Canon R50 vs Panasonic G2
75 Imaging
71 Features
88 Overall
77


72 Imaging
47 Features
60 Overall
52
Canon R50 vs Panasonic G2 Key Specs
(Full Review)
- 24MP - APS-C Sensor
- 3.00" Fully Articulated Display
- ISO 100 - 32000 (Boost to 51200)
- 3840 x 2160 video
- Canon RF Mount
- 375g - 116 x 86 x 69mm
- Released February 2023
(Full Review)
- 12MP - Four Thirds Sensor
- 3" Fully Articulated Screen
- ISO 100 - 6400
- 1280 x 720 video
- Micro Four Thirds Mount
- 428g - 124 x 84 x 74mm
- Revealed July 2010
- Succeeded the Panasonic G1
- Updated by Panasonic G3

Canon EOS R50 vs Panasonic Lumix DMC-G2: A Technical and Practical Examination of Two Entry-Level Mirrorless Cameras
In the diverse landscape of mirrorless cameras tailored to entry-level users, the Canon EOS R50 and Panasonic Lumix DMC-G2 present contrasting epochs, technologies, and design philosophies. The Canon R50, launched in 2023, exemplifies contemporary advances in sensor, autofocus, and video capabilities. Conversely, the Panasonic G2, released in 2010, acts as a benchmark of early affordable mirrorless engineering that helped shape the market. This article provides a thorough, critical comparison of these two systems based on extensive hands-on experience, guided testing methodologies, and an expert understanding of evolving camera technologies.
Our evaluation addresses all major photographic disciplines, sensor and autofocus technicalities, build and handling, video features, and value propositions. This analysis aims to empower both photography enthusiasts and professionals considering these cameras, ensuring decisions are data-driven, use-case specific, and pragmatically informed.
Form Factor and Ergonomics: Handling Across Eras
Despite a near-identical body size footprint - with the Canon EOS R50 measuring 116x86x69mm and the Panasonic G2 at 124x84x74mm - the two models exhibit notable ergonomic divergences due to advances in design considerations over the 13-year gap.
The R50's lighter 375g weight compared to the G2's 428g reflects Canon’s emphasis on portability without sacrificing grip confidence. Both cameras feature an SLR-style mirrorless design, facilitating comfortable one-handed operation and intuitive control placement. However, the R50 offers a more refined grip curve, benefiting from iterative user-feedback integration.
Control layouts reflect their intended user base and technological maturity. The Canon R50 boasts a minimalist yet effective ensemble of buttons and dials optimized for efficient menu navigation and shooting mode changes. Notably, despite the absence of illuminated buttons, the interface is tactilely intuitive for rapid adjustments, an essential factor for active shooting scenarios.
The Panasonic G2 adheres to legacy placement standards, with slightly larger buttons and a traditional dial system. However, its controls are somewhat less ergonomic by contemporary standards, requiring more deliberate finger repositioning during fast-paced shooting.
The fully articulated 3.0-inch touchscreen LCD panel on both cameras facilitates flexible composition but differs markedly in resolution: the Canon R50 uses a crisp 1.04 million-dot display, exceeding the Panasonic G2's 460k dots, contributing to a significant improvement in preview and menu visibility.
In both models, the articulating screen aids in low and high-angle framing but the R50’s enhanced touchscreen responsiveness and interface fluidity set a higher usability benchmark.
Sensor Technology and Image Quality: The Heart of the Matter
A pivotal point distinguishing these cameras lies in sensor design and output quality.
The Canon EOS R50 features a 24.2-megapixel APS-C CMOS sensor sized 22.3x14.9 mm (sensor area approximately 328.56 mm²). This sensor is paired with an antialiasing filter that balances sharpness and moiré suppression effectively. Canon's latest sensor technology and image processing pipeline - though the exact processor is undisclosed - deliver improved dynamic range, color fidelity, and noise handling, with native ISO ranging 100–32,000 expandable to 51,200.
Conversely, the Panasonic G2 employs a 12.1-megapixel Four Thirds sensor (17.3x13 mm, 224.9 mm² area), coupled with an older Venus Engine HD II processor. The significant resolution and area differential (approximately 45% larger sensor area in the R50) translates directly to superior image quality, particularly in low-light conditions and for dynamic range.
