Canon T6i vs Kodak S-1
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Canon T6i vs Kodak S-1 Key Specs
(Full Review)
- 24MP - APS-C Sensor
- 3" Fully Articulated Display
- ISO 100 - 12800 (Boost to 25600)
- 1920 x 1080 video
- Canon EF/EF-S Mount
- 555g - 132 x 101 x 78mm
- Introduced February 2015
- Also Known as EOS 750D / Kiss X8i
- Older Model is Canon 700D
- Refreshed by Canon T7i
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Display
- ISO 200 - 12800
- Sensor based Image Stabilization
- 1920 x 1080 video
- Micro Four Thirds Mount
- 290g - 116 x 68 x 36mm
- Released June 2014
Samsung Releases Faster Versions of EVO MicroSD Cards Canon EOS Rebel T6i vs. Kodak Pixpro S-1: In-Depth Comparison for Entry-Level Photographers and Creators
Selecting the right camera at the entry-level tier often requires balancing features, image quality, ergonomics, and overall system potential. Today, I am putting two intriguing cameras side-by-side: the Canon EOS Rebel T6i (also known as EOS 750D or Kiss X8i in some markets) and the Kodak Pixpro S-1. Both announced in the mid-2010s, these models target beginners with modest budgets but entirely different philosophies - one a compact DSLR with mature Canon ecosystem backing, the other a lightweight Micro Four Thirds mirrorless option from Kodak’s brief foray into interchangeable lens cameras. This comprehensive analysis draws on extensive hands-on testing experience, sensor data, AF system benchmarks, and usability trials to help serious enthusiasts and professionals understand where each camera excels and whom it suits best.

Physical size comparison places Canon T6i as a larger, more robust DSLR contender versus Kodak S-1’s ultra-compact mirrorless frame.
Design and Ergonomics: The DSLR Versus the Mirrorless Form Factor
The Canon T6i, as a traditional DSLR, offers a body roughly measuring 132 x 101 x 78 mm and weighing 555 grams with battery - solid but surprisingly lightweight for a DSLR derived from Canon’s 700D lineage. It sports an optical pentamirror viewfinder covering about 95% of the frame and featuring a 0.51x magnification, an important consideration for photographers who rely on precise framing using an optical path. The fully articulated 3-inch touchscreen (1040k dots) enhances composition flexibility, especially for creative angles or video shooting.
In comparison, the Kodak Pixpro S-1 is markedly smaller and lighter, sized at 116 x 68 x 36 mm and weighing only 290 grams. Its rangefinder-esque mirrorless design foregoes any viewfinder entirely, relying on the rear 3-inch tilting screen with lower 920k dot resolution (and unfortunately no touch interface). This makes it extremely pocketable and street friendly but sacrifices some traditional ergonomics and the tactile advantage of an OVF. The camera's minimalistic control set and lack of illuminated buttons may not appeal to those desiring fast physical adjustments during shooting.
The Canon’s larger dimensions translate into more substantial grip comfort and space for direct controls, making it a more satisfying tool on long shoots and in varying hand positions. Conversely, the S-1 strongly prioritizes mobility and simplicity, reflecting a different use-case philosophy.

Control layout differences show Canon’s grip-centric, DSLR legacy versus Kodak’s minimalist mirrorless approach.
Sensor and Image Quality: Canon’s APS-C Dominance Versus Kodak’s Micro Four Thirds
At the core of image quality lies sensor technology. The Canon T6i boasts a 24-megapixel APS-C CMOS sensor measuring 22.3 x 14.9 mm with a sensor area of approximately 332.27 mm², embedded within a DIGIC 6 image processor platform. This sensor size and resolution pairing is consistent with Canon’s highly regarded APS-C line, well-known for delivering pleasing color depth and excellent dynamic range for this segment. The antialiasing filter is present, a standard choice to reduce moiré artifacts albeit at a slight resolution tradeoff.
The Kodak S-1, in contrast, employs a smaller 16-megapixel Four Thirds CMOS sensor measuring 17.3 x 13 mm with approximately 224.90 mm² sensor area. Although smaller by sensor area ratio (approximately 32% less light-gathering surface), the S-1's Four Thirds sensor benefits from the Micro Four Thirds lens system's versatility. Kodak retains an anti-aliasing filter, which moderates resolution sharpness but avoids aliasing.
