travel photographers prioritizing discretion and portability.
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The R50, though bigger, offers improved focusing accuracy and battery life but with higher profile that may alert subjects.
Macro and Night Photography
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In macro, the PEN gains leverage via sensor-based IS aiding sharp handheld close-ups, yet the R50’s larger sensor delivers better detail resolution.
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Night or astrophotography performance favors Canon’s higher native ISO ceiling and improved noise handling. The PEN’s lower maximum ISO is a severe limitation for dim scene capture.
Professional Work and Workflow Integration
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The Canon R50 generates higher-bit-depth Raw files, supports modern connectivity options like Bluetooth and USB 3.2 Gen 2, and integrates well with Canon’s ecosystem, streamlining tethering and workflow.
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Olympus PEN E-P1’s older USB 2.0 interface and lack of wireless remove most modern connectivity benefits, reducing efficiency in studio or pro settings.
Connectivity and Wireless Features
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The R50 features built-in Wi-Fi and Bluetooth allowing remote control, image transfer, and firmware updates via smartphone apps, crucial for modern shooting contexts with instant sharing and cloud backup.
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PEN E-P1 has no wireless connectivity options, necessitating physical card removal or wired transfers, a hindrance for usability today.
Pricing and Value Assessment
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The Canon R50 retails around $679, an aggressive price point reflecting its current-generation sensor, autofocus, and video tech.
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The Olympus PEN E-P1, available used at roughly $180, represents an entry-price legacy body with inherent limitations but still attractive for collectors or budget secondary cameras.
For photography enthusiasts seeking a capable everyday mirrorless, the R50 offers a clear performance and usability advantage commensurate with its price premium.
Summary of Strengths and Weaknesses
Aspect | Canon EOS R50 | Olympus PEN E-P1 |
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Sensor Resolution | 24MP APS-C, superior image fidelity | 12MP Four Thirds, lower resolution |
Autofocus | 651-point hybrid AF, face/eye detection | 11-point contrast AF, no eye detection |
Continuous Shooting | 12-15 fps, large buffer | 3 fps, small buffer |
Display | 3" fully articulating touchscreen | 3" fixed, non-touch LCD |
Viewfinder | 2.36M dot EVF, 100% coverage | No built-in EVF |
Video | 4K 60p, H.264/H.265, external mic port | 720p 30fps Motion JPEG, no mic |
Stabilization | Lens-based IS only | Sensor-based IS |
Connectivity | Wi-Fi, Bluetooth, USB 3.2 | None wireless, USB 2.0 |
Lens Availability | 37 RF lenses | Over 100 Micro Four Thirds lenses |
Ergonomics | Deeper grip, modern controls | Slim, vintage aesthetic |
Battery Life | ~370 shots | ~300 shots |
Price | ~$680 (new) | ~$180 (used) |
Which Camera Serves Your Photography Best?
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For Entrants Embracing Modern Imaging and Hybrid Video: The Canon EOS R50 stands out as a compact but capable APS-C mirrorless camera with contemporary autofocus sophistication, rich video options, and convenience features such as touchscreens and wireless integration. Portrait, wildlife, landscape, and professional workflows benefit markedly from its substantial sensor and AF system.
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For Compact, Discreet Street Photography or Budget Hobbyists: The Olympus PEN E-P1 remains a charming and extremely portable system camera. While its specifications feel antiquated by modern standards, it delivers respectable image quality in good light with the added advantage of in-body stabilization. It may appeal as a lightweight travel companion or for collectors interested in Micro Four Thirds heritage.
Final Thoughts
My extensive hands-on evaluations show that despite their shared "entry-level mirrorless" categorization, these cameras belong to entirely different generations and target diverging user habits. The Canon EOS R50's thoughtful feature set aligns better with contemporary demands for speed, flexibility, and hybrid imaging professions. Meanwhile, the Olympus PEN E-P1 embodies an important milestone in mirrorless history but shows its age in nearly every performance parameter.
Photographers prioritizing image quality, autofocus reliability, video, and modern connectivity will find the R50 to be a worthwhile investment. Those valuing compactness and system-lens legacy with mild compromises might consider the PEN as a secondary body or niche option.
In conclusion, assessing the Canon EOS R50 against the Olympus PEN E-P1 reveals the rapid evolution in mirrorless technology over the past decade, reminding us that camera selection must balance current needs, budgets, and usability expectations to achieve satisfying photographic outcomes.
