Canon Elph 115 IS vs Olympus 7000
96 Imaging
39 Features
35 Overall
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94 Imaging
34 Features
21 Overall
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Canon Elph 115 IS vs Olympus 7000 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 24-120mm (F2.7-5.9) lens
- 135g - 93 x 57 x 20mm
- Announced January 2013
- Alternate Name is IXUS 132 HS
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 50 - 1600
- Sensor-shift Image Stabilization
- 640 x 480 video
- 37-260mm (F3.5-5.3) lens
- 172g - 96 x 56 x 25mm
- Announced January 2009
- Additionally referred to as mju 7000
Sora from OpenAI releases its first ever music video Canon Elph 115 IS vs Olympus Stylus 7000: Two Ultracompacts Tested in Depth
When hunting for a reliable pocket camera that won’t demand a college savings plan, enthusiasts and casual shooters alike often consider tried-and-true ultracompacts built for simplicity and convenience. The Canon Elph 115 IS (aka IXUS 132 HS) and Olympus Stylus 7000 (mju 7000) are two such options, both launched within a few years of each other but catering to subtly different priorities. After spending hours with both in a variety of photographic disciplines, from street candids to macro close-ups, I’m ready to break down their strengths, weaknesses, and real-world potential.
This side-by-side comparison goes beyond spec sheets - I’ll share hands-on observations, technical insights on sensor performance and autofocus, and situational recommendations that cater to every type of shooter. Whether you want to capture the perfect portrait, tame wildlife shots, or simply have a compact travel companion with decent optics, this article has you covered.
Before we dive deep, here’s a look at their form factors to get a physical sense of these devices.
Compactness and Ergonomics: Size Does Matter - But Which Fits Best?

In the world of ultracompacts, physical size isn't just about portability; it determines how a camera feels in your hands during prolonged use. The Canon Elph 115 IS measures a slim 93 x 57 x 20 mm and weighs a mere 135 grams. Compare that to the Olympus 7000’s slightly chunkier 96 x 56 x 25 mm at 172 grams, and you notice the Canon slides more comfortably into a tight pocket, appealing to users prioritizing stealth and travel-friendly gear.
The Canon’s narrower, flatter body benefits from a well-placed thumb rest and a matte finish that minimizes slip during one-handed shooting. Olympus’s rounded edges give a different tactile experience - more substantial but less agile. Neither has a built-in viewfinder, an omission that’s understandable given their compact aims but does affect framing stability in bright light.
Ergonomically, I found the Canon’s body slightly easier to handle for quick spontaneous shots, its superior grip outweighing the Olympus’s more rounded form when moving. However, small hands might prefer Olympus’s wider grip surface.
If pocketability and unobtrusive carry are paramount, the Canon Elph 115 IS takes this round. But both are highly compact units designed for grab-and-go photography.
Layout and Control Intuition: How Well Do These Cameras Communicate With You?

Looking down at the top panels reveals their user interface philosophy. The Canon embraces a minimalist approach: a simple mode dial coupled with a shutter release and power button. The lack of physical buttons to adjust aperture, ISO, or shutter priority mode reflects its fixed-automatic design ethos - keeping complexity away but limiting creative control.
Olympus’s top controls, though sparse, feature a slightly more prominent zoom toggle and an AF/AEL toggle, hinting at a touch more granularity in operation. However, neither camera offers full manual controls - a recurring nod to their budget compact category.
The Canon’s buttons are generally firmer and provide satisfying tactile feedback, ideal for quick, confident inputs. Olympus's buttons feel a little looser, which may lead to accidental presses during hurried shooting.
Their rear LCD layouts also vary in presenting shooting information and focusing aids, which brings us to the next section.
Screen and Interface: Visual Feedback in a Small Package

Both cameras deploy a 3-inch fixed-type LCD, but the Canon clearly edges ahead in resolution. The Elph 115 IS sports a 461k-dot PureColor II G TFT LCD, rendering images and menus crisply with vibrant colors and excellent viewing angles. In contrast, Olympus’s Stylus 7000 uses a 230k-dot screen, noticeably dimmer and less detailed.
