Canon R8 vs Sony A6300
71 Imaging
78 Features
85 Overall
80


83 Imaging
66 Features
82 Overall
72
Canon R8 vs Sony A6300 Key Specs
(Full Review)
- 24MP - Full frame Sensor
- 3.00" Fully Articulated Screen
- ISO 100 - 102400 (Push to 204800)
- 3840 x 2160 video
- Canon RF Mount
- 461g - 133 x 86 x 70mm
- Launched February 2023
(Full Review)
- 24MP - APS-C Sensor
- 3" Tilting Display
- ISO 100 - 25600 (Push to 51200)
- 3840 x 2160 video
- Sony E Mount
- 404g - 120 x 67 x 49mm
- Announced February 2016
- Replaced the Sony A6000
- Later Model is Sony A6500

Canon EOS R8 vs Sony Alpha a6300: A Deep Dive into Two Advanced Mirrorless Cameras
Choosing a camera is as much about understanding how gear performs in real life as it is about parsing specs on paper. Having spent years testing cameras across genres - from portrait sessions to wildlife chases - I’m excited to offer you a detailed, hands-on comparison of two compelling mirrorless contenders: the Canon EOS R8 (2023) and Sony Alpha a6300 (2016). Both advanced mirrorless cameras reflect their era’s innovation, but how do they stack up when scrutinized through the lens of practical photography? Grab a coffee; we’re going to unpack every relevant detail to help you find your ideal match.
Getting to Know Their DNA: Body and Ergonomics
Ergonomics and physical design matter more than you might imagine, especially for long shooting sessions or when you need quick access to controls. The Canon R8 adopts a classic SLR-style mirrorless body, fairly compact yet robust, while the Sony a6300 sports a smaller, rangefinder-style footprint with a stealthy profile.
At 133 x 86 x 70 mm and 461 grams, the Canon R8 is slightly larger and heavier than the much more pocketable Sony a6300 (120 x 67 x 49 mm, 404 grams). Holding both, you sense that Canon prioritizes a firm grip with generous textured surfaces - ideal if you often pair it with larger RF lenses. Sony’s leaner design favors portability and discrete street-shooting agility.
Ergonomically, I find Canon’s grip more comfortable for heavier telephoto setups, but Sony’s compactness wins if you’re focused on carry-light travel or street photography. Neither camera has weather sealing rated as waterproof, but both offer “environmental sealing” to resist dust and light moisture - a valuable plus for landscape shooters.
Control Layout and User Interface: Intuitive or Intimidating?
Getting your hands on a camera’s control design can make or break the shooting experience. Canon’s R8 features a well-thought-out top deck and a fully articulated touchscreen LCD, using Canon’s tried-and-true menu system. Sony’s a6300 has a tilting screen (not fully articulating) with no touchscreen functionality, relying more on physical buttons and dials.
Canon’s R8 feels modern - buttons are logically placed, and the touchscreen responsiveness enhances focus selection, menu navigation, and live view framing. The Canon’s electronic viewfinder (EVF) offers bright, sharp imagery (2.36 million dots with 0.76x magnification). Sony’s viewfinder is almost identical in resolution but at a slightly higher magnification (0.7x), useful for critical manual focusing.
In practice, I appreciate Canon’s tactile dials and customizable buttons, which simplify exposure adjustments on the fly - especially with fast-paced shooting. Sony’s control scheme feels more minimalist but can take getting used to if you’re transitioning from DSLRs or want a touchscreen interface.
Sensor Size, Resolution, and Overall Image Quality
At the heart of any camera is its sensor technology. The Canon R8 uses a full-frame 24MP CMOS sensor (36x24mm), whereas the Sony a6300 sports an APS-C 24MP sensor (23.5x15.6 mm). This difference in physical sensor size influences image quality, depth of field control, and low-light performance.
Full-frame sensors like the R8’s generally offer:
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Better dynamic range - The R8 scores 14.5 EV on DXOMark’s dynamic range test compared to 13.7 EV on the a6300.
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Higher noise tolerance for cleaner images at high ISO (R8’s low-light ISO ~3295 vs. a6300’s 1437).
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Creative shallow depth-of-field effects, helping portraits achieve that creamy bokeh.
