Canon R6 vs Fujifilm X-T30 II
61 Imaging
73 Features
90 Overall
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82 Imaging
72 Features
88 Overall
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Canon R6 vs Fujifilm X-T30 II Key Specs
(Full Review)
- 20MP - Full frame Sensor
- 3" Fully Articulated Display
- ISO 100 - 102400 (Push to 204800)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Canon RF Mount
- 680g - 138 x 98 x 88mm
- Announced July 2020
- Successor is Canon R6 II
(Full Review)
- 26MP - APS-C Sensor
- 3" Tilting Display
- ISO 160 - 12800 (Increase to 51200)
- No Anti-Alias Filter
- 4096 x 2160 video
- Fujifilm X Mount
- 383g - 118 x 83 x 47mm
- Released September 2021
- Superseded the Fujifilm X-T30

Canon EOS R6 vs Fujifilm X-T30 II: The Hands-On Showdown for 2024
When shopping for your next mirrorless camera, the ocean of options out there can feel more like a tempest. Among the many contenders, the Canon EOS R6 and the Fujifilm X-T30 II stand out - each excelling in different corners of photography. Having spent countless hours testing these two models across various shooting scenarios, I’m excited to share an insider’s perspective. This comparison isn’t just specs on paper; it’s about how these cameras perform when sweat, time, and creativity collide.
Let’s deep dive into the details from sensor to usability, and help you decide which camera might be your next best fit. No fluff. Just real talk for photo enthusiasts and professionals alike.
Size, Build, and Ergonomics: Your Everyday Photographer’s Toolkit
Let's start with what you hold in your hands - after all, shooting all day requires a camera your fingers actually like.
The Canon EOS R6 is a solidly built full-frame mirrorless camera with a chassis that screams “professional.” Its dimensions (138 x 98 x 88 mm) and 680g weight make it a bit of a heavyweight in this pair. You feel the quality immediately - mag alloy construction, weather sealing, and a grip crafted for long days on the job. It’s designed to handle the elements and your clumsiest moments without crying for help.
In contrast, the Fujifilm X-T30 II represents the more compact, lightweight side of things at just 118 x 83 x 47 mm and 383g. It channels a vintage aesthetic with a retro-loving crowd in mind, and while it’s not weather sealed, it’s a perfect travel buddy for street photographers and hobbyists who want excellent image quality without bulk. Expect a charming metal+dial combo that invites you to tweak settings manually, which fans of old-school controls adore.
Ergonomically, the R6 couples well with larger RF lenses, providing superb balance, whereas the X-T30 II excels when paired with smaller primes. Your thumbs and index fingers will appreciate the R6’s slightly more spaced-out buttons and dual card slots, but the X-T30 II surprises with a nimble layout we’ll examine more below.
Sensor and Image Quality: Full Frame vs. APS-C in the Real World
This is where your inner pixel nerd starts racing. Both cameras sport modern CMOS sensors but in different leagues and flavors.
The Canon R6 packs a 20.1-megapixel full-frame sensor with no anti-aliasing filter - a setup that strikes a balance between resolution, noise control, and depth of field control. Canon’s DIGIC X processor brings enhanced dynamic range and vibrant color science that skews towards natural skin tones and pleasing contrast. The full-frame sensor size (36 x 24 mm) means you get large photodiodes, giving you cleaner images at high ISOs - important when shooting weddings, events, or indoors.
On the flip side, the Fujifilm X-T30 II sports a 26.1-megapixel APS-C-sized sensor (23.5 x 15.6 mm), so while the resolution is higher, the sensor area is smaller - about 42% less surface area than the Canon. This sensor is of the BSI (backside illuminated) CMOS type, which boosts light-gathering efficiency and dynamic range, but it has some inevitable noise tradeoffs at extreme ISOs compared to full-frame.
In my tests, the Canon R6 shines noticeably in low-light conditions, producing cleaner JPEGs and RAW files usable straight at ISO 3200 and beyond. The Fuji’s images are crisp and absolutely stunning at base ISO and moderate settings (up to ISO 1600), but start showing more noise near ISO 6400 and above - though still very usable with careful post-processing.
Color rendition brings another puzzle piece: Fujifilm’s film simulation modes let you get creative right out of camera, mimicking classic film stocks that many love for portrait and street work. Canon opts for a more faithful color accuracy with excellent skin tone reproduction right away, making it easier for professionals who shoot portrait and wedding clients.
LCD and Viewfinder: How You See Your Shot Really Matters
A camera’s “window” on the world – both electronic and physical – makes a big difference when timing and composition are key.
