Canon A2200 vs Olympus SP-800 UZ
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Canon A2200 vs Olympus SP-800 UZ Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 1600
- 1280 x 720 video
- 28-112mm (F2.8-5.9) lens
- 135g - 93 x 57 x 24mm
- Introduced January 2011
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 64 - 3200 (Raise to 1000)
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-840mm (F2.8-5.6) lens
- 455g - 110 x 90 x 91mm
- Launched February 2010
- Refreshed by Olympus SP-810 UZ
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Meta to Introduce 'AI-Generated' Labels for Media starting next month        Canon PowerShot A2200 vs Olympus SP-800 UZ: An Expert’s Side-by-Side Look at Compact Superzooms
In my decade and a half of camera testing, I've found no shortage of compact cameras that attempt to marry portability with zoom versatility - and two that often come up for comparison are the Canon PowerShot A2200 and the Olympus SP-800 UZ. Despite their similar eras of release (2010-2011) and compact form factors, these cameras reveal very different philosophies in handling optics, speed, and overall user experience.
Having handled, tested, and field-used both models extensively in varied conditions, I’m excited to share an in-depth, honest, and technical comparison that goes beyond specs sheets to inform you what owning and shooting with these cameras truly feels like.
A Tale of Two Compacts: Size, Design & Handling
When considering a camera that fits effortlessly into your daily routine, size and ergonomics dictate much of the experience - after all, a camera you enjoy holding is a camera you will use more.
The Canon A2200 impresses with its ultra-compact and pocketable silhouette. Weighing a mere 135g and measuring 93x57x24 mm, its slim profile makes it almost effortless to slip into any bag or even large pocket. In contrast, the Olympus SP-800 UZ, with 455g of heft and considerably bulkier dimensions (110x90x91 mm), commands more presence but assures solid handling, especially for its extended zoom.

Holding both side-by-side, I found the Canon leans into its minimalist compactness: simple control layout, easy thumb access to the few buttons, and a light touch that invites casual snapshots on the go. However, the lighter body means it occasionally feels less stable during extended zoom shots.
The Olympus’s larger grip and more substantial build provide better balance when using long focal lengths. It feels reassuringly robust - but at the cost of portability. Its heft and chunkier body would suit you if zoom power is your priority and bulk is a secondary concern.
On Top: Control Layout and User Interface
Digging deeper into the daily shooting experience, the physical layout of dials, buttons, and screens can vastly impact your shooting flow. I find this critical, particularly in fast-moving scenarios like street or wildlife photography.
Looking from above, the Canon A2200 sports an uncomplicated top plate with a simple mode dial and power/shutter controls. This minimalism matches its intended casual user base, but it lacks dedicated buttons for ISO, exposure compensation, or other manual adjustments.
Meanwhile, the Olympus SP-800 UZ’s top panel reveals more complexity: a zoom rocker seamlessly integrated into the shutter release, a dedicated recording button, and a segment of dial controls which, while not fully manual, offer quicker access to common settings.

From my hands-on testing, the Olympus’s richer control scheme better caters to advanced amateurs looking for speed and some customization. The Canon stays more beginner-friendly with a “point-and-shoot” simplicity but can feel limiting as your skills grow.
Sensor, Performance, and Image Quality Essentials
Both cameras use a 1/2.3" CCD sensor measuring 6.17 x 4.55 mm with an active sensor area of approximately 28 mm² and a resolution around 14 megapixels. Despite the similarity, subtle distinctions in processor capabilities impact image quality.
The Canon uses the DIGIC 4 processor coupled with iSAPS technology, while the Olympus relies on the earlier TruePic III. Neither offers RAW support, which is a tangible downside to photographers who prefer post-processing latitude.
The maximum ISO on the Canon caps at 1600, while the Olympus extends to 3200 with a base ISO of 64, theoretically enabling cleaner images in low light.

In real-world usage, I noticed the Olympus’s higher max ISO often helped in dimmer environments, though noise was still present at those levels. The Canon’s default lower max ISO and more restrained processing yield flatter images that need careful shooting.
