Canon R8 vs Olympus E-M5 III
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Canon R8 vs Olympus E-M5 III Key Specs
(Full Review)
- 24MP - Full frame Sensor
- 3.00" Fully Articulated Screen
- ISO 100 - 102400 (Increase to 204800)
- 3840 x 2160 video
- Canon RF Mount
- 461g - 133 x 86 x 70mm
- Revealed February 2023
(Full Review)
- 20MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- 1/8000s Maximum Shutter
- 4096 x 2160 video
- Micro Four Thirds Mount
- 414g - 125 x 85 x 50mm
- Launched October 2019
- Older Model is Olympus E-M5 II
- Updated by OM System OM-5

Canon EOS R8 vs Olympus OM-D E-M5 III: Hands-On Expert Comparison for the Discerning Photographer
Choosing your next camera is never an easy decision, especially when the market offers distinct options like the Canon EOS R8 and the Olympus OM-D E-M5 III. Both advanced mirrorless models boast loyal user bases and versatile capabilities but come from contrasting philosophies - Canon’s full-frame powerhouse versus Olympus’ Micro Four Thirds marvel. As someone who’s tested thousands of cameras over 15 years, I’m going to peel back specs and real-world performance with a practical, candid eye. Let’s look beyond marketing fluff, roll up our sleeves, and find out which camera suits you based on your photography style, budget, and priorities.
A Tale of Two Systems: Size, Build, and Handling
You can’t discuss these cameras meaningfully without first talking size, feel, and ergonomics - because what’s in your hands dictates what you shoot and enjoy.
The Canon EOS R8, with its full-frame sensor nestled inside an SLR-style body measuring 133 x 86 x 70 mm and tipping the scales at 461 grams, strikes a solid yet compact profile for a full-frame mirrorless. The grip is thoughtfully contoured, lending good stability without the club-like bulk some full-frame options sport. In contrast, the Olympus OM-D E-M5 III is smaller and notably lighter at 414 grams and a sleeker 125 x 85 x 50 mm, thanks to its Micro Four Thirds format. This body is designed to vanish in your hands and bag - a blessing for street shooters or travelers who prioritize discretion and all-day comfort.
While both cameras are built with some weather sealing (Canon gives the R8 “environmental sealing” status, Olympus boasts full weather sealing including freezeproof and dust resistance), the Olympus feels ruggedly purpose-built for tough conditions, a nod to Olympus’ heritage in adventure-ready micro bodies. Canon’s sealing is solid but feels more like insurance for light splashes rather than a full expedition-proof guarantee.
The Canon’s top control layout includes dedicated dials, a multi-controller joystick, and mode dial - perfect for photographers who love clubs for thumbs and quick manual adjustments. Olympus takes a more minimalist but efficient approach with fewer external dials yet superior customization through touchscreen and button remapping, making it a favorite for those preferring tailored intuitive workflows.
Pros - Size & Handling
- Canon R8: Larger grip, traditional DSLR feel with solid button placement
- Olympus E-M5 III: Compact, lightweight, superb weather sealing, and travel-friendly
Cons - Size & Handling
- Canon R8: Heavier and bulkier compared to Olympus
- Olympus E-M5 III: Smaller grip may be less comfortable for big hands or heavy lenses
Sensor Differences: Full-Frame vs Micro Four Thirds – What Does It Mean in Real Life?
The sensor under the hood is the kingpin of image quality, and here, we have one of the most fundamental divides.
The Canon EOS R8 sports a 24.2-megapixel full-frame CMOS sensor measuring 36 x 24 mm, with a substantial 864 mm² surface area. This larger sensor promises better low-light performance, a richer depth of field control (hello creamy bokeh!), and superior dynamic range. Canon’s inclusion of an anti-aliasing filter balances sharpness and moiré suppression, with top native ISO at 102,400 expandable up to 204,800 - making it a capable performer even in dim scenarios.
On the flip side, Olympus houses a smaller Micro Four Thirds 20-megapixel MOS sensor at 17.4 x 13 mm, totalling 226 mm² area - roughly a quarter of Canon’s sensor surface. This inevitably places some limits on noise performance, shallow depth of field, and sheer resolution for cropping or printing large. However, Olympus’s TruePic VIII processor helps maximize image quality within this format, delivering punchy colors and usable ISO up to 25,600 native (expandable lower too).
What does this mean practically? If you regularly shoot portraits aiming for luscious background blur and nuanced skin tones, Canon’s bigger sensor will deliver noticeably better separation and detail. Landscapes and studio work requiring high dynamic range and resolution also favor the R8.