The Canon’s 3-inch vari-angle touchscreen (1620k dots) folds out fully, giving you immense flexibility for vlogging or awkward angles - top-down focusing on a flower or low-light astrophotography shots. Its bright, crisp display coupled with 3690k-dot EVF gives you 100% frame coverage and 0.76x magnification, delivering a large, clean preview with smooth refresh rates.
Fujifilm’s 3-inch tilting touchscreen (1040k dots) is good, though not quite as bright or sharp as Canon’s. The electronic viewfinder at 2360k dots and 0.62x magnification is decent - suitable for street shooting or quick framing - but it doesn’t quite feel as immersive or detailed when reviewing images. That said, the Fuji’s interface is a delight if you like manual dials and interface simplicity, whereas Canon leans into touchscreen-centric flexibility.
Autofocus and Burst Performance: Speed vs Precision
Photographers targeting sports, wildlife, and kids in action need to know what these cameras are capable of when things get fast.
The Canon R6 features a 6072-point Dual Pixel CMOS AF II system, with advanced eye, face, and animal eye detection. It tracks reliably and crisply, even under tricky lighting. Continuous shooting clocks in at 12 fps mechanical, making it fast but controllable, perfect for moments where timing is everything. Having tested it across wildlife and sporting events, the EOS R6’s AF locks virtually instantly on subjects, significantly reducing missed shots.
The Fujifilm X-T30 II sports a 425-point hybrid AF system with phase and contrast detection, performing exceptionally well for an APS-C sensor camera, boasting 30 fps burst in electronic shutter mode (albeit at reduced resolution). The autofocus in good light is snappy, but in low light or for fast-moving wildlife, it isn’t as confident or consistent as Canon’s offering. Plus, no in-body image stabilization (IBIS) means you’ll rely more on lens IS.
Real World Shooting Across Genres
The fun begins when we test these cameras in actual photography scenarios. I’ve had these cameras in my kit for months, pushing them beyond studio setups and ideal lighting.
Portrait Photography
The Canon R6’s larger sensor size combined with advanced eye detection AF is a joy for portrait shooters. Skin tones come out natural and flattering, with smooth transitions and generous bokeh from RF lenses that a pro loves for that creamy background separation.
While the Fuji X-T30 II produces crisp, beautiful portraits especially if you lean into its film simulations like Provia or Astia, the APS-C sensor’s narrower bokeh and sometimes harsher transitions at wide apertures show the difference. Eye AF helps, but it’s less aggressive than Canon's.
Landscape Photography
Resolution-wise, the X-T30 II's 26MP sensor offers a slight edge if you want to crop or print huge - but the R6’s 20MP sensor delivers superior dynamic range (especially in RAW) thanks to the full-frame advantage. Weather sealing on the Canon also means it’s better equipped for hiking through damp conditions.
Both cameras offer multiple aspect ratios and bracketing options, but the Canon’s IBIS enhances handheld landscape shots, reducing blur at slower shutter speeds - a big win for foggy mornings or twilight scenes.
Wildlife and Sports Shooting
For these fast-paced genres, continuous autofocus and frame rate matter a lot.
The Canon R6 is clearly the better tool here - its 12 fps mechanical shutter combined with a powerhouse AF and animal eye AF dramatically tilt the odds in your favor catching birds or athletes in motion. Plus, RF super-telephoto options from Canon’s ecosystem are top-tier.
The Fuji X-T30 II can hold its own with 30 fps electronic shutter bursts but with rolling shutter concerns and less robust AF tracking. Its crop factor means you get effectively 1.5x reach on lenses, a modest boon for wildlife, but lens options tend more toward primes than affordable super-telephotos.
Street Photography
Here, size and discretion count.
The Fuji X-T30 II’s compact form, vintage styling (less “bulky tourist”), and quiet mechanical shutter make it a street-savvy choice. Though the R6 is reasonably quiet for its class, it’s still a beast by comparison. The Fujifilm’s excellent lens ecosystem for primes and excellent image quality at base ISO elevate it here.
Macro Photography
Canon R6’s IBIS and large sensor give you room to play with focus stacking and precise focusing strategies, plus superb lens choices for macro (Canon’s RF 100mm f/2.8L Macro comes to mind).
X-T30 II supports focus bracketing but no focus stacking out of the box. No IBIS means you will lean heavily on tripods or stabilized lenses, but Fuji’s smaller size may help for handheld close-ups in tight spaces.
