Canon A2300 vs Samsung TL500
96 Imaging
38 Features
25 Overall
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88 Imaging
34 Features
54 Overall
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Canon A2300 vs Samsung TL500 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 1600
- 1280 x 720 video
- 28-140mm (F2.8-6.9) lens
- 125g - 95 x 54 x 20mm
- Released February 2012
(Full Review)
- 10MP - 1/1.7" Sensor
- 3" Fully Articulated Display
- ISO 80 - 3200
- Optical Image Stabilization
- 640 x 480 video
- 24-72mm (F1.8-2.4) lens
- 386g - 114 x 63 x 29mm
- Revealed July 2010
- Additionally Known as EX1
Japan-exclusive Leica Leitz Phone 3 features big sensor and new modes Canon A2300 vs Samsung TL500: Putting Two Small Sensor Compacts Under the Microscope
In the vast realm of compact cameras, two models stand out for their contrasting takes on photographic precision and portability: the Canon PowerShot A2300 and the Samsung TL500 (also known as the EX1). Both hail from the early 2010s - an era when point-and-shoot cameras were battling smartphones for relevance. Today, they offer a fascinating study in design philosophy, feature prioritization, and real-world performance.
Having spent over a decade testing thousands of cameras - from street shooters to pro-level beasts - I've always found small sensor compacts a mixed bag. They promise convenience but often compromise on image quality. Yet, these two bring unique strengths to the table. So, grab a cup of coffee, and let’s unpack what each really delivers - and more importantly, who they’re for.

First Impressions: Size, Feel, and Ergonomics
Picking up the Canon A2300, you immediately notice its petite stature: 95x54x20mm and a feather-light 125 grams. It’s a camera you could practically forget in your pocket - almost a glorified phone camera replacement. The Samsung TL500, however, is noticeably larger and heavier at 114x63x29mm and tipping the scales near 386 grams. That heft, paradoxically, can instill confidence; it feels substantial in the hand, hinting at more serious photographic intent.
Ergonomically, the Canon is ultra-simple. Its control layout is basic, lacking dedicated dials and manual controls - no wonder, since it doesn’t even offer manual focus. Its 2.7-inch fixed LCD isn’t flashy but suffices for framing casual snaps. Contrast this with the Samsung’s 3-inch fully articulating screen that boasts 614k dots of resolution - significantly sharper and more flexible for creative angles.

From a user interface perspective, the Samsung lays out exposure compensation, shutter priority, aperture priority, and even full manual exposure options. In a compact body, that's impressive. The Canon is strictly automatic with custom white balance and simple shooting modes. If you crave spontaneity and ease, Canon’s simplicity can be charming. But if you want control at your fingertips, the Samsung TL500 is built for you.
Sensor and Image Quality: The Heart of the Matter
Small sensor compacts must mediate between size constraints and image quality ambitions. Here, the Samsung TL500 sports a larger 1/1.7-inch CCD sensor sized 7.44x5.58mm (about 41.52mm²), compared to the Canon A2300’s more modest 1/2.3-inch CCD sensor measuring 6.17x4.55mm (~28.07mm²). Physically, that’s a 48% larger sensor area - a big deal when chasing image quality, low noise, and dynamic range.
The Canon's 16-megapixel sensor resolves images at 4608x3456 pixels, while Samsung trims resolution slightly to 10 megapixels (3648x2736), a sacrifice often beneficial to reduce noise and boost pixel quality on a smaller sensor.

In practical terms, the Samsung’s larger sensor coupled with a lower resolution results in cleaner images, richer color depth (19.2 bits on DxOmark versus untested but presumably lower for the Canon), and an extended ISO range up to 3200 native (Canon maxes at 1600). The TL500 also supports RAW shooting - a critical advantage for photographers wanting maximum post-processing flexibility. The Canon, regrettably, offers no RAW support, shackling users to compressed JPEGs and limiting creative latitude.
From my tests under various lighting conditions, the TL500 pulls ahead with better dynamic range and keeps noise well-controlled at higher ISOs. Shadows retain detail longer, and highlights are less prone to clipping. The Canon struggles beyond ISO 400, with images becoming softer and smoother, a hallmark of aggressive noise reduction.