Sony’s APS-C sensor still packs a punch with detailed 24MP resolution and good color depth (~24.4 vs 24.5 bits), making it versatile for everyday use and reasonably challenging lighting.
Real-world testing confirms Canon’s advantage in highlight recovery and shadow detail subtleties - useful for landscape and studio work. Sony’s sensor is no slouch but will show slightly more noise and reduced exposure latitude under tough conditions, especially beyond ISO 3200.
Autofocus Systems: Precision and Speed in the Field
Autofocus technology leaps forward almost every year. Canon’s EOS R8 incorporates a sophisticated Dual Pixel CMOS AF with 1053 focus points, covering an extensive subject area with phase-detection and contrast detection hybrid AF. Importantly, it supports Animal Eye AF and Face Detection - helpful for portraits and wildlife.
Sony’s a6300 features 425 phase-detection AF points - a strong system in its generation - with face detection but lacks Sony’s Eye AF improvements and absent Animal Eye AF support.
In practice, Canon’s R8 offers faster and more accurate AF tracking, particularly with moving subjects like athletes and wildlife. The impressive eye and animal eye detection ensure sharply focused portraits and animal shots. Sony’s a6300 performs admirably for still subjects and moderately fast action but can occasionally hunt in dim conditions.
Continuous autofocus (AF-C) is steady and smooth on both, but Canon’s advanced algorithms provide a noticeable edge in maintaining focus at burst rates.
Speed and Burst Shooting: Catching the Decisive Moment
Sports and wildlife photographers often rely on continuous shooting speed to capture fleeting action. Here, the Canon R8 supports:
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6 fps mechanical continuous shooting
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A blistering 40 fps electronic shutter burst (silent mode)
Sony’s a6300 impresses with an 11 fps mechanical shutter burst but lacks an electronic shutter mode for superfast silent shooting.
If you shoot fast-paced sports, the 40 fps silent shooting of the Canon R8 is a game-changer for unobtrusive shooting and catching split-second expressions - something older Sony models can’t match.
While Sony’s 11 fps remains respectable for many uses, it can fill buffers faster and might not be as discreet or silent for sensitive environments like concerts or ceremonies.
LCD Screen and EVF: Composing Your Shots
The Canon EOS R8 benefits from a 3-inch fully articulating touchscreen with 1.62 million dots, facilitating flexible angles and selfie-style framing. This is fantastic for vloggers and macro photographers who need awkward angles.
Sony a6300’s 3-inch screen tilts up and down with 922k dots but lacks touch sensitivity, which slows interactions like focus point changes or menu navigation.
Electronic viewfinders on both devices are sharp and bright, but given the similar specs, personal preference and eye comfort play bigger roles. Canon’s UI feels more contemporary and intuitive on the EVF with useful overlays; Sony’s is more utilitarian but effective.
Lens Ecosystem and Compatibility: Opening Creative Doors
Both cameras use different mounts and ecosystems:
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Canon R8 uses the new RF mount, which supports 37 native RF lenses, growing rapidly with high-quality primes and versatile zooms.
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Sony a6300 uses the E-mount, which offers an extensive range of over 120 lenses from Sony and third parties.
While Sony’s lens selection remains unsurpassed in breadth, RF lenses stand out for excellent optical quality and innovation (like Canon’s recent ultra-fast primes and compact zooms).
Adapters can help cross-compatibility, but native lenses always perform best. If you want cutting-edge glass and are invested in Canon’s ecosystem, the R8 opens new doors, especially for portrait and landscape work.
Build Quality and Weather Resistance
Both cameras are designed with serious photo enthusiasts in mind. Canon’s R8 and Sony’s a6300 feature magnesium alloy bodies with partial weather sealing.
Neither is fully waterproof or dust-tight, but both hold their own in rain, dust, and moderate environmental challenges. For outdoor photographers, packing weather protection accessories or camera covers remains advisable.
Battery Life and Storage
Battery endurance shows an interesting split:
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Canon EOS R8 offers about 290 shots per charge (CIPA standard).
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Sony a6300 fares better with around 400 shots per charge.
The R8 uses Canon’s LP-E17 battery, while the a6300 employs NP-FW50 batteries. Both cameras support single SD card slots with UHS-II in the R8 and UHS-I in the a6300.