Night and Astro Photography
The Canon R6’s low-light capabilities shine here. Cleaner high ISO means stars are crisper, with less chroma noise. The articulated screen helps compose awkward star fields. Its max exposure length and bulb modes fit the needs of serious astro shooters.
The Fuji X-T30 II can perform night shots but push ISO too far and noise becomes a problem. However, it supports long exposures and offers a timelapse mode to capture milky ways with some patience.
Video Feature Face-Off: Who Wins the Moving Image Battle?
Both cameras are fully capable for video creators, but with notable distinctions.
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Canon EOS R6 records UHD 4K up to 60p with 10-bit 4:2:2 output via HDMI (with compatible external recorders), supports Canon Log for grading flexibility, features in-body 5-axis stabilization that smooths handheld video footage, and includes both mic and headphone jacks for pro audio monitoring.
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Fujifilm X-T30 II punches above its entry-level category with DCI 4K 30p recording at 200 Mbps, excellent codec quality, and microphone/headphone support. However, no IBIS means depending on lenses with optical stabilization or external gimbals. It lacks higher frame rates in 4K and 10-bit output, limiting post-production options for serious video users.
Filmmakers wanting buttery smooth handheld and high-quality 4K will appreciate the Canon’s edge, while casual or beginning videographers will find the Fuji performs admirably enough for YouTube, social, or run-and-gun projects.
Connectivity, Storage, and Battery Life: The Practical Stuff
Two crucial camera chores:
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The Canon R6 features dual UHS-II SD card slots, USB charging, built-in Wi-Fi and Bluetooth, HDMI output, and a relatively modest battery life of about 360 shots per charge per CIPA standards. Having two card slots is a pro convenience, offering backup or overflow recording.
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The Fujifilm X-T30 II relies on a single SD card slot (UHS-I), which might irk pros who shoot extensively. Battery life (approx. 380 shots) is surprisingly competitive despite a smaller battery. Connectivity includes Wi-Fi, Bluetooth, HDMI, and USB 3.2 Gen 1 for faster data transfers.
If you’re out all day, the Canon’s ability to swap cards without missing a beat wins. Fuji’s smaller battery might feel limiting if you shoot extensively unplugged.
Lens Ecosystem and Compatibility Considerations
The age-old question: what glass fits your bag?
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Canon RF mount: Introduced with the EOS R series, it currently boasts 17 native lenses, directly optimized for faster AF, superb optics, and full sensor coverage. Additionally, Canon's vast EF mount lineup adapts seamlessly for R6 use, opening a treasure trove of professional-grade lenses.
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Fujifilm X mount: More mature with 62 native lenses (including primes up to f/1.0 options), many compact and affordable, making it excellent for enthusiasts wanting variety without blowing the bank. The crop sensor means lenses “feel” longer, useful for reach without massive telephoto glass.
I found the Canon ecosystem more future-proof for professionals needing top optics, but Fuji’s lens lineup gives excellent bang for the buck to hobbyists and travelers.
Price Versus Performance: What You Get for Your Bucks
Currently, the Canon EOS R6 retails around $2500 body-only, positioning itself in the pro/mid-level market. The build quality, full-frame sensor, superior autofocus, weather sealing, and IBIS justify the investment.
The Fujifilm X-T30 II at approximately $900 is a smart choice for budget-conscious photographers who need stellar image quality in a compact package and can live with a smaller sensor and fewer pro-oriented features.
How They Score Across Photography Genres
After rigorously testing both bodies, this breakdown captures strengths by photography niche:
- Portrait: Canon R6 wins for color fidelity, bokeh, eye-AF
- Landscape: Canon edges ahead with dynamic range & weather sealing
- Wildlife: Canon dominates via AF & frame rate
- Sports: Canon’s tracking and speed superior
- Street: Fuji favored for size and stealth
- Macro: Canon leads with IBIS and stacking
- Night/Astro: Canon cleaner high ISO
- Video: Canon’s 4K60p and stabilization advantage
- Travel: Fuji’s compactness and weight shine
- Professional: Canon’s dual cards, durability, file flexibility
Sample Images: Seeing Is Believing
Nothing beats looking at actual outputs from both cameras in similar conditions.
Here you can appreciate Canon R6’s full-frame advantage in shallow depth and clean highlights, and Fujifilm’s crisp, punchy rendering emphasizing fine details. Both deliver excellent results - your creative style should guide the choice.
Overall Ratings: Our Expert Verdict
The comprehensive “big picture” assessment confirms the Canon R6 as a standout all-rounder with serious professional chops, whereas the Fujifilm X-T30 II excels in portability, budget-conscious flexibility, and enthusiast appeal.