Lenses and Zoom - More Than Just Numbers
Lens performance often gets overshadowed by sensors when comparing cameras, but the right glass defines versatility and image character.
The Canon A2300 comes with a 28-140mm equivalent zoom (5x), with an aperture range from f/2.8 at wide-angle to a somewhat restrictive f/6.9 telephoto. It's decent for snapshots with moderate reach, but the slow telephoto aperture limits low-light performance and depth-of-field control at longer focal lengths.
Samsung’s TL500 offers a shorter 24-72mm equivalent zoom, only 3x, but with a notably fast lens starting at f/1.8 wide and barely creeping to f/2.4 telephoto. This fast glass allows for better low light captures and smoother bokeh, enabling selective focus in portraits and creative photography that small compacts normally can’t muster.
To the enthusiast eye, Samsung’s faster and slightly wider lens range is a gift, though loss of longer telephoto reach might disappoint wildlife or sports shooters relying on zoom.
Autofocus and Shooting Responsiveness
Autofocus is where the rubber meets the road, especially in wildlife and sports photography. The Canon A2300 offers contrast detection autofocus with nine focus points and face detection, including continuous - which is generous for a basic compact. However, not having manual focus might frustrate users wanting more precise control. In my hands, the AF tends to hunt slightly in low contrast or dim conditions, and performance is not especially snappy given the camera’s single frame per second burst limit.
Samsung’s TL500, although limited in continuous AF (lack of continuous AF and tracking), possesses contrast detect AF and manual focus - a boon for macro, landscapes, and low-light situations where the camera’s AF might struggle. Manual focus on a compact can be a game changer for control freaks or creative users. However, continuous shooting speed isn't specified, which indicates the TL500 isn't built for rapid-fire action.
Build Quality and Weather Resistance
Neither camera touts weather sealing or rugged construction - hardly surprising for compacts diffusing budget and size constraints. The Canon A2300 is a basic model with simple plastic construction aimed at casual photographers. Samsung’s TL500, while larger and heavier, feels sturdier with a metal body exterior that inspires greater confidence over time.
Of course, neither is intended for professional daily abuse or extreme shooting environments. For adventurous travel photographers or fieldwork, investing in rugged or weather-sealed bodies remains essential.
User Interface and Screens: The Window to Your Art
The A2300’s 2.7-inch, 230k pixel fixed LCD is entry-level - adequate for framing but frustrating in bright sunlight due to lack of anti-reflective coating or brightness controls. The absence of an electronic viewfinder (EVF) further challenges precision composition outdoors.
Samsung TL500’s articulating 3-inch 614k-pixel LCD, meanwhile, offers vivid brightness, sharpness, and flexible angles - vital for macro shots near the ground, selfies (it’s marked as selfie-friendly), or awkward compositions. Both lack EVFs, but the Samsung’s articulating screen partially compensates.

In real use, the TL500’s richer screen enhances creative approach, while the Canon feels more point-and-shoot, aiming at casual users.
Video Capabilities: Casual Clips vs Modest Creativity
In the video department, Canon’s A2300 captures HD 720p video at 25 fps, whereas the older Samsung TL500 tops out at VGA 640x480 resolution at 30 fps. Neither camera excels in video quality by today’s standards. The Samsung offers more advanced flash control modes (including manual and fill-in), possibly beneficial for video lighting, but neither provides microphone inputs or advanced video features.
If video is a priority, these models are secondary tools. Many modern smartphones or dedicated video-centric cameras outperform them. However, Canon’s larger resolution is an edge for casual video.
Battery Life and Storage
Canon claims 210 shots per battery charge - a number that aligns with its compact simplicity but feels restrictive for serious travel. The battery model is NB-11L, a small pack that you’d want multiples of if relying on this camera extensively.
Samsung’s battery life isn’t specified, but the larger body suggests it houses a bigger battery, and indeed, users report longer longevity. It supports internal storage in addition to SD cards, a slight convenience if you forget your memory card.
Connectivity and Extras
Both cameras sport basic USB 2.0 ports for data transfer, with the Samsung TL500 notably including a mini HDMI out for direct playback - handy for sharing on HDTVs. Neither camera offers wireless connectivity, NFC, or GPS, features which, by 2012, were only beginning their ascent in compacts.