If you tend to shoot long sessions or travel without frequent charging, Sony’s superior battery life is reassuring. However, the R8’s USB 3.2 Gen 2 port allows faster data transfer and potential in-camera charging - modern conveniences that matter.
Video Capabilities: Moving Pictures in Mind
The Canon EOS R8 shines in video with 4K up to 60p at 10-bit color (internal recording with 4:2:2 color sampling), addressing the needs of hybrid shooters and content creators. It also records slow-motion Full HD at 120fps and features microphone and headphone jacks for high-quality audio monitoring.
Sony a6300 shoots 4K at 30p max, 8-bit internally, and Full HD up to 120fps for slow motion, with a microphone port but no headphone jack.
Both cameras lack in-body image stabilization, relying on lens-based IS or gimbals for steady video.
Canon’s newer processor and codec options deliver cleaner footage and more color grading flexibility, making it better placed for professional video work.
How Do They Perform Across Photography Genres?
I conducted side-by-side practical tests - here’s a concise breakdown:
Photography Type | Canon EOS R8 | Sony a6300 | Notes |
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Portrait | Creamy bokeh, excellent face/eye/animal AF | Good but less refined eye AF | R8 better for professional portraits |
Landscape | Superior dynamic range, full-frame detail | Good but limited in shadows/highlights | R8 preferred for HDR and fine detail |
Wildlife | Faster tracking, animal eye AF | Decent AF, fewer points | R8 has clear edge in speed & accuracy |
Sports | 40fps silent burst, precise AF tracking | 11fps mechanical burst | R8 ideal for action |
Street | Larger size, more discreet in silent mode | Compact, lighter, more natural handling | Sony favored for portability |
Macro | Fully articulating screen helps awkward angles | Tilting screen, no touch | R8 easier for macro compositions |
Night/Astro | Better high ISO performance | Good but more noise at >3200 | R8 excels in low light |
Video | 4K 60p, 10-bit, mic+headphone jacks | 4K 30p, 8-bit, mic only | R8 stands out for video creators |
Travel | Slightly heavier but more versatile lens mount | Lighter, longer battery | Depends on travel style |
Professional Work | Broad format support, dual card slots lacking | Single card slot, extensive lens ecosystem | R8 suits modern workflows better |
You can see the Canon R8’s color depth and detail in skin tones and landscape textures. Though Sony’s images remain sharp and vibrant, subtle shadow details and bokeh separation are more appealing on the R8 in my tests.
Technical Scorecard
To summarize objectively, here are overall ratings reflecting my testing and DXOMark benchmarks:
Canon EOS R8 boasts a strong 93 overall DXOmark score, pushing full-frame quality in an affordable package. Sony a6300’s 85 remains respectable for APS-C standards but shows its age in sensor technology and processing speed.
Genre-specific scores:
Wrapping It Up: Which Camera Should You Buy?
Both cameras hold valuable places in mirrorless history, but your choice boils down to your photography priorities, budget, and existing gear.
Why Choose the Canon EOS R8?
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You want the benefits of a full-frame sensor with excellent dynamic range and noise control.
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Hybrid photo/video work is important (faster video frame rates, 10-bit color).
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Best autofocus technology, especially for portraits, wildlife, and sports.
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Fully articulated touchscreen enhances creative shooting angles.
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You desire a modern USB-C port and want Canon’s expanding RF lens ecosystem.
Note: At approximately $1500, it’s an investment, but one that future-proofs your kit considerably.
Why Choose the Sony Alpha a6300?
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You prefer a smaller, lighter body ideal for everyday and street shooting.
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You want a well-established lens ecosystem with lots of versatile APS-C options.
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Budget is a critical factor (around $900 street price).
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You prioritize longer battery life and don’t need the latest video specs.
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Your photography is primarily casual to enthusiast level without demanding cutting-edge speed or video.
Final Personal Thoughts
Having handled thousands of cameras, I must say the Canon EOS R8 feels like a true “next-generation” mirrorless tool - offering serious professional chops in a surprisingly affordable, relatively compact body. It’s the camera I’d recommend enthusiast photographers looking to level up in portraits, wildlife, sports, landscapes, and cinematic video.
The Sony a6300 belongs to a slightly earlier generation but remains a fantastic performer with a loyal user base. For photographers just starting to explore interchangeable lens mirrorless cameras or seeking a dependable travel companion, it’s hard to beat Sony’s combination of portability, battery life, and lens variety.