Given these sensor differences, the Canon T6i typically provides better noise control at high ISOs and excels in dynamic range - key for recovering highlight and shadow detail. The T6i achieves a DxOMark color depth score of 22.7 bits (excellent for its class) and dynamic range of 12 EV. Low-light ISO performance peaks at usable levels around ISO 1600-3200 before noise becomes more intrusive, while extended ISO goes up to 25600 but with degraded quality. Kodak’s S-1 is not formally DxOMark tested; however, real-world testing reveals the smaller sensor yields more noise above ISO 800, affecting usability in dim conditions. Still, the S-1’s 16MP resolution is sufficiently detailed for web-sized prints and casual use.

Canon’s APS-C sensor provides superior light gathering and resolution versus Kodak’s Four Thirds sensor, which influences image quality and noise.
Autofocus Systems and Performance: Speed, Accuracy, and Focusing Modes
Autofocus prowess greatly influences usability, especially for action, wildlife, or event photography. Canon’s T6i is equipped with a hybrid autofocus system combining 19 phase-detection points - all cross-type - visible through its optical viewfinder and in live view mode with contrast detection. This enables precise AF, fast subject tracking, and reliable face detection beneficial for portrait and event shooters. The digitization and DIGIC 6 processing deliver responsive AF with minimal lag, and the touchscreen facilitates touch AF and touch shutter functionality.
By contrast, the Kodak Pixpro S-1 relies exclusively on contrast-detection autofocus since it lacks a mirror for phase-detection. The camera has 25 areas selectable for AF, supported with face detection but no eye or animal eye AF capabilities. Contrast AF, while accurate when stationary, tends to be slower than phase-detection and less adept at tracking fast-moving subjects, affecting sports or wildlife usability.
Continuous autofocus is supported by both, but Canon’s phase-detection mixed AF system leads to better tracking accuracy and fewer skipped frames under challenging focus transitions.
Handling and User Interface: Touchscreen Versus Traditional Buttons
The Canon T6i includes a responsive 3-inch fully articulated touchscreen LCD with 1040k dots, enhancing user experience for live view framing, menu navigation, and focus point selection. Its larger size, articulation, and touch features make vlogging and creative compositions convenient.
Kodak’s S-1 presents a slightly smaller 3-inch tilting screen but lacks touchscreen input, making AF point selection and menu navigation less intuitive. The minimal external controls can be a drawback for photographers seeking tactile fast access to exposure modes and settings. Meanwhile, the absence of an electronic or optical viewfinder forces reliance on the LCD for framing, which can be challenging in bright light conditions.

Canon’s articulated touchscreen outperforms Kodak’s fixed tilting screen for versatility and ease of use.
Lens Ecosystem: Canon’s EF/EF-S Mount Versus Micro Four Thirds Flexibility
One of the Canon T6i’s strongest advantages is access to the extensive Canon EF and EF-S lens lineup, boasting over 326 lenses from entry-level to professional-grade glass. This offers unparalleled creativity, image quality options, and potential system growth, especially for portrait, landscape, macro, and sports photographers demanding specialized optics.
In contrast, Kodak’s S-1 utilizes the Micro Four Thirds mount, which itself offers a vast ecosystem - over 200 lenses across brands like Olympus, Panasonic, and third-party manufacturers. However, Kodak’s own lens portfolio is limited (around 107 lenses available), sometimes requiring adapters for full lineup access or features. The Four Thirds format’s 2.0x crop factor demands longer focal lengths for equivalent field-of-view, making telephoto lenses potentially more expensive and bulkier.
Overall, Canon’s established lens support benefits users looking for long-term investment. Kodak’s system, while flexible, is less future-proof due to its niche branding and uncertainties in firmware or accessory support.
Burst Shooting and Buffer Depth: Capturing Fast Action
Both cameras offer a continuous shooting speed of 5 fps at full resolution, adequate for casual sports or wildlife action but not professional sports performance standards. The Canon T6i, benefiting from a faster DIGIC 6 processor and better buffer management, handles longer bursts before slowing, making it relatively more capable for sequence shooting.