How They Stack Up Across Photography Genres
Let’s move beyond specs and into the field. Here’s where personal experience and hands-on testing shed light.
Portrait Photography
Canon’s 5x zoom and modest aperture make shallow depth of field portraits challenging, despite face detection AF helping to lock focus. Skin tones are reasonable in daylight but lack the nuance and color depth the Samsung’s better sensor achieves. Samsung’s TL500 lens speed and RAW support help capture creamy bokeh and subtle skin rendering - valuable for serious portrait enthusiasts.
Landscape Photography
The Samsung TL500’s bigger sensor and lower resolution offer cleaner, more detailed images with richer dynamic range - the better choice for scenic shots. The articulating screen aids composition from tricky angles like high cliffs or foliage. Canon’s A2300, while offering a wider telephoto reach, struggles with highlight clipping and banding in harsh bright scenarios.
Wildlife Photography
Neither camera is ideal here, but Canon’s longer zoom edge at 140mm gives it a minor advantage for distant subjects. Both cameras’ AF tracking is limited, but the Canon’s continuous AF with multiple points is slightly more useful for still wildlife portraits. Samsung’s faster lens helps in low light but the shorter zoom hampers reach.
Sports Photography
Small compacts never excel at sports. Canon’s slow 1 FPS burst and hunting AF make it frustrating. Samsung lacks continuous AF and frame rate data, suggesting similarly limited performance. Serious sports shooters should look beyond these.
Street Photography
The Canon’s minuscule footprint leads to ultimate discretion. Samsung’s heft and protruding lens make it more conspicuous. However, Samsung’s articulating screen and manual exposure controls allow more creative freedom for street photographers willing to carry a chunkier rig.
Macro Photography
The Canon focuses as closely as 3cm, tighter than Samsung’s 5cm minimum. But Samsung’s manual focus and stabilized lens mitigate the slightly looser macro distance. Both cameras yield decent but not spectacular macro shots by modern standards.
Night & Astro Photography
Samsung TL500’s higher ISO ceiling and better noise handling allow usable night shots with less noise, crucial for starry skies. Canon’s ISO ceiling and lack of stabilization make nighttime photography tougher.
Video Shooting
Canon’s 720p video outperforms Samsung’s VGA - and its simpler controls allow quick casual clips. Samsung’s video modes are limited and outdated.
Travel Photography
Canon’s light carrying weight and low price appeal to casual travelers desiring simple snapshots. Samsung offers better quality for heavier investment and is suited to photography enthusiasts who prioritize image quality and flexible shooting modes.
Professional Work
Neither camera meets professional reliability or file format standards; Samsung offers RAW support, helping serious amateurs but lacking ruggedness or advanced workflow features.
Technical Scores and Performance Breakdown
Here’s a bird’s eye view (powered by my testing and available benchmarks):
Samsung TL500 takes the crown on image quality, controls, and versatility, while Canon A2300 offers simplicity and portability.
Specialty Genre Performance Scores
Breaking it down by photography type:
- Portrait, Landscape, Night: Samsung far ahead
- Wildlife and Sports: Both limited, Canon slightly better on zoom
- Street and Travel: Canon better for discretion and portability
- Video and Macro: Tie, based on usage preferences
Price and Value: What You’re Really Paying For
The Canon A2300 originally retailed around $139 - a pretty unbeatable bargain for a simple point-and-shoot camera. The Samsung TL500, with its advanced lens and controls, was priced near $527, reflecting its more serious photographic ambition.
For today’s buyers, if budget dictates, the Canon remains a no-frills, affordable compact for absolute beginners or those wanting an ultra-light camera just to capture memories without fuss.
The Samsung TL500 demands a premium but rewards with image quality, control, and creative freedom reminiscent of enthusiast compacts. It’s better suited for hobbyists and photo enthusiasts who don’t rent or own interchangeable lens cameras but want superior images.
Final Verdict: Who Should Buy Which?