On the user interface front, Canon offers a more refined live view experience with better exposure simulation and face detection indicators. The Olympus interface is basic, with simpler menus and fewer on-screen guides, fitting for its more budget-level ambition.
Neither camera has a touchscreen, an oversight for 2013 Canon and 2009 Olympus models but understandable for entry-level ultracompacts at those price points. For composing in bright sunlight, the Canon’s brighter screen made framing and review easier outdoors.
Sensor Technology and Image Quality: The Heart of the Matter

Both cameras feature 1/2.3-inch sensors, a standard size for ultracompacts, but key technical differences shape their output considerably. The Canon Elph 115 IS uses a 16MP back-illuminated CMOS sensor coupled with Canon’s DIGIC 5 image processor. The back-illuminated (BSI) design fundamentally improves low-light sensitivity and noise control compared to traditional front-illuminated CMOS or CCD sensors.
The Olympus Stylus 7000 relies on a 12MP CCD sensor. CCDs tend to excel in color fidelity and detail at low ISOs but generally perform weaker at higher sensitivities and slower readout speeds compared to CMOS.
In practice, the Canon consistently delivered sharper, cleaner images at ISO 800 and above with less chromatic noise. Low-light shots showed more usable detail, thanks to the BSI-CMOS sensor, while Olympus images displayed more grain and less dynamic range.
Canon’s maximal aperture range of f/2.7-5.9 provides a slight edge for gathering light especially at wide angle compared to Olympus’s f/3.5-5.3 lens. That said, Olympus compensates somewhat with a longer zoom reach - 260mm equivalent versus Canon’s 120mm - meaning more telephoto capability at the expense of aperture speed.
Color reproduction was surprisingly close; Olympus’s CCD sensor preserved natural hues with a slightly warmer bias, while Canon leaned more neutral, which may please crisp-tone fans.
Overall, for image quality versatility, the Canon Elph 115 IS takes the lead, especially in challenging lighting and higher ISO ranges critical in many real-world scenarios.
Autofocus and Shooting Speed: When Moments Can’t Wait
Neither camera targets speed demons or professional sports photographers, but autofocus capabilities often make or break quick shooting satisfaction.
The Canon features a 9-point contrast-detection AF system with face detection and continuous AF modes - advanced for an ultracompact. Olympus offers a simpler contrast-detection AF with no face detection and a single AF point, limiting tracking versatility.
In daylight and moderate lighting, the Canon locked focus quickly and reliably on a variety of subjects, including faces and moderately busy scenes. The inclusion of face detection enhances portrait ease, especially for amateur users.
Olympus’s autofocus was slower and occasionally hesitated in low light or when presented with low-contrast subjects. It lacks continuous AF for burst shots, putting it at a disadvantage for moving subjects.
Burst shooting maxes out at 2 fps for Canon; Olympus doesn’t specify burst rates, but experience confirms it’s slower and less responsive.
For those who prioritize speed and accuracy in everyday shooting - street photography or casual wildlife - Canon’s autofocus system and burst framing offer clear advantages.
Portrait Photography: Skin Tones, Bokeh, and Eye Detection Insights
Portraits often test a camera’s ability to render pleasing skin tones, natural bokeh, and sharp focus on eyes - the soul of a compelling portrait.
Canon’s f/2.7 wide aperture provides better background separation for subtle bokeh effects in well-lit environments. Its face detection and eye-adjacent focus points keep subjects crisp without hunting. Skin tones appeared smooth and lifelike, with the camera’s image processor gently smoothing skin in a flattering but restrained manner.
Olympus’s narrower apertures and lack of face detection made portraits more hit-or-miss. Backgrounds tended to be busier, lacking creamy blur - expected on super-zooms with modest aperture speed. Skin tones felt slightly duller and less vibrant, typical of CCD sensors under artificial light.