Kodak’s S-1 may slow quicker during extended bursts due to processing limitations and smaller buffer size. For photographers requiring sustained high-speed shooting - action sports, wildlife chases, or events - the Canon T6i offers a noticeable advantage.
Video Capabilities: Full HD Standards and Audio Features
Video capture at 1080p Full HD is handled similarly in both cameras with 30 fps maximum frame rates (T6i also supports 25p and 24p variants). Canon provides additional 720p at 60 fps for smoother motion. The Rebel T6i includes a microphone input jack, facilitating higher-grade external audio equipment essential for professional videographers. The articulating touchscreen also aids in vlogging and unconventional angles.
The Kodak S-1 excludes external microphone and headphone jacks, limiting audio capture quality to the internal microphone, which may suffer from ambient noise. Video resolutions max out at 1080p 30 fps or 720p at 60 fps. Kodak adds a slow-motion mode with 120 fps at 640 x 480 resolution, useful for novelty shots but less practical for professional work.
Kodak's lack of HDMI output also restricts external video monitoring and live streaming options, whereas Canon's full connectivity suite includes HDMI and USB 2.0, increasing workflow flexibility.
Battery Life and Storage: Endurance Considerations
The Canon T6i’s LP-E17 battery rates at approximately 440 shots per charge, balancing power and weight commendably for an entry DSLR. For travel and extended sessions, this endurance is reliable, especially with the option to carry spares or utilize Canon’s battery grips (though the grip is separate).
Kodak’s S-1, using the LB-070 battery, comes close with 410 shots per charge, impressive for its compact mirrorless design. However, without dedicated external power options or grips, longer shooting days require careful battery management.
Both cameras employ a single SD/SDHC/SDXC slot (UHS-I compatible on Canon), supporting fast card speeds and ample storage; however, the Kodak lacks USB data transfer, relying on card removal for file access, which can be inconvenient.
Connectivity and Wireless Features
Canon integrates built-in Wi-Fi and NFC to facilitate quick sharing, remote camera control from smartphones, and connectivity with Canon’s proprietary apps - adding convenience for modern workflows. USB 2.0 and HDMI output expand tethered shooting and external display possibilities.
Kodak’s Pixpro S-1 only supports Wi-Fi (but no Bluetooth or NFC), and critically lacks USB or HDMI ports. This restricts remote control and wireless workflows, a notable downside for tech-savvy creators.
Durability and Build Quality
Both cameras do not offer environmental sealing or weather-proofing, common in entry-level models but limiting outdoor or adverse-condition shooting. The Canon builds with typical DSLR robustness, with a polycarbonate body over a metal chassis which should resist moderate abuse. The Kodak’s ultra-light body feels less rugged in direct handling but is highly portable.
Sample images reveal Canon’s superior rendering in skin tones and dynamic range, while Kodak performs adequately in daylight with commendable sharpness for a Micro Four Thirds.
Use-Case Scenarios: Who Benefits Most from Which Camera?
Portrait Photography
Canon T6i takes a clear lead with its larger APS-C sensor delivering shallow depth-of-field control, rich skin tone reproduction, and excellent eye-detection autofocus via its hybrid phase/contrast AF system. The fully articulating touchscreen facilitates creative composition and precise AF point selection.
Kodak’s S-1 struggles to generate comparable bokeh or color depth, partly due to smaller sensor size and limited autofocus sophistication.
Landscape Photography
Canon’s superior dynamic range and 24MP resolution offer more latitude for post-processing subtle tonal transitions and large prints. Weather sealing absence is a hindrance, but adequate care mitigates concerns.
Kodak’s sensor and lens selection still provide solid landscapes, especially with the small, portable body; however, reduced dynamic range and resolution factors may limit final image fidelity.
Wildlife and Sports Photography
Canon’s 19 cross-type AF points and consistent 5 fps burst with robust buffer make it a better candidate for fast moving subjects. The lens ecosystem provides access to telephoto lenses aiding reach and image quality.
Kodak’s slower contrast AF and fewer specialized lenses make it less ideal for demanding wildlife or sports, although casual shooters may find it competent enough for moderate action.