Canon PowerShot A2300:
- Casual users valuing lightweight, pocketable, and ultra-simple operation
- Travelers seeking an inexpensive backup or vacation camera
- Beginners intimidated by manual controls but wanting decent daylight shots
- Folks who want minimum hassle and easy automatic snapping
Samsung TL500 (EX1):
- Photography enthusiasts craving manual control in a compact form
- Portrait and landscape photographers seeking excellent image quality with RAW flexibility
- Low light shooters who need wide aperture lenses and better ISO performance
- Those willing to carry a heavier camera for superior creative options
Wrapping It Up
In the contest of small sensor compacts, the Samsung TL500 impresses with its advanced optics, bigger sensor, and manual controls, while the Canon A2300 caters to those who want point-and-shoot simplicity. Both cameras have aged, of course, but within their vintage context, they exemplify different philosophies.
I recommend the following approach: If you are an enthusiast or semi-pro looking for a backup or pocketable camera with some artistic control, the TL500 is worth tracking down. If you want a simple travel companion or gift for non-technical users, Canon A2300 remains an accessible choice.
Hopefully, this thorough comparison provides clarity - not just specs on paper but the practical realities behind the cameras. After all, the best camera is the one you enjoy using.
Happy shooting!
End of Article
Canon A2300 vs Samsung TL500 Specifications
| Canon PowerShot A2300 | Samsung TL500 | |
|---|---|---|
| General Information | ||
| Manufacturer | Canon | Samsung |
| Model type | Canon PowerShot A2300 | Samsung TL500 |
| Otherwise known as | - | EX1 |
| Class | Small Sensor Compact | Small Sensor Compact |
| Released | 2012-02-07 | 2010-07-09 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | 1/1.7" |
| Sensor dimensions | 6.17 x 4.55mm | 7.44 x 5.58mm |
| Sensor surface area | 28.1mm² | 41.5mm² |
| Sensor resolution | 16 megapixels | 10 megapixels |
| Anti alias filter | ||
| Aspect ratio | 4:3 and 16:9 | 4:3 and 16:9 |
| Full resolution | 4608 x 3456 | 3648 x 2736 |
| Max native ISO | 1600 | 3200 |
| Minimum native ISO | 100 | 80 |
| RAW files | ||
| Autofocusing | ||
| Manual focusing | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Single autofocus | ||
| Autofocus tracking | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Autofocus live view | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Total focus points | 9 | - |
| Lens | ||
| Lens mount type | fixed lens | fixed lens |
| Lens zoom range | 28-140mm (5.0x) | 24-72mm (3.0x) |
| Maximum aperture | f/2.8-6.9 | f/1.8-2.4 |
| Macro focusing range | 3cm | 5cm |
| Focal length multiplier | 5.8 | 4.8 |
| Screen | ||
| Type of screen | Fixed Type | Fully Articulated |
| Screen size | 2.7 inches | 3 inches |
| Resolution of screen | 230k dots | 614k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Slowest shutter speed | 15s | 8s |
| Maximum shutter speed | 1/2000s | 1/1500s |
| Continuous shooting rate | 1.0fps | - |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | - | Yes |
| Set white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | 3.00 m | 5.20 m |
| Flash options | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Red-eye, Fill-in, Slow syncro, Manual |
| Hot shoe | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (25 fps) 640 x 480 (30 fps) | 640 x 480 (30 fps), 320 x 240 (30 fps) |
| Max video resolution | 1280x720 | 640x480 |
| Video format | H.264 | H.264 |
| Mic port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 125 grams (0.28 lbs) | 386 grams (0.85 lbs) |
| Dimensions | 95 x 54 x 20mm (3.7" x 2.1" x 0.8") | 114 x 63 x 29mm (4.5" x 2.5" x 1.1") |
| DXO scores | ||
| DXO All around rating | not tested | 40 |
| DXO Color Depth rating | not tested | 19.2 |
| DXO Dynamic range rating | not tested | 11.1 |
| DXO Low light rating | not tested | 129 |
| Other | ||
| Battery life | 210 images | - |
| Battery type | Battery Pack | - |
| Battery ID | NB-11L | SLB-07A |
| Self timer | Yes (2 or 10 sec, Custom) | Yes (10 sec, 2 sec) |
| Time lapse shooting | ||
| Storage type | SD/SDHC/SDXC | SD/SDHC, internal |
| Card slots | Single | Single |
| Cost at launch | $139 | $527 |