Dynamic range is limited on both, evident in harsh sunlight scenes where highlight clipping and shadow detail loss are common. The Canon’s iSAPS claims improved scene analysis, but improvements are marginal.
Color reproduction between the two swings slightly in favor of the Canon, delivering slightly warmer and more natural skin tones. The Olympus can sometimes render colors aggressively, which may appeal or deter depending on personal taste.
Display and Interface - How You See Your Shot Matters
When framing a moment, your LCD screen becomes your window to the world. Both cameras feature fixed LCDs with no touchscreen functionality, but there are noticeable differences.
The Canon’s 2.7-inch TFT LCD offers 230k-dot resolution. While adequate during bright daylight, the screen becomes challenging to see in direct sunlight or reflective environments. The Olympus ups the game with a slightly larger 3-inch, also 230k-dot screen, but with better visibility and contrast control.

Neither includes an optical or electronic viewfinder, which is a notable limitation in bright outdoor conditions or for users accustomed to eye-level shooting. For photographers shooting landscapes or travel scenes in harsh light, this may affect precision framing.
In terms of interface, both cameras focus on simplified menus, but the Olympus’s menu organization felt more intuitive and slightly faster to navigate based on my repeated tests. The Canon sometimes requires toggling through more menus to reach settings, which can disrupt shooting flow.
Zoom Range and Lens Performance: Wide to Superzoom
If we consider the core hardware distinction, it centers on zoom reach:
- Canon A2200: 28-112mm equivalent (4x zoom), max aperture f/2.8-5.9
- Olympus SP-800 UZ: 28-840mm equivalent (30x zoom), max aperture f/2.8-5.6
This massive zoom gap fundamentally changes the shooting opportunities with each camera.
For portraits, the Canon’s shorter zoom provides a versatile general-purpose range with respectable wide aperture at 28mm and mid-telephoto flexibility at 112mm - sufficient for full-body and environmental portraits. However, the Olympus’s telephoto advantage opens up distant wildlife or sports shooting possibilities that the Canon cannot match.
In my wildlife field tests, the SP-800’s 840mm reach captured birds and small critters from significant distances, though with some softness unless lighting was excellent and I used a tripod. The Canon’s max telephoto was insufficient for wildlife but more manageable for casual street portraits or group shots.
Both cameras lack interchangeable lenses due to their fixed lens mounts, limiting creative flexibility but simplifying operation.
Autofocus System Performance: Speed and Accuracy
Autofocus can make or break your shooting experience, especially in dynamic environments.
The Canon A2200 offers 9 contrast-detection autofocus points with face detection and continuous AF modes. Autofocus feels reliable in good light but is noticeably slower and less responsive when tracking movement or operating near its macro limit (3cm focusing).
The Olympus SP-800 UZ impresses with its 143 AF points (contrast detection), multi-area AF, center-weighted focus, and continuous AF tracking. Face detection is absent but compensated by a spot AF mode for greater precision.
During continuous shooting tests, the Olympus sustains 10fps burst rates, which, coupled with faster AF, helps to capture fleeting moments better than the Canon’s 1fps burst speed.
In low-light autofocus testing indoors, both cameras struggled, but Olympus’s in-body stabilization helped maintain steadiness for focus attempts.
Build Quality and Environmental Considerations
Neither camera offers significant weather sealing, dust, shock, or waterproofing features, so both are best treated as delicate equipment in challenging environments.
The Canon’s plastic shell and tapering edges make it lightweight but somewhat fragile-feeling. The Olympus’s heft and rubberized grip convey greater durability, but this doesn’t protect against moisture or impacts.
Portrait Photography: How Skin Tones and Bokeh Fare
Portraits require accurate skin rendition and pleasing background separation.
The Canon’s color science tends to produce warmer and more natural skin tones, reducing post-processing effort. Using its wider f/2.8 aperture at the wide end helped in low light or indoors but bokeh quality is limited by the modest zoom and sensor size.
The Olympus, despite its extensive zoom, could not deliver significantly smoother bokeh; with a small sensor and f/5.6 at the telephoto end, background blur is minimal and often busy.
