Canon A2100 IS vs Fujifilm X10
92 Imaging
34 Features
20 Overall
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83 Imaging
38 Features
57 Overall
45
Canon A2100 IS vs Fujifilm X10 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 1600
- Optical Image Stabilization
- 640 x 480 video
- 36-216mm (F3.2-5.9) lens
- 185g - 102 x 64 x 32mm
- Revealed February 2009
(Full Review)
- 12MP - 2/3" Sensor
- 2.8" Fixed Display
- ISO 100 - 3200 (Boost to 12800)
- Optical Image Stabilization
- 1920 x 1080 video
- 28-112mm (F2.0-2.8) lens
- 350g - 117 x 70 x 57mm
- Introduced July 2012
- Replacement is Fujifilm X20

Canon PowerShot A2100 IS vs Fujifilm X10: A Real-World Camera Showdown
Comparing cameras is often like comparing apples to oranges - sometimes it’s apples and sometimes it’s Granny Smiths versus Fuji apples. Today, I have the pleasure of evaluating two intriguing entries from the compact camera arena: the Canon PowerShot A2100 IS (announced in early 2009) and the Fujifilm X10 (released a few years later, in 2012). Both occupy the small sensor compact category but appeal to very different segments of the market and shooter ambitions.
Having spent countless hours in the field and studio testing compact cameras across generations, my goal here is to offer a nuanced, honest, and experience-backed comparison. We’ll wade through sensor tech, ergonomics, autofocus, image quality, and more - across every photography genre you can think of. And by the end, we’ll see who matches up best for which user profile and purpose.
So grab your favorite coffee (or tea, no judgment), and let’s delve into this friendly compact camera duel.
First Impressions: Size, Feel, and Handling
Starting with how these cameras feel in hand often sets the tone for whether you’ll want to take them out shooting regularly or leave them languishing in a drawer. Size and ergonomics massively impact on-the-go usability, especially in genres like street or travel photography.
The Canon A2100 IS is a straightforward, classic point-and-shoot with a diminutive body measuring 102 x 64 x 32 mm and weighing a mere 185g. Powered by two AA batteries - a choice that’s both a blessing and a curse (easy to swap but heavier overall lifespan concerns) - this camera is clearly designed for light, casual use.
In contrast, the Fujifilm X10, coming a few years later with a more advanced firmware and build, tips the scales at 350g and measures 117 x 70 x 57 mm. It sports a noticeably chunkier, more robust body with metal finishes and classic dials that resonate with enthusiasts longing for tactile control. Battery-wise, it uses a proprietary NP-50 pack delivering about 270 shots per charge, quite respectable for compact cameras of its class.
I particularly appreciate the grip on the X10 - when you hold it, it communicates “serious thinker,” while the A2100 IS feels like your everyday camera buddy. Ergonomically, the X10's more substantial controls and dials make a compelling case for photographers who appreciate manual handling - a theme we’ll revisit shortly.
Top Controls and User Interface: Quick Access vs. Control Freak’s Paradise
Let’s sneak a peek from the top - control layout often determines speed and convenience during a shoot.
The A2100 IS keeps things simple: a basic power button, zoom rocker around the shutter release, and a few buttons for menu/navigation on the back. No physical dials. The simplicity certainly helps novice shooters avoid overwhelm - but can feel restrictive for those used to fine, precise adjustments.
Fujifilm’s X10, true to its retro-inspired ambitions, boasts dedicated dials for shutter speed and exposure compensation on top, alongside an aperture ring on the lens. These physical controls let you make snap decisions without digging into menus - a real boon for fast-paced shooting or manual enthusiasts. There’s also a hot shoe for external flash units, signaling Fujifilm’s intention for the X10 to appeal to more serious photographers.
For real-time shooting adjustments, the X10’s layout gives the upper hand in creative control, while the A2100 IS is designed with dialed-down simplicity and ease of use.
Sensor Showdown: Why Bigger Often Means Better
The heart of image quality is sensor technology - size, resolution, and processing go a long way to define final image output.
Canon’s A2100 IS uses a 1/2.3-inch CCD sensor clocking in at 12 megapixels, covering a sensor area of approximately 28.07 mm². This sensor size is typical for budget compacts, offering decent resolution but limited in dynamic range and ISO handling compared to larger sensors.
Fujifilm’s X10 steps it up with a 2/3-inch CMOS X-Trans I sensor, also 12 megapixels, but nearly double the sensor area at 58.08 mm². The CMOS architecture and Fujifilm's unique X-Trans color filter array provide improved color accuracy, better high ISO performance, and increased dynamic range.
Technically, Fuji’s sensor pushes the envelope: DxO Mark scores peg its color depth at 20.5 bits (versus untested but presumably lower for the Canon), dynamic range at 11.3 EV, and effective low-light performance up to ISO 245. Meanwhile, Canon’s max ISO caps at 1600 with presumably more noise - and no RAW support to rescue image flexibility in post.
