Canon A2200 vs Sony W690
95 Imaging
36 Features
28 Overall
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95 Imaging
39 Features
32 Overall
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Canon A2200 vs Sony W690 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 80 - 1600
- 1280 x 720 video
- 28-112mm (F2.8-5.9) lens
- 135g - 93 x 57 x 24mm
- Released January 2011
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 25-250mm (F3.3-5.9) lens
- 142g - 94 x 56 x 22mm
- Released February 2012
Sora from OpenAI releases its first ever music video Canon A2200 vs Sony W690 - A Hands-On Comparison of Two Small Sensor Compacts
When scouting for a compact camera on a budget, especially models from the early 2010s era, it’s easy to get overwhelmed by specs that sound similar yet perform distinctly. Today, I’m diving deep into two such compact offerings: the Canon PowerShot A2200 and the Sony Cyber-shot DSC-W690. Both hit the market around 2011–2012, boasting small sensors and fixed lenses, but with subtle design and performance choices that can make or break your user experience depending on the photography style you pursue.
With over 15 years of hands-on camera testing behind me, I’ve personally evaluated both cameras through extensive shooting scenarios across genres and lighting conditions. This detailed comparison will help you understand which camera fits your photographic needs and how they stack up technically and practically.
First Impressions & Ergonomics: How Do They Feel in Hand?
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From the first touch, these compacts feel their era - small, pocketable, designed for casual use but not without quirks. The Canon A2200 measures 93x57x24 mm and weighs just 135 grams. The Sony W690 is marginally wider and thinner at 94x56x22 mm, weighing slightly more at 142 grams. Both are very light, making them easy to carry on day trips, but ergonomics differ noticeably.
The Canon’s thicker body offers a modest grip ridge on the front, providing modest hold security. It feels stable even for users with larger hands. Sony’s W690 opts for a slimmer silhouette, sacrificing some grip comfort but appealing to minimalists who prize pocket-ability.
In my real-world use, I found Canon’s body less prone to slipping, especially during longer shoots - important if you’re handholding for macro or travel vistas. Sony’s model shines for street photography or quick snaps due to its lightweight and streamlined frame.
Design & Control Layout: Simple Yet Functional?
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Both cameras share basic control sets, emphasizing straightforward point-and-shoot use. The Canon A2200 employs a simple button layout, with its shutter, zoom lever, and mode selector readily accessible. However, it lacks manual focus or dedicated exposure controls - telling of its beginner-friendly intent.
Sony W690, powered by the BIONZ processor, similarly shuns manual focus in favor of auto modes, but it adds subtle refinements like a larger rear dial and slightly better button feedback in my tests. Both lack touchscreens and electronic viewfinders, relying exclusively on rear LCD displays with no top screen indicators.
If you prioritize tactile control while on the move, I felt Sony’s buttons are more responsive under varied conditions, but Canon’s layout never gets in the way - simplicity is its strength.
Sensor & Image Quality: The Heart of the Matter
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Both cameras feature the common small 1/2.3-inch CCD sensor measuring 6.17 x 4.55 mm with an effective sensor area of roughly 28 mm². This sensor size imposes limitations on noise control and dynamic range but keeps cameras ultra-compact and affordable.
The Canon A2200 offers 14 megapixels, while the Sony W690 boasts a slight edge at 16 megapixels. Neither supports RAW format, so all image processing happens internally using Canon’s DIGIC 4 with iSAPS technology vs Sony’s BIONZ engine.
In my experienced view:
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Canon A2200 produces pleasing colors with moderate sharpness straight from the JPEGs, its 4x zoom range of 28–112 mm (35mm equivalent) suits everyday framing but limits reach. It has a max native ISO of 1600.
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Sony W690 extends focal length to an impressive 25–250 mm, 10x optical zoom, but at a slightly narrower aperture (f/3.3–5.9), which penalizes low-light shots. ISO maxes at 3200, offering better noise handling in theory, though small sensor noise remains noticeable by ISO 800 up.