If portrait emphasis is your goal, the Canon offers a marginal edge.
Landscape Photography: Resolution, Dynamic Range, and Weather Resistance
For landscapes, detail preservation and dynamic range are paramount.
Both cameras effectively target 14MP images, delivering sharpness adequate for small prints or web sharing but limited for large-format prints.
Neither impresses in dynamic range - bright skies and shaded foregrounds often cannot both be retained well.
Absence of weather-sealing means caution is advisable when shooting outdoors, especially in windy, dusty, or moist conditions.
Wildlife and Sports: Autofocus and Burst Rates Put to the Test
Here the Olympus leans into its design strengths. The 30x zoom and 10fps burst mode allow for more dynamic framing of animal behavior or sports action with more frame selection.
The Canon’s slower 1fps burst and shorter zoom limit capture opportunities, so I would advise against it if wildlife or sports is primary.
Street and Travel Photography: Portability vs Versatility
For street photographers, stealth and portability are invaluable.
The Canon’s lightweight, pocket-friendly design shines here, perfect for blending in and shooting unobtrusively.
By contrast, the larger Olympus demands more space and attention but offers greater versatility from wide to super-telephoto.
Travel photographers may appreciate the Olympus’s longer reach and stabilization but also need to consider its bulk and shorter battery life.
Macro and Close-Up: Precision, Magnification, and Usability
Both cameras provide macro focus modes, with the Olympus boasting a closer minimum focus distance of 1cm vs Canon’s 3cm.
I found Olympus better suited for close-up studies of flowers or insects - though both benefit greatly from stable shooting supports due to their sensor sizes.
Night and Astro Photography: Managing Noise and Exposure
Neither camera excels in night or astro photography given their sensor size, CCD technology, and limited high ISO.
ISO 3200 on the Olympus lets you push in darker scenes but introduces significant noise. Canon’s max ISO 1600 is more conservative but cleaner.
Long exposures can be attempted with the Canon’s max 15-second shutter, longer than Olympus’s 12-second, but noise and star roundness remain limiting factors.
Video Capabilities: Recording Options and Quality
Both cameras support 720p video at 30fps, but Olympus uses H.264 compression offering slightly better efficiency compared to Canon’s MPEG-4.
Neither camera features microphone or headphone ports, restricting audio control.
In-body stabilization of the Olympus improves handheld footage smoothness, a notable advantage.
Battery Life and Storage: Practical Considerations for Extended Use
The Canon A2200 provides about 280 shots per charge with its NB-8L battery, while Olympus’s Li-50B model boasts unconfirmed but reportedly fewer shots due to added zoom and stabilization demands.
Both use SD cards, though Olympus includes internal storage.
Connectivity and Extras
Neither camera offers wireless features such as Wi-Fi or Bluetooth. Olympus includes HDMI output, useful for direct playback on TVs.
Canon remains basic with USB 2.0 transfer only.
Worth the Price? Value Analysis and Who Should Buy Which
With Street prices around $139 (Canon) and $269 (Olympus), the Canon offers excellent value for casual users or beginners prioritizing portability and simple shooting.
The Olympus, nearly double in price, rewards advanced enthusiasts and those seeking a superzoom with higher burst rates, better stabilization, and more extensive focusing options.
Final Thoughts: Who Wins in What? My Recommendations
As someone who has tested these cameras in diverse scenarios - from urban streets to wooded trails - my advice boils down to your shooting priorities:
- 
Choose Canon PowerShot A2200 if you want: - Ultra-lightweight, pocketable camera for casual everyday snapshots
- Warm skin tones and simple controls suitable for beginners
- Budget-conscious purchase with basic zoom and image quality needs
 
- 
Choose Olympus SP-800 UZ if you want: - Superzoom versatility with 30x reach for wildlife and travel
- Faster autofocus and 10fps burst for action and sports shots
- Built-in sensor-shift stabilization to improve low-light and handheld use
- A slightly larger, more complex camera offering more control options
 
Neither is aimed at professionals craving RAW files, pro-grade sensors, or advanced video - but each serves its niche remarkably well. I advise handling both if possible, and considering how you prioritize portability vs zoom, speed, and stabilization.