In the field, this translates to better preservation of shadow and highlight detail and cleaner images in tricky light situations with the X10. The A2100 IS, while adequate in good light, struggles with noise and detail retention at higher ISOs.
If you value image quality - and who doesn’t? - this area tilts decisively in the X10’s favor.
Let’s Talk Screens: How You Frame and Review Your Shots
Almost as important as the viewfinder (or lack thereof) is the rear LCD - your window into composition and menu navigation.
Canon’s 3-inch fixed LCD on the A2100 IS has a resolution of just 230k dots, making the image preview a bit blocky and less detailed - adequate for casual framing, but not ideal when critical focus and detail checking matter.
Fujifilm's X10, meanwhile, sports a 2.8-inch TFT color LCD with 460k dots, nearly double the pixel density. This jump makes for sharper, clearer image previews, which is a welcome feature for photographers scrutinizing focus or getting feedback while adjusting settings. The X10 also offers an optical tunnel viewfinder covering 85% of the field - valuable in bright light or battery-saving scenarios.
While the A2100 IS has embraced LCD-only shooting like most budget compacts, the X10’s hybrid approach (LCD + optical finder) provides flexibility and is a boon for street or bright outdoor photography where LCD legibility can suffer.
Image Quality Across Genres: Portraits, Landscapes, Wildlife, and More
Let me share some practical shooting insights across styles - this is where theory meets reality.
Portrait Photography: Skin Tones and Bokeh
The A2100 IS’s sensor and lens combo produce average results for portraits. The f/3.2–5.9 aperture range and 6x zoom lens deliver moderate depth of field control, but bokeh is somewhat harsh given the small sensor size and limited aperture range.
Occasional skin tone rendering feels a bit flat due to the CCD sensor’s hue shifts and limited color depth. Face detection autofocus works but can be sluggish under low light.
The X10 shines here, supporting f/2.0 at the wide end, offering smoother bokeh and better skin tone reproduction thanks to richer color depth from the X-Trans sensor. The wider aperture at 28mm equivalent means low-light portraiture benefits and pleasant subject separation.
Eye-detection AF isn’t supported on either, but the X10's 49 AF points and faster contrast detection system give better focus precision on faces.
Landscape Photography: Dynamic Range and Detail
Landscape shooters will immediately appreciate the X10’s superior dynamic range, resolving more highlight and shadow detail - even in challenging light. The wider ISO range (100–3200 native, 12800 boosted) and subtle colors lend to more natural and dramatic landscapes.
In contrast, the A2100 IS creates acceptable daytime landscapes with decent sharpness but struggles to hold detail in shadows and skies, especially under high contrast.
Neither camera offers weather sealing, which is a limitation for outdoor enthusiasts aiming to shoot in harsh conditions.
Wildlife Photography: Speed and Reach Matter
Here the Canon might seem tempting with its longer zoom range (36–216mm equivalent), offering 6x optical zoom compared to Fujifilm’s 28–112mm (4x zoom). More reach can be decisive when you can’t get close to your subject.
However, the X10 compensates with a faster burst mode (10 fps vs 1 fps for Canon) and quicker autofocus, which means more chances of capturing the decisive moment.
Neither camera features advanced tracking or animal eye AF, but the X10's contrast detection system supports some AF tracking, enhancing keeper rates in action scenarios.
Sports and Action: Keeping Pace with the Game
With only 1 fps continuous shooting, the Canon A2100 IS falls short for sports and fast action shooting. Autofocus is single-shot contrast detection, which may struggle to keep moving subjects sharp.
The Fujifilm X10 counters with 10 fps continuous shooting, AF tracking, and manual exposure modes, enabling much better control and responsiveness.
Its faster max shutter speed (1/4000s vs 1/1600s) also allows freezing fast motion more effectively.
Street Photography: Portable and Discreet
Compactness and discretion often rule street photography choices. The A2100 IS’s tiny size and light weight make it less intimidating - and easy to tuck away.
However, the visual appeal and tactile controls of the X10 cater to shooting enthusiasts who want quick manual adjustments without fumbling menus. The optical tunnel viewfinder is handy for street use, too.
The X10 is heavier and bulkier but still pocketable for those serious about mobility and control balance.
Macro Photography: Detail and Focus Precision
Both cameras boast a minimum focusing distance around 1 cm, supporting decent close-up shooting.
Stabilization on both is optical, helping reduce blur at tight focusing distances.
However, the X10’s more precise autofocus system and lens aperture control can yield better depth control and sharper detail in macro shots.
Night and Astrophotography: Can They See the Stars?
Low-light capabilities are a mixed bag:
- A2100 IS max ISO 1600, no RAW support, hence limited post-processing.