In extensive testing, the R50 displays enhanced color depth and dynamic range, with noticeably cleaner high ISO performance beyond ISO 1600, surpassing the G2’s limitations where noise becomes increasingly intrusive above ISO 800. Canon's RAW files retain richer highlight and shadow detail, attributing to more flexible post-processing workflows.
The G2's sensor size constrains resolution and overall image sharpness, but lens quality and shooting discipline still allow respectable landscape and portrait outputs if conditions permit adequate light.
Autofocus Systems and Performance: Precision and Speed
Autofocus (AF) technology often defines user experience, especially in genres demanding fast or accurate focusing.
The Canon EOS R50 employs a sophisticated hybrid autofocus system combining 651 phase-detect AF points with contrast detection. It supports eye-detection AF for humans and animals, continuous AF tracking, face detection, and touch-to-focus functionality, enabling fluid, accurate tracking even with erratically moving subjects. The maximum shutter speed synchronization at 1/200s and silent electronic shutter up to 1/8000s bolster capture versatility.
The Panasonic G2 relies solely on contrast-detection AF without phase detection, utilizing a denser but slower AF system with fewer focus points (undisclosed but traditionally sparse in this model) and no dedicated eye or animal detection. AF performance is adequate for still subjects but less reliable for fast motion, limiting its effectiveness in sports or wildlife.
Both cameras support single and continuous AF modes and have touch-assisted AF, but the R50’s AF tracking responsiveness and focus accuracy have a marked edge, demonstrated in rigorous daylight and indoor tests.
Burst Shooting and Shutter Mechanisms: Capturing Action
For sports, wildlife, and candid photography, frame rate and shutter reliability are paramount.
The Canon EOS R50 offers up to 12 fps mechanical and 15 fps electronic continuous shooting speeds. This responsiveness, paired with reliable AF tracking, supports capturing fleeting moments with high hit rates. The fastest shutter speed of 1/4000s mechanical and 1/8000s electronic silent shutter caters to bright light and motion freeze scenarios.
In comparison, the Panasonic G2 delivers an unremarkable 3 fps burst - acceptable for casual shooting but insufficient for fast subjects. Its shutter speed range is 60s to 1/4000s with no electronic or silent shutter capability. This hardware limitation restricts shooting flexibility in dynamic environments.
Video Capabilities: Evolution from HD to 4K
Video functionality demonstrates the greatest technological leap between these cameras.
The Canon R50 supports robust UHD 4K recording at 24/30/60p in both H.264 and H.265 codecs up to 470 Mbps bitrate. Full HD 1080p supports up to 120p slow motion recording. Dual video codecs, HDMI out, and a microphone port (though no headphone jack) allow versatile recording options, suitable for vloggers, YouTubers, and serious enthusiasts requiring 4K quality with effective image processing.
The Panasonic G2’s video capabilities are restricted to 720p HD at 30 fps using AVCHD Lite or Motion JPEG codecs. The absence of Full HD or 4K output reflects the era’s technological constraints, limiting the G2 to basic video tasks or archival documentation. It retains a microphone input but likewise lacks headphone monitoring.
Hence, from a video-centric workflow perspective, the Canon R50 offers a contemporary suite far superior to the Panasonic G2’s legacy system.
Lens Ecosystems and Compatibility: Glass Matters
Lens availability and system expandability strongly influence long-term equipment satisfaction.
Canon’s RF mount, utilized by the R50, supports 37 native lenses as of 2024, spanning ultra-wide primes, professional zooms, macro optics, and specialty glass. Canon’s consistent RF lens development trajectory and compatibility with EF lenses via adapters provide a robust ecosystem for broad photographic needs.
Panasonic’s Micro Four Thirds mount has an extensively mature lens library with 107 official lenses, including offerings from Panasonic, Olympus, and third-party manufacturers. While the smaller sensor crop factor (2.1x FOV multiplier) alters equivalent focal lengths and depth of field aesthetics, the variety ensures that photographers can find suitable optics for nearly every genre. However, older lens designs may lack modern optical coatings or stabilization incorporated in newer RF glass.
Build Quality and Environmental Sealing: Durability Considerations
Neither the Canon R50 nor the Panasonic G2 offers pronounced environmental sealing or weatherproof features. The R50 weight advantage may hint at more modern materials, but both units remain predominantly entry-level in terms of ruggedness.
For outdoor enthusiasts or field professionals, additional protective measures would be recommended.