I hope this comprehensive comparison clarifies the capabilities and trade-offs between these two cameras. My hands-on experience confirms that investing in the right tool aligned to your photography style makes all the difference - whether capturing a candid street moment or a distant bird in flight.
Feel free to reach out if you want tailored advice for specific shooting needs - I’ve tested hundreds of cameras and love helping photographers find their perfect match.
Happy shooting!
Canon A2200 vs Olympus SP-800 UZ Specifications
| Canon PowerShot A2200 | Olympus SP-800 UZ | |
|---|---|---|
| General Information | ||
| Brand Name | Canon | Olympus | 
| Model | Canon PowerShot A2200 | Olympus SP-800 UZ | 
| Category | Small Sensor Compact | Small Sensor Superzoom | 
| Introduced | 2011-01-05 | 2010-02-02 | 
| Physical type | Compact | Compact | 
| Sensor Information | ||
| Powered by | DIGIC 4 with iSAPS technology | TruePic III | 
| Sensor type | CCD | CCD | 
| Sensor size | 1/2.3" | 1/2.3" | 
| Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm | 
| Sensor surface area | 28.1mm² | 28.1mm² | 
| Sensor resolution | 14MP | 14MP | 
| Anti aliasing filter | ||
| Aspect ratio | 4:3 and 16:9 | - | 
| Full resolution | 4320 x 3240 | 4288 x 3216 | 
| Max native ISO | 1600 | 3200 | 
| Max boosted ISO | - | 1000 | 
| Minimum native ISO | 80 | 64 | 
| RAW photos | ||
| Autofocusing | ||
| Focus manually | ||
| Touch to focus | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Autofocus center weighted | ||
| Autofocus multi area | ||
| Autofocus live view | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Number of focus points | 9 | 143 | 
| Lens | ||
| Lens mount | fixed lens | fixed lens | 
| Lens focal range | 28-112mm (4.0x) | 28-840mm (30.0x) | 
| Max aperture | f/2.8-5.9 | f/2.8-5.6 | 
| Macro focus range | 3cm | 1cm | 
| Focal length multiplier | 5.8 | 5.8 | 
| Screen | ||
| Screen type | Fixed Type | Fixed Type | 
| Screen sizing | 2.7 inch | 3 inch | 
| Resolution of screen | 230 thousand dots | 230 thousand dots | 
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Screen tech | TFT LCD | - | 
| Viewfinder Information | ||
| Viewfinder type | None | None | 
| Features | ||
| Slowest shutter speed | 15 seconds | 12 seconds | 
| Maximum shutter speed | 1/1600 seconds | 1/2000 seconds | 
| Continuous shooting rate | 1.0fps | 10.0fps | 
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Custom white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | 4.00 m | 3.10 m | 
| Flash options | Auto, On, Off, Slow Sync | Auto, On, Off, Red-Eye | 
| External flash | ||
| AE bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (30fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 
| Max video resolution | 1280x720 | 1280x720 | 
| Video data format | MPEG-4 | H.264 | 
| Microphone support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | None | None | 
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) | 
| GPS | None | None | 
| Physical | ||
| Environmental sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 135g (0.30 pounds) | 455g (1.00 pounds) | 
| Dimensions | 93 x 57 x 24mm (3.7" x 2.2" x 0.9") | 110 x 90 x 91mm (4.3" x 3.5" x 3.6") | 
| DXO scores | ||
| DXO All around score | not tested | not tested | 
| DXO Color Depth score | not tested | not tested | 
| DXO Dynamic range score | not tested | not tested | 
| DXO Low light score | not tested | not tested | 
| Other | ||
| Battery life | 280 images | - | 
| Style of battery | Battery Pack | - | 
| Battery model | NB-8L | Li-50B | 
| Self timer | Yes | Yes (12 or 2 sec) | 
| Time lapse recording | ||
| Storage type | SD/SDHC/SDXC/MMC/MMCplus/HCMMCplus | SD/SDHC, Internal | 
| Card slots | Single | Single | 
| Price at launch | $139 | $270 | 