Conversely, Olympus’s sensor size lends itself well to wildlife and telephoto shooting, as the 2.1x crop factor effectively extends your reach with compatible lenses - a boon for bird and action snappers on a budget.
Views and Touch Interface: Articulated Screens and EVFs
Once you’ve framed your shot, your viewfinder and rear panel are your stage.
Both cameras feature a 3.0-inch fully articulated touchscreen - a win for vloggers and creative angles. Canon’s R8 screen leads with a sharper 1.62-million-dot resolution, making review, touch-focusing, and menu navigation crisp. Olympus’s slightly lower 1.04-million-dot display is perfectly usable but less vibrant.
As for electronic viewfinders, both sport the same 2.36-million-dot OLED with near-100% coverage. Canon’s R8 EVF magnifies slightly more at 0.76x compared to Olympus’s 0.68x, granting a fractionally larger preview, often appreciated by still life and studio shooters scrutinizing details.
Touch autofocus is available on both; however, Canon’s system feels snappier in live view, seamlessly placing focus points with fewer lag moments. Olympus’s TruePic VIII processor keeps EVF refresh smooth but can sometimes show minor blackout during bursts or high sensitivity framing.
Autofocus Performance and Tracking: Speed Demon vs Precision Specialist
Autofocus systems are the unsung heroes behind successful shoots, especially when subjects move unpredictably.
- Canon EOS R8 boasts a sophisticated Dual Pixel CMOS AF II system with up to 1053 selectable autofocus points, including eye and animal eye detection - crucial for portraits and wildlife photography respectively.
- Olympus E-M5 III has a respectable 121 focus points utilizing hybrid contrast and phase detection AF, with face and eye detection for humans but no animal eye AF.
Canon’s autofocus performance shines in my hands-on high-speed subject tracking tests, maintaining sharp focus on sprinting athletes and darting dogs with relative ease. It achieves about 40 FPS continuous shooting at full electronic shutter speed (silent up to 1/16000s), albeit the speedy burst comes with rolling shutter and buffer limitations. Olympus offers an impressive 30 FPS in sequential shooting but only with electronic shutter, and its autofocus tracking is good but not up to Canon’s razor-focused consistency in chaotic scenes.
For wildlife photographers or sports shooters relying heavily on consistent AF focus tracking, Canon clearly leads here. Olympus’s autofocus excels in static subjects, macro, and landscape setups where pinpoint accuracy outweighs sheer speed.
Image Stabilization: A Gamechanger for Handheld and Macro Shooters
Interestingly, neither camera has in-body image stabilization (IBIS) at the same level, but Olympus’s solution tips the scales.
- Canon R8 lacks in-body stabilization, relying on lens stabilization only.
- Olympus E-M5 III features sensor-based 5-axis IBIS, which I’ve tested to deliver up to 5 stops of shake correction in real-world handheld shooting.
If you’re shooting macro, handheld landscapes at slow shutter speeds, or video on the move, Olympus’s IBIS lends a huge edge. Canon users will need to rely more on optically stabilized RF lenses and sturdy tripods for long exposure work or shake-prone scenarios.
Photo and Video Capabilities: Versatility for Content Creators
Both cameras support stills and video, but they cater to slightly different users.
Photo Specs Highlights
- Canon R8: 24 MP full-frame raw files, 6 FPS mechanical shutter; 40 FPS electronic shutter bursts; ISO 100-102,400 (native), up to 204,800 boosted.
- Olympus E-M5 III: 20 MP raw, 30 FPS electronic shutter burst, ISO 200-25,600.
Video Performance
- Canon shoots UHD 4K up to 60p @ 230 Mbps in H.264 and H.265 formats, with clean HDMI output, microphone and headphone ports - making it an excellent choice for hybrid shooters and vloggers who want professional audio monitoring.
- Olympus tops out at 4K DCI (4096x2160) at 24p (237 Mbps) with microphone input only (no headphone jack) and older USB 2.0 connectivity. It’s decent but won’t satisfy those wanting the latest 10-bit profiles or 60p slow-mo footage.
I’ve found Canon’s video autofocus to be smoother and quicker with less hunting in low light or complex scenes. Olympus is fine for occasional video but is more of a stills-focused hybrid.
Lens Ecosystems and Compatibility: Choices Galore vs Focused Quality
Here’s where system enthusiasts rejoice or stall.
- Canon RF mount (the R8’s home) boasts around 37 native lenses, a rapidly expanding but still maturing lineup heavily skewed toward high-end optics with large apertures and professional features.
- Olympus’s Micro Four Thirds mount offers an incredible over 100 lenses, including affordable primes, specialist macro lenses, and compact zooms. The ecosystem is mature, tried, and tested by generations of shooters.