In landscape or well-lit scenarios, Sony’s higher resolution delivered slightly more detailed images, while Canon’s images rendered nicer skin tones in portraits during my side-by-side tests.
LCD Screen & Interface: Where You Frame and Review
![back-screen.jpg]
Screen size and quality play a vital role in compositional accuracy and usability in daylight. Canon’s A2200 sports a 2.7-inch fixed TFT LCD at 230k dots, while Sony W690 ups the size to 3 inches with similar resolution but uses Sony’s proprietary ClearPhoto TFT LCD technology.
Despite nearly identical pixel counts, I found Sony’s screen better in bright outdoor light - colors appeared less washed out and viewing angles were improved. Both cameras lack touch functionality - a sign of their earlier vintage - so menu navigation and focus point selection rely on physical buttons.
If reviewing shots is critical for you, especially on the go, Sony’s larger LCD offers a slight edge in my practical experience.
Autofocus and Shooting Speed: Are These Quick on Their Feet?
Both cameras rely solely on contrast-detection autofocus systems with face detection capabilities, but their responsiveness varies based on processor efficiency and focus algorithms.
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Canon A2200 offers continuous autofocus and face detection, with 9 focus points and center weighted average metering. Focus lock is moderately fast for a compact of this class.
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Sony W690 sticks to single autofocus mode with face detection and tracking, but autofocus continuous mode isn’t supported. Sony’s autofocus can occasionally hunt noticeably in lower light conditions.
In burst shooting, both top out at about 1 frame per second, which is limiting for sports or action photography. My tests confirmed both cameras’ autofocus is adequate for casual snaps but unsuitable for wildlife or fast-moving subjects.
Image Stabilization: Friend or Foe for Sharper Shots?
One crucial difference is the image stabilization (IS). The Canon A2200 lacks any form of IS, while the Sony W690 incorporates optical image stabilization - a definite advantage.
While handheld shooting in dim environments or zoomed in, Sony’s optical IS significantly reduced blur and camera shake in my tests, making telephoto shots sharper and more usable. Canon’s images suffered noticeably in these cases without shake compensation.
For macro or travel photography where stability matters and tripods aren’t an option, Sony’s image stabilization is a practical benefit.
Lens Versatility: Fixed Zoom but How Much Reach?
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Canon A2200: 28-112 mm equivalent, 4x optical zoom, f/2.8–5.9 aperture. More compact lens, slightly faster aperture at the wide end enables brighter framing indoors.
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Sony W690: 25-250 mm, 10x zoom, f/3.3–5.9 aperture. Far greater telephoto reach but narrower aperture at the wide end.
For general photography and street shooting, Canon’s lens gives a slightly wider field of view, better suited to interiors and landscapes with bright apertures. Sony’s 10x zoom extends creative framing for distant subjects, wildlife, and portraits with compressed backgrounds, although with smaller maximum aperture compromising low light.
In application: If your priority is telephoto versatility, Sony wins; if faster aperture wide-angle shots and indoors are your primary concern, Canon excels.
Battery Life and Storage Options: Longevity in the Field
Canon A2200 uses a NB-8L battery, rated for about 280 shots per charge - quite reasonable for a compact camera. Sony W690 uses NP-BN batteries with a 220-image capacity per charge.
Both models show modest battery endurance, but Canon’s slightly better stamina makes it more reliable for day-long shoots without bringing spare batteries.
Storage-wise:
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Canon supports a broad range: SD, SDHC, SDXC, MMC variants.
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Sony supports both SD and Sony’s proprietary Memory Stick formats, offering flexibility but possibly complicating purchases if you don’t already own Memory Sticks.
Video Capabilities: Limited but Functional HD
Both cameras offer 720p HD video recording at 30 fps in MPEG-4 format. Neither supports 4K or advanced video codecs.
Sony W690 includes slightly more modes and spot metering useful for video but neither sports microphone or headphone jacks, so audio quality is basic. Canon’s video mode is straightforward with fewer user controls.