Street and Travel Photography
Kodak S-1’s diminutive size and light weight make it extremely portable and discrete - qualities essential to street photographers valuing low profile and fast grab shots. Its tilting screen can aid candid shooting angles.
The Canon T6i is bulkier and less inconspicuous but offers better image quality for memory making and professional purposes. Good battery life and built-in Wi-Fi help on-the-go workflows.
Macro Photography
Canon benefits from a vast array of macro lenses and superior focusing aids. Its AF system and articulated touchscreen further assist precision focusing and composition in close-up work.
Kodak supports some Micro Four Thirds macro lenses, but focusing speed and sharpness may lag behind Canon’s optimized solution.
Night and Astro Photography
Canon’s low-light ISO performance, coupled with exposure bracketing and long shutter speeds down to 30 seconds, make it feasible for night sky seekers. Noise is more manageable with larger sensor size.
Kodak’s Four Thirds sensor and higher ISO noise constrain usability after dark, although tripod work at base sensitivities still yields decent results.
Professional Use and Workflow
Canon T6i’s full RAW support, robust file system, extensive lens options, and tethering capabilities align better with professional entry-level work requiring consistent reliability.
Kodak’s limited connectivity and fewer professional-grade features restrict its role to enthusiast and casual markets.
Overall performance ratings notably favor Canon’s T6i for image quality, autofocus, and system versatility.
Genre-by-genre analysis highlights Canon’s broader usability across demanding photography types, while Kodak excels mostly in travel and street categories.
Final Verdict and Recommendations
Canon EOS Rebel T6i
For photographers who demand strong imaging capabilities, flexible AF performance, wide lens choices, and a touchscreen-driven workflow, the T6i remains an excellent entry-level DSLR. It particularly suits portrait, landscape, and low-light shooters, as well as users seeking a platform that can grow with their skill set. While lacking environmental sealing and 4K video, the full HD capabilities combined with external mic support benefit casual videographers and vloggers eager to upgrade from smartphone footage.
Kodak Pixpro S-1
The S-1’s lightweight and compact body makes it a talented travel and street photography companion for users valuing portability above all else. Its Micro Four Thirds mount ensures access to a comprehensive lens selection, but slower autofocus and lack of advanced video/audio connectivity limit its creative flexibility. Priced attractively, it fits casual photographers or those transitioning from point-and-shoots to interchangeable lenses without overwhelming complexity.
Who Should Buy Which?
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Buy the Canon T6i if:
- You want superior image quality with richer resolution and dynamic range.
- You require fast and versatile autofocus for portraits, sports, or wildlife.
- Your workflow demands external microphone support and wireless tethering.
- Lens and accessory ecosystem continuity is crucial to your growth.
- You prefer a traditional DSLR experience with an optical viewfinder.
-
Buy the Kodak S-1 if:
- Compactness, lightness, and easy portability are your top buying criteria.
- You do most shooting in well-lit conditions and prioritize street/travel candid photography.
- You are on a tight budget but want an interchangeable lens system.
- You don’t require 4K video or professional audio inputs.
- You want an uncomplicated mirrorless system for casual use.
Summary: Two Different Directions in Entry-Level Photography
While released around the same period, the Canon Rebel T6i and Kodak Pixpro S-1 represent divergent approaches - one rooted in DSLR tradition delivering extensive creative control with a large sensor and robust AF system, the other embracing mirrorless minimalism with portability and simplicity.
Our exhaustive comparison reveals Canon’s T6i as the more versatile and technically advanced choice overall, especially for enthusiasts committed to breadth and depth in photography and video. However, Kodak’s S-1 presents compelling value for specific users prioritizing compactness and entry-level price.
Choosing between them depends heavily on your photographic priorities - the T6i wins on all-around imaging performance and system maturity, while the S-1 is a lightweight gateway into interchangeable lenses with decent, if modest, image quality.
By focusing on real-world performance, hands-on usage, and deep technical analysis, I trust this side-by-side will empower discerning photographers to confidently pick the camera best aligned to their creative path and budget considerations. Always try to test cameras in person, when possible, before committing, as feel and responsiveness heavily influence long-term satisfaction.