Don’t forget the APS-C and MFT lenses can often be adapted or directly mounted due to flange distances favoring versatility.
Lens price and size: Olympus lenses tend to be smaller, lighter, and more affordable - a huge plus for travelers or those on a budget. Canon’s lenses, while pricier and bulkier, offer superior image quality excellence, especially in the telephoto and portrait segments.
Battery Life and Storage: Practical Considerations
Between shooting gigs and shoots, battery endurance can be a pain point.
- Canon R8 uses the LP-E17 battery rated at 290 shots per charge.
- Olympus E-M5 III uses the BLN-1 battery good for about 310 shots.
Neither camera is an endurance champ, so carrying spares is a wise move. Both have single UHS-II SD card slots with fast write speeds - a standard I expect at this price.
Connectivity: Keeping Pace With Modern Workflow Demands
- Canon offers USB 3.2 Gen 2, fast for tethering and backup, plus full HDMI out, Wi-Fi, and Bluetooth.
- Olympus is stuck with USB 2.0, slower data rates, but retains Wi-Fi and Bluetooth. No NFC or GPS on either.
For studio tethering or quick wireless transfers on location, Canon’s faster wired connection is a practical advantage.
Real-World Shooting: Strengths and Weaknesses by Photography Genre
To truly decide, we apply the cameras to contexts photographers live and breathe in.
Portrait Photography
Canon’s larger full-frame sensor grants richer skin tone gradation, subdued noise even at high ISO indoors, and luscious bokeh from bright RF lenses. Eye and animal eye autofocus lock-on on the R8 ensure sharp portraits even around wriggly kids and pets. Olympus handles skin tones well but can struggle for separation in tight f/2.8 or slower primes, and lacks animal eye AF.
Landscape & Nature
Canon yields slightly cleaner images with greater dynamic range (DxO rates ~14.5 vs unknown for Olympus), benefiting highlight/shadow recovery in challenging light and large prints. Olympus’s rugged, weather-sealed body and IBIS make handheld landscapes more accessible. Its smaller sensor means not as much resolution for expansive prints but more reach telephoto-wise.
Wildlife
Olympus’s 2.1x crop factor and 30 fps burst frame rate are tempting, but Canon’s eye detection and sharper phase-detect AF win when tracking erratic wild subjects. Canon’s higher ISO ceiling is also a plus for dawn/dusk shooting.
Sports
Sports shooters demand both speed and reliability. Canon’s autofocus, FPS, and buffer size edges Olympus, delivering more keepers in fast, low-light indoor sessions. Olympus’s FPS is high but AV tracking can miss elusive focus points under pressure.
Street Photography
This is Olympus’s playground: discreet size, quiet shutter options, IBIS, and portability. The R8 is more noticeable but compensates with superior image quality if you’re focused on print or critical detail. Both offer silent shutter modes.
Macro
Olympus wins for macro shooting due to IBIS and superb lens selection with dedicated macro primes. Canon R8 macro shots are solid but require well-stabilized lenses or tripods to match Olympus’s handheld ease.
Night & Astro
Canon’s better low-light ISO performance, longer exposures (up to 30s), and clean files give it an advantage under stars or urban nightscapes. Olympus can shoot longer (up to 60s exposures), but sensor noise looms larger.
Video Work
Canon’s 4K 60p, headphone port, and robust video codec options clearly appeal to hybrid shooters and aspiring filmmakers. Olympus is competent but more amateur video oriented.
Travel
Olympus’s lightweight compactness, IBIS, and wide lens selection make it a dream travel companion. Battery life edges slightly ahead too. Canon’s heavier body is offset by better image quality and video performance.
Value and Pricing: What You Get for Your Bucks
Canon EOS R8 retails around $1,499 while Olympus E-M5 III is found near $1,199, with lens purchases additional.
For the price gap, Canon delivers a more modern core: full-frame sensor, faster connectivity, superior autofocus, and video specs - all wrapped into a versatile hybrid system for serious enthusiasts.
Meanwhile, Olympus trades resolution and low-light prowess for portability, IBIS, and access to the expansive MFT lens ecosystem - an unbeatable combo if size, stabilization, and versatility weigh most for you.
Final Thoughts: Which Camera Fits Your Photography Life?
Here is how I summarize based on user priorities and budgets:
-
Buy the Canon EOS R8 if:
- You crave top-tier image quality for portraits, studio, landscapes, and high-ISO shooting.
- Video is a sizable part of your workflow with demand for 4K60p and audio monitoring.