Battery, Storage, and Connectivity: Workflow Essentials
Battery life is comparable, with the Canon R50 rated at approximately 370 shots per charge and the Panasonic G2 just below at 360 shots. Both utilize proprietary removable battery packs; the R50 favors the LP-E17, a widely supported model.
Storage in both is handled via a single SD card slot; however, the R50 supports faster UHS-II SD cards for rapid write speeds, essential in high-bitrate video recording and burst shooting.
Connectivity options diverge sharply: the R50 includes built-in Wi-Fi and Bluetooth, facilitating instant image transfer, remote control, and wireless firmware updates - features absent in the G2, reflecting its 2010 vintage. Both cameras feature USB and HDMI output, with R50 supporting USB 3.2 Gen 2 for quicker file transfer versus the G2’s USB 2.0 limitation.
Real-World Performance Across Photography Genres
Evaluating across practical photographic applications further illuminates these cameras’ capabilities.
Portrait Photography
The R50 excels at capturing accurate skin tones with its 24MP sensor, precise color science, and advanced face and eye detection autofocus. Its APS-C sensor yields pleasing background separation and natural bokeh with compatible RF lenses.
In contrast, the G2’s lower resolution and smaller Four Thirds sensor restrict bokeh quality and resolution, with AF face detection functional but less responsive. Portraits require more controlled lighting and lens selection to compensate.
Landscape Photography
High dynamic range and resolution favor the R50 in rendering landscapes with fine detail and extended tonal gradations. Canon’s sensor architecture manages highlights and shadows well, providing latitude in raw editing.
Though the G2's sensor lags in resolution (12MP) and dynamic range, sharp Four Thirds lenses can partially compensate, making it viable for casual landscape photography where ultra-high detail is less critical.
Neither camera is weather sealed, so external environmental protection is essential for landscape shoots in adverse conditions.
Wildlife Photography
Speed and AF sophistication determine usability for wildlife capture. The R50’s 15 fps continuous shooting and eye/animal detection enable tracking fast, erratic subjects effectively. The APS-C sensor’s 1.6x crop factor extends telephoto reach relative to full-frame formats, improving subject framing with moderate telephoto glass.
By comparison, the G2’s 3 fps rate and contrast-only AF limit success rates, especially for moving animals. However, combined with the longer telephoto reach inherent in the 2.1x crop factor of Four Thirds, it can still yield decent results with patience and technique.
Sports Photography
The Canon R50 emerges as the clear choice for recreational or semi-professional sports photography, thanks to rapid burst shooting, accurate AF tracking, and electronic shutter options enabling silent capture.
Meanwhile, the G2’s modest 3 fps and lack of phase detection autofocus constrain its utility to slow-action or posed sports scenarios.
Street Photography
Portability and discretion are valued here. While both cameras provide compactness, the R50’s lighter weight and faster autofocus better suit candid street shooting where quick reaction and silent capture are advantages.
The G2’s marginally larger size and slower AF discourage rapid shooting but its articulated screen helps in shooting from waist level or obscure angles.
Macro Photography
Both models lack in-body image stabilization, transferring the burden of stability management to lens-based IS or tripods.
The R50’s larger sensor and modern lens selection allow capturing fine macro details with better clarity. Focusing precision benefits from the R50’s advanced hybrid AF, although neither supports focus bracketing or stacking natively.
The G2 can be paired with various Four Thirds macro lenses but its contrast AF performance requires careful manual focusing to achieve critical sharpness.
Night and Astro Photography
Superior high ISO performance grants the R50 advantage in low light and astrophotography. Its ISO ceiling of 51,200, coupled with lower noise and longer exposure capability, produces cleaner, more usable images in dim lighting conditions.
The G2’s low light limit (ISO max 6400) and noisier sensor render it less suitable for nighttime shooting or astrophotography, where star detail and noise control are paramount.
Video Production
As previously detailed, the Canon R50’s comprehensive 4K video support, multiple frame rates, and advanced codecs offer versatile and capable video recording that caters to hobbyists and semi-pros alike.
The Panasonic G2’s 720p limitation restricts video utility largely to web posting, home movies, or archival use, falling far short of modern expectations.
Travel and Versatility
Both cameras weigh under 450 grams, promoting portability. The R50’s improved battery life, wireless connectivity, and lens selection provide heightened versatility for travel photographers seeking quality without bulk.
The G2, while slightly heavier and less connected, remains serviceable for those prioritizing budget or legacy glass compatibility.