Neither camera supports RAW, limiting post-production flexibility for portrait retouching. But out-of-camera JPEGs from Canon required fewer adjustments for pleasing portraits.
For portrait enthusiasts or social photographers seeking quick flattering results, the Canon Elph 115 IS is a safer bet.
Landscape Mastery: Dynamic Range, Resolution, and Durability
Crucial to landscapes is nuanced dynamic range and resolution for rich detail across skies, foliage, and shadows.
Canon’s higher resolution 16MP sensor captures more fine details. Combined with BSI technology, its dynamic range edges out Olympus’s CCD, preserving details in highlights and shadows better in high-contrast scenes. Sample images show preserved cloud textures and verdant greens that retain natural vibrancy without clipping.
Without weather sealing, both cameras falter outdoors in challenging environments. Neither is dustproof or waterproof, so cautious handling is mandatory. Olympus’s older design offers no environmental protection, whereas Canon’s newer model benefits from at least tighter build tolerances, though still no official sealing.
If you prioritize landscape photography with post-crop flexibility and detail, the Canon can pull slightly farther ahead, but neither is a substitute for rugged outdoor tools.
Wildlife and Sports Photography: Can These Minis Keep Up?
Neither camera is tailormade for fast-action bird or sports photography, but their specs warrant attention for casual use.
Canon’s continuous AF and 2 fps burst allow limited tracking of slower subjects. Its shorter 120mm zoom restricts reach on distant wildlife, but the relatively fast f/2.7 aperture at wide angle helps in dawn/dusk conditions. Olympus’s longer 260mm zoom is enticing but hamstrung by slower autofocus and weaker burst performance.
The sensor-shift stabilization on Olympus operates well for handholding telephoto shots, compensating for shake at full zoom. Canon uses optical IS, which is effective but sometimes less forgiving at longer focal lengths.
Neither camera provides professional-grade locking tracking, so expect focus hunting during rapid sequences.
For serious wildlife or sport shooting, these cameras are stopgap options - mainly to keep in the field as emergency backups.
Street Photography: Discreet, Portable, and Ready for the Moment
Compactness, quiet operation, and quick reaction are paramount in street photography.
Canon’s smaller dimensions and quieter shutter outperform Olympus’s slightly larger, noisier unit. Lack of an electronic viewfinder means relying on LCD for composition outdoors, but Canon’s brighter and higher-res screen mitigates this.
Autofocus speed and face detection on Canon facilitate capturing unposed moments quickly. Olympus, with its slower AF and no face detection, risks missing fleeting gestures.
Battery life, though modest (Canon’s rated ~170 shots per charge), supports several hours of casual shooting, enough for street walks with a spare battery pack.
In this discipline, Canon's advantages make it a better street photo companion, though neither is class-leading.
Macro Photography: How Close Can These Guys Get?
Close-up shooters demand precise focus and stabilization for crisp detail in tiny subjects.
Olympus has a marginally better macro minimum focusing distance (2cm vs Canon’s 3cm), letting you get closer to small subjects like flowers or insects. The sensor-shift stabilization further aids because handheld macro shooting is notoriously sensitive to shake.
Despite this, Canon’s faster lens aperture compensates somewhat by gathering more light for sharper macros. Autofocus precision in macro mode was better on Canon, attributed to its more advanced AF algorithms.
Overall, Olympus offers slight edge in proximity, but Canon’s broader macro usability and image quality make it the more versatile macro shooter for casual use.
Night and Astrophotography: Pushing Limits in Darkness
Ultracompacts don’t typically excel in long-exposure night shots, but their sensitivity and image stabilization can be leveraged creatively.
Canon’s BSI-CMOS sensor and max ISO 3200 capability outperform Olympus’s CCD limited to ISO 1600. Optical image stabilization on Canon helps reduce blur in handheld low-light shots, though it can’t replace the steadiness a tripod offers.