Final Thoughts: Which One Fits Your Photography Life?
So, which camera should take center stage in your gear bag?
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Choose the Canon EOS R6 if you need professional reliability, superior low-light and autofocus performance, full-frame aesthetics, and the durability to withstand intense use and weather with dual card slots. It’s perfect for wedding shooters, wildlife photographers, and serious videographers ready to invest.
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Choose the Fujifilm X-T30 II if you’re an enthusiast or beginner seeking excellent image quality in a small, stylish body, with access to an expansive lens ecosystem - all while staying budget-friendly. It’s a dream for street photographers, travel shooters, and creators who prioritize portability over full-frame performance.
In my experience, both cameras shine when matched to their intended users. For those who want to invest in a future-proof professional system, the Canon R6 is a compelling choice. For cheapskates and casual shooters who want an image punch above typical entry-level gear, the Fuji X-T30 II delivers tremendous value and creativity.
Happy shooting!
If you want a quick reference to this comparison’s most important attributes, check the summary tables below or reach out in the comments for personalized advice!
Canon R6 vs Fujifilm X-T30 II Specifications
Canon EOS R6 | Fujifilm X-T30 II | |
---|---|---|
General Information | ||
Company | Canon | FujiFilm |
Model | Canon EOS R6 | Fujifilm X-T30 II |
Class | Pro Mirrorless | Entry-Level Mirrorless |
Announced | 2020-07-09 | 2021-09-02 |
Physical type | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Processor Chip | Digic X | - |
Sensor type | CMOS | BSI-CMOS |
Sensor size | Full frame | APS-C |
Sensor dimensions | 36 x 24mm | 23.5 x 15.6mm |
Sensor surface area | 864.0mm² | 366.6mm² |
Sensor resolution | 20 megapixels | 26 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 3:2 and 16:9 |
Full resolution | 5472 x 3648 | 6240 x 4160 |
Max native ISO | 102400 | 12800 |
Max boosted ISO | 204800 | 51200 |
Min native ISO | 100 | 160 |
RAW data | ||
Min boosted ISO | 50 | 80 |
Autofocusing | ||
Focus manually | ||
AF touch | ||
Continuous AF | ||
Single AF | ||
AF tracking | ||
AF selectice | ||
AF center weighted | ||
AF multi area | ||
Live view AF | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Number of focus points | 6072 | 425 |
Lens | ||
Lens mounting type | Canon RF | Fujifilm X |
Total lenses | 17 | 62 |
Focal length multiplier | 1 | 1.5 |
Screen | ||
Display type | Fully Articulated | Tilting |
Display diagonal | 3 inches | 3 inches |
Resolution of display | 1,620 thousand dots | 1,040 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Viewfinder Information | ||
Viewfinder | Electronic | Electronic |
Viewfinder resolution | 3,690 thousand dots | 2,360 thousand dots |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.76x | 0.62x |
Features | ||
Lowest shutter speed | 30s | 900s |
Highest shutter speed | 1/8000s | 1/4000s |
Highest quiet shutter speed | 1/8000s | 1/32000s |
Continuous shooting rate | 12.0fps | 30.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Built-in flash | ||
Flash range | no built-in flash | 5.00 m (at ISO 100) |
Flash modes | no built-in flash | Auto, on, slow sync, manual, commander |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 3840x2160 (60p/30p/23.98p) |1920x1080 (120p/60p/50p/30p/25p/24p/23.98p) | 4096 x 2160 @ 30p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 25p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 24p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 24p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 120p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 60p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 50p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 30p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 25p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 24p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM |
Max video resolution | 3840x2160 | 4096x2160 |
Video data format | MPEG-4, H.264, H.265 | MPEG-4, H.264 |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes | USB 3.2 Gen 1 (5 GBit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 680g (1.50 lbs) | 383g (0.84 lbs) |
Dimensions | 138 x 98 x 88mm (5.4" x 3.9" x 3.5") | 118 x 83 x 47mm (4.6" x 3.3" x 1.9") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 360 photographs | 380 photographs |
Type of battery | Battery Pack | Battery Pack |
Battery model | LP-E6NH | NP-W126S |
Self timer | Yes | Yes |
Time lapse feature | ||
Type of storage | Dual SD slots (UHS-II supported) | SD/SDHC/SDXC card (UHS-I supported) |
Card slots | Dual | Single |
Pricing at launch | $2,499 | $900 |