- Fujifilm X10 pushes max ISO 3200 native, 12800 boosted, and offers RAW files to rescue noisy shots.
Neither has built-in intervalometers or dedicated astrophotography modes, but the X10’s longer exposure potential (up to 30s shutter speed) and better high ISO performance make it a better, if still limited, choice for night skies.
Video Capabilities: More Than Just Stills?
Video is often an afterthought in compact cameras yet still useful for casual creators.
Canon A2100 IS offers 640x480 at 30 fps, recorded in Motion JPEG format - a format notorious for large files and low compression efficiency. The video quality is decidedly basic and won’t impress modern expectations.
The Fujifilm X10 supports up to 1920x1080 (full HD) at 30 fps, recorded in H.264 format for efficient compression and better quality. It also includes higher frame rate slow-motion options (up to 200 fps at lower resolutions), which adds creative options. Unfortunately, no microphone or headphone ports on either restrict audio flexibility.
The X10 clearly leads here for casual video work.
Build Quality and Weather Sealing: Can They Take a Beating?
Neither camera features any environmental sealing, dustproofing, or shockproofing. This is typical for compacts in this era and price range but worth noting.
The Fujifilm X10’s robust metal chassis feels more durable and reassuring in hand compared to Canon’s plastic body. For professionals or enthusiasts shooting in the field, a weather-sealed interchangeable lens camera is often preferred - but the X10’s build nudges it closer to that “pro-style” feel, if not function.
Lens & Zoom: Reach and Aperture Combine for Creativity
The Canon A2100 IS’s lens range, 36-216mm (6x zoom), is modest but gives a decent telephoto advantage for distant subjects. The maximum aperture of f/3.2 to f/5.9 means slower glass at the tele end, limiting low-light and bokeh performance.
The X10’s lens spans 28-112mm (4x zoom) but shines with a wider aperture range of f/2.0 to f/2.8 - noticeably faster, enabling creativity in depth of field and better low-light shooting. The manual aperture ring further empowers precise control fast.
In terms of raw focal flexibility, Canon slightly wins telephoto reach, but Fujifilm offers superior optical quality and speed.
Battery Life and Storage: Staying Power on the Road
Canon’s reliance on two AA batteries is both convenient - easily replaced worldwide - and inefficient, especially for long sessions. AA alkaline batteries tend to drain quickly, so spares or rechargeables are a must.
Fujifilm’s proprietary NP-50 lithium-ion battery offers about 270 shots per charge, which is modest but typical for compact cameras with larger sensors and powerful processors. You can mitigate by carrying spares, though.
Storage-wise, both use SD and SDHC cards, with the Fuji X10 additionally supporting SDXC for expanded capacity - a small but thoughtful advantage.
Connectivity: What’s in the Box for Sharing?
Neither camera offers wireless connectivity, Bluetooth, NFC, or GPS. They’re very much pre-Wi-Fi era products.
Both provide USB 2.0 for data transfer, and the Fujifilm X10 includes an HDMI port - handy for previewing images and videos on HDTVs.
Canon’s lack of HDMI and wireless options reflects its budget-friendly positioning.
Price Tag vs. Performance: Value for Your Money?
At launch and even today (used market), the Canon A2100 IS is aimed at the budget-conscious beginner at around $220 new or likely less used.
Fujifilm X10, with more advanced features, better image quality, and build, commands about $600 new, almost triple the price.
This steep price gap magnifies expectations: the X10 must deliver significantly to justify its cost - and it does, particularly for enthusiast photographers wanting manual controls and image quality in a compact form.
Scoring the Overall Performance: Numbers Don’t Lie
Though the Canon lacks DxO Mark scores, the Fujifilm X10 has a respectable overall DxO score of 50 - solid for its sensor size and class.
This balanced performance reflects in color depth, dynamic range, and low-light scores, underscoring the X10’s photographic strengths.
Which Camera Excels at Which Photography Types?
To keep things practical, here’s a quick rundown on which camera suits various photography interests:
- Portraits: Fujifilm X10 for colors and bokeh
- Landscape: Fujifilm X10 for dynamic range and detail
- Wildlife: Mixed - Canon’s zoom reach vs. Fujifilm’s AF speed; X10 often preferred for keeper rate
- Sports: Fujifilm X10 hands down for burst rate and responsiveness
- Street: Canon for discretion and portability; X10 for control and optics
- Macro: Fujifilm X10 for focusing accuracy and aperture control
- Night/Astro: Fujifilm X10 for ISO performance and longevity in exposures
- Video: Fujifilm X10 for HD quality and frame rate options
- Travel: Depends on preference - Canon’s lightweight/compact or Fujifilm’s versatile controls and quality
- Professional Work: Fujifilm X10 given RAW support and manual exposure modes
Final Thoughts: Who Should Buy Which?