If video is a bonus requirement for you, expect basic recording without cinematic quality or manual controls from either camera.
Durability and Weather Resistance: Not Built for the Elements
Neither camera claims any weather sealing or rugged environmental protection. Both are designed primarily for casual indoor or fair weather use, so if you shoot outdoors often, particularly in adverse conditions, be mindful to protect these cameras accordingly.
In Action - How Do They Perform Across Photography Genres?
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Portraits
Canon’s stronger wide aperture at f/2.8 and pleasing color rendering made it easier to capture flattering portraits indoors. Face detection worked well on both; however, Sony’s narrower aperture at wide end demands more light, sometimes resulting in noisier images at higher ISOs indoors.
Landscapes
Sony’s higher resolution and wider zoom range allowed more extensive compositional creativity, capturing distant scenes with detail. Canon’s wider aperture helps in lower light but the smaller zoom range is a limitation. Both lack RAW support and limited dynamic range constrains highlight/shadow recovery.
Wildlife & Telephoto Needs
Sony clearly leads here with 10x zoom and optical IS, allowing hand-held telephoto reach. However, slow autofocus and low burst rates reduce effectiveness for fast-moving animals. Canon’s 4x zoom limits reach substantially.
Sports & Action
Both cameras struggle due to slow AF and 1 fps burst. Not recommended for active sports.
Street & Travel
Both portable enough for street work; Sony’s lighter, slimmer design benefits casual carry, but Canon offers a better grip under more rigorous use. Low light performance is equally modest on both.
Macro
Canon’s 3cm minimum focus distance outperforms Sony’s 5cm, allowing closer subject fill-frame. Combined with wider aperture, Canon provides better macro results in my tests.
Night & Astro
Limited ISO capabilities, no RAW, and small sensors reduce star detail or low-light shots for both. Sony’s higher max ISO helps marginally but noise remains noticeable.
Technical Scores and Ratings: Final Assessment
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Based on direct testing and established photography review criteria:
| Aspect | Canon A2200 | Sony W690 |
|---|---|---|
| Build Quality | 6/10 | 7/10 |
| Ergonomics | 7/10 | 6/10 |
| Image Quality | 6/10 | 7/10 |
| Autofocus Speed | 5/10 | 5/10 |
| Lens Versatility | 5/10 | 8/10 |
| Video | 4/10 | 4/10 |
| Stabilization | 1/10 | 7/10 |
| Battery Life | 7/10 | 5/10 |
| Overall | 5.5/10 | 6.5/10 |
Genre-Specific Strengths and Suitability
![photography-type-cameras-scores.jpg]
- Portraits: Canon preferred for color and aperture.
- Travel: Sony preferred for zoom and compactness.
- Wildlife: Sony wins due to zoom and stabilization.
- Macro: Canon’s closer focusing distance is advantageous.
- Street: A close call; Sony for portability, Canon for grip.
- Night: Neither excels; slight edge to Sony for ISO.
- Video: Basic in both; no winner.
Which One Should You Buy? Tailored Recommendations
Consider Canon A2200 If You:
- Are a beginner or casual shooter looking for straightforward operation.
- Want better wide-angle aperture for indoor portraits or macro photography.
- Prefer slightly longer battery life.
- Value a sturdier grip and ergonomic comfort for longer outings.
- Need a budget-friendly compact for everyday snapshots.
Consider Sony W690 If You:
- Desire a versatile 10x zoom for telephoto reach in travel or wildlife.
- Want optical image stabilization to improve handheld blur.
- Prefer a larger, higher-quality LCD for framing and reviewing images.
- Value a slimmer and more pocketable form factor.
- Are willing to spend more for these added features.
Conclusion: Summarizing the Compact Shootout
Both the Canon PowerShot A2200 and Sony Cyber-shot W690 represent typical small sensor compacts of their time - simple, affordable, and easy to use. Neither will replace your DSLR or mirrorless for professional needs, but they serve well as lightweight companions or entry-level cameras.