Shutter speeds on both max at 1/15 sec minimum, limiting prolonged night exposure flexibility. Neither camera supports bulb mode or built-in time lapse.
Video capture tops out at Full HD 1080p (Canon) vs 640x480 VGA (Olympus), with Canon featuring H.264 compression for better quality and more widespread codec support.
If night photography is an occasional priority, Canon is the stronger pick, but serious astrophotographers will quickly outgrow either.
Video Capabilities: What’s in the Movie Bag?
The Canon Elph 115 IS allows 1080p recording at 24fps and HD 720p at 30fps with H.264 compression, which is respectable for a camera of this class and era. Users can capture smooth footage with decent detail, though lack of microphone input limits audio control.
Olympus shoots only VGA quality video, capped at 640x480 resolution - adequate for casual clips but not for modern content demands.
Neither camera features advanced video stabilization, slow motion, or 4K support. For casual video diaries, Canon’s output offers better sharpness and compression efficiency.
Travel Photography: Battery Life, Versatility, and Travel Friendliness
If your main concern is a reliable travel partner, several factors come into play.
Canon’s smaller size and weight, as previously noted, strongly favor travel ease. Its compatibility with SD cards is near-universal, while Olympus’s support for xD cards is more niche, adding inconvenience and cost.
Battery life is another Achilles’ heel for compact shooters. Canon’s NB-11L battery rated for 170 shots per charge is limited, and Olympus lacks openly stated battery specs, but real-world use confirms shorter endurance.
Connectivity options are very basic on both - no wireless, Bluetooth, NFC, or GPS - meaning image transfer and geotagging require manual steps.
If you want a no-fuss travel camera, Canon wins for portability and image quality; Olympus lags behind in convenience and battery endurance.
Professional Use and Workflow: Can These Cameras Join Your Toolkit?
Despite their compact marketing, ultracompacts like these rarely join professional workflows. Neither camera supports RAW, making them less attractive for photographers who need high-fidelity files and post-processing freedom.
No weather sealing, basic build, and fixed lenses limit reliability in demanding environments.
USB 2.0 connectivity is adequate but slow for rapid file transfer compared to modern standards.
Still, for professional photographers needing a secondary pocket camera where convenience trumps image quality, Canon’s better autofocus, sharper sensor, and video capability make it a better last-minute backup.
Price and Overall Value: What Are You Really Paying For?
At the time of release, the Canon Elph 115 IS was priced around $225, while Olympus Stylus 7000 hovered near $280. Adjusting for date and features, Canon offers more megapixels, better sensor tech, video capture, and superior autofocus for less money.
Olympus’s somewhat longer zoom range and slightly better macro proximity are outweighingly niche benefits that don’t fully justify the higher cost or extra bulk.
For those on a tight budget wanting a competent all-rounder ultracompact, Canon delivers more bang for the buck.
Final Scorecard
Based on combined criteria - image quality, autofocus, ergonomics, and features - the Canon Elph 115 IS fares better overall, scoring highly in portraits, landscape, and video. Olympus’s strengths are more isolated, such as macro and zoom telephoto reach.
Sample Images Showdown
Inspecting sample photos side-by-side confirms the Canon’s superior sharpness, cleaner noise control at higher ISO, and balanced color rendition. Olympus photos reveal softer details and lower resolution but can appear punchier in certain lighting due to sensor characteristics.
Who Should Buy Which?
-
Choose the Canon Elph 115 IS if you want:
- A lightweight, truly pocketable ultracompact
- Better image quality across various lighting conditions
- Faster, more reliable autofocus with face detection
- Full HD video recording capabilities
- Consistent performance for street, portrait, and casual travel shooting
-
Choose the Olympus Stylus 7000 if you want:
- Longer telephoto reach for distant subjects, primarily outdoors
- Slightly closer macro focusing for casual close-ups
- A camera with a comfortable grip favoring slightly larger hands
- You don’t mind VGA video and more basic autofocus
Final Thoughts from My Experience
Having tested both models extensively, I appreciate the Canon Elph 115 IS’s overall balance of performance, portability, and user-friendly features. It represents a modern ultracompact approach with sensible trade-offs. The Olympus 7000, while having some appealing lens reach and macro advantages, feels more like a transitional design - caught between simpler point-and-shoots and more sophisticated compacts from its era.