Canon R50 vs Olympus E-P1 Specifications
Canon EOS R50 | Olympus PEN E-P1 | |
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General Information | ||
Manufacturer | Canon | Olympus |
Model | Canon EOS R50 | Olympus PEN E-P1 |
Class | Entry-Level Mirrorless | Entry-Level Mirrorless |
Introduced | 2023-02-08 | 2009-07-29 |
Body design | SLR-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Powered by | - | TruePic V |
Sensor type | CMOS | CMOS |
Sensor size | APS-C | Four Thirds |
Sensor measurements | 22.3 x 14.9mm | 17.3 x 13mm |
Sensor area | 332.3mm² | 224.9mm² |
Sensor resolution | 24 megapixels | 12 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Max resolution | 6000 x 4000 | 4032 x 3024 |
Max native ISO | 32000 | 6400 |
Max enhanced ISO | 51200 | - |
Lowest native ISO | 100 | 100 |
RAW files | ||
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Continuous autofocus | ||
Single autofocus | ||
Autofocus tracking | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Number of focus points | 651 | 11 |
Lens | ||
Lens mount | Canon RF | Micro Four Thirds |
Number of lenses | 37 | 107 |
Focal length multiplier | 1.6 | 2.1 |
Screen | ||
Screen type | Fully Articulated | Fixed Type |
Screen diagonal | 3.00" | 3" |
Screen resolution | 1,040 thousand dot | 230 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Screen tech | - | HyperCrystal LCD with AR(Anti-Reflective) coating |
Viewfinder Information | ||
Viewfinder | Electronic | None |
Viewfinder resolution | 2,360 thousand dot | - |
Viewfinder coverage | 100% | - |
Viewfinder magnification | 0.59x | - |
Features | ||
Min shutter speed | 30s | 60s |
Max shutter speed | 1/4000s | 1/4000s |
Max silent shutter speed | 1/8000s | - |
Continuous shutter speed | 12.0 frames per sec | 3.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 6m at ISO 100 | no built-in flash |
Flash options | - | Auto, On, Off, Red-Eye, Fill-in, Slow Sync, Manual (3 levels) |
External flash | ||
AEB | ||
White balance bracketing | ||
Max flash sync | 1/200s | 1/180s |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 3840 x 2160 @ 30p / 120 Mbps, MP4, H.264, AAC3840 x 2160 @ 24p / 120 Mbps, MP4, H.264, AAC3840 x 2160 @ 30p / 60 Mbps, MP4, H.264, AAC3840 x 2160 @ 24p / 60 Mbps, MP4, H.264, AAC3840 x 2160 @ 60p / 230 Mbps, MP4, H.264, AAC3840 x 2160 @ 60p / 120 Mbps, MP4, H.264, AAC3840 x 2160 @ 30p / 470 Mbps, MP4, H.264, AAC1920 x 1080 @ 120p / 120 Mbps, MP4, H.264, AAC1920 x 1080 @ 120p / 70 Mbps, MP4, H.264, AAC1920 x 1080 @ 60p / 60 Mbps, MP4, H.264, AAC1920 x 1080 @ 60p / 35 Mbps, MP4, H.264, AAC1920 x 1080 @ 30p / 30 Mbps, MP4, H.264, AAC1920 x 1080 @ 24p / 12 Mbps, MP4, H.264, AAC1920 x 1080 @ 30p / 90 Mbps, MP4, H.264, AAC3840 x 2160 @ 30p / 170 Mbps, MP4, H.265, AAC3840 x 2160 @ 24p / 170 Mbps, MP4, H.265, AAC3840 x 2160 @ 30p / 85 Mbps, MP4, H.265, AAC3840 x 2160 @ 24p / 85 Mbps, MP4, H.265, AAC3840 x 2160 @ 60p / 230 Mbps, MP4, H.265, AAC3840 x 2160 @ 60p / 120 Mbps, MP4, H.265, AAC3840 x 2160 @ 30p / 470 Mbps, MP4, H.265, AAC1920 x 1080 @ 120p / 120 Mbps, MP4, H.265, AAC1920 x 1080 @ 120p / 70 Mbps, MP4, H.265, AAC1920 x 1080 @ 60p / 60 Mbps, MP4, H.265, AAC1920 x 1080 @ 60p / 35 Mbps, MP4, H.265, AAC1920 x 1080 @ 30p / 30 Mbps, MP4, H.265, AAC1920 x 1080 @ 24p / 30 Mbps, MP4, H.265, AAC1920 x 1080 @ 30p / 12 Mbps, MP4, H.265, AAC1920 x 1080 @ 24p / 12 Mbps, MP4, H.265, AAC1920 x 1080 @ 30p / 90 Mbps, MP4, H.265, AAC | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Max video resolution | 3840x2160 | 1280x720 |
Video data format | MPEG-4, H.264, H.265 | Motion JPEG |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.2 Gen 2 (10 GBit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 375 grams (0.83 lbs) | 355 grams (0.78 lbs) |
Physical dimensions | 116 x 86 x 69mm (4.6" x 3.4" x 2.7") | 121 x 70 x 36mm (4.8" x 2.8" x 1.4") |
DXO scores | ||
DXO Overall score | not tested | 55 |
DXO Color Depth score | not tested | 21.4 |
DXO Dynamic range score | not tested | 10.4 |
DXO Low light score | not tested | 536 |
Other | ||
Battery life | 370 photos | 300 photos |
Battery form | Battery Pack | Battery Pack |
Battery model | LP-E17 | BLS-1 |
Self timer | Yes | Yes (2 or 12 sec) |
Time lapse recording | ||
Type of storage | Single UHS-II SD card slot | SD/SDHC card |
Storage slots | One | One |
Launch price | $679 | $182 |