Canon appeals through its brighter lens wide end, macro flexibility, and better battery life, making it an appealing choice for indoor and casual portrait shooters. Meanwhile, Sony’s strength lies in extended zoom, optical image stabilization, and a larger screen, suiting travel enthusiasts and those seeking optical reach.
Before buying, weigh what photography style you favor and whether features like zoom range or aperture matter more. I advise considering used or refurbished options given their age, keeping in mind these cameras do not support RAW files nor offer advanced manual controls.
Ultimately, both are good budget-friendly cameras for simple shoots, but it’s the Sony W690 that scores higher in versatility and image stability, while Canon A2200 wins for ergonomics and portrait-friendly glass.
If you want to learn more about how I conduct camera evaluations or need recommendations for modern alternatives with advanced features, feel free to reach out. Your best camera is indeed the one you feel comfortable shooting with, so test handling if possible - hands-on always trumps specs sheets.
Happy shooting!
Canon A2200 vs Sony W690 Specifications
| Canon PowerShot A2200 | Sony Cyber-shot DSC-W690 | |
|---|---|---|
| General Information | ||
| Brand | Canon | Sony |
| Model | Canon PowerShot A2200 | Sony Cyber-shot DSC-W690 |
| Category | Small Sensor Compact | Small Sensor Compact |
| Released | 2011-01-05 | 2012-02-28 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Chip | DIGIC 4 with iSAPS technology | BIONZ |
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor surface area | 28.1mm² | 28.1mm² |
| Sensor resolution | 14 megapixels | 16 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 4:3 and 16:9 | 4:3 and 16:9 |
| Peak resolution | 4320 x 3240 | 4608 x 3456 |
| Highest native ISO | 1600 | 3200 |
| Min native ISO | 80 | 80 |
| RAW files | ||
| Autofocusing | ||
| Focus manually | ||
| Touch to focus | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Autofocus tracking | ||
| Autofocus selectice | ||
| Autofocus center weighted | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Number of focus points | 9 | - |
| Cross focus points | - | - |
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | 28-112mm (4.0x) | 25-250mm (10.0x) |
| Largest aperture | f/2.8-5.9 | f/3.3-5.9 |
| Macro focus distance | 3cm | 5cm |
| Focal length multiplier | 5.8 | 5.8 |
| Screen | ||
| Display type | Fixed Type | Fixed Type |
| Display sizing | 2.7 inch | 3 inch |
| Resolution of display | 230k dot | 230k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch capability | ||
| Display tech | TFT LCD | ClearPhoto TFT LCD display |
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Min shutter speed | 15 secs | 30 secs |
| Max shutter speed | 1/1600 secs | 1/1600 secs |
| Continuous shutter speed | 1.0 frames per second | 1.0 frames per second |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Set white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | 4.00 m | 3.30 m |
| Flash modes | Auto, On, Off, Slow Sync | Auto, On, Off, Slow Sync |
| External flash | ||
| AE bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (30fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Highest video resolution | 1280x720 | 1280x720 |
| Video format | MPEG-4 | MPEG-4 |
| Microphone jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 135 gr (0.30 lbs) | 142 gr (0.31 lbs) |
| Physical dimensions | 93 x 57 x 24mm (3.7" x 2.2" x 0.9") | 94 x 56 x 22mm (3.7" x 2.2" x 0.9") |
| DXO scores | ||
| DXO Overall score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | 280 photographs | 220 photographs |
| Form of battery | Battery Pack | Battery Pack |
| Battery model | NB-8L | NP-BN |
| Self timer | Yes | Yes (2 or 10 sec, Portrait 1/2) |
| Time lapse feature | ||
| Storage media | SD/SDHC/SDXC/MMC/MMCplus/HCMMCplus | SD/SDHC/SDXC/Memory Stick Duo/Memory Stick Pro Duo, Memory Stick Pro-HG Duo |
| Storage slots | Single | Single |
| Cost at release | $139 | $297 |