- You want cutting-edge autofocus with face and animal eye tracking for fast subjects.
- You prioritize tethering speed and system extensibility with RF lenses.
- You don’t mind the extra weight or spending a premium for a full-frame system.
-
Buy the Olympus OM-D E-M5 III if:
- You want a highly portable, rugged camera for travel, street, and everyday shooting.
- In-body image stabilization is a must-have for handheld macro and low shutter speeds.
- You shoot landscapes or nature where extended reach via crop factor benefits you.
- Your budget leans tighter, and you want access to a vast lens ecosystem with affordable options.
- You value silent shooting and discrete handling.
Ultimately, these two cameras cater to differing tastes and priorities. Canon’s EOS R8 offers a future-proof hybrid experience anchored by a full-frame sensor delivering top results across most genres. Olympus OM-D E-M5 III rewards photographers who prize portability, flexibility, and stabilization in a smaller package - at a friendlier price point.
Whether you lean full-frame for ultimate image finesse or Micro Four Thirds for travel-ready versatility, both cameras are solid choices with their own charms. My advice? Handle them in person, envision your shooting style, and choose the one that feels like a trusted extension of your creative vision.
Happy shooting, whichever road you pick!
Canon R8 vs Olympus E-M5 III Specifications
Canon EOS R8 | Olympus OM-D E-M5 III | |
---|---|---|
General Information | ||
Manufacturer | Canon | Olympus |
Model type | Canon EOS R8 | Olympus OM-D E-M5 III |
Type | Advanced Mirrorless | Advanced Mirrorless |
Revealed | 2023-02-08 | 2019-10-17 |
Physical type | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Powered by | - | TruePic VIII |
Sensor type | CMOS | MOS |
Sensor size | Full frame | Four Thirds |
Sensor dimensions | 36 x 24mm | 17.4 x 13mm |
Sensor surface area | 864.0mm² | 226.2mm² |
Sensor resolution | 24 megapixel | 20 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Max resolution | 6000 x 4000 | 5184 x 3888 |
Max native ISO | 102400 | 25600 |
Max enhanced ISO | 204800 | - |
Lowest native ISO | 100 | 200 |
RAW pictures | ||
Lowest enhanced ISO | 50 | 64 |
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Total focus points | 1053 | 121 |
Lens | ||
Lens support | Canon RF | Micro Four Thirds |
Number of lenses | 37 | 107 |
Crop factor | 1 | 2.1 |
Screen | ||
Type of screen | Fully Articulated | Fully Articulated |
Screen diagonal | 3.00" | 3" |
Resolution of screen | 1,620k dots | 1,040k dots |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 2,360k dots | 2,360k dots |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.76x | 0.68x |
Features | ||
Min shutter speed | 30 seconds | 60 seconds |
Max shutter speed | 1/4000 seconds | 1/8000 seconds |
Max silent shutter speed | 1/16000 seconds | 1/32000 seconds |
Continuous shutter rate | 6.0fps | 30.0fps |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | no built-in flash | no built-in flash |
Flash modes | no built-in flash | Auto, redeye, fill, off, redeye slow sync, slow sync, 2nd-curtain slow sync, manual |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Max flash synchronize | 1/250 seconds | 1/250 seconds |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 3840 x 2160 @ 60p / 230 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 120 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 120 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 120p / 120 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 60p / 60 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 30p / 30 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 23.98p / 30 Mbps, MOV, H.264, Linear PCM | 4096 x 2160 @ 24p / 237 Mbps, MOV, H.264, Linear PCM |
Max video resolution | 3840x2160 | 4096x2160 |
Video file format | MPEG-4, H.264, H.265 | MPEG-4, H.264 |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.2 Gen 2 (10 GBit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 461 gr (1.02 pounds) | 414 gr (0.91 pounds) |
Dimensions | 133 x 86 x 70mm (5.2" x 3.4" x 2.8") | 125 x 85 x 50mm (4.9" x 3.3" x 2.0") |
DXO scores | ||
DXO Overall rating | 93 | not tested |
DXO Color Depth rating | 24.5 | not tested |
DXO Dynamic range rating | 14.5 | not tested |
DXO Low light rating | 3295 | not tested |
Other | ||
Battery life | 290 photographs | 310 photographs |
Battery style | Battery Pack | Battery Pack |
Battery ID | LP-E17 | BLN-1 |
Self timer | Yes | Yes (2 or 10 secs, custom) |
Time lapse feature | ||
Type of storage | Single UHS-II SD card slot | SD/SDHC/SDXC (UHS-II supported) |
Card slots | 1 | 1 |
Pricing at release | $1,499 | $1,199 |