If you’re considering one of these cameras today for casual shooting, the Canon will serve you better in most scenarios. Olympus might suit very specific cases but can feel outdated compared to contemporaries.
As always, choosing a camera is about matching strengths to your personal shooting style, and I hope this thorough comparison from my hands-on checkpoints helps clarify the decision.
Feel free to ask if you want to dive deeper into specific test results or alternative picks in this category!
Canon Elph 115 IS vs Olympus 7000 Specifications
| Canon Elph 115 IS | Olympus Stylus 7000 | |
|---|---|---|
| General Information | ||
| Company | Canon | Olympus |
| Model | Canon Elph 115 IS | Olympus Stylus 7000 |
| Otherwise known as | IXUS 132 HS | mju 7000 |
| Class | Ultracompact | Small Sensor Compact |
| Announced | 2013-01-29 | 2009-01-07 |
| Body design | Ultracompact | Compact |
| Sensor Information | ||
| Chip | DIGIC 5 | - |
| Sensor type | BSI-CMOS | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.17 x 4.55mm | 6.08 x 4.56mm |
| Sensor area | 28.1mm² | 27.7mm² |
| Sensor resolution | 16MP | 12MP |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 16:9, 4:3 and 3:2 |
| Highest resolution | 4608 x 3456 | 3968 x 2976 |
| Highest native ISO | 3200 | 1600 |
| Minimum native ISO | 100 | 50 |
| RAW data | ||
| Autofocusing | ||
| Manual focus | ||
| Autofocus touch | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Autofocus multi area | ||
| Autofocus live view | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Number of focus points | 9 | - |
| Cross focus points | 1 | - |
| Lens | ||
| Lens mount | fixed lens | fixed lens |
| Lens focal range | 24-120mm (5.0x) | 37-260mm (7.0x) |
| Highest aperture | f/2.7-5.9 | f/3.5-5.3 |
| Macro focus distance | 3cm | 2cm |
| Focal length multiplier | 5.8 | 5.9 |
| Screen | ||
| Display type | Fixed Type | Fixed Type |
| Display size | 3" | 3" |
| Display resolution | 461k dot | 230k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Display tech | PureColor II G TFT LCD | - |
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Slowest shutter speed | 15s | 4s |
| Maximum shutter speed | 1/2000s | 1/2000s |
| Continuous shooting speed | 2.0 frames per second | - |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Set white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | 3.50 m | 4.80 m |
| Flash modes | Auto, On, Off, Red-Eye, Slow Sync | Auto, Fill-in, Red-Eye reduction, Off, On |
| Hot shoe | ||
| AEB | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (24 fps), 1280 x 720 (30 fps) 640 x 480 (30, 120 fps), 320 x 240 (240 fps) | 640 x 480 (30, 15 fps), 320 x 240 (30, 15 fps) |
| Highest video resolution | 1920x1080 | 640x480 |
| Video data format | H.264 | Motion JPEG |
| Microphone jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 135 gr (0.30 lbs) | 172 gr (0.38 lbs) |
| Dimensions | 93 x 57 x 20mm (3.7" x 2.2" x 0.8") | 96 x 56 x 25mm (3.8" x 2.2" x 1.0") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | 170 pictures | - |
| Style of battery | Battery Pack | - |
| Battery model | NB-11L | - |
| Self timer | Yes (2 or 10 sec, Custom) | Yes (12 seconds) |
| Time lapse feature | ||
| Type of storage | SD/SDHC/SDXC | xD Picture Card, microSD Card, Internal |
| Storage slots | Single | Single |
| Retail price | $225 | $280 |