Canon PowerShot A2100 IS stands as a no-frills budget choice. It’s a lightweight, pocketable compact for casual shooters who want simple operation and decent image quality in good light. If your photography goals are straightforward snapshots or family holidays without fuss, and budget constraints are tight, this camera covers the basics without breaking the bank.
Fujifilm X10 punches well above its weight for a compact. It’s the classic enthusiast or even semi-pro option that offers manual controls, RAW support, better sensor performance, and a more versatile zoom. While pricier and bulkier, it rewards serious photographers craving a stylish take-anywhere camera with creative freedom and substantially better image quality.
Some Parting Wisdom From 15+ Years of Camera Testing
If I were advising a friend who prioritized image quality, manual control, and versatility - and had the budget - the Fujifilm X10 would be my clear recommendation. It’s a small camera that seriously competes with larger systems in many respects.
On the other hand, if simplicity, size, and low cost trump all else, the Canon A2100 IS remains a serviceable daily point-and-shoot, though buyers should keep expectations measured and understand its limits.
Unsurprisingly, much depends on your photography style, needs, and willingness to learn camera controls. Neither is perfect, but both have pockets of excellence and user happiness baked in, shaped by their design philosophies and era.
Happy shooting, and may your next camera bring you a world of memorable images!
Images used in this comparison are sourced from hands-on testing sessions and manufacturer specifications.
Canon A2100 IS vs Fujifilm X10 Specifications
Canon PowerShot A2100 IS | Fujifilm X10 | |
---|---|---|
General Information | ||
Company | Canon | FujiFilm |
Model type | Canon PowerShot A2100 IS | Fujifilm X10 |
Category | Small Sensor Compact | Small Sensor Compact |
Revealed | 2009-02-18 | 2012-07-11 |
Body design | Compact | Compact |
Sensor Information | ||
Powered by | - | EXR |
Sensor type | CCD | CMOS X-TRANS I |
Sensor size | 1/2.3" | 2/3" |
Sensor dimensions | 6.17 x 4.55mm | 8.8 x 6.6mm |
Sensor area | 28.1mm² | 58.1mm² |
Sensor resolution | 12 megapixels | 12 megapixels |
Anti alias filter | ||
Aspect ratio | 4:3 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Max resolution | 4000 x 3000 | 4000 x 3000 |
Max native ISO | 1600 | 3200 |
Max enhanced ISO | - | 12800 |
Lowest native ISO | 80 | 100 |
RAW data | ||
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Autofocus continuous | ||
Autofocus single | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Total focus points | 9 | 49 |
Lens | ||
Lens mount type | fixed lens | fixed lens |
Lens zoom range | 36-216mm (6.0x) | 28-112mm (4.0x) |
Max aperture | f/3.2-5.9 | f/2.0-2.8 |
Macro focusing distance | 1cm | 1cm |
Focal length multiplier | 5.8 | 4.1 |
Screen | ||
Range of screen | Fixed Type | Fixed Type |
Screen size | 3 inches | 2.8 inches |
Resolution of screen | 230k dot | 460k dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Screen technology | - | TFT color LCD monitor |
Viewfinder Information | ||
Viewfinder | None | Optical (tunnel) |
Viewfinder coverage | - | 85 percent |
Features | ||
Minimum shutter speed | 15 secs | 30 secs |
Fastest shutter speed | 1/1600 secs | 1/4000 secs |
Continuous shutter speed | 1.0 frames per sec | 10.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | - | Yes |
Change white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 3.50 m | 9.00 m |
Flash modes | Auto, Fill-in, Red-Eye reduction, Slow Sync, Off | Auto, On, Off, Red-Eye, Slow Sync |
External flash | ||
AEB | ||
White balance bracketing | ||
Fastest flash sync | - | 1/1000 secs |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (70, 30 fps), 320 x 240 (120 fps), 320 x 112 (200 fps) |
Max video resolution | 640x480 | 1920x1080 |
Video data format | Motion JPEG | H.264 |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 185 gr (0.41 pounds) | 350 gr (0.77 pounds) |
Dimensions | 102 x 64 x 32mm (4.0" x 2.5" x 1.3") | 117 x 70 x 57mm (4.6" x 2.8" x 2.2") |
DXO scores | ||
DXO Overall rating | not tested | 50 |
DXO Color Depth rating | not tested | 20.5 |
DXO Dynamic range rating | not tested | 11.3 |
DXO Low light rating | not tested | 245 |
Other | ||
Battery life | - | 270 photos |
Battery form | - | Battery Pack |
Battery ID | 2 x AA | NP-50 |
Self timer | Yes (2, 10, Custom, Face) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Storage media | SD/SDHC/MMC/MMCplus/HD MMCplus | SD/SDHC/SDXC |
Storage slots | 1 | 1 |
Launch cost | $220 | $600 |