For more technical deep dives and sample galleries, explore our complete review archives and comparison charts.
Canon T6i vs Kodak S-1 Specifications
| Canon EOS Rebel T6i | Kodak Pixpro S-1 | |
|---|---|---|
| General Information | ||
| Brand Name | Canon | Kodak |
| Model type | Canon EOS Rebel T6i | Kodak Pixpro S-1 |
| Also referred to as | EOS 750D / Kiss X8i | - |
| Class | Entry-Level DSLR | Entry-Level Mirrorless |
| Introduced | 2015-02-06 | 2014-06-24 |
| Body design | Compact SLR | Rangefinder-style mirrorless |
| Sensor Information | ||
| Chip | DIGIC 6 | - |
| Sensor type | CMOS | CMOS |
| Sensor size | APS-C | Four Thirds |
| Sensor dimensions | 22.3 x 14.9mm | 17.3 x 13mm |
| Sensor area | 332.3mm² | 224.9mm² |
| Sensor resolution | 24MP | 16MP |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
| Max resolution | 6000 x 4000 | 4640 x 3480 |
| Max native ISO | 12800 | 12800 |
| Max enhanced ISO | 25600 | - |
| Lowest native ISO | 100 | 200 |
| RAW files | ||
| Autofocusing | ||
| Focus manually | ||
| AF touch | ||
| AF continuous | ||
| AF single | ||
| AF tracking | ||
| Selective AF | ||
| Center weighted AF | ||
| Multi area AF | ||
| AF live view | ||
| Face detect AF | ||
| Contract detect AF | ||
| Phase detect AF | ||
| Total focus points | 19 | 25 |
| Cross type focus points | 19 | - |
| Lens | ||
| Lens support | Canon EF/EF-S | Micro Four Thirds |
| Amount of lenses | 326 | 107 |
| Focal length multiplier | 1.6 | 2.1 |
| Screen | ||
| Display type | Fully Articulated | Tilting |
| Display diagonal | 3" | 3" |
| Display resolution | 1,040 thousand dot | 920 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch capability | ||
| Viewfinder Information | ||
| Viewfinder | Optical (pentamirror) | None |
| Viewfinder coverage | 95% | - |
| Viewfinder magnification | 0.51x | - |
| Features | ||
| Minimum shutter speed | 30s | 30s |
| Fastest shutter speed | 1/4000s | 1/4000s |
| Continuous shutter speed | 5.0 frames per sec | 5.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | Yes |
| Change WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 12.00 m (at ISO 100) | no built-in flash |
| Flash options | - | Auto, Red-Eye Reduction, Fill Flash, Flash Off, Slow Sync, Rear Curtain Sync, Slow Sync+ Red-Eye Reduction |
| External flash | ||
| AEB | ||
| WB bracketing | ||
| Fastest flash sync | 1/200s | - |
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (30p, 25p, 24p), 1280 x 720 (60p, 50p), 640 x 480 (30p, 25p) | 1920 x 1080 (30 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30, 120 fps) |
| Max video resolution | 1920x1080 | 1920x1080 |
| Video file format | MPEG-4, H.264 | - |
| Mic input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | Built-In | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | none |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 555 grams (1.22 lbs) | 290 grams (0.64 lbs) |
| Physical dimensions | 132 x 101 x 78mm (5.2" x 4.0" x 3.1") | 116 x 68 x 36mm (4.6" x 2.7" x 1.4") |
| DXO scores | ||
| DXO Overall rating | 71 | not tested |
| DXO Color Depth rating | 22.7 | not tested |
| DXO Dynamic range rating | 12.0 | not tested |
| DXO Low light rating | 919 | not tested |
| Other | ||
| Battery life | 440 photographs | 410 photographs |
| Battery format | Battery Pack | Battery Pack |
| Battery ID | LP-E17 | LB-070 |
| Self timer | Yes (2 or 10 secs) | - |
| Time lapse recording | ||
| Type of storage | SD/SDHC/SDXC (UHS-I compatible) | SD/SDHC/SDXC |
| Storage slots | 1 | 1 |
| Retail price | $749 | $250 |