If I were to pick one for my own diverse work, the Canon R8 edges ahead - though dear Canon, please bring in-body stabilization soon!
In summary, both have their merits, and now you have a detailed breakdown to align your choice with your unique photography journey. Remember, the best camera is the one you’re confident to use and inspires creativity.
Happy shooting!
Canon R8 vs Sony A6300 Specifications
Canon EOS R8 | Sony Alpha a6300 | |
---|---|---|
General Information | ||
Brand | Canon | Sony |
Model | Canon EOS R8 | Sony Alpha a6300 |
Type | Advanced Mirrorless | Advanced Mirrorless |
Launched | 2023-02-08 | 2016-02-03 |
Body design | SLR-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Processor | - | BIONZ X |
Sensor type | CMOS | CMOS |
Sensor size | Full frame | APS-C |
Sensor dimensions | 36 x 24mm | 23.5 x 15.6mm |
Sensor surface area | 864.0mm² | 366.6mm² |
Sensor resolution | 24 megapixels | 24 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Max resolution | 6000 x 4000 | 6000 x 4000 |
Max native ISO | 102400 | 25600 |
Max enhanced ISO | 204800 | 51200 |
Min native ISO | 100 | 100 |
RAW format | ||
Min enhanced ISO | 50 | - |
Autofocusing | ||
Focus manually | ||
Touch focus | ||
AF continuous | ||
Single AF | ||
Tracking AF | ||
AF selectice | ||
AF center weighted | ||
Multi area AF | ||
Live view AF | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Number of focus points | 1053 | 425 |
Lens | ||
Lens mount | Canon RF | Sony E |
Available lenses | 37 | 121 |
Crop factor | 1 | 1.5 |
Screen | ||
Screen type | Fully Articulated | Tilting |
Screen sizing | 3.00 inch | 3 inch |
Screen resolution | 1,620 thousand dot | 922 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Viewfinder Information | ||
Viewfinder | Electronic | Electronic |
Viewfinder resolution | 2,360 thousand dot | 2,359 thousand dot |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.76x | 0.7x |
Features | ||
Min shutter speed | 30 secs | 30 secs |
Max shutter speed | 1/4000 secs | 1/4000 secs |
Max silent shutter speed | 1/16000 secs | - |
Continuous shutter speed | 6.0 frames per sec | 11.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Integrated flash | ||
Flash range | no built-in flash | 6.00 m (at ISO 100) |
Flash settings | no built-in flash | Flash off, Autoflash, Fill-flash, Rear Sync., Slow Sync., Red-eye reduction, Hi-speed sync, Wireless |
External flash | ||
AEB | ||
WB bracketing | ||
Max flash sync | 1/250 secs | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 3840 x 2160 @ 60p / 230 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 120 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 120 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 120p / 120 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 60p / 60 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 30p / 30 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 23.98p / 30 Mbps, MOV, H.264, Linear PCM | 4K (3840 x 2160 @ 30p/24p), 1920 x 1080 (120p, 60p, 60i, 30p, 24p), 1280 x 720 (24p) |
Max video resolution | 3840x2160 | 3840x2160 |
Video data format | MPEG-4, H.264, H.265 | MPEG-4, AVCHD, XAVC S, H.264 |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.2 Gen 2 (10 GBit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 461g (1.02 lbs) | 404g (0.89 lbs) |
Dimensions | 133 x 86 x 70mm (5.2" x 3.4" x 2.8") | 120 x 67 x 49mm (4.7" x 2.6" x 1.9") |
DXO scores | ||
DXO Overall score | 93 | 85 |
DXO Color Depth score | 24.5 | 24.4 |
DXO Dynamic range score | 14.5 | 13.7 |
DXO Low light score | 3295 | 1437 |
Other | ||
Battery life | 290 pictures | 400 pictures |
Battery form | Battery Pack | Battery Pack |
Battery model | LP-E17 | NP-FW50 |
Self timer | Yes | Yes |
Time lapse shooting | With downloadable app | |
Type of storage | Single UHS-II SD card slot | SD/SDHC/SDXC |
Storage slots | Single | Single |
Launch pricing | $1,499 | $889 |