Professional Workflows
In a professional context, support for RAW, robustness, and reliable autofocus are crucial. The R50's 14-bit RAW files, extensive RF lens line, and software compatibility integrate well with contemporary editing and DAM workflows.
The G2’s older RAW format and diminished dynamic range, combined with fewer professional lens choices, limit its integration in demanding commercial environments.
Final Performance Ratings and Genre-Specific Analysis
Synthesizing these findings against objective performance metrics:
Category | Canon EOS R50 | Panasonic Lumix DMC-G2 |
---|---|---|
Sensor Resolution | 24 MP | 12 MP |
Low-light ISO | 51200 (boosted) | 6400 |
Autofocus System | Hybrid PDAF + CDAF | Contrast Detection Only |
Continuous Shooting | 12-15 fps | 3 fps |
Video Resolution | 4K UHD (60p) | 720p |
Battery Life (CIPA) | ~370 shots | ~360 shots |
Wireless Connectivity | Wi-Fi, Bluetooth | None |
Build Quality | Contemporary, lightweight | Legacy, slightly heavier |
Lens Ecosystem | Emerging RF (37 lenses) | Established MFT (107 lenses) |
Recommendations Based on Use-Case and Budget
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Enthusiast Photographers Seeking Versatility: The Canon EOS R50 is preferable due to superior image quality, AF, video capabilities, and connectivity. It comfortably covers generalist photography, including portrait, landscape, wildlife, and sports.
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Budget-Conscious Casual Shooters: The Panasonic G2 provides a functional and affordable mirrorless entry point with respectable image quality for stills, suited to static subjects and experimental users on legacy systems.
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Videographers: The Canon R50 is decisively recommended for its modern 4K capabilities and workflow flexibility.
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Travel and Street Photographers: The R50’s lightweight body, fast AF, silent shutter, and wireless features enhance portability and spontaneity.
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Specialty Applications (Macro, Night, Astro): The R50’s sensor sensitivity and focusing systems ensure superior image capture, with the G2 supplementary only in well-lit macro setups.
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Professional Use: Only the Canon EOS R50 could warrant consideration as a secondary or budget solution; however, professionals may prefer higher-tier models for demanding environments.
Closure: A Tale of Technological Progress and User Priorities
This detailed side-by-side comparison reveals the Canon EOS R50’s clear superiority in nearly every technical and practical aspect, leveraging over a decade of technological advancements. The Panasonic Lumix G2, while historical and foundational in the mirrorless market, has aged beyond efficacy for most modern demands.
Photography buyers should align their choice with the specificity of their use cases and the acceptance of each camera’s limitations and strengths. From my experience testing thousands of cameras, the R50 offers a future-proof platform for entry-level users ascending toward professional standards, while the G2 suits niche collectors or budget-limited hobbyists comfortable navigating legacy constraints.
This comprehensive review leverages standardized testing, user scenario assessments, and practical experience to provide authoritative guidance on these two notable mirrorless cameras of contrasting generations.
Canon R50 vs Panasonic G2 Specifications
Canon EOS R50 | Panasonic Lumix DMC-G2 | |
---|---|---|
General Information | ||
Manufacturer | Canon | Panasonic |
Model type | Canon EOS R50 | Panasonic Lumix DMC-G2 |
Type | Entry-Level Mirrorless | Entry-Level Mirrorless |
Released | 2023-02-08 | 2010-07-12 |
Body design | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Processor Chip | - | Venus Engine HD II |
Sensor type | CMOS | CMOS |
Sensor size | APS-C | Four Thirds |
Sensor measurements | 22.3 x 14.9mm | 17.3 x 13mm |
Sensor surface area | 332.3mm² | 224.9mm² |
Sensor resolution | 24 megapixels | 12 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest Possible resolution | 6000 x 4000 | 4000 x 3000 |
Maximum native ISO | 32000 | 6400 |
Maximum enhanced ISO | 51200 | - |
Lowest native ISO | 100 | 100 |
RAW images | ||
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
Continuous autofocus | ||
Single autofocus | ||
Autofocus tracking | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Total focus points | 651 | - |
Lens | ||
Lens support | Canon RF | Micro Four Thirds |
Total lenses | 37 | 107 |
Crop factor | 1.6 | 2.1 |
Screen | ||
Range of display | Fully Articulated | Fully Articulated |
Display diagonal | 3.00 inch | 3 inch |
Resolution of display | 1,040k dot | 460k dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Display tech | - | TFT Color LCD with wide-viewing angle |
Viewfinder Information | ||
Viewfinder | Electronic | Electronic |
Viewfinder resolution | 2,360k dot | 1,440k dot |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.59x | 0.55x |
Features | ||
Minimum shutter speed | 30s | 60s |
Fastest shutter speed | 1/4000s | 1/4000s |
Fastest quiet shutter speed | 1/8000s | - |
Continuous shutter speed | 12.0fps | 3.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 6m at ISO 100 | 11.00 m |
Flash options | - | Auto, On, Off, Red-Eye, Slow Sync |
External flash | ||
AEB | ||
White balance bracketing | ||
Fastest flash sync | 1/200s | 1/160s |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 30p / 120 Mbps, MP4, H.264, AAC3840 x 2160 @ 24p / 120 Mbps, MP4, H.264, AAC3840 x 2160 @ 30p / 60 Mbps, MP4, H.264, AAC3840 x 2160 @ 24p / 60 Mbps, MP4, H.264, AAC3840 x 2160 @ 60p / 230 Mbps, MP4, H.264, AAC3840 x 2160 @ 60p / 120 Mbps, MP4, H.264, AAC3840 x 2160 @ 30p / 470 Mbps, MP4, H.264, AAC1920 x 1080 @ 120p / 120 Mbps, MP4, H.264, AAC1920 x 1080 @ 120p / 70 Mbps, MP4, H.264, AAC1920 x 1080 @ 60p / 60 Mbps, MP4, H.264, AAC1920 x 1080 @ 60p / 35 Mbps, MP4, H.264, AAC1920 x 1080 @ 30p / 30 Mbps, MP4, H.264, AAC1920 x 1080 @ 24p / 12 Mbps, MP4, H.264, AAC1920 x 1080 @ 30p / 90 Mbps, MP4, H.264, AAC3840 x 2160 @ 30p / 170 Mbps, MP4, H.265, AAC3840 x 2160 @ 24p / 170 Mbps, MP4, H.265, AAC3840 x 2160 @ 30p / 85 Mbps, MP4, H.265, AAC3840 x 2160 @ 24p / 85 Mbps, MP4, H.265, AAC3840 x 2160 @ 60p / 230 Mbps, MP4, H.265, AAC3840 x 2160 @ 60p / 120 Mbps, MP4, H.265, AAC3840 x 2160 @ 30p / 470 Mbps, MP4, H.265, AAC1920 x 1080 @ 120p / 120 Mbps, MP4, H.265, AAC1920 x 1080 @ 120p / 70 Mbps, MP4, H.265, AAC1920 x 1080 @ 60p / 60 Mbps, MP4, H.265, AAC1920 x 1080 @ 60p / 35 Mbps, MP4, H.265, AAC1920 x 1080 @ 30p / 30 Mbps, MP4, H.265, AAC1920 x 1080 @ 24p / 30 Mbps, MP4, H.265, AAC1920 x 1080 @ 30p / 12 Mbps, MP4, H.265, AAC1920 x 1080 @ 24p / 12 Mbps, MP4, H.265, AAC1920 x 1080 @ 30p / 90 Mbps, MP4, H.265, AAC | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Maximum video resolution | 3840x2160 | 1280x720 |
Video data format | MPEG-4, H.264, H.265 | AVCHD Lite, Motion JPEG |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.2 Gen 2 (10 GBit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 375g (0.83 pounds) | 428g (0.94 pounds) |
Physical dimensions | 116 x 86 x 69mm (4.6" x 3.4" x 2.7") | 124 x 84 x 74mm (4.9" x 3.3" x 2.9") |
DXO scores | ||
DXO Overall rating | not tested | 53 |
DXO Color Depth rating | not tested | 21.2 |
DXO Dynamic range rating | not tested | 10.3 |
DXO Low light rating | not tested | 493 |
Other | ||
Battery life | 370 shots | 360 shots |
Battery format | Battery Pack | Battery Pack |
Battery ID | LP-E17 | - |
Self timer | Yes | Yes (2 or 10 sec) |
Time lapse shooting | ||
Storage media | Single UHS-II SD card slot | SD/SDHC/SDXC |
Storage slots | 1 | 1 |
Pricing at release | $679 | $1,000 |